https://dmlive.wiki/w/api.php?action=feedcontributions&user=Majora101&feedformat=atomDM Live - User contributions [en]2024-03-28T14:24:02ZUser contributionsMediaWiki 1.39.6https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52992List of Depeche Mode sample sources by album/Some Great Reward2024-03-27T21:06:16Z<p>Majora101: /* 4. {{S|It Doesn't Matter}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the verse sections of "Lie To Me".<br />
|smsexample1=ss-LieToMe-SynclavierII-VS-Bell.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Lie To Me".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A processed synthesized organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout "Lie To Me".<br />
|smsexample2=ss-LieToMe-SynclavierII-Organ2.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Lie To Me".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout "It Doesn't Matter".<br />
|smsexample1=ss-ItDoesntMatter-SynclavierII-VsChSynth.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using three Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "It Doesn't Matter".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
{{Sample source with audio<br />
|song={{S|Stories Of Old}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible following the middle eight and throughout the outro section of "Stories Of Old".<br />
|smsexample1=ss-StoriesOfOld-SynclavierII-OutroBell.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard following the middle eight and throughout the outro section of "Stories Of Old".<br />
|colorscheme=SGR<br />
|smsnumberofrows=1<br />
}}<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro section of "If You Want".<br />
|smsexample1=ss-IfYouWant-SynclavierII-OutroBell.mp3<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Drum elements, snare drum<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A sound likely based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro of "Blasphemous Rumours".<br />
|smsexample2=ss-BlasphemousRumours-SynclavierII-BellCh.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout the outro of "Blasphemous Rumours".<br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52991List of Depeche Mode sample sources by album/Some Great Reward2024-03-27T18:43:34Z<p>Majora101: /* 2. {{S|Lie To Me}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the verse sections of "Lie To Me".<br />
|smsexample1=ss-LieToMe-SynclavierII-VS-Bell.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Lie To Me".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A processed synthesized organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout "Lie To Me".<br />
|smsexample2=ss-LieToMe-SynclavierII-Organ2.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Lie To Me".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Kalimba<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
{{Sample source with audio<br />
|song={{S|Stories Of Old}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible following the middle eight and throughout the outro section of "Stories Of Old".<br />
|smsexample1=ss-StoriesOfOld-SynclavierII-OutroBell.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard following the middle eight and throughout the outro section of "Stories Of Old".<br />
|colorscheme=SGR<br />
|smsnumberofrows=1<br />
}}<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro section of "If You Want".<br />
|smsexample1=ss-IfYouWant-SynclavierII-OutroBell.mp3<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Drum elements, snare drum<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A sound likely based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro of "Blasphemous Rumours".<br />
|smsexample2=ss-BlasphemousRumours-SynclavierII-BellCh.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout the outro of "Blasphemous Rumours".<br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52989List of Depeche Mode sample sources by album/Some Great Reward2024-03-27T14:42:43Z<p>Majora101: /* 5. {{S|Stories Of Old}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the verse sections of "Lie To Me".<br />
|smsexample1=ss-LieToMe-SynclavierII-VS-Bell.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Lie To Me".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Kalimba<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
{{Sample source with audio<br />
|song={{S|Stories Of Old}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible following the middle eight and throughout the outro section of "Stories Of Old".<br />
|smsexample1=ss-StoriesOfOld-SynclavierII-OutroBell.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard following the middle eight and throughout the outro section of "Stories Of Old".<br />
|colorscheme=SGR<br />
|smsnumberofrows=1<br />
}}<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro section of "If You Want".<br />
|smsexample1=ss-IfYouWant-SynclavierII-OutroBell.mp3<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Drum elements, snare drum<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A sound likely based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro of "Blasphemous Rumours".<br />
|smsexample2=ss-BlasphemousRumours-SynclavierII-BellCh.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout the outro of "Blasphemous Rumours".<br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52983List of Depeche Mode sample sources by album/The Singles 81→852024-03-25T04:08:33Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Synthesizer, piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #1 - 4151 Clavinet 1''' and '''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - SAMPLE 1, SAMPLE 2'''<br />
|sstatus4=C<br />
|snotes4=A processed synthesized sound based on an edit to {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #1 timbre "4151 Clavinet" is layered with an edit to {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano" to form a melody audible during the verse sections of "Shake The Disease".<br />
|sexample4=ss-STD-SynclavierII-4151-Clavinet1-EII-04-GrandPiano.mp3<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03242024.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52975List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:07:46Z<p>Majora101: /* 10. {{S|Master And Servant}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52974List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:07:36Z<p>Majora101: /* 9. {{S|People Are People}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52973List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:07:27Z<p>Majora101: /* 8. {{S|Love, In Itself}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52972List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:07:19Z<p>Majora101: /* 7. {{S|Everything Counts}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52971List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:07:10Z<p>Majora101: /* 5. {{S|Leave In Silence}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52970List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:07:01Z<p>Majora101: /* 4. {{S|See You}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52969List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:06:54Z<p>Majora101: /* 3. {{S|Just Can't Get Enough}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52968List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:06:47Z<p>Majora101: /* 2. {{S|New Life}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52967List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:06:40Z<p>Majora101: /* 11. {{S|Blasphemous Rumours}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52966List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:06:18Z<p>Majora101: /* 2. {{S|New Life}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52965List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T03:05:44Z<p>Majora101: /* 3. {{S|Just Can't Get Enough}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52964List of Depeche Mode sample sources by album/The Singles 81→852024-03-24T02:41:23Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, bass elements<br />
|smsnotes4=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bass sound audible sporadically throughout "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Bass-2.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Shake The Disease".<br />
<br />
|smsample5=Synthesizer, organ elements<br />
|smsnotes5=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample9=Synthesizer elements<br />
|smsnotes9=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample9=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes9=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample10=Melodic elements<br />
|smsnotes10=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52963List of Depeche Mode sample sources by album/The Singles 81→852024-03-23T23:57:38Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, organ elements<br />
|smsnotes4=A processed synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample5=Synthesizer elements<br />
|smsnotes5=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample9=Melodic elements<br />
|smsnotes9=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52962List of Depeche Mode sample sources by album/The Singles 81→852024-03-23T23:57:26Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer, organ elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer, bass elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer, organ elements<br />
|smsnotes4=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample5=Synthesizer elements<br />
|smsnotes5=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample9=Melodic elements<br />
|smsnotes9=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52961List of Depeche Mode sample sources by album/The Singles 81→852024-03-23T23:49:42Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer, bass elements<br />
|smsnotes2=A processed sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass-1.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre using two Partials produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with multiple other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample5=Synthesizer elements<br />
|smsnotes5=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample8=Synthesizer elements<br />
|smsnotes8=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample8=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes8=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample9=Melodic elements<br />
|smsnotes9=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03232024.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52958List of Depeche Mode sample sources by album/The Singles 81→852024-03-22T21:28:57Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized bass sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is performed with multiple other musical elements to form the bassline audible throughout "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Bass.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Shake The Disease".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample5=Synthesizer elements<br />
|smsnotes5=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes6=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample7=Synthesizer elements<br />
|smsnotes7=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample7=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes7=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample8=Melodic elements<br />
|smsnotes8=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03222024-Rev2.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52957List of Depeche Mode sample sources by album/The Singles 81→852024-03-22T19:20:15Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom3-Mid8.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample5=Synthesizer elements<br />
|smsnotes5=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes5=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample6=Synthesizer elements<br />
|smsnotes6=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to perform a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample6=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes6=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample7=Melodic elements<br />
|smsnotes7=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03222024-Rev1.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52956List of Depeche Mode sample sources by album/The Singles 81→852024-03-22T15:49:38Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to form a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes4=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample5=Synthesizer elements<br />
|smsnotes5=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to form a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample6=Melodic elements<br />
|smsnotes6=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03222024.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52955List of Depeche Mode sample sources by album/The Singles 81→852024-03-22T15:42:23Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to form a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes4=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample5=Synthesizer elements<br />
|smsnotes5=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to form a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample5=ss-STD-SynclavierII-Custom2-Mid8.mp3<br />
|smsexamplenotes5=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the middle eight section of "Shake The Disease".<br />
<br />
|smsample6=Melodic elements<br />
|smsnotes6=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03212024.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52954List of Depeche Mode sample sources by album/The Singles 81→852024-03-22T03:09:07Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to form a melody audible during the middle eight section of "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes2=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the chorus and outro sections of "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-Ch-Org.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the chorus and outro sections of "Shake The Disease".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample4=ss-STD-SynclavierII-Custom-EC.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Shake The Disease".<br />
<br />
|smsample5=Melodic elements<br />
|smsnotes5=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03212024.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52951List of Depeche Mode sample sources by album/Some Great Reward2024-03-21T22:27:09Z<p>Majora101: /* 2. {{S|Lie To Me}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible during the verse sections of "Lie To Me".<br />
|smsexample1=ss-LieToMe-SynclavierII-VS-Bell.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout "Lie To Me".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Kalimba<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
"Stories Of Old" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro section of "If You Want".<br />
|smsexample1=ss-IfYouWant-SynclavierII-OutroBell.mp3<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Drum elements, snare drum<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A sound likely based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro of "Blasphemous Rumours".<br />
|smsexample2=ss-BlasphemousRumours-SynclavierII-BellCh.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout the outro of "Blasphemous Rumours".<br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52950List of Depeche Mode sample sources by album/Some Great Reward2024-03-21T22:25:20Z<p>Majora101: /* 7. {{S|Master And Servant}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|sround=2<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Kalimba<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
"Stories Of Old" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro section of "If You Want".<br />
|smsexample1=ss-IfYouWant-SynclavierII-OutroBell.mp3<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Drum elements, snare drum<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A sound likely based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro of "Blasphemous Rumours".<br />
|smsexample2=ss-BlasphemousRumours-SynclavierII-BellCh.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout the outro of "Blasphemous Rumours".<br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52949List of Depeche Mode sample sources by album/Some Great Reward2024-03-21T22:25:08Z<p>Majora101: /* 7. {{S|Master And Servant}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|sround=2<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Kalimba<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
"Stories Of Old" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro section of "If You Want".<br />
|smsexample1=ss-IfYouWant-SynclavierII-OutroBell.mp3<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Drum elements, snare drum<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A sound likely based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro of "Blasphemous Rumours".<br />
|smsexample2=ss-BlasphemousRumours-SynclavierII-BellCh.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout the outro of "Blasphemous Rumours".<br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52946List of Depeche Mode sample sources by album/Some Great Reward2024-03-21T03:26:35Z<p>Majora101: /* 9. {{S|Blasphemous Rumours}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|sround=2<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Kalimba<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
"Stories Of Old" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro section of "If You Want".<br />
|smsexample1=ss-IfYouWant-SynclavierII-OutroBell.mp3<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Drum elements, snare drum<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A sound likely based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro of "Blasphemous Rumours".<br />
|smsexample2=ss-BlasphemousRumours-SynclavierII-BellCh.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout the outro of "Blasphemous Rumours".<br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52944List of Depeche Mode sample sources by album/Some Great Reward2024-03-20T21:20:07Z<p>Majora101: /* 8. {{S|If You Want}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|sround=2<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Kalimba<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
"Stories Of Old" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the outro section of "If You Want".<br />
|smsexample1=ss-IfYouWant-SynclavierII-OutroBell.mp3<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=1990-03-20_Wherehouse_record_store_incident&diff=529431990-03-20 Wherehouse record store incident2024-03-20T20:14:17Z<p>Majora101: </p>
<hr />
<div><div style="clear: right; float:right">__TOC__</div><br />
<br />
The [[1990-03-20 Wherehouse record store incident|Wherehouse record store incident]] was an incident in which [[Depeche Mode]] were infamously forced by the Los Angeles police department to evacuate an in-store record signing event to promote their newly-released album ''[[Violator]]'' due to an unexpectedly high turnout of approximately 17,000-20,000 people, with a venue capacity of only 150.<ref name="Poorman">Source: ''OC Weekly'' - "[[2019-09-17 POORMAN’S RADIO DAYS: RECOUNTING THE DEPECHE MODE RIOT OF 1990|POORMAN’S RADIO DAYS: RECOUNTING THE DEPECHE MODE RIOT OF 1990]]" - September 2019</ref> The incident is considered by fans and media to be a major breakthrough for Depeche Mode in America, further heralding the group's transition from a cult British act to a mainstream international success in spite of minimal radio airplay and promotion.<br />
<br />
== Background ==<br />
[[File:Depeche Mode Signing 1990.jpg|thumb|right|x150px|Photograph of fans congregating in front of the Wherehouse record store, taken by fan Dion Beck and his group of friends from a parking garage across the street. Dion and his group were hoping to get a glimpse of the band from this position after hearing that not everybody will get a chance for a signing.]]<br />
The Wherehouse record signing event was jointly organized by Los Angeles radio station [https://en.wikipedia.org/wiki/KROQ-FM KROQ-FM], {{EL|https://en.wikipedia.org/wiki/Sire_Records Sire Records}}, and the Wherehouse, [https://en.wikipedia.org/wiki/Wherehouse_Entertainment a now-defunct record and video store chain]. The event was to be held at the Wherehouse record store location on La Cienega Boulevard on 20 March to coincide with the 19 March release of Depeche Mode's 1990 album ''[[Violator]]''. The event was to feature all four members of Depeche Mode ([[Dave Gahan]], [[Alan Wilder]], [[Martin L. Gore|Martin Gore]], and [[Andrew Fletcher]]), who were scheduled to greet fans and sign memorabilia from 9 p.m. to midnight. Fans were to queue in line on the sidewalk outside the venue with any memorabilia they wished to have autographed, and were to be allowed entry into the store in small groups at a time. A crew of security guards were employed to escort the band to and from the store and supervise fan interactions.<br />
<br />
The event enjoyed heavy radio promotion by KROQ-FM in the week leading up to the event, during which time rumour spread that there could be a turnout of 10,000 people or more. Addressing these rumours, Martin Gore called in to the live music television programme ''Request Video'' (hosted by former KROQ DJ Jim "The Poorman" Trenton) several days prior to the event to state that, despite his hope that there might be "a bit of mayhem", any callers who believed that 10,000 people might show up to the record signing may be in for a disappointing turnout.<ref name="Poorman"></ref><br />
[[File:1990-03-20-Wherehouse-receipt.jpg|thumb|right|x150px|Receipt of purchase of the [[Violator]] album from the Wherehouse record store on March 20, 1990, with a note at the bottom of the page indicating Depeche Mode's presence at the store later that night. Scan courtesy of Dina Marie Robinson.]]<br />
<br />
== Incident ==<br />
<br />
Many KROQ-FM jocks and personalities were in attendance on the day of the promotion, including the then-new morning show team Kevin and Bean as well as Jed The Fish. The late Spacin' Scott Mason performed engineering duties, while KROQ-FM DJ Richard Blade was to interview the band for a live broadcast throughout the evening from inside the venue. Jim "The Poorman" Trenton was to film the event with the ''Request Video'' camera crew. Depeche Mode photographer [[Anton Corbijn]] was in attendance, who shot the photograph used for the cover of the promotional [[1990-03-20_The_Wherehouse_(Sire-Reprise_PRO-C-4329)|cassette]] which was later distributed as an apology to local fans who suffered injuries or were unable to have memorabilia signed.<br />
<br />
By 8 p.m., a large crowd of several thousand spanning La Cienega to Fairfax had already begun to develop.<ref name="Poorman"></ref> Some fans had begun camping out near the venue as early as the night before.<br />
<br />
Depeche Mode arrived in a limousine at 9 p.m. as scheduled, and were escorted into the venue by half a dozen security guards amidst a throng of screaming fans. Notably, in stark contrast with the chaos outside the venue, the atmosphere inside the Wherehouse location was initially reported to be calm and quiet.<ref name="Poorman"></ref> The band were sat at a long table supplied with Rolling Rock beer as they autographed fan memorabilia and answered interview questions. Gahan responded when asked if he had heard the crowd estimate from the LAPD: "Yeah, 17,000. [...] It's not even something planned. We were asked to do an in-store. It seemed like a good idea, since we weren't doing any gigs at the moment. We never expected this kind of turnout."<ref name="Poorman"></ref><br />
<br />
The live remote KROQ broadcast, compounded by [[1990-03-20 Wherehouse record store incident#Warner Bros. in-house news footage compilation tape|news coverage from all major Los Angeles news stations]], acted as a catalyst for the increasingly hysterical mass of fans queuing outside the venue waiting for their opportunity to meet the band. Noting the unwieldy size of the crowd and the decreasing odds that the band will be able to provide autographs for everyone, some fans became anxious and began to force their way in to the store. Hundreds of fans outside the venue pressed up against the plate glass windows of the store, while a group of fans bum-rushed the glass doors, requiring the intervention of ten security guards and Wherehouse employees to keep the doors closed.<br />
