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- 19:20, 17 April 2024 2024-04-05 Lanxess-Arena, Cologne, Germany/Source 3 (hist | edit) [4,656 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. Martin's guitar encountered problems during Walking In My Shoes. Taper's comments from the original info file: <blockquote> Recorded from Block 217, row 12. Band on fire, but less audience participation as on Wednesday; Dave asked "Are you still there?" after Condemnation. Recording is a bit bassy, some talk and cheater here and there, nothing to distracting. Like it. </blockquote> Both the original high-resolution 24-b...")
- 12:41, 14 April 2024 2023-04-14 Madison Square Garden, New York, NY, USA/Source 3 (hist | edit) [5,628 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording, though a bit reverberated sounding. Personal Jesus is incomplete and fades out. Here are the taper's notes: <blockquote> It was great seeing Depeche Mode after 17 years (!), on their final show of the 1st leg of the tour. As a one time show-goer on this tour, I'm a big fan of this setlist. I scored some free tickets in a suite and I knew beforehand that this wasn't going to be the most amazing location to tape. What I did...")
- 12:24, 14 April 2024 2023-07-09 Olympiastadion, Berlin, Germany/Source 1 (hist | edit) [3,940 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. A bit muffled sounding and some songs can have slightly distorted bass. Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2023-07-09.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:40] <sm2>https://media.dmlive.wiki...")
- 12:23, 14 April 2024 2023-07-07 Olympiastadion, Berlin, Germany/Source 1 (hist | edit) [3,974 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. A bit muffled sounding and some songs can have slightly distorted bass. Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2023-07-07.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:22] <sm2>https://media.dmlive.wiki...")
- 09:34, 14 April 2024 2023-06-24 Stade de France, Paris, France/Source 1 (hist | edit) [4,523 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. The taper would like to note: <blockquote> The right mic had a few cut-outs, I replaced them with the sound from the left mic, so on rare occasions, sound will switch to mono for less than a second. I hope you won't mind. </blockquote> Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == You can listen to this entire recording be...")
- 09:08, 14 April 2024 2024-04-08 Lanxess-Arena, Cologne, Germany/Source 4 (hist | edit) [4,073 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Here are the taper's notes: <blockquote> It's not my best recording on this tour, but whatever, it's the last concert. A little annoying clapping of hands during the songs and occasionally a cheeky screamer, otherwise hardly any disturbing background noise. </blockquote> == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-04-08.KM185.mirandaaa.0.flac1644/complete....")
- 19:57, 12 April 2024 2024-04-08 Lanxess-Arena, Cologne, Germany/Source 3 (hist | edit) [4,268 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. The left channel is a bit more prominent than the right. Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == thumb|right|x250px|Credit to '''Ronny'''. You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-04-08.CA-14.Ronny.0.flac2496/complete.m4a</html5media>...")
- 23:42, 11 April 2024 1988-01-11 Wembley Arena, London, England, UK/Source 2 (hist | edit) [2,944 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording of the soundcheck before the concert. It is slightly muffled and reverberated sounding and hissy overall. Notably, It Doesn't Matter was soundchecked, since it was played on 1988-01-12 at the second of two consecutive concerts at this venue. Many thanks to '''Pascal K. from Madrid - Spain''' for generously providing this tape for preservation, and thanks to the unknown taper who originally recorded the concert. == Listen == Y...")
- 21:11, 9 April 2024 End-of-tour speeches (hist | edit) [8,589 bytes] DMLiveWiki (talk | contribs) (Created page with "This page attempts to compile all of the end-of-tour speeches by Depeche Mode. == 1998 "The Singles" Tour == At the final concert of the tour, 1998-12-22 Arrowhead Pond, Anaheim, CA, USA, Fletch spoke before Just Can't Get Enough: <html5media>https://media.dmlive.wiki/stream/dm1998-12-22.aud.ISWIWDead.0.flac1644/CD2/10.m4a</html5media> Thanks to BRAT's [http://www.oocities.org/sara_beaniegirl/singles_tour_diary.html tour di...")
