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| + | {{Song infobox |
| + | |title=Interlude #3 |
| + | |screen=hd |
| + | |screenshot=Album-Violator.jpg |
| + | |artist=[[Depeche Mode]] |
| + | |album=[[Violator]] |
| + | |songwriter=[[Martin L. Gore]] |
| + | |producer=[[Depeche Mode]]<br>[[Flood]] |
| + | |studio=The Church, London |
| + | |label=[[Mute Records]] |
| + | |length=1:23 |
| + | |mixingby=[[François Kevorkian]] |
| + | |engineeringby=Pino Pischetola<br>Peter Iversen<br>[[Steve Lyon]]<br>Goh Hotoda<br>Alan Gregorie<br>Dennis Mitchell<br>Phil Legg |
| + | |engineeringassistance=[[Daryl Bamonte]]<br>Dick Meaney<br>David Browne<br>Mark Flannery |
| + | |sleevedesignby=[[Anton Corbijn]]<br>Area |
| + | |mixedat=The Church, London |
| + | |recordingdate=1989 |
| + | |releasedate=19 March 1990 |
| + | |colorscheme=Violator |
| + | }} |
| + | |
| == Notes == | | == Notes == |
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− | '[[Interlude No. 3]]' is the second of two unlisted instrumental interludes that appear on the 1990 [[Depeche Mode]] album <i>[[Violator]]</i>. It is the first interlude by Depeche Mode to not feature a subtitle, as is the naming convention set by the preceding '[[Interlude No. 2 - Crucified]]' from the same album and '[[Interlude No. 1 - Mission Impossible]]' from 1987's <i>[[Music For The Masses]]</i>. The interlude occurs between '[[Blue Dress]]' and '[[Clean]]' and features a string and clarinet duet embellished by reverberated vocal stabs interspersed with washes of ambient noise, producing a contemplative instrumental interlude that serves as a dramatic build-up to the final moments of <i>Violator</i>.
| + | "[[Interlude No. 3]]" is the second of two unlisted instrumental interludes that appear on the 1990 [[Depeche Mode]] album ''[[Violator]]''. It is the first interlude by Depeche Mode to not feature a subtitle, as is the naming convention set by the preceding "[[Interlude No. 2 - Crucified]]" from the same album and "[[Interlude No. 1 - Mission Impossible]]" from 1987's ''[[Music For The Masses]]''. The interlude occurs between "[[Blue Dress]]" and "[[Clean]]" and features a string and clarinet duet embellished by reverberated vocal stabs interspersed with washes of ambient noise, producing a contemplative instrumental interlude that serves as a dramatic build-up to the final moments of ''Violator''. |
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− | [[Alan Wilder]] comments on the production of this interlude in the <i>Violator</i> section of the [[Recoil]] [http://oldsite.recoil.co.uk/forum/qa/dmems2.htmShunt Q&A section]:
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− | <blockquote>
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− | "Dave plays a unique form of guitar. He has his own 'special' style. We used some of his playing as sound effects in one of the crossfade sections of 'Violator'."
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− | </blockquote>
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− | This interlude features the first known example of a non-vocal, non songwriting-focused musical contribution by [[Dave Gahan]], and the second known example of a vocal delivery by [[Andrew Fletcher]] featured on a Depeche Mode album (the first being a backing vocal heard during the outro of '[[The Sun & The Rainfall]]').
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| {{Template:Unplayed}} | | {{Template:Unplayed}} |
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| [[Category:Depeche Mode interludes]] | | [[Category:Depeche Mode interludes]] |
| [[Category:Interludes]] | | [[Category:Interludes]] |
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| + | <metadesc>"Interlude #3" is the second of two unlisted instrumental interludes that appear on the 1990 Depeche Mode album Violator.</metadesc><nowiki/> |