<br />
By 10:15 p.m., the Los Angeles police department decided the situation had become unsafe for the band as well as the fans, promptly relocating the members of the group to a back room before escorting them out of the building. An announcement was made that the band would not be able to continue signing autographs, spurring an angry reaction from members of the crowd, who began banging on the windows. Outside the venue, a group of drunk people began to throw rocks and beer bottles from the top of the parking structure directly above the store. Fans were perched in nearby trees, while others began jumping on the tops of news vans and power boxes, breaking car windows, and destroying city property. Attendee Art Cortez, 16, reported to a local newspaper that some people in the crowd were "getting stepped on and one girl fainted. It was like a riot." A linked-arm barricade estimated to have been comprised of at least 100 police officers in riot gear equipped with shields and billy clubs began to barricade the affected streets. Mounted officers on horseback monitored the scene from street level, while police helicopters surveilled the scene from above.<br />
<br />
The crowd was finally quelled when the Los Angeles police department cordoned off the nearby streets for two hours, making no arrests. Seven attendees reportedly suffered minor injuries. The members of Depeche Mode returned to their hotel and watched national news outlet reports on the incident.<ref name="KROQFMFEB97">Source: KROQ FM, L.A., February 1997, DJs: Kevin and Bean</ref><br />
<br />
== Aftermath ==<br />
<br />
[[File:1990-03-20-back.png|thumb|right|x240px|Back artwork scan of the promotional [[1990-03-20 The Wherehouse (Sire-Reprise PRO-C-4329)|cassette]] issued to fans who were inconvenienced or suffered minor injuries as a result of the incident.]]<br />
<br />
In shock at the outcome of the promotion, there was concern on the part of {{EL|https://en.wikipedia.org/wiki/Sire_Records Sire Records}}, KROQ, and the Wherehouse that they may be sued. KROQ DJ Jim Trenton unknowingly fueled their fears during the following night's weekday airshift radio show by asking listeners who attended the Wherehouse promotion the night before to call in if they had been injured. Trenton recalls in a September 2019 piece for ''OC Weekly'':<br />
<br />
<blockquote><br />
I remember putting a bunch of callers on the air, including one girl who claimed she had broken her leg. This was not smart. KROQ, [Sire] Records<ref group="footnotes">Jim Trenton's original quote refers to Mute Records, though this may be an error, as Sire Records handled the promotion for Mute Records.</ref>, and The Wherehouse were very afraid they were going to get sued. Here I was helping to realize those fears. [...] The following morning, Thursday, I was suspended from my radio show for at least the rest of the week. I was very afraid I'd be fired. At that point, I decided to leave town. [My girlfriend] Jennifer and I drove up to San Francisco for a few days. We saw Sean Connery and Alec Baldwin in the movie 'The Hunt for Red October'. That's about all I remember from the trip other than I didn't get fired and was back on the air the following Monday. [...] Now here's the real interesting part: We left for San Francisco on Thursday the 22nd and didn't return until Sunday the 25th. Exactly nine months later and married by then, my one and only son Nick was born on Christmas Eve, Dec. 24. Now I'm just sayin' ...<ref name="Poorman"></ref><br />
— KROQ-FM DJ Jim "The Poorman" Trenton - ''OC Weekly'', September 2019</blockquote><br />
<br />
Los Angeles city councilman Zev Yaroslavsky criticised KROQ for allowing such a large number of fans to stand in line. Local newspapers reported that the city of Los Angeles demanded The Wherehouse to pay damages of $20,000 to $30,000 for police time, paramedics, and clean-up costs.<br />
[[File:1990-03-xx-Wherehouse-news.jpg|thumb|right|x450px|Newspaper article clipping about the event, courtesy of Dina Marie Robinson.]]<br />
As an apology to fans who were inconvenienced or suffered minor injuries as a result of the incident, approximately 25,000 copies of a promotional [[1990-03-20 The Wherehouse (Sire-Reprise PRO-C-4329)|cassette]] were produced and distributed.<ref name="Spin July 1990">Source: ''Spin'' magazine, [https://www.spin.com/featured/depeche-mode-violator-cover-story-1990/ July 1990 issue]</ref> The cassette included a selection of interviews recorded at the time of and following the event, as well as the "Metal Mix" of [[Something To Do]], which had not previously been available on any official release in the United States. Depeche Mode fans in the Los Angeles area were instructed by local radio station KROQ to mail in a [[1990-03-20 The Wherehouse (Sire-Reprise PRO-C-4329)#Cassette commercial transcript|specially labeled postcard]] in order to receive the cassette.<ref name="Spin July 1990"></ref><br />
<br />
:''See more & listen to the promotional cassette audio on this page: [[1990-03-20 The Wherehouse (Sire-Reprise PRO-C-4329)|Sire/Reprise PRO-C-4329]]<br />
<br />
== Media coverage ==<br />
<br />
{{main|:Category:Articles relating to the Wherehouse record store incident|Articles relating to the Wherehouse record store incident}}<br />
<br />
=== Warner Bros. in-house news footage compilation tape ===<br />
<br />
[[1990-03-2x Wherehouse incident footage]] is a compilation of about 20 minutes of raw news and police footage sourced from a Warner Bros. VHS tape. Notably, one news channel's interview between Los Angeles city councilman Zev Yaroslavsky and KROQ radio DJ Richard Blade appears at the end of the video. You can watch this entire recording below.<br />
<br />
<html5media>https://media.dmlive.wiki/stream/dm1990-03-27-Wherehouse.mp4</html5media><br />
<br />
=== ''After Hours'' - June 1990 ===<br />
<br />
Footage of the in-store event recorded prior to the band's evacuation was included in a feature on American entertainment news show ''After Hours'' in June 1990.<ref>Source: Footage courtesy of Instagram user [https://www.instagram.com/p/B04eQfaBzyo vhschunks].<br />
Retrieved via [https://www.facebook.com/groups/depechemodeclassicfansphotosandvideos Facebook group “Depeche Mode Classic Photos And Videos”].</ref><br />
<br />
<html5media height="400" width="400">https://media.dmlive.wiki/stream/1990-03-20%20After%20Hours%20-%20June%201990.mp4</html5media><br />
<br />
=== ''VH1 - Behind The Music'' segment - 1999 documentary ===<br />
<br />
[[1999-02-28 Behind The Music, VH1|The VH1 "Behind The Music" documentary about Depeche Mode from 1999]] includes a short segment mentioning the Wherehouse record store event, with commentary from Howie Klein, Andy Franks, and Richard Blade. The relevant clip has been cut out of the documentary and is available to view below:<br />
<br />
<html5media>https://media.dmlive.wiki/stream/dm1999-02-28.VH1.BehindTheMusic-wherehouseclip.mp4</html5media><br />
<br />
=== Official "Archives Special" ===<br />
<br />
In 2014, an "Archives Special" was published at '''archives.depechemode.com''' to commemorate this event.<br />
<br />
:''See more: [http://archives.depechemode.com/specials/march_20_1990.html Depeche Mode: The Archives - The Wherehouse In-Store]<br />
<br />
== Fan-shot footage ==<br />
<br />
On March 20, 2021, Depeche Mode's archivist Daniel Barassi shared a 34 minute, 11 second fan-shot video [https://www.youtube.com/watch?v=213RgN7oHVE on YouTube] of fan-shot footage spanning March 18 - 22, 1990. The video's description states:<br />
<br />
<blockquote><br />
At the time of posting this (March 20th, 2021), it was 31 years ago that the legendary Depeche Mode in-store event happened at The Wherehouse record store in Los Angeles. Shortly after the event, my friend Melissa Breitstein brought her friend Sharon Ong to my apartment. Sharon let me dub her original camcorder footage of The Wherehouse event, and on that VHS tape this footage has sat...until today. Aside from editing out about fifteen minutes of Sharon and her friends chasing Martin and Fletch on the streets of Los Angeles, this is the entire video. <br />
<br />
The video starts at Tower Records Sunset, where there was a huge "Violator" display. From there, we find Martin and Fletch on a Los Angeles street, signing autographs (and Fletch becoming cameraman), before going to the Sunset Marquis hotel. From there, we arrive at The Wherehouse on March 19th, 1990, the day before the in-store event. The main video is walking the line of the in-store event, on the actual day (March 20th, around 4pm). We end with a shot of Martin and Fletch at the airport.<br />
<br />
Let Sharon take you on a trip, and The Wherehouse and back. :)<br />
<br />
Daniel Barassi<br />
BRAT Productions / bratproductions.com / @bratmix<br />
</blockquote><br />
<br />
The YouTube video is embedded below:<br />
<br />
{{#widget:YouTube|id=213RgN7oHVE}}<br />
<br />
== Quotes ==<br />
<br />
{{main|:Category:Interviews relating to the Wherehouse record store incident|Interviews relating to the Wherehouse record store incident}}<br />
<br />
<blockquote><br />
Yesterday in Los Angeles, British band Depeche Mode broke all previous records when they made an appearance at one of the biggest record stores in the world. Some 5,000 fans had camped outside the store for 4 days with the queue extending for nearly 2 miles. By the time the band arrived, there were more than 17,000 screaming fans outside, with The Beverly Centre opposite invaded by fans trying to get a better view. The LAPD closed down the event after 90 minutes because they felt the band's lives were in danger. 200 police units including helicopters and mounted officers in full riot gear tried to calm the fans down. Eventually, the police moved the band out of their hotel under escort. The police chief told us 'this is our biggest police operation since the presidential visit.'<ref name="SHUNT VIOLATOR">Source: [http://oldsite.recoil.co.uk/report/edit/dm8698/vio1.htm Source: SHUNT ARCHIVES EDITORIAL : 1998 ARCHIVES : DM Singles 86-98 : VIOLATOR]</ref><br />
— Press statement - March 1990</blockquote><br />
-----<br />
<blockquote>“Chelsea on a Saturday afternoon – now that’s a riot.”<br /><br /><br />
— Alan Wilder, QPR fan</blockquote><br />
<br />
-----<br />
<br />
<blockquote><br />
'''Dave Gahan''': "It actually got quite scary. The whole thing got a little bit out of control. There was no way we could have known that there was going to be so many people turn up. They have these huge glass windows and fans were pushing up against the window. You could feel the atmosphere in the place building up. We just all kind of looked at each other and said, 'We gotta get out of here!'"<br />
<br />
'''Martin Gore''': "Eventually it got so out of hand that the police told us to leave. So we went back to the hotel, switched on the TV and there we were all over the nationwide news."<ref>Source: User's Guide: Depeche Mode, Kingsize, May 2001.</ref><br />
</blockquote><br />
<br />
<blockquote><br />
'''Dave Gahan''': "[We] all sat down together and we flicked through all the news channels and it was like, 'English rock band Dee-Pesh Mode tonight stopped the traffic!'" [laughs] "It was really funny watching it all."<ref name="KROQFMFEB97"></ref><br />
</blockquote><br />
<br />
-----<br />
<br />
<blockquote><br />
Once we were outside, things really got scary. Directly above The Wherehouse was a four floor parking structure. [...] When it was announced that the band wasn’t signing any more autographs, people were pissed and angry. They were in line for hours and hours. It sucked! The crowd began banging and shaking the windows. Thousands of crazy, drunk people were throwing bottles from the top of the parking structure. [My wife and I] immediately were dodging a rain of flying whiskey and beer bottles. It was insane! It got even dicier once we ran onto La Cienega Boulevard. Thousands and thousands of DM fans were going crazy everywhere, running through the streets like a mad mob. [...] Numerous people were perched in trees while others were jumping up and down on news vans and electrical power boxes. They were breaking car windows and destroying property everywhere. La Cienega was barricaded by a combination of at least 100 riot police who were holding shields and billy clubs and linking arms. There were also cops on horseback and police helicopters circling overhead. Despite their presence, they allowed the crowd to get crazy. It was a nightmare for us to find a safe exit to get back to my car parked a few blocks away. Amazingly, there were very few arrests. It was a miracle there weren’t any deaths and few serious injuries.<ref name="Poorman"></ref><br />
— KROQ-FM DJ Jim "The Poorman" Trenton - ''OC Weekly'', September 2019</blockquote><br />
<br />
-----<br />
<br />
Music journalist Ted Mico described the chaos in the August 18th issue of <i>Melody Maker</i>:<br />
<blockquote><br />
[...] Modettes were spread over six square blocks and literally ground the entire city to a standstill. Nothing like this had happened in L.A. for years - even when U2 shot their video for 'Where The Streets Have No Name' on a Downtown roof. Depeche Mode bigger than Jesus? Not quite, but they'd give Bono a run for his money and are taken as seriously and followed as fanatically here as The Cure or New Order are in Britain.<ref>Source: <i>Melody Maker</i>, 18th August 1990 [https://web.archive.org/web/20080305081932/http://www.sacreddm.net/1990s/mel180890/mel180890main.htm via SacredDM] (now defunct).</ref></blockquote><br />
= Notes =<br />
<references group="footnotes" /><br />
== References ==<br />
<references /><br />
<metadesc>The Wherehouse record store incident was an incident in which Depeche Mode were forced by the Los Angeles police department to evacuate an in-store promotion due to an unexpectedly high turnout of approximately 17,000-20,000 people, with a venue capacity of only 150.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=1990-03-20_Wherehouse_record_store_incident&diff=529421990-03-20 Wherehouse record store incident2024-03-20T20:05:43Z<p>Majora101: </p>
<hr />
<div><div style="clear: right; float:right">__TOC__</div><br />
<br />
The [[1990-03-20 Wherehouse record store incident|Wherehouse record store incident]] was an incident in which [[Depeche Mode]] were infamously forced by the Los Angeles police department to evacuate an in-store record signing event to promote their newly-released album ''[[Violator]]'' due to an unexpectedly high turnout of approximately 17,000-20,000 people, with a venue capacity of only 150.<ref name="Poorman">Source: ''OC Weekly'' - "[[2019-09-17 POORMAN’S RADIO DAYS: RECOUNTING THE DEPECHE MODE RIOT OF 1990|POORMAN’S RADIO DAYS: RECOUNTING THE DEPECHE MODE RIOT OF 1990]]" - September 2019</ref> The incident is considered by fans and media to be a major breakthrough for Depeche Mode in America, further heralding the group's transition from a cult British act to a mainstream international success in spite of minimal radio airplay and promotion.<br />
<br />
== Background ==<br />
[[File:Depeche Mode Signing 1990.jpg|thumb|right|x150px|Photograph of fans congregating in front of the Wherehouse record store, taken by fan Dion Beck and his group of friends from a parking garage across the street. Dion and his group were hoping to get a glimpse of the band from this position after hearing that not everybody will get a chance for a signing.]]<br />
The Wherehouse record signing event was jointly organized by Los Angeles radio station [https://en.wikipedia.org/wiki/KROQ-FM KROQ-FM], {{EL|https://en.wikipedia.org/wiki/Sire_Records Sire Records}}, and the Wherehouse, [https://en.wikipedia.org/wiki/Wherehouse_Entertainment a now-defunct record and video store chain]. The event was to be held at the Wherehouse record store location on La Cienega Boulevard on 20 March to coincide with the 19 March release of Depeche Mode's 1990 album ''[[Violator]]''. The event was to feature all four members of Depeche Mode ([[Dave Gahan]], [[Alan Wilder]], [[Martin L. Gore|Martin Gore]], and [[Andrew Fletcher]]), who were scheduled to greet fans and sign memorabilia from 9 p.m. to midnight. Fans were to queue in line on the sidewalk outside the venue with any memorabilia they wished to have autographed, and were to be allowed entry into the store in small groups at a time. A crew of security guards were employed to escort the band to and from the store and supervise fan interactions.<br />
<br />
The event enjoyed heavy radio promotion by KROQ-FM in the week leading up to the event, during which time rumour spread that there could be a turnout of 10,000 people or more. Addressing these rumours, Martin Gore called in to the live music television programme ''Request Video'' (hosted by former KROQ DJ Jim "The Poorman" Trenton) several days prior to the event to state that, despite his hope that there might be "a bit of mayhem", any callers who believed that 10,000 people might show up to the record signing may be in for a disappointing turnout.<ref name="Poorman"></ref><br />
[[File:1990-03-20-Wherehouse-receipt.jpg|thumb|right|x150px|Receipt of purchase of the [[Violator]] album from the Wherehouse record store on March 20, 1990, with a note at the bottom of the page indicating Depeche Mode's presence at the store later that night. Scan courtesy of Dina Marie Robinson.]]<br />
<br />
== Incident ==<br />
<br />
Many KROQ-FM jocks and personalities were in attendance on the day of the promotion, including the then-new morning show team Kevin and Bean as well as Jed The Fish. The late Spacin' Scott Mason performed engineering duties, while KROQ-FM DJ Richard Blade was to interview the band for a live broadcast throughout the evening from inside the venue. Jim "The Poorman" Trenton was to film the event with the ''Request Video'' camera crew. Depeche Mode photographer [[Anton Corbijn]] was in attendance, who shot the photograph used for the cover of the promotional [[1990-03-20_The_Wherehouse_(Sire-Reprise_PRO-C-4329)|cassette]] which was later distributed as an apology to local fans who suffered injuries or were unable to have memorabilia signed.<br />
<br />
By 8 p.m., a large crowd of several thousand spanning La Cienega to Fairfax had already begun to develop.<ref name="Poorman"></ref> Some fans had begun camping out near the venue as early as the night before.<br />
<br />
Depeche Mode arrived in a limousine at 9 p.m. as scheduled, and were escorted into the venue by half a dozen security guards amidst a throng of screaming fans. Notably, in stark contrast with the chaos outside the venue, the atmosphere inside the Wherehouse location was initially reported to be calm and quiet.<ref name="Poorman"></ref> The band were sat at a long table supplied with Rolling Rock beer as they autographed fan memorabilia and answered interview questions. Gahan responded when asked if he had heard the crowd estimate from the LAPD: "Yeah, 17,000. [...] It's not even something planned. We were asked to do an in-store. It seemed like a good idea, since we weren't doing any gigs at the moment. We never expected this kind of turnout."<ref name="Poorman"></ref><br />
<br />
The live remote KROQ broadcast, compounded by [[1990-03-20 Wherehouse record store incident#Warner Bros. in-house news footage compilation tape|news coverage from all major Los Angeles news stations]], acted as a catalyst for the increasingly hysterical mass of fans queuing outside the venue waiting for their opportunity to meet the band. Noting the unwieldy size of the crowd and the decreasing odds that the band will be able to provide autographs for everyone, some fans became anxious and began to force their way in to the store. Hundreds of fans outside the venue pressed up against the plate glass windows of the store, while a group of fans bum-rushed the glass doors, requiring the intervention of ten security guards and Wherehouse employees to keep the doors closed.<br />
<br />
By 10:15 p.m., the Los Angeles police department decided the situation had become unsafe for the band as well as the fans, promptly relocating the members of the group to a back room before escorting them out of the building. An announcement was made that the band would not be able to continue signing autographs, spurring an angry reaction from members of the crowd, who began banging on the windows. Outside the venue, a group of drunk people began to throw rocks and beer bottles from the top of the parking structure directly above the store. Fans were perched in nearby trees, while others began jumping on the tops of news vans and power boxes, breaking car windows, and destroying city property. Attendee Art Cortez, 16, reported to a local newspaper that some people in the crowd were "getting stepped on and one girl fainted. It was like a riot." A linked-arm barricade estimated to have been comprised of at least 100 police officers in riot gear equipped with shields and billy clubs began to barricade the affected streets. Mounted officers on horseback monitored the scene from street level, while police helicopters surveilled the scene from above.<br />
<br />
The crowd was finally quelled when the Los Angeles police department cordoned off the nearby streets for two hours, making no arrests. Seven attendees reportedly suffered minor injuries. The members of Depeche Mode returned to their hotel and watched national news outlet reports on the incident.<ref name="KROQFMFEB97">Source: KROQ FM, L.A., February 1997, DJs: Kevin and Bean</ref><br />
<br />
== Aftermath ==<br />
<br />
[[File:1990-03-20-back.png|thumb|right|x240px|Back artwork scan of the promotional [[1990-03-20 The Wherehouse (Sire-Reprise PRO-C-4329)|cassette]] issued to fans who were inconvenienced or suffered minor injuries as a result of the incident.]]<br />
<br />
In shock at the outcome of the promotion, there was concern on the part of {{EL|https://en.wikipedia.org/wiki/Sire_Records Sire Records}}, KROQ, and the Wherehouse that they may be sued. KROQ DJ Jim Trenton unknowingly fueled their fears during the following night's weekday airshift radio show by asking listeners who attended the Wherehouse promotion the night before to call in if they had been injured. Trenton recalls in a September 2019 piece for ''OC Weekly'':<br />
<br />
<blockquote><br />
I remember putting a bunch of callers on the air, including one girl who claimed she had broken her leg. This was not smart. KROQ, {{EL|https://en.wikipedia.org/wiki/Sire_Records Sire Records}}, and The Wherehouse were very afraid they were going to get sued. Here I was helping to realize those fears. [...] The following morning, Thursday, I was suspended from my radio show for at least the rest of the week. I was very afraid I'd be fired. At that point, I decided to leave town. [My girlfriend] Jennifer and I drove up to San Francisco for a few days. We saw Sean Connery and Alec Baldwin in the movie 'The Hunt for Red October'. That's about all I remember from the trip other than I didn't get fired and was back on the air the following Monday. [...] Now here's the real interesting part: We left for San Francisco on Thursday the 22nd and didn't return until Sunday the 25th. Exactly nine months later and married by then, my one and only son Nick was born on Christmas Eve, Dec. 24. Now I'm just sayin' ...<ref name="Poorman"></ref><br />
— KROQ-FM DJ Jim "The Poorman" Trenton - ''OC Weekly'', September 2019</blockquote><br />
<br />
Los Angeles city councilman Zev Yaroslavsky criticised KROQ for allowing such a large number of fans to stand in line. Local newspapers reported that the city of Los Angeles demanded The Wherehouse to pay damages of $20,000 to $30,000 for police time, paramedics, and clean-up costs.<br />
[[File:1990-03-xx-Wherehouse-news.jpg|thumb|right|x450px|Newspaper article clipping about the event, courtesy of Dina Marie Robinson.]]<br />
As an apology to fans who were inconvenienced or suffered minor injuries as a result of the incident, approximately 25,000 copies of a promotional [[1990-03-20 The Wherehouse (Sire-Reprise PRO-C-4329)|cassette]] were produced and distributed.<ref name="Spin July 1990">Source: ''Spin'' magazine, [https://www.spin.com/featured/depeche-mode-violator-cover-story-1990/ July 1990 issue]</ref> The cassette included a selection of interviews recorded at the time of and following the event, as well as the "Metal Mix" of [[Something To Do]], which had not previously been available on any official release in the United States. Depeche Mode fans in the Los Angeles area were instructed by local radio station KROQ to mail in a [[1990-03-20 The Wherehouse (Sire-Reprise PRO-C-4329)#Cassette commercial transcript|specially labeled postcard]] in order to receive the cassette.<ref name="Spin July 1990"></ref><br />