- 20:04, 9 April 2024 2024-04-08 Lanxess-Arena, Cologne, Germany/Source 2 (hist | edit) [4,383 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good sounding audience recording, although bass can be slightly distorted depending on the song and the right channel is noticeably louder than the left. The taper's notes: <blockquote> Seems to be a very good complete recording. The bass is slightly distorted depending on the song. I do not mind however. This is a nice souvenir. I hoped for Speak To Me, but My Favourite Stranger was replayed. World In My Eyes was a nice surprise, Behind The Wheel was...")
- 19:19, 9 April 2024 1986-04-10 N.E.C., Birmingham, England, UK/Source 3 (hist | edit) [6,748 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good sounding FM broadcast recording. This is a fresh remaster of a 2015 transfer of a second generation cassette tape which was generously contributed by '''darkdevoted'''. Because this version is of an original Japanese radio broadcast, it remains as its own source despite a generally superior version becoming available as Source 1. This version is properly speed corrected and has equalization...")
- 23:11, 8 April 2024 2024-04-08 Lanxess-Arena, Cologne, Germany/Source 1 (hist | edit) [7,098 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording, close to excellent quality. The only detractor is a somewhat noisy woman to the left of the taper and slightly noisy crowd around the taper, but to be fair, this is the last concert of the tour so the crowd damn well should be excited! Comments from the taper: <blockquote> This was the final gig of the tour. A large gathering of the band's family and friends (including Anton Corbijn) attended in the stage left area behind th...")
- 10:07, 6 April 2024 2024-04-05 Lanxess-Arena, Cologne, Germany/Source 2 (hist | edit) [3,763 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good sounding audience recording, although bass can be slightly distorted depending on the song and some stereo panning is occasionally heard. The first few seconds of the concert intro are incomplete. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-04-05.OKMIIPop.x4bath.0.flac1644/complete.m4a</html5media> == Track list == #[1:58] <sm2>https://media.dmlive.wiki/stream/dm2024-04-05.O...")
- 09:40, 6 April 2024 2024-04-05 Lanxess-Arena, Cologne, Germany/Source 1 (hist | edit) [4,687 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording, but unfortunately incomplete due to a problem with the Sony recorder requiring the unit to be power cycled before recording could continue. Policy Of Truth is missing the second half of the song, "In Your Room", "Everything Counts", and "Precious" are completely missing, and My Favourite Stranger is missing the first minute of the song. Martin's guitar sounds strange during Walking In My Shoes. Dave erroneously si...")
- 09:04, 5 April 2024 2024-04-03 Lanxess-Arena, Cologne, Germany/Source 3 (hist | edit) [4,901 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording with no crowd noise around the taper due to the good taping location. Sound is slightly reverberated due to the venue acoustics. Here are the taper's comments: <blockquote> Recorded from the 600er blocks front row, unusual place nearly behind the stage, but excellent sound due to the speaker hanging in front of me. Fantastic show, band on fire, but Dave looked tired sometimes. Recording is excellent, a bit of reverb from the...")
- 09:26, 4 April 2024 2024-04-03 Lanxess-Arena, Cologne, Germany/Source 2 (hist | edit) [3,637 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == Other than distorted bass, this is a good sounding audience recording. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-04-03.OKMIIPop.x4bath.0.flac1644/complete.m4a</html5media> == Track list == #[2:21] <sm2>https://media.dmlive.wiki/stream/dm2024-04-03.OKMIIPop.x4bath.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5:15] <sm2>https://media.dmlive.wiki/stream/dm2024-04-03.OKMIIPop.x4bath.0.fl...")
- 09:26, 4 April 2024 2024-04-03 Lanxess-Arena, Cologne, Germany/Source 1 (hist | edit) [4,756 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Extremely little crowd noise since it was recorded from a box suite. The concert intro is incomplete due to equipment setup. There is some stereo panning from time to time. The taper took a couple restroom breaks, one halfway through Ghosts Again and the other toward the end of A Pain That I'm Used To, which are unfortunately reflected on the recording. Thanks to '''Anonymous''' for taping and also thanks to '''Mike''...")
