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| == <i>[[Unsound Methods]]</i> (1997) ==
| | #REDIRECT [[List of Recoil sample sources by album]] |
| {{Sample source with audio
| |
| |song={{S|Incubus}}
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| |artist=[[Recoil]]
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| |releaseyear=1997
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| |smsample1=Percussion elements
| |
| |smsnotes1=A percussive loop originally recorded for use in Depeche Mode's {{S|Clean}} is re-used to create a rhythmic, tribal atmosphere in {{S|Incubus}}.
| |
| | |
| |ssample1=Jazzy bass guitar/piano phrase
| |
| |ssource1='''{{EL|https://en.wikipedia.org/wiki/Angelo_Badalamenti Angelo Badalamenti}} - <i>{{EL|https://en.wikipedia.org/wiki/Blue_Velvet_(film) Blue Velvet (Original Motion Picture Soundtrack)}}</i> - "Akron Meets the Blues"''' - 1986
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| |sstatus1=C
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| |snotes1=A bluesy bass guitar and piano phrase derived from "Akron Meets the Blues" as scored by {{EL|https://en.wikipedia.org/wiki/Angelo_Badalamenti Angelo Badalamenti}} for the 1986 {{EL|https://en.wikipedia.org/wiki/Blue_Velvet_(film) Blue Velvet}} film soundtrack is utilised in the opening moments of "Incubus".
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| |sexample1=ss-Incubus-BlueVelvet-AkronMeetsTheBlues.mp3
| |
| | |
| |ssample2=Jazz saxophone
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| |ssource2='''{{EL|https://en.wikipedia.org/wiki/Bernard_Herrmann Bernard Herrmann}} - <i>{{EL|https://en.wikipedia.org/wiki/Taxi_Driver Taxi Driver: Original Soundtrack Recording}}</i> - "I Still Can't Sleep / They Cannot Touch Her (Betsy's Theme)"''' - 1976<ref>Recorded December 22 and 23, 1975 - Ruhlmann, William. [https://web.archive.org/web/20140317032141/http://www.thebeat.com/Music/Artist.aspx?id=86296 "Bernard Herrmann"]. {{EL|https://en.wikipedia.org/wiki/CFBT-FM CFBT-FM}}.</ref>
| |
| |sstatus2=C
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| |snotes2=A saxophone phrase derived from "I Still Can't Sleep / They Cannot Touch Her (Betsy's Theme)" as scored by {{EL|https://en.wikipedia.org/wiki/Bernard_Herrmann Bernard Hermann}} for the 1976 {{EL|https://en.wikipedia.org/wiki/Taxi_Driver Taxi Driver}} film soundtrack is utilised in the opening moments of "Incubus".
| |
| |sexample2=ss-Incubus-TaxiDriver-BetsysTheme.mp3
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| | |
| |ssample3=Orchestral strings
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| |ssource3='''Henryk Górecki - Symphony No. 3, Op. 36: I. Lento - Sostenuto Tranquillo Ma Cantabile''' - released 9 March, 1992 (recorded 4 April, 1977)
| |
| |sstatus3=L
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| |snotes3=A sampled orchestral/vocal phrase derived from the first movement of Henryk Górecki's Symphony No. 3, Op. 36 is likely utilised throughout "Incubus".
| |
| |ssample4=Shouting vocal
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| |ssource4='''{{EL|https://en.wikipedia.org/wiki/Peter_Gabriel Peter Gabriel}} - "Rhythm Of The Heat"''' - 1982
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| |sstatus4=L
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| |snumberofrows=4
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| |colorscheme=Unsound
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| }}
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| {{Sample source
| |
| |song={{S|Drifting}}
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| |artist=[[Recoil]]
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| |releaseyear=1997
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| |ssample1=Marimba rhythm
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| |ssource1='''{{EL|https://en.wikipedia.org/wiki/Peter_Gabriel Peter Gabriel}} - "Slow Marimbas"''' - 1985
| |
| |sstatus1=C
| |
| |snotes1=A looping section of melodic marimba performance derived from the opening moments of Peter Gabriel's "Slow Marimbas" is utilised throughout "Drifting".