<br />
:''See more & listen to the promotional cassette audio on this page: [[1990-03-20 The Wherehouse (Sire-Reprise PRO-C-4329)|Sire/Reprise PRO-C-4329]]<br />
<br />
== Media coverage ==<br />
<br />
{{main|:Category:Articles relating to the Wherehouse record store incident|Articles relating to the Wherehouse record store incident}}<br />
<br />
=== Warner Bros. in-house news footage compilation tape ===<br />
<br />
[[1990-03-2x Wherehouse incident footage]] is a compilation of about 20 minutes of raw news and police footage sourced from a Warner Bros. VHS tape. Notably, one news channel's interview between Los Angeles city councilman Zev Yaroslavsky and KROQ radio DJ Richard Blade appears at the end of the video. You can watch this entire recording below.<br />
<br />
<html5media>https://media.dmlive.wiki/stream/dm1990-03-27-Wherehouse.mp4</html5media><br />
<br />
=== ''After Hours'' - June 1990 ===<br />
<br />
Footage of the in-store event recorded prior to the band's evacuation was included in a feature on American entertainment news show ''After Hours'' in June 1990.<ref>Source: Footage courtesy of Instagram user [https://www.instagram.com/p/B04eQfaBzyo vhschunks].<br />
Retrieved via [https://www.facebook.com/groups/depechemodeclassicfansphotosandvideos Facebook group “Depeche Mode Classic Photos And Videos”].</ref><br />
<br />
<html5media height="400" width="400">https://media.dmlive.wiki/stream/1990-03-20%20After%20Hours%20-%20June%201990.mp4</html5media><br />
<br />
=== ''VH1 - Behind The Music'' segment - 1999 documentary ===<br />
<br />
[[1999-02-28 Behind The Music, VH1|The VH1 "Behind The Music" documentary about Depeche Mode from 1999]] includes a short segment mentioning the Wherehouse record store event, with commentary from Howie Klein, Andy Franks, and Richard Blade. The relevant clip has been cut out of the documentary and is available to view below:<br />
<br />
<html5media>https://media.dmlive.wiki/stream/dm1999-02-28.VH1.BehindTheMusic-wherehouseclip.mp4</html5media><br />
<br />
=== Official "Archives Special" ===<br />
<br />
In 2014, an "Archives Special" was published at '''archives.depechemode.com''' to commemorate this event.<br />
<br />
:''See more: [http://archives.depechemode.com/specials/march_20_1990.html Depeche Mode: The Archives - The Wherehouse In-Store]<br />
<br />
== Fan-shot footage ==<br />
<br />
On March 20, 2021, Depeche Mode's archivist Daniel Barassi shared a 34 minute, 11 second fan-shot video [https://www.youtube.com/watch?v=213RgN7oHVE on YouTube] of fan-shot footage spanning March 18 - 22, 1990. The video's description states:<br />
<br />
<blockquote><br />
At the time of posting this (March 20th, 2021), it was 31 years ago that the legendary Depeche Mode in-store event happened at The Wherehouse record store in Los Angeles. Shortly after the event, my friend Melissa Breitstein brought her friend Sharon Ong to my apartment. Sharon let me dub her original camcorder footage of The Wherehouse event, and on that VHS tape this footage has sat...until today. Aside from editing out about fifteen minutes of Sharon and her friends chasing Martin and Fletch on the streets of Los Angeles, this is the entire video. <br />
<br />
The video starts at Tower Records Sunset, where there was a huge "Violator" display. From there, we find Martin and Fletch on a Los Angeles street, signing autographs (and Fletch becoming cameraman), before going to the Sunset Marquis hotel. From there, we arrive at The Wherehouse on March 19th, 1990, the day before the in-store event. The main video is walking the line of the in-store event, on the actual day (March 20th, around 4pm). We end with a shot of Martin and Fletch at the airport.<br />
<br />
Let Sharon take you on a trip, and The Wherehouse and back. :)<br />
<br />
Daniel Barassi<br />
BRAT Productions / bratproductions.com / @bratmix<br />
</blockquote><br />
<br />
The YouTube video is embedded below:<br />
<br />
{{#widget:YouTube|id=213RgN7oHVE}}<br />
<br />
== Quotes ==<br />
<br />
{{main|:Category:Interviews relating to the Wherehouse record store incident|Interviews relating to the Wherehouse record store incident}}<br />
<br />
<blockquote><br />
Yesterday in Los Angeles, British band Depeche Mode broke all previous records when they made an appearance at one of the biggest record stores in the world. Some 5,000 fans had camped outside the store for 4 days with the queue extending for nearly 2 miles. By the time the band arrived, there were more than 17,000 screaming fans outside, with The Beverly Centre opposite invaded by fans trying to get a better view. The LAPD closed down the event after 90 minutes because they felt the band's lives were in danger. 200 police units including helicopters and mounted officers in full riot gear tried to calm the fans down. Eventually, the police moved the band out of their hotel under escort. The police chief told us 'this is our biggest police operation since the presidential visit.'<ref name="SHUNT VIOLATOR">Source: [http://oldsite.recoil.co.uk/report/edit/dm8698/vio1.htm Source: SHUNT ARCHIVES EDITORIAL : 1998 ARCHIVES : DM Singles 86-98 : VIOLATOR]</ref><br />
— Press statement - March 1990</blockquote><br />
-----<br />
<blockquote>“Chelsea on a Saturday afternoon – now that’s a riot.”<br /><br /><br />
— Alan Wilder, QPR fan</blockquote><br />
<br />
-----<br />
<br />
<blockquote><br />
'''Dave Gahan''': "It actually got quite scary. The whole thing got a little bit out of control. There was no way we could have known that there was going to be so many people turn up. They have these huge glass windows and fans were pushing up against the window. You could feel the atmosphere in the place building up. We just all kind of looked at each other and said, 'We gotta get out of here!'"<br />
<br />
'''Martin Gore''': "Eventually it got so out of hand that the police told us to leave. So we went back to the hotel, switched on the TV and there we were all over the nationwide news."<ref>Source: User's Guide: Depeche Mode, Kingsize, May 2001.</ref><br />
</blockquote><br />
<br />
<blockquote><br />
'''Dave Gahan''': "[We] all sat down together and we flicked through all the news channels and it was like, 'English rock band Dee-Pesh Mode tonight stopped the traffic!'" [laughs] "It was really funny watching it all."<ref name="KROQFMFEB97"></ref><br />
</blockquote><br />
<br />
-----<br />
<br />
<blockquote><br />
Once we were outside, things really got scary. Directly above The Wherehouse was a four floor parking structure. [...] When it was announced that the band wasn’t signing any more autographs, people were pissed and angry. They were in line for hours and hours. It sucked! The crowd began banging and shaking the windows. Thousands of crazy, drunk people were throwing bottles from the top of the parking structure. [My wife and I] immediately were dodging a rain of flying whiskey and beer bottles. It was insane! It got even dicier once we ran onto La Cienega Boulevard. Thousands and thousands of DM fans were going crazy everywhere, running through the streets like a mad mob. [...] Numerous people were perched in trees while others were jumping up and down on news vans and electrical power boxes. They were breaking car windows and destroying property everywhere. La Cienega was barricaded by a combination of at least 100 riot police who were holding shields and billy clubs and linking arms. There were also cops on horseback and police helicopters circling overhead. Despite their presence, they allowed the crowd to get crazy. It was a nightmare for us to find a safe exit to get back to my car parked a few blocks away. Amazingly, there were very few arrests. It was a miracle there weren’t any deaths and few serious injuries.<ref name="Poorman"></ref><br />
— KROQ-FM DJ Jim "The Poorman" Trenton - ''OC Weekly'', September 2019</blockquote><br />
<br />
-----<br />
<br />
Music journalist Ted Mico described the chaos in the August 18th issue of <i>Melody Maker</i>:<br />
<blockquote><br />
[...] Modettes were spread over six square blocks and literally ground the entire city to a standstill. Nothing like this had happened in L.A. for years - even when U2 shot their video for 'Where The Streets Have No Name' on a Downtown roof. Depeche Mode bigger than Jesus? Not quite, but they'd give Bono a run for his money and are taken as seriously and followed as fanatically here as The Cure or New Order are in Britain.<ref>Source: <i>Melody Maker</i>, 18th August 1990 [https://web.archive.org/web/20080305081932/http://www.sacreddm.net/1990s/mel180890/mel180890main.htm via SacredDM] (now defunct).</ref></blockquote><br />
<br />
== References ==<br />
<br />
<metadesc>The Wherehouse record store incident was an incident in which Depeche Mode were forced by the Los Angeles police department to evacuate an in-store promotion due to an unexpectedly high turnout of approximately 17,000-20,000 people, with a venue capacity of only 150.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Construction_Time_Again&diff=52939List of Depeche Mode sample sources by album/Construction Time Again2024-03-20T19:52:07Z<p>Majora101: /* 4. {{S|Everything Counts}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album ''[[Construction Time Again]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-CTA" /><br />
= <i>[[Construction Time Again]]</i> (1983) =<br />
<br />
== 1. {{S|Love, In Itself}} ==<br />
{{Sample source with audio overview<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised as a fill sporadically throughout "Love, In Itself".<br />
|smsexample1=ss-LoveInItself-SynclavierII-Fill.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Love, In Itself".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=An electric piano-like synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the verse sections of "Love, In Itself".<br />
|smsexample2=ss-LoveInItself-SynclavierII-EP.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Love, In Itself".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the second and third verse sections of "Love, In Itself".<br />
|smsexample3=ss-LoveInItself-SynclavierII-VS.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the second and third verse sections of "Love, In Itself".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound likely to be based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Love, In Itself".<br />
|smsexample4=ss-LoveInItself-SynclavierII-SQ.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Love, In Itself".<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|soverview1=ss-Overview-LoveInItself-03192024.mp3<br />
|colorscheme=CTA<br />
|snumberofrows=6<br />
}}<br />
<br />
== 2. {{S|More Than A Party}} ==<br />
{{Sample source with audio<br />
|song={{S|More Than A Party}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible throughout "More Than A Party" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Pipeline}} ==<br />
"Pipeline" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed sound likely based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is audible throughout the verse sections of "Everything Counts".<br />
|smsexample1=ss-EC-SynclavierII-VS.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the timbre as heard throughout the verse sections of "Everything Counts".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|colorscheme=CTA<br />
|}}<br />
<br />
== 5. {{S|Two Minute Warning}} ==<br />
{{Sample source with audio<br />
|song={{S|Two Minute Warning}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Two Minute Warning".<br />
|smsexample1=ss-TwoMinuteWarning-SynclavierII-1.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Two Minute Warning".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout the outro section of "Two Minute Warning".<br />
|smsexample2=ss-TwoMinuteWarning-SynclavierII-2.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout the outro section of "Two Minute Warning".<br />
<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Two Minute Warning".<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, rimshot<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus2=C<br />
|snotes2=A series of drum elements audible throughout "Two Minute Warning" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
}}<br />
<br />
== 6. {{S|Shame}} ==<br />
{{Sample source with audio<br />
|song={{S|Shame}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, kalimba elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard sporadically throughout "Shame" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|ssample2=Synthesizer, organ elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2174 ORGAN 1'''<br />
|sstatus2=C<br />
|snotes2=The organ melody heard sporadically throughout "Shame" is performed using the "ORGAN 1" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|The Landscape Is Changing}} ==<br />
{{Sample source with audio<br />
|song={{S|The Landscape Is Changing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2148 ELEC.DULCIMER 2'''<br />
|sstatus1=C<br />
|snotes1=The sitar-like melody audible throughout the verse sections of "The Landscape Is Changing" is derived from an edit of "2148 - ELEC.DULCIMER 2", a {{EL|https://en.wikipedia.org/wiki/Dulcimer dulcimer}}-like timbre featured on Synclavier II timbre directory diskette #1. Similarly, an edit of the "ELEC.DULCIMER 2" timbre would see later use during the verse sections of {{S|Behind The Wheel}}.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 CALIMBA 2'''<br />
|sstatus2=C<br />
|snotes2=A melody audible in the intro and outro sections of "The Landscape Is Changing" is partly derived from "2136 - CALIMBA 2", a timbre featured on Synclavier II timbre directory diskette #1.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2361 Voices 2'''<br />
|sstatus3=C<br />
|snotes3=A choir pad heard most prominently in the outro section of "The Landscape Is Changing" is derived from "2361 Voices 2", a timbre featured on Synclavier II timbre directory diskette #3.<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of bass drum, snare drum, and hi-hat samples derived from the E-mu Drumulator programmable drum machine are utilised throughout "The Landscape Is Changing". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 8. {{S|Told You So}} ==<br />
{{Sample source with audio<br />
|song={{S|Told You So}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1={{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight Middle eight}} organ<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-MU}} {{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #28 Prod Set - "Pipe Organ (L) (04-005-102M1) - Pipe Organ (U) (04-005-101M1)"'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Told You So" employs a {{EL|https://en.wikipedia.org/wiki/Pipe_organ pipe organ}} instrument derived from Emulator I factory library disk #28 "Pipe Organ - Pipe Organ".<br />
|sexample1=ss-TYS-EI-28-PipeOrgan.mp3<br />
|sexamplenotes1=In this example, Emulator I factory disk $28 "Pipe Organ - Pipe Organ" is compared to the middle eight section of "Told You So" as heard in the center channel of the 2006 ''[[Construction Time Again]]'' 5.1 reissue.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 9. {{S|And Then}} ==<br />
{{Sample source with audio<br />
|song={{S|And Then}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "And Then". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
=== {{S|Work Hard}} ===<br />
{{Sample source with audio<br />
|song={{S|Work Hard}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2311 CAR HORN'''<br />
|sstatus1=C<br />
|snotes1=The horn sound effect audible throughout "Work Hard" is derived from Synclavier II timbre directory diskette #3 "2311 CAR HORN".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2164 Heavy Keyboard'''<br />
|sstatus2=C<br />
|snotes2=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus3=C<br />
|snotes3=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Work Hard". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== {{S|Fools}} ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== "Fools (Bigger)" ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools (Bigger)". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<section end="DM-SS-CTA" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/The_Singles_81%E2%86%9285&diff=52937List of Depeche Mode sample sources by album/The Singles 81→852024-03-20T19:34:26Z<p>Majora101: /* 12. {{S|Shake The Disease}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album ''[[The Singles 81→85]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[The Singles 81→85]]</i> (1985) =<br />
<br />
== 1. {{S|Dreaming Of Me}} ==<br />
"Dreaming Of Me" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 2. {{S|New Life}} ==<br />
"New Life" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|See You}} ==<br />
{{Sample source with audio<br />
|song={{S|See You}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
<br />
|ssample1=Synthesizer, choir elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "019 ElectricP"''' - 1981<br />
|sstatus1=C<br />
|snotes1=A synthesized choir sound audible throughout "See You" is partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "019 ElectricP".<br />
<br />
|ssample2=Synthesizer, bell elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "030 Upper Wavetable"''' - 1981<br />
|sstatus2=L<br />
|snotes2=A synthesized bell sound audible throughout "See You" is likely partly based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "030 Upper Wavetable".<br />
<br />
|ssample3=Synthesizer, harpsichord elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Palm_Products_GmbH Palm Products GmbH}} - {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} - Wavetable "013 Clipper"''' - 1981<br />
|sstatus3=L<br />
|snotes3=A synthesized harpsichord sound audible throughout "See You" is likely based on an edit to the {{EL|https://www.vintagesynth.com/misc/wave.php PPG Wave 2}} wavetable "013 Clipper".<br />
<br />
|ssample4=Drum elements, snare drum<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus4=C<br />
|snotes4=A series of drum elements audible throughout "See You" are derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=8185<br />
|snumberofrows=4<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Leave In Silence}} ==<br />
{{Sample source with audio<br />
|song={{S|Leave In Silence}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1982<br />
|ssample1=Drum elements, bass drum, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Leave In Silence".<br />
<br />
|colorscheme=8185<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Get The Balance Right}} ==<br />
"Get The Balance Right" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=8185<br />
|}}<br />
<br />
== 8. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 9. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 10. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=8185<br />
}}<br />
<br />
== 11. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=8185<br />
}}<br />
<br />
== 12. {{S|Shake The Disease}} ==<br />
<section begin="DM-SS-Shake" /><br />
{{Sample source with audio overview<br />
|song={{S|Shake The Disease}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A processed organ sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with another musical element to form the melodic hook audible throughout "Shake The Disease".<br />
|smsexample1=ss-STD-Synclavier-Organ-CustomTimbre1213.mp3<br />
|smsexamplenotes1=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is combined with multiple other musical elements to form a melody audible audible during the middle eight section of "Shake The Disease".<br />
|smsexample2=ss-STD-SynclavierII-Custom-Mid8.mp3<br />
|smsexamplenotes2=The above audio example features a custom timbre utilising all four available Partials of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard in the middle eight of "Shake The Disease". A sawtooth ramp waveshape is enabled for the vibrato waveshape setting of all four partials.<br />
<br />
|smsample3=Melodic elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre designed for use during the verse sections of {{S|Everything Counts}} is layered with a separate musical element to form the melody performed throughout the {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections of "Shake The Disease".<br />
|smsexample3=ss-STD-SynclavierII-Custom-EC.mp3<br />
<br />
|smsample4=Melodic elements<br />
|smsnotes4=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like element is layered with a variety of other musical parts (including a separate bell sample and synthesized parts. This distinctive sound would also see use in several other [[Depeche Mode]] songs recorded during this era, including {{s|It Doesn't Matter Two}} and {{s|But Not Tonight}}) to form a melodic part audible during the post-chorus sections of "Shake The Disease".<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth Library Disk #4 - 4464 Harp'''<br />
|sstatus1=C<br />
|snotes1=A harp-like synth pluck sound derived from the "Harp" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Resynth library diskette #4 is layered with a separate sampled sound to form the lead melody heard during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Shake The Disease".<br />
|sexample1=ss-STD-Synclavier-Resynth4-4464-Harp.mp3<br />
|sexamplenotes1=In this example, a selection of audio derived from "Shake The Disease" is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (Resynth timbre "4464 Harp" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2337 Chimes #1''' and '''Synclavier II Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus2=C<br />
|snotes2=A combination sound utilising two Synclavier partials (featuring edits to Synclavier II timbre directory diskette #3 "Chimes #1" and Synclavier II timbre directory diskette #1 "Calimba #2") is used to play a brief melody during the post-chorus sections of "Shake The Disease".<br />
|sexample2=ss-STD-SynIITimbreDirectoryDiskette3_2337Chimes1-Calimba.mp3<br />
<br />
|ssample3=Mandolin, synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25: Nylon Guitar & Mandolin''' and '''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "CALIOPE"'''<br />
|sstatus3=C<br />
|snotes3=A mandolin instrument derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #25 "Nylon Guitar & Mandolin" is layered with an edit to Yamaha DX7 factory Rom #1 program "CALIOPE" to perform a melody audible during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Shake The Disease".<br />
|sexample3=ss-STD-EII25-NylonGuitarMandolin-DX7-Caliope.mp3<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04: Grand Piano - Preset #1: "Piano #1"'''<br />
|sstatus4=C<br />
|snotes4="Shake The Disease" utilises a series of edited samples derived from {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #04 "Grand Piano". As is common practice with multi-sampled instruments, the samples are {{EL|https://en.wikipedia.org/wiki/Sampler_(musical_instrument)#Interface keymapped}} onto separate sections of a sampler keyboard in accordance with their pitch to approximate the differences in tone between notes of differing octaves on a traditional piano, and are subsequently layered with a guitar-like sample to form the melody performed in the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section.<br />
<br />
|ssample5=Drum elements, bass drum<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus5=C<br />
|snotes5=A series of edited bass drum samples derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample5=ss-STD-YamahaRX11-BD.mp3<br />
<br />
|ssample6=Drum elements, snare drum<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus6=C<br />
|snotes6=A snare drum sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine are utilised throughout "Shake The Disease".<br />
|sexample6=ss-STD-YamahaRX11-SD.mp3<br />
<br />
|soverview1=ss-Overview-STD-03202024.mp3<br />
|colorscheme=8185<br />
|snumberofrows=6<br />
}}<section end="DM-SS-Shake" /><br />
<br />
== 13. {{S|It's Called A Heart}} ==<br />
{{Sample source with audio<br />
|song={{S|It's Called A Heart}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|smsample1=Guitar elements<br />
|smsnotes1="It's Called A Heart" makes sporadic use of a looped guitar part during the instrumental breaks following each {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section. This sample would later famously be used to form the lead melody heard throughout {{S|A Question Of Time}}.<br />
