Latest revision as of 21:32, 24 May 2025

Glossary
Terms used in this article

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the electronic music genre, Depeche Mode were among the most prolific acts to make use of sampling technology within a traditional pop music format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.

Key

Official

The sample is confirmed to have been used in the specified song by a past/present member of Depeche Mode, an individual involved in its production, or band archivist Daniel "BRAT" Barassi.

Confirmed

The sample is independently confirmed to have been used in the specified song.

Likely

The sample is likely to have been used in the specified song but has not yet been confirmed.

Unconfirmed

The sample is not yet confirmed to have been used in the specified song.

Disproven

The sample is confirmed to not have been used in the specified song.

Unknown

It is unclear if the sample was used in the specified song.

Information

This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1997 album Ultra.

Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.

This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.

If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.

Ultra (1997)

1. "Barrel Of A Gun"

"Barrel Of A Gun"
Depeche Mode
1997

Sample sources

Sample

Source

Status

Notes

Audio

Guitar elements

Mickey & the Soul Generation - Iron Leg - "Iron Leg" - 1969

@@ Line 30: / Line 30: @@
 |sexample1=ss-BOAG-MickeySoulGeneration-IronLeg.mp3
-|ssample2=Drum elements
+|ssample2=Ambient elements
-|ssource2='''{{EL|https://en.wikipedia.org/wiki/Harry_Nilsson Harry Nilsson}} - <i>{{EL|https://en.wikipedia.org/wiki/Harry_(album) Harry}}</i> - "Rainmaker"''' - August 1969
+|ssource2='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/01w.php Korg 01/W}} XSC-2S Orchestral Card Set - XSC-802 PCM: Multi-Sounds - C-19 "Harp Up"''' - 1991
 |sstatus2=C
-|snotes2=A sample of audio indirectly derived from the intro of "Rainmaker" by {{EL|https://en.wikipedia.org/wiki/Harry_Nilsson Harry Nilsson}} is utilised in the instrumental break following the second verse section of "Barrel Of A Gun".<ref group="footnotes">The sample is likely to have been a second generation sample taken from an as-yet unidentified hip hop recording or sample CD available by 1996 or earlier.</ref><ref group="footnotes">Credit to Dr. Jackhammer for this discovery.</ref>
+|snotes2=A harp glissando derived from the {{EL|https://www.vintagesynth.com/korg/01w.php Korg 01/W}} XSC-802 Orchestral expansion card is briefly utilised in the intro of "Barrel Of A Gun".<ref group="footnotes">This upwards harp glissando sample would feature across several Korg products throughout the nineties, including on at least one Korg Trinity factory preset (A-051 Harp Heaven) and the Korg Triton (Factory Bank A-116: Orchestra&Ethnic).</ref>
+|sexample2=ss-BOAG-Korg01W-XSC802-C19HarpUp.mp3
-|ssample3=Drum elements
+|ssample3=Synthesizer elements
-|ssource3='''{{EL|https://en.wikipedia.org/wiki/Paul_Kantner Paul Kantner}}, {{EL|https://en.wikipedia.org/wiki/Grace_Slick Grace Slick}}, {{EL|https://en.wikipedia.org/wiki/David_Freiberg David Freiberg}} - <i>{{EL|https://en.wikipedia.org/wiki/Baron_von_Tollbooth_%26_the_Chrome_Nun Baron von Tollbooth & the Chrome Nun}}</i> - "Flowers of the Night"''' - May 1973
+|ssource3='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity Plus}} > Programs > Bank A > A000 "Tsunami Warning"''' - 1995
 |sstatus3=C
-|snotes3=A sample of audio indirectly derived from the intro of "Flowers of the Night" by {{EL|https://en.wikipedia.org/wiki/Jefferson_Airplane Jefferson Airplane}} members {{EL|https://en.wikipedia.org/wiki/Paul_Kantner Paul Kantner}}, {{EL|https://en.wikipedia.org/wiki/Grace_Slick Grace Slick}} and {{EL|https://en.wikipedia.org/wiki/David_Freiberg David Freiberg}} is utilised in the instrumental break following the second verse section of "Barrel Of A Gun".<ref group="footnotes">The sample is likely to have been a second generation sample taken from an as-yet unidentified hip hop recording or sample CD available by 1996 or earlier.</ref><ref group="footnotes">Credit to Dr. Jackhammer for this discovery.</ref>
+|snotes3=An edit of a synthesized pad derived from "Tsunami Warning", a {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} factory voice, is layered with the 1995 {{EL|https://www.spectrasonics.net/company/ Spectrasonics}} ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' "Ravin' Basses" articulation "Mega-Core" playing an octave to form the bass synth pad that follows the first verse section of "Barrel Of A Gun".
+|sexample3=ss-BOAG-KorgTrinity-BankA-000-TsunamiWarning.mp3