| |
| |ssample2=Orchestral strings
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| |ssource2='''{{EL|https://en.wikipedia.org/wiki/Vivian_Kubrick Vivian Kubrick}} (as "Abigail Mead") - <i>{{EL|https://en.wikipedia.org/wiki/Full_Metal_Jacket Full Metal Jacket (Original Motion Picture Soundtrack)}}</i> - "Sniper"''' - 1987
| |
| |sstatus2=C
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| |snotes2=A section of orchestral strings derived from {{EL|https://en.wikipedia.org/wiki/Vivian_Kubrick Vivian Kubrick's}} "Sniper" as composed for the soundtrack of the 1987 {{EL|https://en.wikipedia.org/wiki/Stanley_Kubrick Stanley Kubrick}} film {{EL|https://en.wikipedia.org/wiki/Full_Metal_Jacket Full Metal Jacket}} is utilised throughout "Drifting".
| |
| |ssample3=Brass swell
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| |ssource3='''{{EL|https://en.wikipedia.org/wiki/The_Walker_Brothers The Walker Brothers}} - "{{EL|https://en.wikipedia.org/wiki/Another_Tear_Falls Another Tear Falls}}"''' - 1966
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| |sstatus3=C
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| |snotes3=A brass section swell derived from the opening moments of The Walker Brothers' 1966 UK single "Another Tear Falls" is utilised throughout "Drifting".
| |
| |ssample4=Saxophone and choir
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| |ssource4='''{{EL|https://en.wikipedia.org/wiki/Hilliard_Ensemble Hilliard Ensemble}} & {{EL|https://en.wikipedia.org/wiki/Jan_Garbarek Jan Garbarek}} - "Sanctus"''' - 1994
| |
| |sstatus4=C
| |
| |snotes4=A section of audio featuring a saxophone and choir phrase derived from the opening moments of a September 1993 performance of "Sanctus" by the {{EL|https://en.wikipedia.org/wiki/Hilliard_Ensemble Hilliard Ensemble}} is utilised for a brief pad during "Drifting".
| |
| |ssample5=Guitar atmospherics
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| |ssource5='''{{EL|https://en.wikipedia.org/wiki/The_Comsat_Angels#Discography The Comsat Angels}} - "Missing in Action"''' - 1980
| |
| |sstatus5=C
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| |snotes5=A manipulated sample of guitar atmospherics derived from the opening moments of The Comsat Angels' "Missing in Action" is utilised throughout "Drifting".
| |
| |ssample6=Orchestra/vocal phrase
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| |ssource6='''{{EL|https://en.wikipedia.org/wiki/Loulie_Jean_Norman Loulie Jean Norman}} - "Summertime"''' - 1959
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| |sstatus6=C
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| |snotes6=A sampled orchestral/vocal phrase derived from {{EL|https://en.wikipedia.org/wiki/Loulie_Jean_Norman Loulie Jean Norman's}} performance of "Summertime" as recorded for the 1959 ''{{EL|https://en.wikipedia.org/wiki/Porgy_and_Bess_(film) Porgy and Bess}}'' 1959 film soundtrack is likely utilised in the outro of "Drifting".
| |
| | |
| |ssample7=Spoken word: "We are also aware that He had quite a flair for creating exceptional women"
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| |ssource7='''{{EL|https://en.wikipedia.org/wiki/Marlene_Dietrich Marlene Dietrich}} - <i>Noel Coward Introduces Marlene Dietrich – At The Cafe De Paris</i> - "Introduction Noel Coward"''' - 1954
| |
| |sstatus7=L
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| |snotes7=An introduction for German-American actress {{EL|https://en.wikipedia.org/wiki/Marlene_Dietrich Marlene Dietrich}} spoken by {{EL|https://en.wikipedia.org/wiki/No%C3%ABl_Coward Noël Coward}} for Dietrich's 1954 {{EL|https://en.wikipedia.org/wiki/Caf%C3%A9_de_Paris,_London Café de Paris}} cabaret performance is likely utilised in the outro of "Drifting".