<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="It's Called A Heart" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A choir pad audible throughout the intro and verse sections of "It's Called A Heart" features a sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices". Notably, this sample is also used throughout {{S|But Not Tonight}}.<br />
|colorscheme=8185<br />
|snumberofrows=2<br />
}}<br />
<section end="DM-SS-SGR" /><br />
= B-sides, bonus tracks and remixes =<br />
== "Flexible" ==<br />
{{Sample source with audio<br />
|song={{S|Flexible}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1985<br />
|ssample1=Bass elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #06: "Bass, Synth, Drums"'''<br />
|sstatus1=C<br />
|snotes1="Flexible" utilises a bass guitar sample derived from Emulator II factory library disk #06 "Bass, Synth, Drums".<br />
<br />
|ssample2=Choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #12: "Voices" - SAMPLE 3'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from the "Voices 1" preset of Emulator II factory library disk #12 "Voices" is utilised throughout "Flexible".<br />
<br />
|ssample3=Banjo elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #23: "Accordian & Banjo" - SAMPLE 7'''<br />
|sstatus3=C<br />
|snotes3=A looping sample of a strummed banjo derived from Emulator II factory library disk #23 "Accordian & Banjo" is audible throughout "Flexible".<br />
<br />
|ssample4=Cello, violin elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} factory library disk #37: "Cello & Violin" - SAMPLE 11, SAMPLE 12'''<br />
|sstatus4=C<br />
|snotes4=Two samples derived from Emulator II factory library disk #37 "Cello & Violin" are utilised sporadically throughout "Flexible".<br />
|sround=1<br />
|snumberofrows=4<br />
|colorscheme=8185<br />
}}<br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1985 greatest hits album The Singles 81→85.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Speak_%26_Spell&diff=52933List of Depeche Mode sample sources by album/Speak & Spell2024-03-20T02:11:49Z<p>Majora101: </p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 album ''[[Speak & Spell]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SAS" /><br />
= <i>[[Speak & Spell]]</i> (1981) =<br />
<br />
== 1. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|I Sometimes Wish I Was Dead}} ==<br />
"I Sometimes Wish I Was Dead" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Puppets}} ==<br />
"Puppets" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Boys Say Go!}} ==<br />
{{Sample source with audio<br />
|song={{S|Boys Say Go!}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Boys Say Go!" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Nodisco}} ==<br />
"Nodisco" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|What's Your Name?}} ==<br />
{{Sample source with audio<br />
|song={{S|What's Your Name?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "What's Your Name?" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|Photographic}} ==<br />
"Photographic" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 8. {{S|Tora! Tora! Tora!}} ==<br />
"Tora! Tora! Tora!" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 9. {{S|Big Muff}} ==<br />
"Big Muff" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 10. {{S|Any Second Now}} ==<br />
"Any Second Now" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 11. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<section end="DM-SS-SAS" /><br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 studio album Speak & Spell.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album&diff=52932List of Depeche Mode sample sources by album2024-03-20T02:09:01Z<p>Majora101: </p>
<hr />
<div>:''This article is about the various sample sources used on [[Depeche Mode]] album [[:Category:Depeche Mode songs|tracks]] and official remixes. For sample sources used on [[Recoil]] works, see [[Recoil sample sources]]. For sample sources used on [[Martin Gore]] works, see [[List of Martin Gore sample sources by album]]. For sample sources in the live arrangements of [[Depeche Mode]] [[:Category:Depeche Mode songs|songs]] as they were performed on the various concert tours undertaken by the group, see [[List of Depeche Mode live sample sources by tour]].''<br />
<!-- {{Featured|August 9, 2019}} --><br />
<br />
{{GlossaryLink|link=[[Sample sources glossary|Terms used in this article]]}}<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] are among the most prolific acts to utilise {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their studio albums recorded between 1981 and 2023.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<br />
= Studio albums =<br />
{{Sample source album preview<br />
|albumpage=[[Speak & Spell]]<br />
|year=1981<br />
|file=Album-SAS.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Speak & Spell]]<br />
|text={{main|List of Depeche Mode sample sources by album/Speak & Spell|List of Depeche Mode sample sources by album/Speak & Spell}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[A Broken Frame]]<br />
|year=1982<br />
|file=Album-ABF.jpg<br />
|link=[[List of Depeche Mode sample sources by album/A Broken Frame]]<br />
|text={{main|List of Depeche Mode sample sources by album/A Broken Frame|List of Depeche Mode sample sources by album/A Broken Frame}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Construction Time Again]]<br />
|year=1983<br />
|file=Album-CTA.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Construction Time Again]]<br />
|text={{main|List of Depeche Mode sample sources by album/Construction Time Again|List of Depeche Mode sample sources by album/Construction Time Again}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Some Great Reward]]<br />
|year=1984<br />
|file=Album-SGR.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Some Great Reward]]<br />
|text={{main|List of Depeche Mode sample sources by album/Some Great Reward|List of Depeche Mode sample sources by album/Some Great Reward}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=The Singles 81→85<br />
|year=1985<br />
|file=Album-8185.jpg<br />
|link=[[List of Depeche Mode sample sources by album/The Singles 81→85]]<br />
|text={{main|List of Depeche Mode sample sources by album/The Singles 81→85|List of Depeche Mode sample sources by album/The Singles 81→85}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Black Celebration (album)|Black Celebration]]<br />
|year=1986<br />
|file=Album-Black.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Black Celebration]]<br />
|text={{main|List of Depeche Mode sample sources by album/Black Celebration|List of Depeche Mode sample sources by album/Black Celebration}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Music For The Masses]]<br />
|year=1987<br />
|file=Album-MFTM.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Music For The Masses]]<br />
|text={{main|List of Depeche Mode sample sources by album/Music For The Masses|List of Depeche Mode sample sources by album/Music For The Masses}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Violator]]<br />
|year=1990<br />
|file=Album-Violator.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Violator]]<br />
|text={{main|List of Depeche Mode sample sources by album/Violator|List of Depeche Mode sample sources by album/Violator}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Songs Of Faith And Devotion|Songs Of Faith and Devotion]]<br />
|year=1993<br />
|file=Album-SOFAD.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Songs of Faith and Devotion]]<br />
|text={{main|List of Depeche Mode sample sources by album/Songs of Faith and Devotion|List of Depeche Mode sample sources by album/Songs of Faith and Devotion}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Ultra]]<br />
|year=1997<br />
|file=Album-Ultra.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Ultra]]<br />
|text={{main|List of Depeche Mode sample sources by album/Ultra|List of Depeche Mode sample sources by album/Ultra}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=The Singles 86>98<br />
|year=1998<br />
|file=Album-8698.jpg<br />
|link=[[List of Depeche Mode sample sources by album/The Singles 86-98]]<br />
|text={{main|List of Depeche Mode sample sources by album/The Singles 86-98|List of Depeche Mode sample sources by album/The Singles 86>98}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Exciter]]<br />
|year=2001<br />
|file=Album-Exciter.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Exciter]]<br />
|text={{main|List of Depeche Mode sample sources by album/Exciter|List of Depeche Mode sample sources by album/Exciter}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Playing The Angel]]<br />
|year=2005<br />
|file=Album-PTA.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Playing The Angel]]<br />
|text={{main|List of Depeche Mode sample sources by album/Playing The Angel|List of Depeche Mode sample sources by album/Playing The Angel}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Sounds Of The Universe]]<br />
|year=2009<br />
|file=Album-SOTU.jpg<br />
|link=[[Sounds Of The Universe]]<br />
|text=''Sounds Of The Universe'' is not yet known to contain samples from any identifiable sources.<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Delta Machine]]<br />
|year=2013<br />
|file=Album-Delta.jpg<br />
|link=[[Delta Machine]]<br />
|text=''Delta Machine'' is not yet known to contain samples from any identifiable sources.<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Spirit]]<br />
|year=2017<br />
|file=Album-Spirit.jpg<br />
|link=[[Spirit]]<br />
|text=''Spirit'' is not yet known to contain samples from any identifiable sources.<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Memento Mori]]<br />
|year=2023<br />
|file=Album-MM.jpg<br />
|link=[[Memento Mori]]<br />
|text=''Memento Mori'' is not yet known to contain samples from any identifiable sources.<br />
|size=100px<br />
}}<br />
= Other works =<br />
== ''{{EL|https://en.wikipedia.org/wiki/Until_the_End_of_the_World_(soundtrack) Until The End Of The World (Music From The Motion Picture Soundtrack)}}'' ==<br />
=== "[[Death's Door]]" ===<br />
{{Sample source with audio<br />
|song="[[Death's Door]]"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1991<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Angelo_Badalamenti Angelo Badalamenti}} - <i>{{EL|https://en.wikipedia.org/wiki/Soundtrack_from_Twin_Peaks Music From Twin Peaks}}</i> - "Freshly Squeezed"''' - 11 September 1990<br />
|sstatus1=C<br />
|snotes1=A manipulated sample derived from {{EL|https://en.wikipedia.org/wiki/Angelo_Badalamenti Angelo Badalamenti's}} instrumental "Freshly Squeezed" as featured on the 1990 ''{{EL|https://en.wikipedia.org/wiki/Twin_Peaks Twin Peaks}}'' television series soundtrack is utilised throughout all versions of "Death's Door".<br />
|sround=1<br />
|snumberofrows=1<br />
|}}<br />
= References =<br />
<references /><br />
<br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their studio albums.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Speak_%26_Spell&diff=52931List of Depeche Mode sample sources by album/Speak & Spell2024-03-20T02:08:16Z<p>Majora101: /* 11. {{S|Just Can't Get Enough}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 album ''[[Speak & Spell]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SAS" /><br />
= <i>[[Speak & Spell]]</i> (1981) =<br />
<br />
== 1. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|I Sometimes Wish I Was Dead}} ==<br />
"I Sometimes Wish I Was Dead" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Puppets}} ==<br />
"Puppets" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Boys Say Go!}} ==<br />
{{Sample source with audio<br />
|song={{S|Boys Say Go!}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Boys Say Go!" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Nodisco}} ==<br />
"Nodisco" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|What's Your Name?}} ==<br />
{{Sample source with audio<br />
|song={{S|What's Your Name?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "What's Your Name?" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|Photographic}} ==<br />
"Photographic" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 8. {{S|Tora! Tora! Tora!}} ==<br />
"Tora! Tora! Tora!" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 9. {{S|Big Muff}} ==<br />
"Big Muff" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 10. {{S|Any Second Now}} ==<br />
"Any Second Now" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 11. {{S|Just Can't Get Enough}} ==<br />
{{Sample source with audio<br />
|song={{S|Just Can't Get Enough}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Just Can't Get Enough" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<section end="DM-SS-SAS" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 studio album Speak & Spell.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Speak_%26_Spell&diff=52930List of Depeche Mode sample sources by album/Speak & Spell2024-03-20T02:07:19Z<p>Majora101: /* 6. {{S|What's Your Name?}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 album ''[[Speak & Spell]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SAS" /><br />
= <i>[[Speak & Spell]]</i> (1981) =<br />
<br />
== 1. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|I Sometimes Wish I Was Dead}} ==<br />
"I Sometimes Wish I Was Dead" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Puppets}} ==<br />
"Puppets" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Boys Say Go!}} ==<br />
{{Sample source with audio<br />
|song={{S|Boys Say Go!}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Boys Say Go!" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Nodisco}} ==<br />
"Nodisco" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|What's Your Name?}} ==<br />
{{Sample source with audio<br />
|song={{S|What's Your Name?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "What's Your Name?" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|Photographic}} ==<br />
"Photographic" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 8. {{S|Tora! Tora! Tora!}} ==<br />
"Tora! Tora! Tora!" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 9. {{S|Big Muff}} ==<br />
"Big Muff" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 10. {{S|Any Second Now}} ==<br />
"Any Second Now" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 11. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<section end="DM-SS-SAS" /><br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 studio album Speak & Spell.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Speak_%26_Spell&diff=52929List of Depeche Mode sample sources by album/Speak & Spell2024-03-20T02:05:47Z<p>Majora101: /* 4. {{S|Boys Say Go!}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 album ''[[Speak & Spell]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SAS" /><br />
= <i>[[Speak & Spell]]</i> (1981) =<br />
<br />
== 1. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|I Sometimes Wish I Was Dead}} ==<br />
"I Sometimes Wish I Was Dead" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Puppets}} ==<br />
"Puppets" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Boys Say Go!}} ==<br />
{{Sample source with audio<br />
|song={{S|Boys Say Go!}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "Boys Say Go!" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 5. {{S|Nodisco}} ==<br />
"Nodisco" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|What's Your Name?}} ==<br />
"What's Your Name?" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Photographic}} ==<br />
"Photographic" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 8. {{S|Tora! Tora! Tora!}} ==<br />
"Tora! Tora! Tora!" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 9. {{S|Big Muff}} ==<br />
"Big Muff" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 10. {{S|Any Second Now}} ==<br />
"Any Second Now" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 11. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<section end="DM-SS-SAS" /><br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 studio album Speak & Spell.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Speak_%26_Spell&diff=52928List of Depeche Mode sample sources by album/Speak & Spell2024-03-20T02:04:30Z<p>Majora101: Protected "List of Depeche Mode sample sources by album/Speak & Spell" ([Edit=Allow only administrators] (indefinite) [Move=Allow only administrators] (indefinite))</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 album ''[[Speak & Spell]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SAS" /><br />
= <i>[[Speak & Spell]]</i> (1981) =<br />
<br />
== 1. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|I Sometimes Wish I Was Dead}} ==<br />
"I Sometimes Wish I Was Dead" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Puppets}} ==<br />
"Puppets" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Boys Say Go!}} ==<br />
"Boys Say Go!" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 5. {{S|Nodisco}} ==<br />
"Nodisco" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|What's Your Name?}} ==<br />
"What's Your Name?" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Photographic}} ==<br />
"Photographic" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 8. {{S|Tora! Tora! Tora!}} ==<br />
"Tora! Tora! Tora!" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 9. {{S|Big Muff}} ==<br />
"Big Muff" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 10. {{S|Any Second Now}} ==<br />
"Any Second Now" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 11. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<section end="DM-SS-SAS" /><br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 studio album Speak & Spell.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Speak_%26_Spell&diff=52927List of Depeche Mode sample sources by album/Speak & Spell2024-03-20T02:04:22Z<p>Majora101: Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te..."</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 album ''[[Speak & Spell]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SAS" /><br />
= <i>[[Speak & Spell]]</i> (1981) =<br />
<br />
== 1. {{S|New Life}} ==<br />
{{Sample source with audio<br />
|song={{S|New Life}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1981<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Korg Korg}} - {{EL|https://www.vintagesynth.com/korg/kr55.php Korg Rhythm 55 (KR-55)}}''' - 1979<br />
|sstatus1=C<br />
|snotes1=A snare drum sound audible throughout "New Life" is derived from the {{EL|https://www.vintagesynth.com/korg/kr55.php Korg KR-55}} drum machine. <br />
<br />
|colorscheme=SAS<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|I Sometimes Wish I Was Dead}} ==<br />
"I Sometimes Wish I Was Dead" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 3. {{S|Puppets}} ==<br />
"Puppets" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Boys Say Go!}} ==<br />
"Boys Say Go!" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 5. {{S|Nodisco}} ==<br />
"Nodisco" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|What's Your Name?}} ==<br />
"What's Your Name?" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Photographic}} ==<br />
"Photographic" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 8. {{S|Tora! Tora! Tora!}} ==<br />
"Tora! Tora! Tora!" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 9. {{S|Big Muff}} ==<br />
"Big Muff" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 10. {{S|Any Second Now}} ==<br />
"Any Second Now" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 11. {{S|Just Can't Get Enough}} ==<br />
"Just Can't Get Enough" is not yet known to contain samples from any identifiable sources.<br />
<section end="DM-SS-SAS" /><br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1981 studio album Speak & Spell.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album&diff=52926List of Depeche Mode sample sources by album2024-03-20T01:58:17Z<p>Majora101: /* Studio albums */</p>
<hr />
<div>:''This article is about the various sample sources used on [[Depeche Mode]] album [[:Category:Depeche Mode songs|tracks]] and official remixes. For sample sources used on [[Recoil]] works, see [[Recoil sample sources]]. For sample sources used on [[Martin Gore]] works, see [[List of Martin Gore sample sources by album]]. For sample sources in the live arrangements of [[Depeche Mode]] [[:Category:Depeche Mode songs|songs]] as they were performed on the various concert tours undertaken by the group, see [[List of Depeche Mode live sample sources by tour]].''<br />
<!-- {{Featured|August 9, 2019}} --><br />
<br />
{{GlossaryLink|link=[[Sample sources glossary|Terms used in this article]]}}<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] are among the most prolific acts to utilise {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their studio albums recorded between 1981 and 2023.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<br />
= Studio albums =<br />
{{Sample source album preview<br />
|albumpage=[[Speak & Spell]]<br />
|year=1981<br />
|file=Album-SAS.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Speak & Spell]]<br />
|text={{main|List of Depeche Mode sample sources by album/Speak & Spell|List of Depeche Mode sample sources by album/Speak & Spell}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[A Broken Frame]]<br />
|year=1982<br />
|file=Album-ABF.jpg<br />
|link=[[List of Depeche Mode sample sources by album/A Broken Frame]]<br />
|text={{main|List of Depeche Mode sample sources by album/A Broken Frame|List of Depeche Mode sample sources by album/A Broken Frame}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Construction Time Again]]<br />
|year=1983<br />
|file=Album-CTA.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Construction Time Again]]<br />
|text={{main|List of Depeche Mode sample sources by album/Construction Time Again|List of Depeche Mode sample sources by album/Construction Time Again}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Some Great Reward]]<br />
|year=1984<br />
|file=Album-SGR.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Some Great Reward]]<br />
|text={{main|List of Depeche Mode sample sources by album/Some Great Reward|List of Depeche Mode sample sources by album/Some Great Reward}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=The Singles 81→85<br />
|year=1985<br />
|file=Album-8185.jpg<br />
|link=[[List of Depeche Mode sample sources by album/The Singles 81→85]]<br />
|text={{main|List of Depeche Mode sample sources by album/The Singles 81→85|List of Depeche Mode sample sources by album/The Singles 81→85}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Black Celebration (album)|Black Celebration]]<br />
|year=1986<br />
|file=Album-Black.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Black Celebration]]<br />
|text={{main|List of Depeche Mode sample sources by album/Black Celebration|List of Depeche Mode sample sources by album/Black Celebration}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Music For The Masses]]<br />
|year=1987<br />
|file=Album-MFTM.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Music For The Masses]]<br />
|text={{main|List of Depeche Mode sample sources by album/Music For The Masses|List of Depeche Mode sample sources by album/Music For The Masses}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Violator]]<br />
|year=1990<br />
|file=Album-Violator.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Violator]]<br />
|text={{main|List of Depeche Mode sample sources by album/Violator|List of Depeche Mode sample sources by album/Violator}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Songs Of Faith And Devotion|Songs Of Faith and Devotion]]<br />
|year=1993<br />
|file=Album-SOFAD.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Songs of Faith and Devotion]]<br />
|text={{main|List of Depeche Mode sample sources by album/Songs of Faith and Devotion|List of Depeche Mode sample sources by album/Songs of Faith and Devotion}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Ultra]]<br />
|year=1997<br />
|file=Album-Ultra.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Ultra]]<br />
|text={{main|List of Depeche Mode sample sources by album/Ultra|List of Depeche Mode sample sources by album/Ultra}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=The Singles 86>98<br />
|year=1998<br />
|file=Album-8698.jpg<br />
|link=[[List of Depeche Mode sample sources by album/The Singles 86-98]]<br />
|text={{main|List of Depeche Mode sample sources by album/The Singles 86-98|List of Depeche Mode sample sources by album/The Singles 86>98}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Exciter]]<br />