-|ssample4=Harp elements
+|ssample4=Synthesizer elements
-|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/01w.php Korg 01/W}} XSC-2S Orchestral Card Set - XSC-802 PCM: Multi-Sounds - C-19 "Harp Up"''' - 1991
+|ssource4='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SYNTH BASS > 90. "Ravin' Basses: Sweep Steak, Razzy, Mega-Core, Beef Stew, Tuff Guy, Ring-Mod Bass - Lo & Hi"''' - 1995
 |sstatus4=C
-|snotes4=An upward harp glissando sound derived from the {{EL|https://www.vintagesynth.com/korg/01w.php Korg 01/W}} XSC-802 Orchestral expansion card is briefly utilised in the intro of "Barrel Of A Gun".<ref group="footnotes">This upwards harp glissando sample would feature across several Korg products throughout the nineties, including on at least one Korg Trinity factory preset (A-051 Harp Heaven) and the Korg Triton (Factory Bank A-116: Orchestra&Ethnic).</ref>
+|snotes4=A sample of audio derived from the 1995 {{EL|https://www.spectrasonics.net/company/ Spectrasonics}} ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' "Ravin' Basses" articulation "Mega-Core" is layered with an edit of the {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} program "Tsunami Warning" to form the octave bass synth pad that follows the first verse section of "Barrel Of A Gun".
-|sexample4=ss-BOAG-Korg01W-XSC802-C19HarpUp.mp3
+|sexample4=ss-BOAG-SpectrasonicsDistortedReality1-RavinBasses-MegaCore.mp3
-|ssample5=Synthesizer elements
+|ssample5=Drum elements
-|ssource5='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity Plus}} > Programs > Bank A > A000 "Tsunami Warning"''' - 1995
+|ssource5='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume Two</i> - 10. "89 BPM"''' - 1995
 |sstatus5=C
-|snotes5=An edit of a synthesized pad derived from "Tsunami Warning", a {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} factory voice, is layered with the 1995 {{EL|https://www.spectrasonics.net/company/ Spectrasonics}} ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' "Ravin' Basses" articulation "Mega-Core" playing an octave to form the bass synth pad that follows the first verse section of "Barrel Of A Gun".
+|snotes5=A manipulated, re-sequenced section of audio derived from "89 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume Two'', is utilised in the instrumental break following the second verse section of "Barrel Of A Gun". The drum break element is itself a second-hand sample derived from "Rainmaker" by {{EL|https://en.wikipedia.org/wiki/Harry_Nilsson Harry Nilsson}}.<ref group="footnotes">Credit to Dr. Jackhammer for this discovery.</ref>
-|sexample5=ss-BOAG-KorgTrinity-BankA-000-TsunamiWarning.mp3
-|ssample6=Synthesizer elements
+|ssample6=Drum elements
-|ssource6='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SYNTH BASS > 90. "Ravin' Basses: Sweep Steak, Razzy, Mega-Core, Beef Stew, Tuff Guy, Ring-Mod Bass - Lo & Hi"''' - 1995
+|ssource6='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume Two</i> - 9. "88 BPM"''' - 1995
 |sstatus6=C
-|snotes6=A sample of audio derived from the 1995 {{EL|https://www.spectrasonics.net/company/ Spectrasonics}} ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' "Ravin' Basses" articulation "Mega-Core" is layered with an edit of the {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} program "Tsunami Warning" to form the octave bass synth pad that follows the first verse section of "Barrel Of A Gun".
+|snotes6=A manipulated section of audio derived from "88 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume Two'', is utilised in the instrumental break following the second verse section of "Barrel Of A Gun". The drum break element is itself a second-hand sample derived from "Flowers of the Night" by {{EL|https://en.wikipedia.org/wiki/Grace_Slick Grace Slick}} with {{EL|https://en.wikipedia.org/wiki/Paul_Kantner Paul Kantner}} and {{EL|https://en.wikipedia.org/wiki/David_Freiberg David Freiberg}}.<ref group="footnotes">Credit to Dr. Jackhammer for this discovery.</ref>
-|sexample6=ss-BOAG-SpectrasonicsDistortedReality1-RavinBasses-MegaCore.mp3
 |ssample7=Drum elements
-|ssource7='''{{EL|https://en.wikipedia.org/wiki/Emerson,_Lake_&_Palmer Emerson, Lake & Palmer}} - <i>{{EL|https://en.wikipedia.org/wiki/Love_Beach Love Beach}}</i> - "Memoirs of an Officer and a Gentleman"''' - November 1978
+|ssource7='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume One</i> - 18. "79 BPM"''' - 1995
 |sstatus7=C
-|snotes7=A sample of audio derived from mid-way through "Memoirs of an Officer and a Gentleman" by {{EL|https://en.wikipedia.org/wiki/Emerson,_Lake_&_Palmer Emerson, Lake & Palmer}} is audible throughout the instrumental interlude present on an early [[Demos & Studio Outtakes#Barrel_Of_A_Gun_(studio_outtake)|work-in-progress recording]] of "Barrel Of A Gun".