| |
| | |
| |snumberofrows=7
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| |sround=1
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| |colorscheme=Unsound
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| }}
| |
| {{Sample source
| |
| |song={{S|Luscious Apparatus}}
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| |artist=[[Recoil]]
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| |releaseyear=1997
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| |ssample1=Guitar chord
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| |ssource1='''The Cure - "Club America"''' - 1996
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| |sstatus1=L
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| |snumberofrows=1
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| |sround=1
| |
| |colorscheme=Unsound
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| }}
| |
| {{Sample source
| |
| |song={{S|Stalker}}
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| |artist=[[Recoil]]
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| |releaseyear=1997
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| | |
| |ssample1=Noise, ambience
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| |ssource1='''{{EL|https://en.wikipedia.org/wiki/Simon_Fisher_Turner Simon Fisher Turner}} - "Lower"''' - 1996
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| |sstatus1=C
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| |snotes1=A section of noise and atmosphere derived from the opening moments of "Lower" by Simon Fisher Turner is utilised throughout the intro of "Stalker".
| |
| |ssample2=Melancholy guitar and shaker phrase
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| |ssource2='''{{EL|https://en.wikipedia.org/wiki/Morphine_(band) Morphine}} - "Miles' Davis Funeral"''' - 1993
| |
| |sstatus2=C
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| |snotes2=A melancholy guitar and shaker sample derived from the opening moments of "Miles' Davis Funeral" by Massachusetts band {{EL|https://en.wikipedia.org/wiki/Morphine_(band) Morphine}} is utilised throughout "Stalker".
| |
| |ssample3="Versus Christus, ave Satani!" vocal chant with orchestral string and trumpet ostinato
| |
| |ssource3='''Jerry Goldsmith - ''The Omen'' (film soundtrack) - "Killer's Storm"''' - 1976
| |
| |sstatus3=C
| |
| |snotes3=A sample of an orchestral ostinato and {{EL|https://en.wikipedia.org/wiki/Latin Latin}} vocal chant from "Killer's Storm", a musical score from the 1976 horror film ''The Omen'' are used to enhance the rhythm of {{S|Stalker}}. The score from which the sample is derived is notable for its use in the scene featuring disgraced priest Father Brennan ({{EL|https://en.wikipedia.org/wiki/Patrick_Troughton Patrick Troughton}}), who flees in horror to a nearby church to escape the {{EL|https://en.wikipedia.org/wiki/Devil_in_Christianity Devil's}} punishment for Brennan having informed Robert Thorn ({{EL|https://en.wikipedia.org/wiki/Gregory_Peck Gregory Peck}}), the unknowing adopted father of the {{EL|https://en.wikipedia.org/wiki/Antichrist Antichrist}}, of his son's unholy origin.
| |
| |ssample4=Ambient pads
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| |ssource4='''Peter Gabriel - ''Birdy'' (film soundtrack)''' - Unidentified source song - 1985
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| |sstatus4=UC
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| |ssample5=911 operator vocal
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| |ssource5='''<i>The Last Seduction</i> (film)''' - 1994
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| |sstatus5=L
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| |snumberofrows=5
| |
| |sround=1
| |
| |colorscheme=Unsound
| |
| }}
| |
| {{Sample source
| |
| |song={{S|Red River Cargo}}
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| |artist=[[Recoil]]
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| |releaseyear=1997
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| |ssample1=Hip hop rhythm
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| |ssource1='''{{EL|https://en.wikipedia.org/wiki/Big_Daddy_Kane Big Daddy Kane}} - "Rest In Peace"''' - 1993
| |
| |sstatus1=C
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| |snotes1=A section of rhythmic audio derived from "Rest In Peace" by {{EL|https://en.wikipedia.org/wiki/Big_Daddy_Kane Big Daddy Kane}} is utilised throughout "Red River Cargo".