|year=2001<br />
|file=Album-Exciter.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Exciter]]<br />
|text={{main|List of Depeche Mode sample sources by album/Exciter|List of Depeche Mode sample sources by album/Exciter}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Playing The Angel]]<br />
|year=2005<br />
|file=Album-PTA.jpg<br />
|link=[[List of Depeche Mode sample sources by album/Playing The Angel]]<br />
|text={{main|List of Depeche Mode sample sources by album/Playing The Angel|List of Depeche Mode sample sources by album/Playing The Angel}}<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Sounds Of The Universe]]<br />
|year=2009<br />
|file=Album-SOTU.jpg<br />
|link=[[Sounds Of The Universe]]<br />
|text=''Sounds Of The Universe'' is not yet known to contain samples from any identifiable sources.<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Delta Machine]]<br />
|year=2013<br />
|file=Album-Delta.jpg<br />
|link=[[Delta Machine]]<br />
|text=''Delta Machine'' is not yet known to contain samples from any identifiable sources.<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Spirit]]<br />
|year=2017<br />
|file=Album-Spirit.jpg<br />
|link=[[Spirit]]<br />
|text=''Spirit'' is not yet known to contain samples from any identifiable sources.<br />
|size=100px<br />
}}<br />
{{Sample source album preview<br />
|albumpage=[[Memento Mori]]<br />
|year=2023<br />
|file=Album-MM.jpg<br />
|link=[[Memento Mori]]<br />
|text=''Memento Mori'' is not yet known to contain samples from any identifiable sources.<br />
|size=100px<br />
}}<br />
<br />
= Other works =<br />
== ''{{EL|https://en.wikipedia.org/wiki/Until_the_End_of_the_World_(soundtrack) Until The End Of The World (Music From The Motion Picture Soundtrack)}}'' ==<br />
=== "[[Death's Door]]" ===<br />
{{Sample source with audio<br />
|song="[[Death's Door]]"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1991<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Angelo_Badalamenti Angelo Badalamenti}} - <i>{{EL|https://en.wikipedia.org/wiki/Soundtrack_from_Twin_Peaks Music From Twin Peaks}}</i> - "Freshly Squeezed"''' - 11 September 1990<br />
|sstatus1=C<br />
|snotes1=A manipulated sample derived from {{EL|https://en.wikipedia.org/wiki/Angelo_Badalamenti Angelo Badalamenti's}} instrumental "Freshly Squeezed" as featured on the 1990 ''{{EL|https://en.wikipedia.org/wiki/Twin_Peaks Twin Peaks}}'' television series soundtrack is utilised throughout all versions of "Death's Door".<br />
|sround=1<br />
|snumberofrows=1<br />
|}}<br />
<br />
= References =<br />
<references /><br />
<br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their studio albums.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Black_Celebration&diff=52925List of Depeche Mode sample sources by album/Black Celebration2024-03-20T01:56:07Z<p>Majora101: /* {{S|Breathing In Fumes}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1986 album ''[[Black Celebration (album)|Black Celebration]].<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section end="DM-SS-BC" /><br />
= <i>[[Black Celebration (album)|Black Celebration]]</i> (1986) =<br />
== 1. {{S|Black Celebration}} ==<br />
{{Sample source with audio<br />
|song={{S|Black Celebration}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
<br />
|ssample1=Melodic elements<br />
|ssource1='''Emulator II factory library disk #24: Clarinet & Bass Clarinet - Preset #1: "Clarinets'''<br />
|sstatus1=C<br />
|snotes1=A sample derived from Emulator II factory library disk #24 "Clarinet & Bass Clarinet" is utilised for a melody during the third verse of "Black Celebration".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== 2. {{S|Fly On The Windscreen}} ==<br />
{{Sample source with audio<br />
|song={{S|Fly On The Windscreen}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|smsample1=Vocal elements<br />
|smsnotes1=[[Alan Wilder]] confirms the origin of this vocal sample in a Q&A on {{Shunt}}, the official [[Recoil]] website: "'Over and done with' courtesy of [[Daniel Miller]] if memory serves correct."<ref name="shuntBC">Source: [http://oldsite.recoil.co.uk/forum/qa/dmblack.htm SHUNT : ARCHIVES : DEPECHE MODE : BLACK CELEBRATION]</ref><br />
|ssample1=Vocal elements<br />
|ssource1='''<i>{{EL|https://en.wikipedia.org/wiki/ABC_World_News_Tonight ABC World News Tonight}}</i> - "Hiroshima: 40 Years Later"''' (aired 5-6 August 1985)<br />
|sstatus1=C<br />
|snotes1=A series of audio samples utilised sporadically throughout the "Final" version of "Fly On The Windscreen" feature dialogue spoken by {{EL|https://en.wikipedia.org/wiki/News_presenter news anchor}} {{EL|https://en.wikipedia.org/wiki/Peter_Jennings Peter Jennings}} as part of the 5-6 August 1985 ''{{EL|https://en.wikipedia.org/wiki/ABC_World_News_Tonight ABC World News Tonight}}'' special report "Hiroshima: 40 Years Later". The sampled dialogue includes the following excerpts: "[...] their living hell.", "[...] by the atomic bomb, but they actually died because of an evil [...]".<br />
<br />
|ssample2=Chorus brass melody<br />
|ssource2='''Emulator II factory library disk #46: Assorted Brass - SAMPLE 7'''<br />
|sstatus2=C<br />
|snotes2=A sample derived from Emulator II factory library disk #46 "Assorted Brass" is layered with one or more similar parts to form an ascending brass melody heard during the choruses of "Fly On The Windscreen".<br />
<br />
|snumberofrows=2<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== 3. {{S|A Question Of Lust}} ==<br />
{{Sample source<br />
|song={{S|A Question Of Lust}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|smsample1=Percussive elements<br />
|smsnotes1="A Question Of Lust" utilises a sampled percussive element throughout its {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} sections. Notably, this sound is also used throughout {{S|Christmas Island}}.<br />
<br />
|smsnumberofrows=1<br />
|colorscheme=Celebration<br />
|}}<br />
<br />
== 4. {{S|Sometimes}} ==<br />
{{Sample source<br />
|song={{S|Sometimes}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|ssample1=Vocal elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Louis_Armstrong Louis Armstrong}} - "Sometimes I Feel Like A Motherless Child"''' - 1958<br />
|sstatus1=C<br />
|snotes1=A choir vocal singing the word "sometimes" is sampled from the one minute nineteen second mark of {{EL|https://en.wikipedia.org/wiki/Louis_Armstrong Louis Armstrong's}} "Sometimes I Feel Like A Motherless Child" and processed with reverb for use in the intro of {{s|Sometimes}}.<ref>Credit to '[https://www.depeche-mode.com/forum/index.php?topic=32731.msg760399#msg760399 personal cheese]' for this discovery.</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== 5. {{S|It Doesn't Matter Two}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter Two}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|smsample1=Melodic elements<br />
|smsnotes1=A {{EL|https://en.wikipedia.org/wiki/Celesta celeste}}-like percussive bell element is employed to mysterious and dramatic effect respectively during the later verses and on the final note of the song. This distinctive sound would also see use in several other [[Depeche Mode]] songs of the time period, including {{s|Shake The Disease}} and {{s|But Not Tonight}}.<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The dramatic melody heard during the middle eight section of "It Doesn't Matter Two" is partly comprised of an edit of the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, this timbre is also featured throughout {{S|Lie To Me}} and {{S|Blasphemous Rumours}}.<br />
|sexample1=ss-IDM2-Synclavier-Disk2-2263-OboeSource.mp3<br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A synthesized music box arpeggio audible throughout "It Doesn't Matter Two" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Choir elements<br />
|ssource3='''Emulator II factory library disk #12: Voices - Preset #1: "Voices #1" - SAMPLE 1, SAMPLE 3, SAMPLE 4, SAMPLE 5, SAMPLE 6'''<br />
|sstatus3=C<br />
|snotes3=Emulator II factory library disk #12 "Voices" is utilised for a repeating choral pattern audible throughout "It Doesn't Matter Two".<br />
<br />
|ssample4=Marimba elements<br />
|ssource4='''Emulator II factory library disk #34: Vibraphones & Marimba - Preset #7: "Marimbas"'''<br />
|sstatus4=C<br />
|snotes4=Emulator II factory library disk #34 "Vibraphones & Marimba" is utilised for a rhythmic marimba pattern audible throughout the chorus, third verse, and outro sections of "It Doesn't Matter Two".<br />
<br />
|ssample5=Flute elements<br />
|ssource5='''Emulator II factory library disk #16: Bassoon & Flute - SAMPLE 11'''<br />
|sstatus5=C<br />
|snotes5=A flute sample derived from Emulator II factory library disk #16 "Bassoon & Flute" is utilised for a hand-played arpeggio heard sporadically throughout "It Doesn't Matter Two".<br />
<br />
|snumberofrows=5<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== 6. {{S|A Question Of Time}} ==<br />
{{Sample source with audio<br />
|song={{S|A Question Of Time}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|smsample1=Guitar elements<br />
|smsnotes1=A brief "plucked" guitar-like sound reminiscent of a guitar or processed piano sample is layered with a bass part to form the bassline. Notably, this sample is also used to play a four note sequence as a fill sporadically throughout {{s|But Not Tonight}}.<br />
|ssample1=Vocal elements<br />
|ssource1='''The Chanters - "She Wants To Mambo"''' - 1954<br />
|sstatus1=OC<br />
|snotes1=A manipulated feminine moan audible shortly after the second chorus section of "She Wants To Mambo" by The Chanters is audible during the chorus sections of {{s|A Question Of Time}}. {{MLG}} confirmed the use of the sample in the August 1986 issue of ''Electronics & Music Maker'':<br />
<br />
<blockquote>It's not that audible, though. It's a sample from a record called "She Wants to Mambo", an old doo-wop disc. At the end of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}}, the woman who sings sort of moans. We sampled this moan and played it up a few notes, which made it sound like a girl moaning. We used it on the {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} section of "A Question of Time".<ref>Source: [http://www.muzines.co.uk/articles/modes-of-operation/1937 Muzines.co.uk : Articles : Modes Of Operation (''Electronics & Music Maker'', August 1986)]</ref></blockquote><br />
<br />
In addition to its use in the chorus sections, the sample is also used to form a distinct rhythm audible during the {{EL|https://en.wikipedia.org/wiki/Song_structure#Introduction intro}} and throughout the song's {{EL|https://en.wikipedia.org/wiki/Song_structure#Conclusion_or_outro outro}}.<br />
|sexample1=ss-AQOT-The-Chanters-She-Wants-To-Mambo.mp3<br />
|sexamplenotes1=In this example, a section of audio from The Chanters' "She Wants To Mambo" featuring a feminine moan is sampled, trimmed, and allocated across the keys of a keyboard to be played back as a melodic part, and is then compared to the center channel of the 2006 5.1 reissue of "A Question Of Time" containing the relevant part.<br />
<br />
|ssample2=Drum elements, clap<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus2=C<br />
|snotes2=A clap sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine is utilised throughout the chorus sections of "A Question Of Time".<br />
<br />
|snumberofrows=2<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== 7. {{S|Stripped}} ==<br />
{{Sample source with audio<br />
|song={{S|Stripped}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=The textured bass drone sound used throughout {{S|Stripped}} is achieved by running a bass sound through a {{EL|https://en.wikipedia.org/wiki/Leslie_speaker Leslie}} cabinet.<ref name="ShuntBCEd">Source: {{EL|http://oldsite.recoil.co.uk/report/edit/dm8698/bc7.htm SHUNT : ARCHIVES : EDITORIAL : 1998 Archives : DM Singles 86-98}}</ref><br />
|smsample2=Percussive elements<br />
|smsnotes2=An exploding {{EL|https://en.wikipedia.org/wiki/Fireworks firework}} sound recorded on {{EL|https://en.wikipedia.org/wiki/Guy_Fawkes_Night 5 November}} 1985 by [[Gareth Jones]] in the Westside studio car park<ref name="ShuntBCEd"></ref> is used as a unique drum fill alternative throughout {{S|Stripped}}. [[Daniel Miller]] describes the recording process of this sound in the 2006 ''Black Celebration'' remaster documentary:<br />
<br />
<blockquote>It was rockets that we were doing, so we thought, if we angled them at a fairly low angle, we could set up a series of microphones and we would still be able to pick up the sound as it traveled along. If we straight up, we would have got just one sound, it would just have sort of disappeared, so we did that. We set up a sort of bottle at a very narrow angle and had, like, 5 microphones maybe, at, I don't know, 15 feet apart, something like that.</blockquote><br />
<br />
Other notable uses of this sample include {{S|Breathing In Fumes|U}}, the final moments of {{s|Pimpf}} (where it is layered with a large choir stab and played several notes down from its root key) and various live performances of {{S|Never Let Me Down Again}}.<br />
|smsample3=Drum , tom drum elements<br />
|smsnotes3=A series of {{EL|https://en.wikipedia.org/wiki/Tom-tom_drum tom drums}} with a unique "roomy" quality occur throughout {{S|Stripped|U}}. [[Alan Wilder]] describes the recording of this sound in a 1998 editorial on {{Shunt}}, the official [[Recoil]] project website: "[...] A hired drum kit was also set up in the large reception area of Westside and used to sample individual sounds, most notably the distinctive toms with their special ambience."<ref name="ShuntBCEd"></ref><br />
<br />
Notably, these tom drum sounds are also used as fills throughout {{S|Never Let Me Down Again}} and {{S|Breathing In Fumes}}.<br />
<br />
|smsample4=Ambient elements<br />
|smsnotes4=The {{EL|https://en.wikipedia.org/wiki/Ignition_system ignition}} of [[Dave Gahan|Dave Gahan's]] {{EL|https://en.wikipedia.org/wiki/Porsche_911 Porsche 911}} was recorded and sampled for use in the opening moments of {{S|Stripped|U}}, playing in time with the first bass note.<ref name="ShuntBCEd"></ref><br />
|ssample1=Ambient elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #81: Motor Cycle Rev - Motor Cycle Idling (08-001-117M1)'''<br />
|sstatus1=OC<br />
|snotes1="Stripped" employs a sample of a {{EL|https://en.wikipedia.org/wiki/Motorcycle motorbike}} engine idling played one octave down from its original pitch.<ref>Source: {{EL|https://noyzelab.blogspot.com/2014/09/modes-of-operation-depeche-mode.html Modes of Operation}} - ''Electronics & Music Maker'' - August 1986.</ref> The sample is looped to form a "chunky" repeating rhythm that occurs throughout the song. The loop is also present on [[Martin L. Gore|Martin Gore's]] demo recording. Wilder confirms the origin of the sample in a summary of the Emulator II lot listing on ''The Alan Wilder / Depeche Mode Collection'' auction site:<br />
<blockquote>I remember when we first inserted the huge floppy disc into the [Emulator I] and listened to the ‘Motorbike Idling’ sound (which later became the mainstay rhythm behind the song "Stripped"), I was hooked.<ref>Source: {{EL|http://auction.recoil.co.uk/emu-emulator-ii/ Emulator I}} - ''The Alan Wilder / Depeche Mode Collection''.</ref></blockquote><br />
<br />
Notably, this sample is also used in {{S|Breathing In Fumes|U}} and the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour arrangement of {{S|Pipeline}}.<br />
|sexample1=ss-Stripped-EI-81-Motorcycle-Idling.mp3<br />
<br />
|ssample2=Vocal elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Hildegard_of_Bingen Hildegard of Bingen}}, {{EL|https://en.wikipedia.org/wiki/Gothic_Voices Gothic Voices}}, {{EL|https://en.wikipedia.org/wiki/Emma_Kirkby Emma Kirkby}}, {{EL|https://en.wikipedia.org/wiki/Christopher_Page Christopher Page}} - <i>{{EL|https://en.wikipedia.org/wiki/A_Feather_on_the_Breath_of_God A Feather on the Breath of God}}</i> - "Columba aspexit"''' - April 1985 (recorded 14 September 1981)<br />
|sstatus2=C<br />
|snotes2=An operatic vocal derived from a September 1981 performance of "Columba aspexit", a piece of sacred {{EL|https://en.wikipedia.org/wiki/Vocal_music vocal music}} written in the 12th century by German {{EL|https://en.wikipedia.org/wiki/Abbess abbess}} {{EL|https://en.wikipedia.org/wiki/Hildegard_of_Bingen Hildegard of Bingen}}, is utilised as a layer to form a synth string part audible throughout the outro of "Stripped". Featuring the British vocal ensemble {{EL|https://en.wikipedia.org/wiki/Gothic_Voices Gothic Voices}} with soprano {{EL|https://en.wikipedia.org/wiki/Emma_Kirkby Emma Kirkby}}, the sampled performance is notably used throughout {{S|Christmas Island}}. An edited copy of this sound would later see use as a re-purposed synth string part heard during the chorus sections of {{S|Policy Of Truth}}.<br />
<br />
|ssample3=Drum, snare drum elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/New_Order_(band) New Order}} - "{{EL|https://en.wikipedia.org/wiki/Love_Vigilantes Love Vigilantes}}"''' - 1985<br />
|sstatus3=C<br />
|snotes3=The first of four snare drum hits audible in the opening moments of "Love Vigilantes" by New Order is utilised throughout "Stripped". Similarly, this snare sound is used throughout {{s|Breathing In Fumes}}, {{s|Christmas Island}}, {{s|Never Let Me Down Again}}, and {{S|Nothing}}.<br />
<br />
|ssample4=Piano elements<br />
|ssource4='''Emulator II factory library disk #04: Grand Piano - Preset #1: "Piano #1", SAMPLE 2'''<br />
|sstatus4=C<br />
|snotes4=The repeating melody heard throughout the verse sections is partly comprised of a manipulated piano sample derived from Emulator II factory library disk #04 "Grand Piano".<br />
|sexample4=ss-Stripped-EII-04-GrandPiano.mp3<br />
<br />
|ssample5=Drum, bass drum elements<br />
|ssource5='''{{EL|https://en.wikipedia.org/wiki/Oberheim_Electronics Oberheim Electronics}} - {{EL|https://www.vintagesynth.com/oberheim/dmx Oberheim DMX}}''' - 1980<br />
|sstatus5=C<br />
|snotes5=A bass drum sample audible throughout "Stripped" is derived from the {{EL|https://www.vintagesynth.com/oberheim/dmx Oberheim DMX}} drum machine.<br />
<br />
|snumberofrows=5<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== 8. {{S|Here Is The House}} ==<br />
{{Sample source<br />
|song={{S|Here Is The House}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|smsample1=Guitar elements<br />
|smsnotes1=[[Martin L. Gore|Martin Gore]] told ''Electronics and Music Magazine'' in 1986:<br />
<blockquote>[...] Then there’s the {{EL|https://en.wikipedia.org/wiki/Mandolin mandolin}}-like part on "Here is the House". That was an {{EL|https://en.wikipedia.org/wiki/Acoustic_guitar acoustic guitar}} sampled twice — once on a down-stroke and once on an upstroke. We used them on alternate notes, so every other note was a downstroke and all the in-between notes were up-strokes. It sounded very funny — almost like a real player.<ref name="HITH"></ref><br />
</blockquote><br />
<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''Yamaha RX-11 - Digital Rhythm Programmer''' - 1984<br />
|sstatus1=C<br />
|snotes1=A snare drum sample derived from the Yamaha RX-11 programmable drum machine is utilised throughout "Here Is The House".<br />
<br />
|ssample2=Drum elements, closed hi-hat, open hi-hat<br />
|ssource2='''Yamaha RX-11 - Digital Rhythm Programmer''' - 1984<br />
|sstatus2=C<br />
|snotes2=A series of hi-hat samples derived from the Yamaha RX-11 programmable drum machine are utilised throughout "Here Is The House". <br />
<br />
|snumberofrows=2<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== 9. {{S|World Full Of Nothing}} ==<br />
{{Sample source with audio<br />
|song={{S|World Full Of Nothing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
<br />
|ssample1=Piano elements<br />
|ssource1='''Emulator II factory library disk #04: Grand Piano'''<br />
|sstatus1=C<br />
|snotes1=A piano melody heard throughout "World Full Of Nothing" is performed using Emulator II factory library disk #04 "Grand Piano".<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== 10. {{S|Dressed In Black}} ==<br />
"Dressed In Black" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 11. {{S|New Dress}} ==<br />
{{Sample source with audio<br />
|song={{S|New Dress}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Kraftwerk Kraftwerk}} - "Home Computer" ("Heimcomputer")''' - 1981<br />
|sstatus1=C<br />
|snotes1=A brief section of an electronic drum sequence looping throughout the verse sections of "New Dress" is derived from Kraftwerk's "Home Computer". Notably, a separate selection of audio from "Home Computer" would later be used as a minor percussion element throughout {{S|World In My Eyes}}.<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=Celebration<br />
}}<br />
<br />
= B-sides, bonus tracks and remixes =<br />
== {{S|But Not Tonight}} ==<br />
{{Sample source with audio<br />
|song={{S|But Not Tonight}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|smsample1=Guitar elements<br />
|smsnotes1=Sampled upstroke and downstroke guitar elements originally sampled for use in "Here Is The House" are layered with another sampled part to produce the lead riff. {{MLG}} told ''Electronics and Music Magazine'' in 1986:<br />
<blockquote>[...] Then there’s the mandolin-like part on "Here is the House". That was an acoustic guitar sampled twice — once on a down-stroke and once on an upstroke. We used them on alternate notes, so every other note was a downstroke and all the in-between notes were upstrokes. It sounded very funny — almost like a real player.<ref name="HITH">Source: [http://noyzelab.blogspot.com/2014/09/modes-of-operation-depeche-mode.html ''Electronics and Music Magazine'']</ref><br />
</blockquote><br />
|smsample2=Melodic elements<br />
|smsnotes2=A {{EL|https://en.wikipedia.org/wiki/Vibraphone vibraphone}}-like percussive bell element is employed during the latter half of each {{EL|https://en.wikipedia.org/wiki/Song_structure#Verse verse}} section, utilising a 1/4 {{EL|https://en.wikipedia.org/wiki/Delay_(audio_effect) delay}} to achieve a hypnotic "bouncing" effect. This distinctive sound would also see use in other [[Depeche Mode]] productions, including {{s|Shake The Disease}} and {{s|It Doesn't Matter Two}}.<br />
|smsample3=Guitar elements<br />
|smsnotes3=A brief "plucked" guitar-like sound plays a tight four note sequence with a fast {{EL|https://en.wikipedia.org/wiki/Envelope_(music)#ADSR release}} time as a fill sporadically throughout {{s|But Not Tonight}}. Notable uses of this sample in other songs include the bassline of {{s|A Question Of Time}}.<br />
|ssample1=Choir elements<br />
|ssource1='''Emulator II factory library disk #12: Voices - Preset #1: "Voices 1", SAMPLE 3'''<br />
|sstatus1=C<br />
|snotes1=The reverberated choir sample utilised throughout "But Not Tonight" is derived from Emulator II factory library disk #12 "Voices".<br />
|sexample1=ss-BNT-EII-12-Voices.mp3<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, snare drum<br />
|ssource2='''Yamaha RX-11 - Digital Rhythm Programmer''' - 1984<br />
|sstatus2=C<br />
|snotes2=A series of hi-hat and snare drum samples derived from the Yamaha RX-11 programmable drum machine are utilised throughout "But Not Tonight".<ref>Richard López</ref><br />
<br />
|ssample3=Drum elements, bass drum<br />
|ssource3='''Yamaha RX-11 - Digital Rhythm Programmer''' - 1984<br />
|sstatus3=C<br />
|snotes3=A bass drum sample derived from the Yamaha RX-11 programmable drum machine is utilised throughout "But Not Tonight".<br />
<br />
|snumberofrows=3<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== {{S|Christmas Island}} ==<br />
{{Sample source with audio<br />
|song={{S|Christmas Island}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
<br />
|ssample1=Orchestral elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Jac_Holzman Jac Holzman}} - <i>Authentic Sound Effects Volume 1</i> - "Parade, Marching Band Passes"''' - 1960<br />
|sstatus1=C<br />
|snotes1=A sample of a passing marching band utilised in the intro of through "Christmas Island" is derived from "Parade, Marching Band Passes", a recording by {{EL|https://en.wikipedia.org/wiki/Jac_Holzman Jac Holzman}} originally featured on the 1960 sound effects LP <i>Authentic Sound Effects Volume 1</i>.<ref group="footnotes">The same marching band recording would later be featured under the title "Parade" on the 1964 compilation ''133 Authentic Sound Effects'' by {{EL|https://en.wikipedia.org/wiki/Jac_Holzman Jac Holzman}}.</ref><br />
|sexample1=ss-CHRISTMAS-JacHolzman-AuthenticSoundEffectsVol1-ParadeMarchingBandPasses.mp3<br />
<br />