- 19:26, 2 April 2024 2024-03-26 MVM Dome, Budapest, Hungary/Source 1 (hist | edit) [4,060 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. The taper included the following in the original info file: <blockquote> A few things I could say about 2 non-locals behind me but I won't. All I will say is it would have been better off if they had stayed at home. The first DM gig I recorded was in 1990 and this could quite possibly be the last. {{#widget:YouTube|id=HwKy3HXW-W8}} </blockquote> == Listen == You can listen to this entire recording below. <html5media>http...")
- 19:47, 25 March 2024 2023-07-01 Deutsche Bank Park, Frankfurt, Germany/Source 1 (hist | edit) [3,886 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A decent audience recording. It is reverberated sounding and has slight distortion throughout. There are some occasional chatters. The first track "Intro (Speak To Me)" was accidentally recorded with internal microphones. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2023-07-01.OKMIIP.x4bath.0.flac1644/complete.m4a</html5media> == Track list == #[2:14] <sm2>https://media.dmlive.wiki/stream/dm2...")
- 22:04, 19 March 2024 List of Depeche Mode sample sources by album/Speak & Spell (hist | edit) [5,885 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 11:46, 19 March 2024 List of Recoil sample sources by album/A Strange Hour In Budapest (hist | edit) [2,943 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 10:46, 18 March 2024 List of Recoil sample sources by album/Remixes by Alan Wilder (hist | edit) [11,586 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 10:04, 18 March 2024 List of Recoil sample sources by album/Spirit of Talk Talk (hist | edit) [11,181 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 20:46, 13 March 2024 2024-03-05 Accor Arena, Paris, France/Source 1 (hist | edit) [4,767 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Some extraneous track splits were merged, but otherwise the fileset is unmodified. The taper's original comments which accompanied the original file set are as follows: <blockquote> Easily the best of the five shows I attended so far in 2024. Recorded from up front at the runway on Marts side. Some singalongs here and there, but nothing annoying, at least as good as the Amsterdam recording from Feb 8, 2024 I did. </blockquot...")
- 20:26, 12 March 2024 List of Recoil sample sources by album/1 + 2 (hist | edit) [10,029 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 20:06, 12 March 2024 List of Recoil sample sources by album/Hydrology (hist | edit) [10,661 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 18:40, 12 March 2024 List of Depeche Mode sample sources by album/The Singles 86-98 (hist | edit) [11,190 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 22:38, 11 March 2024 List of Depeche Mode sample sources by album/The Singles 81→85 (hist | edit) [38,345 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 08:51, 2 March 2024 2024-02-22 O2 Arena, Prague, Czech Republic/Source 1 (hist | edit) [3,616 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. The concert introduction is missing and My Cosmos Is Mine is missing the first half. There are some chatters to the left of the taper. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-22.TascamDR-22WL.MS.0.flac1644/complete.m4a</html5media> == Track list == #[2:48] <sm2>https://media.dmlive.wiki/stream/dm2024-02-22.TascamDR-22WL.MS.0.flac1644/01.m4a</sm2> ...")
- 19:39, 27 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 3 (hist | edit) [3,927 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:38] <sm2>https://media.dmlive.wiki/stream/dm2024-02-20.CA-14.Ronny.0.flac2496/01.m4a</sm2> Intro (Speak To Me) #[5:11]...")
- 19:38, 27 February 2024 2024-02-24 O2 Arena, Prague, Czech Republic/Source 1 (hist | edit) [3,967 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording, with a slightly reverberated sound. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-24.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:47] <sm2>https://media.dmlive.wiki/stream/dm2024-02-24.CA-14.Ronny.0.flac2496/01.m4a...")
- 11:57, 24 February 2024 2024-02-13 Mercedes-Benz Arena, Berlin, Germany/Source 1 (hist | edit) [3,950 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-13.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:43] <sm2>https://media.dmlive.wiki/stream/dm2024-02-13.CA-14.Ronny.0.flac2496/01.m4a</sm2> Intro (Speak To Me) #[5:12] <...")