| |
| | |
| |ssample2=Orchestral strings
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| |ssource2='''{{EL|https://en.wikipedia.org/wiki/Richard_Strauss Richard Strauss}} - {{EL|https://en.wikipedia.org/wiki/Jessye_Norman Jessye Norman}}, {{EL|https://en.wikipedia.org/wiki/Leipzig_Gewandhaus_Orchestra Gewandhausorchester Leipzig}}, {{EL|https://en.wikipedia.org/wiki/Kurt_Masur Kurt Masur}} - Vier Letzte Lieder / Four Last Songs - Vier Letzte Lieder: IV. Im Abendrot''' - 1983
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| |sstatus2=C
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| |snotes2=A series of manipulated orchestral string samples derived from a 1983 performance of "Im Abendrot" by the late {{EL|https://en.wikipedia.org/wiki/Jessye_Norman Jessye Norman}} with accompaniment by {{EL|https://en.wikipedia.org/wiki/Kurt_Masur Kurt Masur}} and the {{EL|https://en.wikipedia.org/wiki/Leipzig_Gewandhaus_Orchestra Gewandhausorchester Leipzig}}. Written by Richard Strauss to the words of the poem "Im Abendrot" (At Sunset) by {{EL|https://en.wikipedia.org/wiki/Joseph_Freiherr_von_Eichendorff Joseph Freiherr von Eichendorff}}, the piece was written over a five-and-a-half month period in May 1948. Following Strauss's death in September 1949, the work was published posthumously alongside "Frühling" (Spring), "September", and "Beim Schlafengehen" (When Falling Asleep) as the ''{{EL|https://en.wikipedia.org/wiki/Four_Last_Songs Four Last Songs}}'' by the composer's friend {{EL|https://en.wikipedia.org/wiki/Ernst_Roth Ernst Roth}} in 1950. Notably, after the soprano's intonation of "Ist dies etwa der Tod?" ("Is this perhaps death?"), "Im Abendrot" features a musical quote of Strauss's own {{EL|https://en.wikipedia.org/wiki/Symphonic_poem tone poem}} ''{{EL|https://en.wikipedia.org/wiki/Death_and_Transfiguration Death and Transfiguration}}'', written 60 years prior. As in that piece, the quoted seven-note phrase (known as the "transfiguration theme") has been seen as the fulfillment of the soul through death.<ref>Van Amburg, Jack (19 April 2012). {{EL|https://web.archive.org/web/20171108083244/http://www.jackthemusicologist.com/blog/2012/4/19/a-closer-look-at-strauss-transfiguration-ending.html "A closer look at Strauss' transfiguration ending"}}. Jack the Musicologist.</ref>
| |
| | |
| Herbert Glass writes of the ''Four Last Songs'', "[These] are [...] songs of farewell – to life, to art, to a vanished world. There is nothing like them in music for the sheer intensity of their concentrated, gentle heartache. Strauss’ songs are music of finality [...] [He] says goodbye wistfully, but not tragically.”<ref>Glass, Herbert - ''theford.com'' - {{EL|https://www.theford.com/musicdb/pieces/1813/four-last-songs Four Last Songs}}.</ref>
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| |ssample3=N/A
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| |ssource3='''<i>Wild At Heart</i> (film)''' - 1990
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| |sstatus3=UC
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| |snumberofrows=3
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| |sround=1
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| |colorscheme=Unsound
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| }}
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| {{Sample source
| |
| |song={{S|Control Freak}}
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| |artist=[[Recoil]]
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| |releaseyear=1997
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| |ssample1=Orchestral strings
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| |ssource1='''{{EL|https://en.wikipedia.org/wiki/Ravi_Shankar Ravi Shankar}}, {{EL|https://en.wikipedia.org/wiki/Philip_Glass Philip Glass}} - "Offering"''' - 1990
| |
| |sstatus1=L
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| |snotes1=A manipulated sample of orchestral strings derived from "Offering" by Ravi Shankar and Philip Glass is likely utilised throughout "Control Freak".
| |
| |ssample2=Piano
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| |ssource2='''{{EL|https://en.wikipedia.org/wiki/Peter_Hammill Peter Hammill}} - "Accidents"''' - 1982
| |
| |sstatus2=L
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| |snotes2=A manipulated sample of piano derived from "Accidents" by Peter Hammill is likely utilised throughout "Control Freak".
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| |ssample3=Synth fill
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| |ssource3='''{{EL|https://en.wikipedia.org/wiki/Brian_Eno Brian Eno}}, {{EL|https://en.wikipedia.org/wiki/David_Byrne David Bryne}} - "Mountain of Needles"''' - February 1981
| |
| |sstatus3=L
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| |snotes3=A manipulated sample derived from "Mountain of Needles" by {{EL|https://en.wikipedia.org/wiki/Brian_Eno Brian Eno}} and David Bryne is likely utilised throughout "Control Freak".