|ssample2=Vocal elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Hildegard_of_Bingen Hildegard of Bingen}}, {{EL|https://en.wikipedia.org/wiki/Gothic_Voices Gothic Voices}}, {{EL|https://en.wikipedia.org/wiki/Emma_Kirkby Emma Kirkby}}, {{EL|https://en.wikipedia.org/wiki/Christopher_Page Christopher Page}} - <i>{{EL|https://en.wikipedia.org/wiki/A_Feather_on_the_Breath_of_God A Feather on the Breath of God}}</i> - "Columba aspexit"''' - April 1985 (recorded 14 September 1981)<br />
|sstatus2=C<br />
|snotes2=An operatic vocal derived from a September 1981 performance of "Columba aspexit", a piece of sacred {{EL|https://en.wikipedia.org/wiki/Vocal_music vocal music}} written in the 12th century by German {{EL|https://en.wikipedia.org/wiki/Abbess abbess}} {{EL|https://en.wikipedia.org/wiki/Hildegard_of_Bingen Hildegard of Bingen}}, is featured throughout "Christmas Island". Featuring the British vocal ensemble {{EL|https://en.wikipedia.org/wiki/Gothic_Voices Gothic Voices}} with soprano {{EL|https://en.wikipedia.org/wiki/Emma_Kirkby Emma Kirkby}}, the sampled performance is layered with a sample derived from Depeche Mode's "Master And Servant" to form a vocal stab audible throughout "Christmas Island". Notably, this sound is used as a layer for the synth strings in the outro of {{S|Stripped}}, which is re-purposed as a synth string part heard during the chorus sections of {{S|Policy Of Truth}}. <br />
|sexample2=ss-ChristmasIsland-ColumbaAspexitDameEmmaKirkbyGothicVoices.mp3<br />
<br />
|ssample3=Drum elements, snare drum<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/New_Order_(band) New Order}} - "{{EL|https://en.wikipedia.org/wiki/Love_Vigilantes Love Vigilantes}}"''' - 1985<br />
|sstatus3=C<br />
|snotes3=The first of four snare drum hits audible in the opening moments of "Love Vigilantes" by New Order is utilised throughout "Christmas Island". Similarly, this snare sound is used throughout {{s|Stripped}}, {{s|Breathing In Fumes}}, {{s|Never Let Me Down Again}}, and {{S|Nothing}}.<br />
<br />
|ssample4=Drum, bass drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Oberheim_Electronics Oberheim Electronics}} - {{EL|https://www.vintagesynth.com/oberheim/dmx Oberheim DMX}}''' - 1980<br />
|sstatus4=C<br />
|snotes4=A bass drum sample audible throughout "Christmas Island" is derived from the {{EL|https://www.vintagesynth.com/oberheim/dmx Oberheim DMX}} drum machine.<br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== {{S|Breathing In Fumes}} ==<br />
{{Sample source with audio<br />
|song={{S|Breathing In Fumes}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/New_Order_(band) New Order}} - "{{EL|https://en.wikipedia.org/wiki/Love_Vigilantes Love Vigilantes}}"''' - 1985<br />
|sstatus1=C<br />
|snotes1=The first of four snare drum hits audible in the opening moments of "Love Vigilantes" by New Order is utilised throughout "Breathing In Fumes". Similarly, this snare sound is used throughout {{s|Stripped}}, {{s|Christmas Island}}, {{s|Never Let Me Down Again}}, and {{S|Nothing}}.<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== "Fly On The Windscreen (Death Mix)" ==<br />
{{Sample source with audio<br />
|song={{S|Fly On The Windscreen}} (Death Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|ssample1=Vocal elements<br />
|ssource1='''<i>{{EL|https://en.wikipedia.org/wiki/ABC_World_News_Tonight ABC World News Tonight}}</i> - "Hiroshima: 40 Years Later"''' (aired 5-6 August 1985)<br />
|sstatus1=C<br />
|snotes1=A series of audio samples utilised sporadically throughout the "Death Mix" of "Fly On The Windscreen" feature dialogue spoken by {{EL|https://en.wikipedia.org/wiki/News_presenter news anchor}} {{EL|https://en.wikipedia.org/wiki/Peter_Jennings Peter Jennings}} and {{EL|https://en.wikipedia.org/wiki/CBS_News CBS News}} correspondent {{EL|https://en.wikipedia.org/wiki/Richard_Threlkeld Richard Threlkeld}} as part of the 5-6 August 1985 ''{{EL|https://en.wikipedia.org/wiki/ABC_World_News_Tonight ABC World News Tonight}}'' special report "Hiroshima: 40 Years Later". Excerpts derived from Jennings include: "[...] their living hell"; "[...] by the atomic bomb, but they actually died because of an evil [...]". Excerpts derived from Threlkeld include: "This is what the Americans who dropped the bomb saw," "[...] help the dying [...]", "[...] a fireball," "[...] hot enough to melt iron."<br />
<br />
|ssample2=Vocal elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Richard_Pryor Richard Pryor}} - Unidentified film'''<br />
|sstatus2=U<br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=Celebration<br />
}}<br />
<br />
== "A Question Of Time (Extended Remix)" ==<br />
{{Sample source with audio<br />
|song="A Question Of Time (Extended Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1986<br />
|smsample1=Guitar elements<br />
|smsnotes1=A brief "plucked" guitar-like sound reminiscent of a guitar or processed piano sample is layered with a bass part to form the bassline. Notably, this sample is also used to play a four note sequence as a fill sporadically throughout {{s|But Not Tonight}}.<br />
|ssample1=Vocal elements<br />
|ssource1='''The Chanters - "She Wants To Mambo"''' - 1954<br />
|sstatus1=OC<br />
|snotes1=A feminine "moan" vocal following the second chorus of "She Wants To Mambo" is sampled and played in a descending two note passage during the chorus sections of {{s|A Question Of Time}}.<ref>Source: [http://www.muzines.co.uk/articles/modes-of-operation/1937 Muzines.co.uk : Articles : Modes Of Operation (''Electronics & Music Maker'', August 1986)]</ref><br />
<br />
|ssample2=Drum elements, clap<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} digital drum machine''' - 1984<br />
|sstatus2=C<br />
|snotes2=A clap sample derived from the {{EL|https://en.wikipedia.org/wiki/Yamaha_RX-11 Yamaha RX-11}} programmable drum machine is utilised throughout the "Extended" remix of "A Question Of Time".<br />
<br />
|ssample3=Drum elements, crash cymbal<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Linn_Electronics Linn Electronics}} - {{EL|https://en.wikipedia.org/wiki/Linn_9000 Linn 9000}} digital drum machine''' - 1984<br />
|sstatus3=C<br />
|snotes3=A crash cymbal derived from the {{EL|https://en.wikipedia.org/wiki/Linn_9000 Linn 9000}} digital drum machine is utilised sporadically throughout the "Extended" remix of "A Question Of Time".<br />
<br />
|snumberofrows=3<br />
|colorscheme=Celebration<br />
}}<br />
<br />
<section end="DM-SS-BC" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1986 studio album Black Celebration.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Some_Great_Reward&diff=52924List of Depeche Mode sample sources by album/Some Great Reward2024-03-20T01:51:28Z<p>Majora101: /* 2. {{S|Lie To Me}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 album ''[[Some Great Reward]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-SGR" /><br />
= <i>[[Some Great Reward]]</i> (1984) =<br />
<br />
== 1. {{S|Something To Do}} ==<br />
{{Sample source with audio<br />
|song={{S|Something To Do}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1285 Horn Honk'''<br />
|sstatus1=L<br />
|snotes1=A horn melody audible during the instrumental break sections of "Something To Do" is likely derived from an edit of "1285 Horn Honk", a factory timbre included on the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres disk.<br />
<br />
|sround=1<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
|}}<br />
<br />
== 2. {{S|Lie To Me}} ==<br />
{{Sample source with audio<br />
|song={{S|Lie To Me}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The lead melody heard throughout {{S|Lie To Me|U}} is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Notably, similar edits of this timbre are also used throughout {{S|Blasphemous Rumours}} and the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of {{S|It Doesn't Matter Two}}.<br />
|sexample1=ss-LTM-Synclavier-Disk-2-2263-OBOE-SOURCE.mp3<br />
|sexamplenotes1=In this example, a section of the intro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the {{EL|https://en.wikipedia.org/wiki/Arturia Arturia}} Synclavier V, a Synclavier VST emulation (patch "2263 OBOE SOURCE" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2175 ORGAN 2'''<br />
|sstatus2=C<br />
|snotes2=An organ pad derived from an edit to the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} factory timbre "ORGAN 2" is utilised throughout "Lie To Me".<br />
|sexample2=ss-LieToMe-SynclavierII-2175-Organ2-Edit.mp3<br />
|sexamplenotes2=The above audio example features a customized edit to Partial 1 of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk timbre "1213 ORGAN" produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the organ timbre as heard throughout "Shake The Disease".<br />
<br />
|colorscheme=SGR<br />
|sround=2<br />
|snumberofrows=2<br />
}}<br />
<br />
== 3. {{S|People Are People}} ==<br />
{{Sample source with audio<br />
|song={{S|People Are People}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element used sporadically throughout "People Are People" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 4. {{S|It Doesn't Matter}} ==<br />
{{Sample source with audio<br />
|song={{S|It Doesn't Matter}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Kalimba<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}} instrument audible throughout the verse sections of "It Doesn't Matter" is derived from the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1. Notably, this timbre is also used during the chorus sections of {{S|Love, In Itself}} and the middle eight of {{S|If You Want}}.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=1<br />
}}<br />
<br />
== 5. {{S|Stories Of Old}} ==<br />
"Stories Of Old" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 6. {{S|Somebody}} ==<br />
"Somebody" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 7. {{S|Master And Servant}} ==<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|smsample1=Middle eight melody<br />
|smsnotes1=In May 2020, fan "DMK" kindly provided DM Live Wiki with documentation for a series of {{EL|http://www.vintagesynth.com/emu/emulator2.php Emulator II}} {{EL|https://en.wikipedia.org/wiki/Floppy_disk floppy disks}} that accompanied a collection of restored studio equipment used by ''[[Music For The Masses]]'' producer [[Dave Bascombe]] during the production of music albums for artists other than [[Depeche Mode]] in the mid to late eighties. One floppy disk, labeled "Glass (10)", features an untitled preset ("NULL PRESET"), which contains a bell-like sample. This bell element is used to play a {{EL|https://en.wikipedia.org/wiki/G%E2%99%AF_(musical_note) G♯}} {{EL|https://en.wikipedia.org/wiki/Octave octave}}, which is subsequently {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampled}} and layered with a manipulated piano sound to form the melody played on every second bar during the {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] and [[:Category:1990 World Violation Tour|World Violation]] tours. Notably, this sound is also used as a melodic accent throughout the Music For The Masses tour arrangement of {{S|Just Can't Get Enough}}.<br />
|ssample1=Middle eight melody<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus1=C<br />
|snotes1=A metallic bell-like melody performed during the middle eight section of "Master And Servant" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour is derived from the Yamaha DX7 factory ROM #1 program "TOY PIANO".<br />
|snumberofrows=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
== 8. {{S|If You Want}} ==<br />
{{Sample source with audio<br />
|song={{S|If You Want}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2275 BASS 1'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "BASS 1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #4 - 2443 Sound Effect 3'''<br />
|sstatus2=C<br />
|snotes2=An oscillating synthesizer part audible during the opening moments of "If You Want" is comprised of an edit to the "Sound Effect 3" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #4.<br />
<br />
|ssample3=Woodwind elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #6 - 2614 Flute'''<br />
|sstatus3=C<br />
|snotes3=A synthesized flute part audible during the middle eight section of "If You Want" is performed using the "Flute" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #6.<br />
<br />
|ssample4=Kalimba elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus4=C<br />
|snotes4=A synthesized kalimba part audible during the middle eight section of "If You Want" is performed using the "Calimba #2" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #1.<br />
|colorscheme=SGR<br />
|sround=1<br />
|snumberofrows=4<br />
}}<br />
<br />
== 9. {{S|Blasphemous Rumours}} ==<br />
{{Sample source with audio<br />
|song={{S|Blasphemous Rumours}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|smsample1=Verse snare<br />
|smsnotes1=The snare heard during the verse sections of {{s|Blasphemous Rumours}} was produced by recording the sound of a hammer smashing against a concrete floor.<ref name="shuntSGR">Source: [http://oldsite.recoil.co.uk/forum/qa/dmsgr.htm SHUNT : ARCHIVES : DEPECHE MODE : SOME GREAT REWARD]</ref> [[Alan Wilder]] states in the November 1984 issue of ''International Musician and Recording World'':<br />
<blockquote><br />
We sampled some concrete being hit for what turned out to be the snare sound. All that entailed was us hitting a big lump of concrete with a sampling hammer. The engineer / producer we use, [[Gareth Jones]], has got this brilliant little recorder called a Stellavox which we use with two stereo mikes and it's as good as any standard 30ips reel-to-reel but this is very small and therefore very portable. So we just took the Stellavox out into the middle of this big, ambient space and miked up the ground and hit it with a big metal hammer. The sound was... like concrete being hit. I can't really put it any other way.<br />
</blockquote><br />
<br />
|ssample1=Synthesizer, oboe elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #2 - 2263 Oboe Source'''<br />
|sstatus1=C<br />
|snotes1=The atmospheric {{EL|https://en.wikipedia.org/wiki/Oboe oboe}} melody heard throughout "Blasphemous Rumours" is derived from the "Oboe Source" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #2. Wilder comments on the composition of this sound in the {{Shunt}} "The Singles 81-85" editorial:<br />
<blockquote>Musically too, [Blasphemous Rumours] stood out from the crowd and once again proved that only a group like [Depeche Mode] (with a track whose opening bars featured the unlikely combination of a backwards oboe against a hammer crashing onto concrete) could subvert the pop charts and still have a hit record on their hands.<ref>{{EL|http://oldsite.recoil.co.uk/report/edit/dm8185/dm8195frame.htm "The Singles 81-85"}}. ''oldsite.recoil.co.uk''</ref><br />
</blockquote><br />
<br />
|ssample2=Synthesizer, music box elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus2=C<br />
|snotes2=A music box melody audible during the first of two middle eight sections of "Blasphemous Rumours" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank B: "TOY PIANO"'''<br />
|sstatus3=C<br />
|snotes3=A metallic, bell-like sound derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 program "TOY PIANO" is used to perform a melody during the first {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Blasphemous Rumours" as it was performed on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]] tour.<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "SAX BC"'''<br />
|sstatus4=C<br />
|snotes4=The metallic saxophone-like synth melody following the first and second {{EL|https://en.wikipedia.org/wiki/Song_structure#Chorus_or_refrain chorus}} sections of "Blasphemous Rumours" as it was performed on the Music For The Masses tour is comprised of a sample derived from the Yamaha DX7 factory ROM #2 program "SAX BC".<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A: "LOG DRUM"'''<br />
|sstatus5=C<br />
|snotes5=A synthesizer element audible throughout "Blasphemous Rumours" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #2 Bank A program "LOG DRUM".<br />
<br />
|ssample6=Drum elements, hi-hats<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus6=C<br />
|snotes6=A series of hi-hat drum elements audible during the chorus and outro sections of "Blasphemous Rumours" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|snumberofrows=6<br />
|colorscheme=SGR<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
<br />
=== "Somebody (Remix)" ===<br />
{{Sample source with audio<br />
|song="Somebody (Remix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible during the final moments of "Somebody (Remix)" is comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|Are People People?}} ===<br />
{{Sample source with audio<br />
|song={{S|Are People People?}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Doo-wop vocal sample<br />
|ssource1='''The Citadels - "When I Woke Up This Morning"''' - 1964<br />
|sstatus1=OC<br />
|snotes1=Credit to <span class="plainlinks">[https://www.bratproductions.com/ Daniel Barassi]</span> for this discovery.<ref> Source: Depeche Mode archivist and webmaster Daniel Barassi ('fishureprice') [https://www.instagram.com/p/Bif2G7gD7ui/ Instagram] post</ref><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== {{S|In Your Memory}} ===<br />
{{Sample source with audio<br />
|song={{S|In Your Memory}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== "In Your Memory (Slik Mix)" ===<br />
{{Sample source with audio<br />
|song="In Your Memory (Slik Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus1=C<br />
|snotes1=A synthesizer element audible throughout "In Your Memory (Slik Mix)" is derived from the {{EL|http://www.vintagesynth.com/yamaha/dx7.php Yamaha DX7}} factory ROM #1 Bank A program "TUB BELLS".<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
=== {{S|Master And Servant}} (Slavery Whip Mix) ===<br />
{{Sample source with audio<br />
|song={{S|Master And Servant}} (Slavery Whip Mix)<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood Frankie Goes To Hollywood}} - "{{EL|https://en.wikipedia.org/wiki/Relax_(song) Relax}}"''' - 1983<br />
|sstatus1=D<br />
|snotes1=Magazine ''The Face'' reported in February 1985:<br />
<blockquote><br />
'''Alan Wilder''': No, I don't mind admitting it. We nicked a beat off one of Frankie's records and stuck it on our 12-inch. But I mean the actual sound, not the idea. It's not a drum sound that sells a record anyway, it's the whole song and the musical ideas. [...]<br />
</blockquote><br />
<br />
In 1986, ''Electronics & Music Maker'' magazine {{EL|http://www.muzines.co.uk/articles/i-want-your-samples/1944 reported}}: "In response to a complaint that Depeche Mode stole a Frankie Goes To Hollywood drum sound, Frankie's engineers replied that the Frankie drum sound was actually a Linn - itself a recording!"<br />
<br />
Wilder directly refutes this claim in response to a fan question during a Q&A on {{EL|http://www.recoil.co.uk/ Shunt}}, the official [[Recoil]] project site:<br />
<blockquote><br />
'''Q''': [Is there] any truth behind the section in Dave Thompson's book (''Depeche Mode: Some Great Reward'') that says (around the time of {{s|Master And Servant}}) that [Depeche Mode] sampled a Frankie Goes To Hollywood drum loop? If so, what track was it used on?<br />
<br />
'''A''': Surprisingly, no truth whatsoever.<ref name="shuntSGR"></ref></blockquote><br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<br />
=== "(Set Me Free) Remotivate Me (Release Mix)" ===<br />
{{Sample source with audio<br />
|song="(Set Me Free) Remotivate Me (Release Mix)"<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1984<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout the "Release Mix" of {{S|(Set Me Free) Remotivate Me}}. <br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=SGR<br />
}}<br />
<section end="DM-SS-SGR" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1984 studio album Some Great Reward.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Construction_Time_Again&diff=52923List of Depeche Mode sample sources by album/Construction Time Again2024-03-20T01:40:26Z<p>Majora101: /* 1. {{S|Love, In Itself}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album ''[[Construction Time Again]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-CTA" /><br />
= <i>[[Construction Time Again]]</i> (1983) =<br />
<br />
== 1. {{S|Love, In Itself}} ==<br />
{{Sample source with audio overview<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised as a fill sporadically throughout "Love, In Itself".<br />
|smsexample1=ss-LoveInItself-SynclavierII-Fill.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Love, In Itself".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=An electric piano-like synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the verse sections of "Love, In Itself".<br />
|smsexample2=ss-LoveInItself-SynclavierII-EP.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Love, In Itself".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the second and third verse sections of "Love, In Itself".<br />
|smsexample3=ss-LoveInItself-SynclavierII-VS.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the second and third verse sections of "Love, In Itself".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound likely to be based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Love, In Itself".<br />
|smsexample4=ss-LoveInItself-SynclavierII-SQ.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Love, In Itself".<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|soverview1=ss-Overview-LoveInItself-03192024.mp3<br />
|colorscheme=CTA<br />
|snumberofrows=6<br />
}}<br />
<br />
== 2. {{S|More Than A Party}} ==<br />
{{Sample source with audio<br />
|song={{S|More Than A Party}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible throughout "More Than A Party" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Pipeline}} ==<br />
"Pipeline" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
== 5. {{S|Two Minute Warning}} ==<br />
{{Sample source with audio<br />
|song={{S|Two Minute Warning}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Two Minute Warning".<br />
|smsexample1=ss-TwoMinuteWarning-SynclavierII-1.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Two Minute Warning".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout the outro section of "Two Minute Warning".<br />
|smsexample2=ss-TwoMinuteWarning-SynclavierII-2.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout the outro section of "Two Minute Warning".<br />
<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Two Minute Warning".<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, rimshot<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus2=C<br />
|snotes2=A series of drum elements audible throughout "Two Minute Warning" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
}}<br />
<br />
== 6. {{S|Shame}} ==<br />
{{Sample source with audio<br />
|song={{S|Shame}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, kalimba elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard sporadically throughout "Shame" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|ssample2=Synthesizer, organ elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2174 ORGAN 1'''<br />
|sstatus2=C<br />
|snotes2=The organ melody heard sporadically throughout "Shame" is performed using the "ORGAN 1" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|The Landscape Is Changing}} ==<br />
{{Sample source with audio<br />
|song={{S|The Landscape Is Changing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2148 ELEC.DULCIMER 2'''<br />
|sstatus1=C<br />
|snotes1=The sitar-like melody audible throughout the verse sections of "The Landscape Is Changing" is derived from an edit of "2148 - ELEC.DULCIMER 2", a {{EL|https://en.wikipedia.org/wiki/Dulcimer dulcimer}}-like timbre featured on Synclavier II timbre directory diskette #1. Similarly, an edit of the "ELEC.DULCIMER 2" timbre would see later use during the verse sections of {{S|Behind The Wheel}}.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 CALIMBA 2'''<br />
|sstatus2=C<br />
|snotes2=A melody audible in the intro and outro sections of "The Landscape Is Changing" is partly derived from "2136 - CALIMBA 2", a timbre featured on Synclavier II timbre directory diskette #1.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2361 Voices 2'''<br />
|sstatus3=C<br />