- 11:37, 24 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 2 (hist | edit) [3,997 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. The original file set includes the DJ Set, but it has been excluded to prevent potential copyright issues. Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.ECM-717.CPR.0.flac2496/complete.m4a</html5media> == Track list ==...")
- 13:35, 23 February 2024 1988-02-13 Scandinavium, Gothenburg, Sweden/Source 2 (hist | edit) [3,624 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Slightly distorted bass depending on the song and there are some occasional volume fluctuations. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm1988-02-13.AST-20.Barrhult.0.flac1644/complete.m4a</html5media> == Track list == #[3:17] <sm2>https://media.dmlive.wiki/stream/dm1988-02-13.AST-20.Barrhult.0.flac1644/01.m4a</sm2> Pimpf #[5:41] <sm2>https://media.dmli...")
- 19:58, 21 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 1 (hist | edit) [4,023 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. It sounds somewhat distant, but this is not unexpected for the taping location being this far away from the stage. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.MM-MCSM-4.Nanka.0.flac1644/complete.m4a</html5media> == Track list == #[2:09] <sm2>https://media.dmlive.wiki/stream/dm2024-02-20.MM-MCSM-4.Nanka.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5...")
- 22:11, 16 February 2024 2023-06-06 Merkur Spiel-Arena, Dusseldorf, Germany/Source 1 (hist | edit) [5,190 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. The taper's notes from the original info file are below: <blockquote> An extraordinary, fabulous show. Much improved sound compared to the shows in Amsterdam. After the first few songs there was hardly any screaming or chattering, so the recording fits the band and especially the excellent fan chants very well. During the first few songs, there was a Mexican woman standing nearby who at times screamed her lungs out, managin...")
- 10:06, 10 February 2024 2024-02-08 Ziggo Dome, Amsterdam, The Netherlands/Source 1 (hist | edit) [4,512 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-08.DPA4061.stl.0.flac2496/complete.m4a</html5media> == Track list == #[0:53] <sm2>https://media.dmlive.wiki/stream/dm2024-02-08.DPA4061.stl.0.flac2496/01.m4a</sm2> Preshow #...")
- 10:06, 10 February 2024 2024-02-08 Ziggo Dome, Amsterdam, The Netherlands/Source 2 (hist | edit) [3,778 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. Bass is distorted and somewhat overpowers the treble. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-08.OKMIIPop.x4bath.0.flac1644/complete.m4a</html5media> == Track list == #[2:23] <sm2>https://media.dmlive.wiki/stream/dm2024-02-08.OKMIIPop.x4bath.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5:13] <sm2>https://media.dmlive.wiki/stream/dm2024-02-08.OKMIIPop.x...")
- 08:34, 10 February 2024 2024-02-06 Sportpaleis, Antwerp, Belgium/Source 1 (hist | edit) [5,456 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. It is rather reverberated sounding. The taper's comments are as follows: <blockquote> Thanks to early entry tickets and an early queue, I was right at the front of the stage for the first time. Dave and Martin are even more inspiring as artists and performers when you can feel their sweat and smiles from a metre away. An outstanding show with a fantastic audience. The sound at the front was fine, not outstanding, but not as ove...")
- 21:50, 8 February 2024 2024-01-29 AO Arena, Manchester, England, UK/Source 1 (hist | edit) [4,296 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-01-29.AT943.Polewka123.0.flac1644/complete.m4a</html5media> == Track list == #[2:43] <sm2>https://media.dmlive.wiki/stream/dm2024-01-29.AT943.Polewka123.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5:09] <sm2>https://media.dmlive.wiki/stream/dm2024-01-29.AT943.Polewka123.0.flac1644/02.m4a</sm2> My Cosmos Is...")