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| | |
| |ssample4=Synth pad
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| |ssource4='''{{EL|https://en.wikipedia.org/wiki/Goldie Goldie}} - "Sea of Tears"''' - 1995
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| |sstatus4=L
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| |snotes4=A synth pad derived from "Sea of Tears" by {{EL|https://en.wikipedia.org/wiki/Goldie Goldie}} is likely utilised throughout "Control Freak".
| |
| | |
| |ssample5=N/A
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| |ssource5='''Marvin Gaye and Tammi Terrell - "You're All I Need To Get By"''' - 1968
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| |sstatus5=U
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| |snumberofrows=5
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| |sround=1
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| |colorscheme=Unsound
| |
| }}
| |
| {{Sample source
| |
| |song={{S|Missing Piece}}
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| |artist=[[Recoil]]
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| |releaseyear=1997
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| |smsample1=Slide guitar
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| |smsnotes1=A slide guitar part used prominently in the final moments of {{s|Clean}} is re-purposed as a rhythmic element throughout the choruses of {{S|Missing Piece}}. Notably, this sample is also used to atmospheric effect in {{s|Death's Door}}.
| |
| |smsample2=Looped pad, likely derived from a guitar
| |
| |smsnotes2=A textured pad effect originally recorded for embellishment from the second chorus onwards of {{S|Clean}} is re-purposed for atmospherics in "Missing Piece". The part is audible at the two minute thirty second mark.
| |
| |smsample3=E-bow guitar
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| |smsnotes3=A series of melodic e-bow guitar parts originally recorded for use during the middle eight and outro sections of {{s|Walking In My Shoes}} are re-used to ominous effect in chorus with orchestral strings at the three minute seven second mark.
| |
| |smsample4=Guitar chords with tremolo
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| |smsnotes4="Missing Piece" re-purposes a guitar chord processed through a tremolo effect originally recorded for {{s|Blue Dress}} to dramatic effect at the three minute thirty-two second mark. This guitar part is also notably used during the chorus sections of "Death's Door".
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| | |
| |ssample1=Reversed electric piano, guitar atmospherics, drum elements
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| |ssource1='''{{EL|https://en.wikipedia.org/wiki/Bj%C3%B6rk Björk}} - "Headphones (0 Remix)"''' - 1996
| |
| |sstatus1=C
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| |snotes1=A manipulated section of audio featuring electric piano, guitar, and drum elements derived from mid-way through Bjork's 1996 "Headphones (0 Remix)" is utilised throughout "Missing Piece"
| |
| | |
| |ssample2=Orchestral strings
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| |ssource2='''{{EL|https://en.wikipedia.org/wiki/John_Williams John Williams}} - ''{{EL|https://en.wikipedia.org/wiki/Schindler%27s_List_(soundtrack) Schindler's List: Original Motion Picture Soundtrack}}'' - "Auschwitz-Birkenau"''' - 1994
| |
| |sstatus2=C
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| |snotes2=A series of orchestral strings derived from "Auschwitz-Birkenau", composed by John Williams for the 1993 film ''{{EL|https://en.wikipedia.org/wiki/Schindler%27s_List Schindler's List}}'' are utilized throughout "Missing Piece". Credit to Thomas of {{EL|https://forcedtomode.de/ Forced To Mode}} for this discovery.
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| |snumberofrows=2
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| |colorscheme=Unsound
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| }}
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| {{Sample source
| |
| |song={{S|Last Breath}}
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| |artist=[[Recoil]]
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| |releaseyear=1997
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| |smsample1=E-bow guitar
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| |smsnotes1=A series of sustained e-bow guitar parts originally recorded for use during the middle eight and outro sections of {{s|Walking In My Shoes}} are re-used for the outro of {{S|Last Breath}}.
| |
| |ssample1=Whale sound effects
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| |ssource1='''<i>HITCD08 - Pascal Gabriel's Dance Samples</i> ({{EL|https://amguk.co.uk/index.html AMG}}) - Track 64 - "Whale 3", "Whale 2", "Whale 5"''' - 1991
| |
| |sstatus1=C
| |
| |snotes1=A series of edited {{EL|https://en.wikipedia.org/wiki/Whale_vocalization whale vocalization}} sound effects derived from AMG's 1991 sample CD ''HITCD08 - Pascal Gabriel's Dance Samples'' are utilised throughout "Last Breath".