|snotes3=A choir pad heard most prominently in the outro section of "The Landscape Is Changing" is derived from "2361 Voices 2", a timbre featured on Synclavier II timbre directory diskette #3.<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of bass drum, snare drum, and hi-hat samples derived from the E-mu Drumulator programmable drum machine are utilised throughout "The Landscape Is Changing". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 8. {{S|Told You So}} ==<br />
{{Sample source with audio<br />
|song={{S|Told You So}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1={{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight Middle eight}} organ<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-MU}} {{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #28 Prod Set - "Pipe Organ (L) (04-005-102M1) - Pipe Organ (U) (04-005-101M1)"'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Told You So" employs a {{EL|https://en.wikipedia.org/wiki/Pipe_organ pipe organ}} instrument derived from Emulator I factory library disk #28 "Pipe Organ - Pipe Organ".<br />
|sexample1=ss-TYS-EI-28-PipeOrgan.mp3<br />
|sexamplenotes1=In this example, Emulator I factory disk $28 "Pipe Organ - Pipe Organ" is compared to the middle eight section of "Told You So" as heard in the center channel of the 2006 ''[[Construction Time Again]]'' 5.1 reissue.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 9. {{S|And Then}} ==<br />
{{Sample source with audio<br />
|song={{S|And Then}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "And Then". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
=== {{S|Work Hard}} ===<br />
{{Sample source with audio<br />
|song={{S|Work Hard}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2311 CAR HORN'''<br />
|sstatus1=C<br />
|snotes1=The horn sound effect audible throughout "Work Hard" is derived from Synclavier II timbre directory diskette #3 "2311 CAR HORN".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2164 Heavy Keyboard'''<br />
|sstatus2=C<br />
|snotes2=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus3=C<br />
|snotes3=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Work Hard". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== {{S|Fools}} ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== "Fools (Bigger)" ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools (Bigger)". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<section end="DM-SS-CTA" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Construction_Time_Again&diff=52922List of Depeche Mode sample sources by album/Construction Time Again2024-03-20T01:39:21Z<p>Majora101: /* 5. {{S|Two Minute Warning}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album ''[[Construction Time Again]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-CTA" /><br />
= <i>[[Construction Time Again]]</i> (1983) =<br />
<br />
== 1. {{S|Love, In Itself}} ==<br />
{{Sample source with audio overview<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised as a fill sporadically throughout "Love, In Itself".<br />
|smsexample1=ss-LoveInItself-SynclavierII-Fill.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Love, In Itself".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=An electric piano-like synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the verse sections of "Love, In Itself".<br />
|smsexample2=ss-LoveInItself-SynclavierII-EP.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Love, In Itself".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the second and third verse sections of "Love, In Itself".<br />
|smsexample3=ss-LoveInItself-SynclavierII-VS.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the second and third verse sections of "Love, In Itself".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound likely to be based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Love, In Itself".<br />
|smsexample4=ss-LoveInItself-SynclavierII-SQ.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Love, In Itself".<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|soverview1=ss-Overview-LoveInItself-03192024.mp3<br />
|colorscheme=CTA<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|More Than A Party}} ==<br />
{{Sample source with audio<br />
|song={{S|More Than A Party}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible throughout "More Than A Party" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Pipeline}} ==<br />
"Pipeline" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
== 5. {{S|Two Minute Warning}} ==<br />
{{Sample source with audio<br />
|song={{S|Two Minute Warning}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Two Minute Warning".<br />
|smsexample1=ss-TwoMinuteWarning-SynclavierII-1.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Two Minute Warning".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout the outro section of "Two Minute Warning".<br />
|smsexample2=ss-TwoMinuteWarning-SynclavierII-2.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout the outro section of "Two Minute Warning".<br />
<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Two Minute Warning".<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, rimshot<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus2=C<br />
|snotes2=A series of drum elements audible throughout "Two Minute Warning" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
}}<br />
<br />
== 6. {{S|Shame}} ==<br />
{{Sample source with audio<br />
|song={{S|Shame}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, kalimba elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard sporadically throughout "Shame" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|ssample2=Synthesizer, organ elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2174 ORGAN 1'''<br />
|sstatus2=C<br />
|snotes2=The organ melody heard sporadically throughout "Shame" is performed using the "ORGAN 1" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|The Landscape Is Changing}} ==<br />
{{Sample source with audio<br />
|song={{S|The Landscape Is Changing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2148 ELEC.DULCIMER 2'''<br />
|sstatus1=C<br />
|snotes1=The sitar-like melody audible throughout the verse sections of "The Landscape Is Changing" is derived from an edit of "2148 - ELEC.DULCIMER 2", a {{EL|https://en.wikipedia.org/wiki/Dulcimer dulcimer}}-like timbre featured on Synclavier II timbre directory diskette #1. Similarly, an edit of the "ELEC.DULCIMER 2" timbre would see later use during the verse sections of {{S|Behind The Wheel}}.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 CALIMBA 2'''<br />
|sstatus2=C<br />
|snotes2=A melody audible in the intro and outro sections of "The Landscape Is Changing" is partly derived from "2136 - CALIMBA 2", a timbre featured on Synclavier II timbre directory diskette #1.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2361 Voices 2'''<br />
|sstatus3=C<br />
|snotes3=A choir pad heard most prominently in the outro section of "The Landscape Is Changing" is derived from "2361 Voices 2", a timbre featured on Synclavier II timbre directory diskette #3.<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of bass drum, snare drum, and hi-hat samples derived from the E-mu Drumulator programmable drum machine are utilised throughout "The Landscape Is Changing". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 8. {{S|Told You So}} ==<br />
{{Sample source with audio<br />
|song={{S|Told You So}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1={{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight Middle eight}} organ<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-MU}} {{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #28 Prod Set - "Pipe Organ (L) (04-005-102M1) - Pipe Organ (U) (04-005-101M1)"'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Told You So" employs a {{EL|https://en.wikipedia.org/wiki/Pipe_organ pipe organ}} instrument derived from Emulator I factory library disk #28 "Pipe Organ - Pipe Organ".<br />
|sexample1=ss-TYS-EI-28-PipeOrgan.mp3<br />
|sexamplenotes1=In this example, Emulator I factory disk $28 "Pipe Organ - Pipe Organ" is compared to the middle eight section of "Told You So" as heard in the center channel of the 2006 ''[[Construction Time Again]]'' 5.1 reissue.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 9. {{S|And Then}} ==<br />
{{Sample source with audio<br />
|song={{S|And Then}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "And Then". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
=== {{S|Work Hard}} ===<br />
{{Sample source with audio<br />
|song={{S|Work Hard}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2311 CAR HORN'''<br />
|sstatus1=C<br />
|snotes1=The horn sound effect audible throughout "Work Hard" is derived from Synclavier II timbre directory diskette #3 "2311 CAR HORN".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2164 Heavy Keyboard'''<br />
|sstatus2=C<br />
|snotes2=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus3=C<br />
|snotes3=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Work Hard". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== {{S|Fools}} ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== "Fools (Bigger)" ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools (Bigger)". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<section end="DM-SS-CTA" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Construction_Time_Again&diff=52921List of Depeche Mode sample sources by album/Construction Time Again2024-03-20T01:34:24Z<p>Majora101: /* 5. {{S|Two Minute Warning}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album ''[[Construction Time Again]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-CTA" /><br />
= <i>[[Construction Time Again]]</i> (1983) =<br />
<br />
== 1. {{S|Love, In Itself}} ==<br />
{{Sample source with audio overview<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised as a fill sporadically throughout "Love, In Itself".<br />
|smsexample1=ss-LoveInItself-SynclavierII-Fill.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Love, In Itself".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=An electric piano-like synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the verse sections of "Love, In Itself".<br />
|smsexample2=ss-LoveInItself-SynclavierII-EP.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Love, In Itself".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the second and third verse sections of "Love, In Itself".<br />
|smsexample3=ss-LoveInItself-SynclavierII-VS.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the second and third verse sections of "Love, In Itself".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound likely to be based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Love, In Itself".<br />
|smsexample4=ss-LoveInItself-SynclavierII-SQ.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Love, In Itself".<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|soverview1=ss-Overview-LoveInItself-03192024.mp3<br />
|colorscheme=CTA<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|More Than A Party}} ==<br />
{{Sample source with audio<br />
|song={{S|More Than A Party}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible throughout "More Than A Party" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Pipeline}} ==<br />
"Pipeline" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
== 5. {{S|Two Minute Warning}} ==<br />
{{Sample source with audio<br />
|song={{S|Two Minute Warning}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Two Minute Warning".<br />
|smsexample1=ss-TwoMinuteWarning-SynclavierII-1.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Two Minute Warning".<br />
<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Two Minute Warning".<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, rimshot<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus2=C<br />
|snotes2=A series of drum elements audible throughout "Two Minute Warning" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
}}<br />
<br />
== 6. {{S|Shame}} ==<br />
{{Sample source with audio<br />
|song={{S|Shame}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, kalimba elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard sporadically throughout "Shame" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|ssample2=Synthesizer, organ elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2174 ORGAN 1'''<br />
|sstatus2=C<br />
|snotes2=The organ melody heard sporadically throughout "Shame" is performed using the "ORGAN 1" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|The Landscape Is Changing}} ==<br />
{{Sample source with audio<br />
|song={{S|The Landscape Is Changing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2148 ELEC.DULCIMER 2'''<br />
|sstatus1=C<br />
|snotes1=The sitar-like melody audible throughout the verse sections of "The Landscape Is Changing" is derived from an edit of "2148 - ELEC.DULCIMER 2", a {{EL|https://en.wikipedia.org/wiki/Dulcimer dulcimer}}-like timbre featured on Synclavier II timbre directory diskette #1. Similarly, an edit of the "ELEC.DULCIMER 2" timbre would see later use during the verse sections of {{S|Behind The Wheel}}.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 CALIMBA 2'''<br />
|sstatus2=C<br />
|snotes2=A melody audible in the intro and outro sections of "The Landscape Is Changing" is partly derived from "2136 - CALIMBA 2", a timbre featured on Synclavier II timbre directory diskette #1.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2361 Voices 2'''<br />
|sstatus3=C<br />
|snotes3=A choir pad heard most prominently in the outro section of "The Landscape Is Changing" is derived from "2361 Voices 2", a timbre featured on Synclavier II timbre directory diskette #3.<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of bass drum, snare drum, and hi-hat samples derived from the E-mu Drumulator programmable drum machine are utilised throughout "The Landscape Is Changing". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 8. {{S|Told You So}} ==<br />
{{Sample source with audio<br />
|song={{S|Told You So}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1={{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight Middle eight}} organ<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-MU}} {{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #28 Prod Set - "Pipe Organ (L) (04-005-102M1) - Pipe Organ (U) (04-005-101M1)"'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Told You So" employs a {{EL|https://en.wikipedia.org/wiki/Pipe_organ pipe organ}} instrument derived from Emulator I factory library disk #28 "Pipe Organ - Pipe Organ".<br />
|sexample1=ss-TYS-EI-28-PipeOrgan.mp3<br />
|sexamplenotes1=In this example, Emulator I factory disk $28 "Pipe Organ - Pipe Organ" is compared to the middle eight section of "Told You So" as heard in the center channel of the 2006 ''[[Construction Time Again]]'' 5.1 reissue.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 9. {{S|And Then}} ==<br />
{{Sample source with audio<br />
|song={{S|And Then}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "And Then". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
=== {{S|Work Hard}} ===<br />
{{Sample source with audio<br />
|song={{S|Work Hard}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2311 CAR HORN'''<br />
|sstatus1=C<br />
|snotes1=The horn sound effect audible throughout "Work Hard" is derived from Synclavier II timbre directory diskette #3 "2311 CAR HORN".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2164 Heavy Keyboard'''<br />
|sstatus2=C<br />
|snotes2=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus3=C<br />
|snotes3=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Work Hard". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== {{S|Fools}} ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== "Fools (Bigger)" ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools (Bigger)". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<section end="DM-SS-CTA" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Construction_Time_Again&diff=52920List of Depeche Mode sample sources by album/Construction Time Again2024-03-20T01:28:12Z<p>Majora101: /* 1. {{S|Love, In Itself}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album ''[[Construction Time Again]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-CTA" /><br />
= <i>[[Construction Time Again]]</i> (1983) =<br />
<br />
== 1. {{S|Love, In Itself}} ==<br />
{{Sample source with audio overview<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised as a fill sporadically throughout "Love, In Itself".<br />
|smsexample1=ss-LoveInItself-SynclavierII-Fill.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Love, In Itself".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=An electric piano-like synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the verse sections of "Love, In Itself".<br />
|smsexample2=ss-LoveInItself-SynclavierII-EP.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Love, In Itself".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the second and third verse sections of "Love, In Itself".<br />
|smsexample3=ss-LoveInItself-SynclavierII-VS.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the second and third verse sections of "Love, In Itself".<br />
<br />
|smsample4=Synthesizer elements<br />
|smsnotes4=A synthesized sound likely to be based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised throughout "Love, In Itself".<br />
|smsexample4=ss-LoveInItself-SynclavierII-SQ.mp3<br />
|smsexamplenotes4=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard throughout "Love, In Itself".<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|soverview1=ss-Overview-LoveInItself-03192024.mp3<br />
|colorscheme=CTA<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|More Than A Party}} ==<br />
{{Sample source with audio<br />
|song={{S|More Than A Party}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible throughout "More Than A Party" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Pipeline}} ==<br />
"Pipeline" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
== 5. {{S|Two Minute Warning}} ==<br />
{{Sample source with audio<br />
|song={{S|Two Minute Warning}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Two Minute Warning".<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, rimshot<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus2=C<br />
|snotes2=A series of drum elements audible throughout "Two Minute Warning" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Shame}} ==<br />
{{Sample source with audio<br />
|song={{S|Shame}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, kalimba elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard sporadically throughout "Shame" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|ssample2=Synthesizer, organ elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2174 ORGAN 1'''<br />
|sstatus2=C<br />
|snotes2=The organ melody heard sporadically throughout "Shame" is performed using the "ORGAN 1" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|The Landscape Is Changing}} ==<br />
{{Sample source with audio<br />
|song={{S|The Landscape Is Changing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2148 ELEC.DULCIMER 2'''<br />
|sstatus1=C<br />
|snotes1=The sitar-like melody audible throughout the verse sections of "The Landscape Is Changing" is derived from an edit of "2148 - ELEC.DULCIMER 2", a {{EL|https://en.wikipedia.org/wiki/Dulcimer dulcimer}}-like timbre featured on Synclavier II timbre directory diskette #1. Similarly, an edit of the "ELEC.DULCIMER 2" timbre would see later use during the verse sections of {{S|Behind The Wheel}}.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 CALIMBA 2'''<br />
|sstatus2=C<br />
|snotes2=A melody audible in the intro and outro sections of "The Landscape Is Changing" is partly derived from "2136 - CALIMBA 2", a timbre featured on Synclavier II timbre directory diskette #1.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2361 Voices 2'''<br />
|sstatus3=C<br />
|snotes3=A choir pad heard most prominently in the outro section of "The Landscape Is Changing" is derived from "2361 Voices 2", a timbre featured on Synclavier II timbre directory diskette #3.<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of bass drum, snare drum, and hi-hat samples derived from the E-mu Drumulator programmable drum machine are utilised throughout "The Landscape Is Changing". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 8. {{S|Told You So}} ==<br />
{{Sample source with audio<br />
|song={{S|Told You So}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1={{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight Middle eight}} organ<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-MU}} {{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #28 Prod Set - "Pipe Organ (L) (04-005-102M1) - Pipe Organ (U) (04-005-101M1)"'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Told You So" employs a {{EL|https://en.wikipedia.org/wiki/Pipe_organ pipe organ}} instrument derived from Emulator I factory library disk #28 "Pipe Organ - Pipe Organ".<br />
|sexample1=ss-TYS-EI-28-PipeOrgan.mp3<br />
|sexamplenotes1=In this example, Emulator I factory disk $28 "Pipe Organ - Pipe Organ" is compared to the middle eight section of "Told You So" as heard in the center channel of the 2006 ''[[Construction Time Again]]'' 5.1 reissue.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 9. {{S|And Then}} ==<br />
{{Sample source with audio<br />
|song={{S|And Then}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "And Then". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
=== {{S|Work Hard}} ===<br />
{{Sample source with audio<br />
|song={{S|Work Hard}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2311 CAR HORN'''<br />
|sstatus1=C<br />
|snotes1=The horn sound effect audible throughout "Work Hard" is derived from Synclavier II timbre directory diskette #3 "2311 CAR HORN".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2164 Heavy Keyboard'''<br />
|sstatus2=C<br />
|snotes2=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus3=C<br />
|snotes3=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Work Hard". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== {{S|Fools}} ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== "Fools (Bigger)" ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools (Bigger)". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<section end="DM-SS-CTA" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Construction_Time_Again&diff=52919List of Depeche Mode sample sources by album/Construction Time Again2024-03-20T01:18:50Z<p>Majora101: /* 1. {{S|Love, In Itself}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album ''[[Construction Time Again]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-CTA" /><br />
= <i>[[Construction Time Again]]</i> (1983) =<br />
<br />
== 1. {{S|Love, In Itself}} ==<br />
{{Sample source with audio overview<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised as a fill sporadically throughout "Love, In Itself".<br />
|smsexample1=ss-LoveInItself-SynclavierII-Fill.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Love, In Itself".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=An electric piano-like synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the verse sections of "Love, In Itself".<br />
|smsexample2=ss-LoveInItself-SynclavierII-EP.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Love, In Itself".<br />
<br />
|smsample3=Synthesizer elements<br />
|smsnotes3=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the second and third verse sections of "Love, In Itself".<br />
|smsexample3=ss-LoveInItself-SynclavierII-VS.mp3<br />
|smsexamplenotes3=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the second and third verse sections of "Love, In Itself".<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|soverview1=ss-Overview-LoveInItself-03192024.mp3<br />
|colorscheme=CTA<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|More Than A Party}} ==<br />
{{Sample source with audio<br />
|song={{S|More Than A Party}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible throughout "More Than A Party" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Pipeline}} ==<br />
"Pipeline" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
== 5. {{S|Two Minute Warning}} ==<br />
{{Sample source with audio<br />
|song={{S|Two Minute Warning}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Two Minute Warning".<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, rimshot<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus2=C<br />
|snotes2=A series of drum elements audible throughout "Two Minute Warning" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Shame}} ==<br />