- 21:10, 7 February 2024 2023-12-12 Kia Forum, Los Angeles, CA, USA/Source 1 (hist | edit) [4,628 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording, although there is a woman seated directly to the left of the taper who talked through the majority of the concert. Both the original high-resolution 24-bit, 48KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. '''faninor''' also filmed the entire concert, and the recording can be watched on YouTube: {{#Widget:YouTube|id=X8hAIQNgAxE}} == Listen == You can listen to this entire record...")
- 21:00, 5 February 2024 2024-01-27 O2 Arena, London, England, UK/Source 2 (hist | edit) [4,365 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. There are occasionally some noisy audience members around the taper. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-01-27.AT943.Polewka123.0.flac1644/complete.m4a</html5media> == Track list == #[2:46] <sm2>https://media.dmlive.wiki/stream/dm2024-01-27.AT943.Polewka123.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5:10] <sm2>https://media.dmlive.wiki/stream/...")
- 16:19, 4 February 2024 List of Depeche Mode sample sources by album/Playing The Angel (hist | edit) [6,645 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 13:37, 4 February 2024 2023-06-29 Deutsche Bank Park, Frankfurt, Germany/Source 1 (hist | edit) [6,745 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A splendid audience recording, direct and clear sound. Both the original resolution 24-bit, 96KHz fileset and a 16-bit, 44.1KHz downsampled version are available to download. A few tracks had to be manually patched from interference noises caused by microphone adjustments or people accidentally hitting the mics while dancing. Towards the end of Enjoy The Silence a severely drunk woman stumbled into the pit, pushing everyone including the taper. The int...")
- 13:37, 4 February 2024 2023-06-29 Deutsche Bank Park, Frankfurt, Germany/Source 2 (hist | edit) [3,825 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A ood audience recording. There are a few noisy audience members around the taper. There is some stereo phasing from time to time but otherwise the recording is generally centered. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2023-06-29.OKMIIP.x4bath.0.flac1644/complete.m4a</html5media> == Track list == #[2:16] <sm2>https://media.dmlive.wiki/stream/dm2023-06-29.OKMIIP.x4bath.0.flac1644/01.m4a...")
- 15:05, 3 February 2024 2024-01-24 Utilita Arena, Birmingham, England, UK/Source 1 (hist | edit) [4,290 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-01-24.AT943.Polewka123.0.flac1644/complete.m4a</html5media> == Track list == #[3:08] <sm2>https://media.dmlive.wiki/stream/dm2024-01-24.AT943.Polewka123.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5:15] <sm2>https://media.dmlive.wiki/stream/dm2024-01-24.AT943.Polewka123.0.flac1644/02.m4a</sm2> My Cosmos Is...")
- 20:32, 31 January 2024 Tomorrow's Dance/Available recordings (hist | edit) [24 bytes] DMLiveWiki (talk | contribs) (Created page with "{{Available recordings}}")
- 20:32, 31 January 2024 Tomorrow's Dance/Live performance dates (hist | edit) [46 bytes] DMLiveWiki (talk | contribs) (Created page with "{{Live performance dates|1980|includeDM=true}}")
- 21:24, 30 January 2024 2024-01-27 O2 Arena, London, England, UK/Source 1 (hist | edit) [4,831 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording, considering this was recorded with a recorder's internal microphones. Bass is distorted for some songs, and there is a fairly noisy crowd around the taper. The taper decided to use the recorder's internal microphones instead of his usual equipment due to a problem with one of the external microphones. The taper mentioned on DIME: <blockquote> NOTE: This recording is well bellow my usual standards. Reason is that I used the interna...")
- 20:13, 27 January 2024 2014-01-27 LG Arena, Birmingham, England, UK/Source 1 (hist | edit) [3,781 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Strangely, there is some noticeable background hiss, but otherwise there is nothing significant to detract from this recording. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2014-01-27.AT853.Polewka.0.flac1644/complete.m4a</html5media> == Track list == #[7:43] <sm2>https://media.dmlive.wiki/stream/dm2014-01-27.AT853.Polewka.0.flac1644/01.m4a</sm2> Welcome To M...")