| |
| | |
| |ssample2=Piano/orchestral strings
| |
| |ssource2='''{{EL|https://en.wikipedia.org/wiki/Paul_Robeson Paul Robeson}} - "Take Me Away from the River"''' - 1933
| |
| |sstatus2=C
| |
| |snotes2=A piano and orchestral strings sample derived from the opening moments of {{EL|https://en.wikipedia.org/wiki/Paul_Robeson Paul Robeson's}} 1933 "Take Me Away from the River" is likely utilised throughout "Last Breath".
| |
| | |
| |ssample3=Piano/orchestral strings
| |
| |ssource3='''{{EL|https://en.wikipedia.org/wiki/Gustav_Mahler Gustav Mahler}} - {{EL|https://en.wikipedia.org/wiki/Symphony_No._5_(Mahler) Symphony No.5 in C sharp minor - 4. Adagietto (Sehr langsam)}} - {{EL|https://en.wikipedia.org/wiki/Chicago_Symphony_Orchestra Chicago Symphony Orchestra}}''' - March 1970
| |
| |sstatus3=C
| |
| |snotes3=An orchestral strings phrase derived from the fourth movement of Gustav Mahler's Symphony No. 5 in C sharp minor is likely utilised throughout "Last Breath".
| |
| | |
| |ssample4=Exotic woodwinds
| |
| |ssource4='''{{EL|https://en.wikipedia.org/wiki/Ry_Cooder Ry Cooder}} - "Goyakla Is Coming"''' - 1995
| |
| |sstatus4=C
| |
| |snotes4=A reversed exotic woodwind phrase sampled from "Goyakla Is Coming" as featured on Ry Cooder's 1995 film soundtrack compilation album ''{{EL|https://en.wikipedia.org/wiki/Music_by_Ry_Cooder Music by Ry Cooder}}'' is utilised for atmospheric effect in "Last Breath".
| |
| | |
| |ssample5=Guitar licks
| |
| |ssource5='''{{EL|https://en.wikipedia.org/wiki/Ry_Cooder Ry Cooder}} - "Feelin' Bad Blues"''' - 1995
| |
| |sstatus5=C
| |
| |snotes5=A guitar lick sampled from "Feelin' Bad Blues" as featured on Ry Cooder's 1995 film soundtrack compilation album ''{{EL|https://en.wikipedia.org/wiki/Music_by_Ry_Cooder Music by Ry Cooder}}'' is utilised in "Last Breath".
| |
| | |
| |ssample6=Drum loop
| |
| |ssource6='''{{EL|https://en.wikipedia.org/wiki/Incredible_Bongo_Band The Incredible Bongo Band}} - "Last Bongo in Belgium"''' - 1973
| |
| |sstatus6=L
| |
| |snumberofrows=6
| |
| |colorscheme=Unsound
| |
| }}
| |
| {{Sample source
| |
| |song={{S|Shunt}}
| |
| |artist=[[Recoil]]
| |
| |releaseyear=1997
| |
| |ssample1=Gated synth
| |
| |ssource1='''{{EL|https://en.wikipedia.org/wiki/Paul_Kendall Piquet}} - "Caress"''' - 1996
| |
| |sstatus1=C
| |
| |snotes1=A section of resonant synth noise derived from "Caress" by Piquet is utilised throughout "Shunt".
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| | |
| |ssample2=Guitar and tubular bell hit
| |
| |ssource2='''{{EL|https://en.wikipedia.org/wiki/Laibach Laibach}} - "Dues Ex MacHina"''' - 1996
| |
| |snotes2=A sample featuring a guitar and tubular bell derived from the opening moments of "Dues Ex MacHina" by {{EL|https://en.wikipedia.org/wiki/Laibach Laibach}} is utilised throughout "Shunt".
| |
| |sstatus2=C
| |
| | |
| |ssample3=Sub bass and bass drum
| |
| |ssource3='''{{EL|https://en.wikipedia.org/wiki/Massive_Attack Massive Attack}} - "Better Things"''' - 1994
| |
| |sstatus3=L
| |
| |snotes3=A low frequency bass element derived from the opening moments of "Better Things" by {{EL|https://en.wikipedia.org/wiki/Massive_Attack Massive Attack}} is utilised throughout "Shunt".
| |
| |snumberofrows=3
| |
| |sround=1
| |
| |colorscheme=Unsound
| |
| }}
| |