{{Sample source with audio<br />
|song={{S|Shame}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, kalimba elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard sporadically throughout "Shame" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|ssample2=Synthesizer, organ elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2174 ORGAN 1'''<br />
|sstatus2=C<br />
|snotes2=The organ melody heard sporadically throughout "Shame" is performed using the "ORGAN 1" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|The Landscape Is Changing}} ==<br />
{{Sample source with audio<br />
|song={{S|The Landscape Is Changing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2148 ELEC.DULCIMER 2'''<br />
|sstatus1=C<br />
|snotes1=The sitar-like melody audible throughout the verse sections of "The Landscape Is Changing" is derived from an edit of "2148 - ELEC.DULCIMER 2", a {{EL|https://en.wikipedia.org/wiki/Dulcimer dulcimer}}-like timbre featured on Synclavier II timbre directory diskette #1. Similarly, an edit of the "ELEC.DULCIMER 2" timbre would see later use during the verse sections of {{S|Behind The Wheel}}.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 CALIMBA 2'''<br />
|sstatus2=C<br />
|snotes2=A melody audible in the intro and outro sections of "The Landscape Is Changing" is partly derived from "2136 - CALIMBA 2", a timbre featured on Synclavier II timbre directory diskette #1.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2361 Voices 2'''<br />
|sstatus3=C<br />
|snotes3=A choir pad heard most prominently in the outro section of "The Landscape Is Changing" is derived from "2361 Voices 2", a timbre featured on Synclavier II timbre directory diskette #3.<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of bass drum, snare drum, and hi-hat samples derived from the E-mu Drumulator programmable drum machine are utilised throughout "The Landscape Is Changing". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 8. {{S|Told You So}} ==<br />
{{Sample source with audio<br />
|song={{S|Told You So}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1={{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight Middle eight}} organ<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-MU}} {{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #28 Prod Set - "Pipe Organ (L) (04-005-102M1) - Pipe Organ (U) (04-005-101M1)"'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Told You So" employs a {{EL|https://en.wikipedia.org/wiki/Pipe_organ pipe organ}} instrument derived from Emulator I factory library disk #28 "Pipe Organ - Pipe Organ".<br />
|sexample1=ss-TYS-EI-28-PipeOrgan.mp3<br />
|sexamplenotes1=In this example, Emulator I factory disk $28 "Pipe Organ - Pipe Organ" is compared to the middle eight section of "Told You So" as heard in the center channel of the 2006 ''[[Construction Time Again]]'' 5.1 reissue.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 9. {{S|And Then}} ==<br />
{{Sample source with audio<br />
|song={{S|And Then}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "And Then". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
=== {{S|Work Hard}} ===<br />
{{Sample source with audio<br />
|song={{S|Work Hard}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2311 CAR HORN'''<br />
|sstatus1=C<br />
|snotes1=The horn sound effect audible throughout "Work Hard" is derived from Synclavier II timbre directory diskette #3 "2311 CAR HORN".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2164 Heavy Keyboard'''<br />
|sstatus2=C<br />
|snotes2=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus3=C<br />
|snotes3=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Work Hard". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== {{S|Fools}} ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== "Fools (Bigger)" ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools (Bigger)". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<section end="DM-SS-CTA" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Construction_Time_Again&diff=52918List of Depeche Mode sample sources by album/Construction Time Again2024-03-20T01:11:56Z<p>Majora101: /* 1. {{S|Love, In Itself}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album ''[[Construction Time Again]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-CTA" /><br />
= <i>[[Construction Time Again]]</i> (1983) =<br />
<br />
== 1. {{S|Love, In Itself}} ==<br />
{{Sample source with audio overview<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised as a fill sporadically throughout "Love, In Itself".<br />
|smsexample1=ss-LoveInItself-SynclavierII-Fill.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Love, In Itself".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=An electric piano-like synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the verse sections of "Love, In Itself".<br />
|smsexample2=ss-LoveInItself-SynclavierII-EP.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Love, In Itself".<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|soverview1=ss-Overview-LoveInItself-03192024.mp3<br />
|colorscheme=CTA<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|More Than A Party}} ==<br />
{{Sample source with audio<br />
|song={{S|More Than A Party}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible throughout "More Than A Party" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Pipeline}} ==<br />
"Pipeline" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
== 5. {{S|Two Minute Warning}} ==<br />
{{Sample source with audio<br />
|song={{S|Two Minute Warning}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Two Minute Warning".<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, rimshot<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus2=C<br />
|snotes2=A series of drum elements audible throughout "Two Minute Warning" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Shame}} ==<br />
{{Sample source with audio<br />
|song={{S|Shame}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, kalimba elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard sporadically throughout "Shame" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|ssample2=Synthesizer, organ elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2174 ORGAN 1'''<br />
|sstatus2=C<br />
|snotes2=The organ melody heard sporadically throughout "Shame" is performed using the "ORGAN 1" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|The Landscape Is Changing}} ==<br />
{{Sample source with audio<br />
|song={{S|The Landscape Is Changing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2148 ELEC.DULCIMER 2'''<br />
|sstatus1=C<br />
|snotes1=The sitar-like melody audible throughout the verse sections of "The Landscape Is Changing" is derived from an edit of "2148 - ELEC.DULCIMER 2", a {{EL|https://en.wikipedia.org/wiki/Dulcimer dulcimer}}-like timbre featured on Synclavier II timbre directory diskette #1. Similarly, an edit of the "ELEC.DULCIMER 2" timbre would see later use during the verse sections of {{S|Behind The Wheel}}.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 CALIMBA 2'''<br />
|sstatus2=C<br />
|snotes2=A melody audible in the intro and outro sections of "The Landscape Is Changing" is partly derived from "2136 - CALIMBA 2", a timbre featured on Synclavier II timbre directory diskette #1.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2361 Voices 2'''<br />
|sstatus3=C<br />
|snotes3=A choir pad heard most prominently in the outro section of "The Landscape Is Changing" is derived from "2361 Voices 2", a timbre featured on Synclavier II timbre directory diskette #3.<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of bass drum, snare drum, and hi-hat samples derived from the E-mu Drumulator programmable drum machine are utilised throughout "The Landscape Is Changing". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 8. {{S|Told You So}} ==<br />
{{Sample source with audio<br />
|song={{S|Told You So}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1={{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight Middle eight}} organ<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-MU}} {{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #28 Prod Set - "Pipe Organ (L) (04-005-102M1) - Pipe Organ (U) (04-005-101M1)"'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Told You So" employs a {{EL|https://en.wikipedia.org/wiki/Pipe_organ pipe organ}} instrument derived from Emulator I factory library disk #28 "Pipe Organ - Pipe Organ".<br />
|sexample1=ss-TYS-EI-28-PipeOrgan.mp3<br />
|sexamplenotes1=In this example, Emulator I factory disk $28 "Pipe Organ - Pipe Organ" is compared to the middle eight section of "Told You So" as heard in the center channel of the 2006 ''[[Construction Time Again]]'' 5.1 reissue.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 9. {{S|And Then}} ==<br />
{{Sample source with audio<br />
|song={{S|And Then}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "And Then". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
=== {{S|Work Hard}} ===<br />
{{Sample source with audio<br />
|song={{S|Work Hard}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2311 CAR HORN'''<br />
|sstatus1=C<br />
|snotes1=The horn sound effect audible throughout "Work Hard" is derived from Synclavier II timbre directory diskette #3 "2311 CAR HORN".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2164 Heavy Keyboard'''<br />
|sstatus2=C<br />
|snotes2=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus3=C<br />
|snotes3=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Work Hard". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== {{S|Fools}} ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== "Fools (Bigger)" ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools (Bigger)". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<section end="DM-SS-CTA" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc><nowiki/></div>Majora101https://dmlive.wiki/w/index.php?title=List_of_Depeche_Mode_sample_sources_by_album/Construction_Time_Again&diff=52917List of Depeche Mode sample sources by album/Construction Time Again2024-03-20T00:56:32Z<p>Majora101: /* 1. {{S|Love, In Itself}} */</p>
<hr />
<div>{{GlossaryLink|<br />
link=[[Sample sources glossary|Terms used in this article]]<br />
}}<br />
<br />
In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, [[Depeche Mode]] were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}} format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these '''sample sources''' and how they are manipulated is a popular topic of discussion amongst fans of the group.<br />
<br />
{{Sample_sources_chart}}<br />
<br />
= Information =<br />
<br />
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 album ''[[Construction Time Again]]''.<br />
<br />
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. '''Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.'''<br />
<br />
This article differentiates samples by origin: '''Self-made samples''', which describe any material initially recorded by Depeche Mode or Recoil, and '''Sourced samples''', which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.<br />
<br />
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to [mailto:admin@dmlive.wiki contact us].<br />
<section begin="DM-SS-CTA" /><br />
= <i>[[Construction Time Again]]</i> (1983) =<br />
<br />
== 1. {{S|Love, In Itself}} ==<br />
{{Sample source with audio<br />
|song={{S|Love, In Itself}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|smsample1=Synthesizer elements<br />
|smsnotes1=A synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised as a fill sporadically throughout "Love, In Itself".<br />
|smsexample1=ss-LoveInItself-SynclavierII-Fill.mp3<br />
|smsexamplenotes1=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard sporadically throughout "Love, In Itself".<br />
<br />
|smsample2=Synthesizer elements<br />
|smsnotes2=An electric piano-like synthesized sound based on a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre is utilised during the verse sections of "Love, In Itself".<br />
|smsexample2=ss-LoveInItself-SynclavierII-EP.mp3<br />
|smsexamplenotes2=The above audio example features a custom {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre produced in {{EL|https://www.synclavier.com/synclavierv/ Arturia Synclavier V}}. The timbre is designed to closely mimic the harmonics of the audio signal of the relevant sound as heard during the verse sections of "Love, In Itself".<br />
<br />
|ssample1=Synthesizer, bell elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1212 Church Bell'''<br />
|sstatus1=C<br />
|snotes1=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound most clearly heard in the intro of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "Church Bell".<br />
<br />
|ssample2=Synthesizer, choir elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2338 Voices #1'''<br />
|sstatus2=C<br />
|snotes2=The synthesized solo {{EL|https://en.wikipedia.org/wiki/Choir choir}} sound audible throughout "Love, In Itself" is derived from the "Voices #1" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
|sexample2=ss-LII-Synclavier-Disk3-2338-Voices1.mp3<br />
|sexamplenotes2=In this example, a section of the outro as heard in the center channel of the 2006 5.1 reissue containing the relevant synth choir sound is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2338 Voices 1" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample3=Synthesizer, kalimba elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus3=C<br />
|snotes3=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard during the chorus sections of "Love, In Itself" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1. Notably, this sound is also utilised throughout {{S|It Doesn't Matter}} and the middle eight section of {{S|If You Want}}.<br />
|sexample3=ss-LII-Disk-1-2136-Calimba-2.mp3<br />
|sexamplenotes3=In this example, a section of the third chorus as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2136 CALIMBA 2" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample4=Synthesizer elements<br />
|ssource4='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2382 String Section'''<br />
|sstatus4=C<br />
|snotes4=A synth pad sound derived from the "String Section" timbre of Synclavier II timbre directory diskette #3 is utilised throughout the verse sections of "Love, In Itself", heard most prominently during the third verse.<br />
|sexample4=ss-LII-Synclavier-V-Timbre-Directory-Disk3-2382-String-Section.mp3<br />
|sexamplenotes4=In this example, a section of the third verse as heard in the rear right channel of the 2006 5.1 reissue containing the relevant synth line is compared to the source sound as produced by the Arturia Synclavier V, a Synclavier VST emulation (timbre "2382 STRING SECTION" courtesy of Synclavier co-inventor Cameron Jones via {{EL|https://www.facebook.com/groups/TimbreShare/ "Timbre Share"}} {{EL|https://en.wikipedia.org/wiki/Facebook Facebook}} group).<br />
<br />
|ssample5=Synthesizer elements<br />
|ssource5='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} System Disk Timbres - 1257 NICE VIBES 3V'''<br />
|sstatus5=C<br />
|snotes5=A vibraphone sound utilised throughout the chorus sections of "Love, In Itself" is derived from an edit of the {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} system disk timbre "NICE VIBES 3V".<br />
<br />
|ssample6=Drum elements, bass drum, snare drum, hi tom, mid tom, lo tom, open hi-hat, closed hi-hat<br />
|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus6=C<br />
|snotes6=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Love, In Itself". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=6<br />
|sround=1<br />
}}<br />
<br />
== 2. {{S|More Than A Party}} ==<br />
{{Sample source with audio<br />
|song={{S|More Than A Party}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Synthesizer, music box elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2383 Music Box'''<br />
|sstatus1=C<br />
|snotes1=A music box melody audible throughout "More Than A Party" is partly comprised of the "Music Box" timbre of {{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} timbre directory diskette #3.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 3. {{S|Pipeline}} ==<br />
"Pipeline" is not yet known to contain samples from any identifiable sources.<br />
<br />
== 4. {{S|Everything Counts}} ==<br />
{{Sample source with audio<br />
|song={{S|Everything Counts}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2"'''<br />
|sstatus1=C<br />
|snotes1=The keyboard riff played throughout the chorus and outro sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #2 Bank B: "SYN-LEAD 2".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #4 Bank A: "OBOE"'''<br />
|sstatus2=C<br />
|snotes2=The Music For The Masses tour arrangement of "Everything Counts" employs an {{EL|https://en.wikipedia.org/wiki/Oboe oboe}}-like sample derived from the Yamaha DX7 factory ROM #4 program "OBOE". The sample is layered with a separate sample for sporadic use as an oscillating two note swell occurring once per bar throughout the song.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1"'''<br />
|sstatus3=C<br />
|snotes3=A brassy synthesized strings pad heard sporadically during the verse sections of "Everything Counts" is played using an edit of {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "STRINGS 1".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Everything Counts". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
== 5. {{S|Two Minute Warning}} ==<br />
{{Sample source with audio<br />
|song={{S|Two Minute Warning}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1=Drum elements, snare drum<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Simmons_(electronic_drum_company) Simmons}} - {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V SDSV Drum Synthesizer}}''' - 1981<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the {{EL|https://en.wikipedia.org/wiki/Simmons_SDS-V Simmons SDSV}} drum synthesizer are utilised throughout "Two Minute Warning".<br />
<br />
|ssample2=Drum elements, open hi-hat, closed hi-hat, rimshot<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808 Rhythm Composer}}''' - 1980<br />
|sstatus2=C<br />
|snotes2=A series of drum elements audible throughout "Two Minute Warning" are derived from the {{EL|https://en.wikipedia.org/wiki/Roland_TR-808 Roland TR-808}} drum machine. <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 6. {{S|Shame}} ==<br />
{{Sample source with audio<br />
|song={{S|Shame}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer, kalimba elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 Calimba #2'''<br />
|sstatus1=C<br />
|snotes1=The percussive {{EL|https://en.wikipedia.org/wiki/Mbira kalimba}}-like {{EL|https://en.wikipedia.org/wiki/Arpeggio arpeggio}} heard sporadically throughout "Shame" is derived from the "Calimba #2" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|ssample2=Synthesizer, organ elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2174 ORGAN 1'''<br />
|sstatus2=C<br />
|snotes2=The organ melody heard sporadically throughout "Shame" is performed using the "ORGAN 1" timbre of Synclavier II timbre directory diskette #1.<br />
<br />
|colorscheme=CTA<br />
|snumberofrows=2<br />
|sround=1<br />
}}<br />
<br />
== 7. {{S|The Landscape Is Changing}} ==<br />
{{Sample source with audio<br />
|song={{S|The Landscape Is Changing}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2148 ELEC.DULCIMER 2'''<br />
|sstatus1=C<br />
|snotes1=The sitar-like melody audible throughout the verse sections of "The Landscape Is Changing" is derived from an edit of "2148 - ELEC.DULCIMER 2", a {{EL|https://en.wikipedia.org/wiki/Dulcimer dulcimer}}-like timbre featured on Synclavier II timbre directory diskette #1. Similarly, an edit of the "ELEC.DULCIMER 2" timbre would see later use during the verse sections of {{S|Behind The Wheel}}.<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2136 CALIMBA 2'''<br />
|sstatus2=C<br />
|snotes2=A melody audible in the intro and outro sections of "The Landscape Is Changing" is partly derived from "2136 - CALIMBA 2", a timbre featured on Synclavier II timbre directory diskette #1.<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #3 - 2361 Voices 2'''<br />
|sstatus3=C<br />
|snotes3=A choir pad heard most prominently in the outro section of "The Landscape Is Changing" is derived from "2361 Voices 2", a timbre featured on Synclavier II timbre directory diskette #3.<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of bass drum, snare drum, and hi-hat samples derived from the E-mu Drumulator programmable drum machine are utilised throughout "The Landscape Is Changing". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 8. {{S|Told You So}} ==<br />
{{Sample source with audio<br />
|song={{S|Told You So}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
|ssample1={{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight Middle eight}} organ<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-MU}} {{EL|http://www.vintagesynth.com/emu/emulator.php Emulator I}} factory library disk #28 Prod Set - "Pipe Organ (L) (04-005-102M1) - Pipe Organ (U) (04-005-101M1)"'''<br />
|sstatus1=C<br />
|snotes1=The {{EL|https://en.wikipedia.org/wiki/Thirty-two-bar_form#Middle_eight middle eight}} section of "Told You So" employs a {{EL|https://en.wikipedia.org/wiki/Pipe_organ pipe organ}} instrument derived from Emulator I factory library disk #28 "Pipe Organ - Pipe Organ".<br />
|sexample1=ss-TYS-EI-28-PipeOrgan.mp3<br />
|sexamplenotes1=In this example, Emulator I factory disk $28 "Pipe Organ - Pipe Organ" is compared to the middle eight section of "Told You So" as heard in the center channel of the 2006 ''[[Construction Time Again]]'' 5.1 reissue.<br />
<br />
|ssample2=Drum elements<br />
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus2=C<br />
|snotes2=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "More Than A Party". <br />
<br />
|snumberofrows=2<br />
|sround=1<br />
|colorscheme=CTA<br />
}}<br />
<br />
== 9. {{S|And Then}} ==<br />
{{Sample source with audio<br />
|song={{S|And Then}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "And Then". <br />
<br />
|colorscheme=CTA<br />
|snumberofrows=1<br />
|sround=1<br />
}}<br />
<br />
== B-sides, bonus tracks and remixes ==<br />
=== {{S|Work Hard}} ===<br />
{{Sample source with audio<br />
|song={{S|Work Hard}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Synthesizer elements<br />
|ssource1='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2311 CAR HORN'''<br />
|sstatus1=C<br />
|snotes1=The horn sound effect audible throughout "Work Hard" is derived from Synclavier II timbre directory diskette #3 "2311 CAR HORN".<br />
<br />
|ssample2=Synthesizer elements<br />
|ssource2='''{{EL|http://www.vintagesynth.com/misc/synclav.php Synclavier II}} Timbre Directory Diskette #1 - 2164 Heavy Keyboard'''<br />
|sstatus2=C<br />
|snotes2=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample3=Synthesizer elements<br />
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Yamaha_Corporation Yamaha Corporation}} - {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS"'''<br />
|sstatus3=C<br />
|snotes3=A melody played sporadically throughout "Work Hard" is played using Synclavier II timbre directory diskette #1 "2164 Heavy Keyboard" layered with a tubular bell-like sound derived from {{EL|https://en.wikipedia.org/wiki/Yamaha_DX7 Yamaha DX7}} factory ROM #1 Bank A: "TUB BELLS".<br />
<br />
|ssample4=Drum elements<br />
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus4=C<br />
|snotes4=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Work Hard". <br />
<br />
|snumberofrows=4<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== {{S|Fools}} ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<br />
=== "Fools (Bigger)" ===<br />
{{Sample source with audio<br />
|song={{S|Fools}}<br />
|artist=[[Depeche Mode]]<br />
|releaseyear=1983<br />
<br />
|ssample1=Drum elements<br />
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - E-mu Drumulator''' - 1983<br />
|sstatus1=C<br />
|snotes1=A series of drum elements derived from the E-mu Drumulator programmable drum machine are utilised throughout "Fools (Bigger)". <br />
<br />
|snumberofrows=1<br />
|sround=1<br />
|colorscheme=CTA<br />
|}}<br />
<section end="DM-SS-CTA" /><br />
<br />
= References =<br />
<references /><br />
= Notes =<br />
<references group="footnotes" /><br />
<br />
<metadesc>This page documents all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1983 studio album Construction Time Again.</metadesc><nowiki/></div>Majora101