+|snotes7=A manipulated section of audio derived from "79 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume One'', is audible throughout the instrumental interlude present on an early [[Demos & Studio Outtakes#Barrel_Of_A_Gun_(studio_outtake)|work-in-progress recording]] of "Barrel Of A Gun". The drum break element is itself a second-hand sample derived from "Letters From The Front" by {{EL|https://en.wikipedia.org/wiki/Emerson,_Lake_&_Palmer Emerson, Lake & Palmer}}.
+|ssample8=Synthesizer elements
+|ssource8='''{{EL|https://en.wikipedia.org/wiki/Roland_Corporation Roland Corporation}} - {{EL|https://en.wikipedia.org/wiki/Roland_JV-1080 Roland JV-1080}} - PR-B (Preset B Bank) - 069 Paz <==> Zap''' - 1994
+|sstatus8=C
+|snotes8=A synthesized arpeggio audible during the verse sections of "Barrel Of A Gun" is performed using an edit to the {{EL|https://en.wikipedia.org/wiki/Roland_JV-1080 Roland JV-1080}} factory patch "Paz <==> Zap".
-|snumberofrows=7
+|snumberofrows=8
 |sround=1
 |colorscheme=Ultra
@@ Line 77: / Line 82: @@
 |ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > "Ethnic Texture" > "Japanese Perc"''' - 1994
 |sstatus1=C
-|snotes1=A manipulated percussive element derived from "Japanese Perc", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".
+|snotes1=A manipulated percussive element derived from "Japanese Perc", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".<ref group="footnotes">The Japanese percussion samples audible in the sample as featured in ''EIIIX Sound Library Vol. 7 – E-mu Classics'' are originally derived from Northstar Productions's 1995 sample CD ''Phase Four''.</ref>
 |sexample1=ss-TheLoveThieves-EIII-Vol7-EarthTones-JapanesePerc.mp3
@@ Line 83: / Line 88: @@
 |ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > "Ethnic Texture" > "Romis' Improvs"''' - 1994
 |sstatus2=C
-|snotes2=A manipulated shakuhachi phrase derived from "Romis' Improvs", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".
+|snotes2=A manipulated shakuhachi phrase derived from "Romis' Improvs", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".<ref group="footnotes">The shakuhachi samples audible in the sample as featured in ''EIIIX Sound Library Vol. 7 – E-mu Classics'' are originally derived from Northstar Productions's 1995 sample CD ''Phase Four''.</ref>
 |sexample2=ss-TheLoveThieves-EIII-Vol7-EarthTones-RomisImprov.mp3
-|ssample3=Ambient elements
+|ssample3=Shakuhachi elements
 |ssource3='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > "Ethnic Texture" > "Romis' Breath"''' - 1994
 |sstatus3=C
-|snotes3=A manipulated section of audio derived from "Romis' Breath", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".
+|snotes3=A manipulated shakuhachi phrase derived from "Romis' Breath", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".<ref group="footnotes">The shakuhachi element audible in the sample as featured in ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is itself a sample originally derived from Northstar Productions's 1995 sample CD ''Phase Four''.</ref>
 |ssample4=Ambient elements, wind chimes
@@ Line 113: / Line 118: @@
 |artist=[[Depeche Mode]]
 |releaseyear=1997
-|ssample1=Ambient elements
-|ssource1='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > FUZZ > 34. "Dark Buzzord, Electro-Mulch, Phlangia"''' - 1995
+|ssample1=Guitar elements
+|ssource1='''{{EL|https://en.wikipedia.org/wiki/The_Breeders The Breeders}} - <i>{{EL|https://en.wikipedia.org/wiki/Last_Splash Last Splash}}</i> - "{{EL|https://en.wikipedia.org/wiki/Cannonball_(The_Breeders_song) Cannonball}}"''' - 30 August 1993
 |sstatus1=C
-|snotes1=A manipulated sample of audio derived from "Dark Buzzord", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised in the opening moments of "Home".
+|snotes1=A manipulated section of audio derived from "{{EL|https://en.wikipedia.org/wiki/Cannonball_(The_Breeders_song) Cannonball}}" by {{EL|https://en.wikipedia.org/wiki/The_Breeders The Breeders}} is utilised as a fill sporadically throughout "Home".
-|sexample1=ss-Home-SpectrasonicsDistortedReality-34-Fuzz-Dark-Buzzord-Electromulch-Ph.mp3
+|sexample1=ss-Home-TheBreeders-Cannonball.mp3
 |ssample2=Ambient elements
-|ssource2='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > METALS > 61. "Bowed Oil Cans" (sample one)''' - 1995
+|ssource2='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > FUZZ > 34. "Dark Buzzord, Electro-Mulch, Phlangia"''' - 1995
 |sstatus2=C
-|snotes2=A manipulated sample of audio derived from the first of two samples titled "Bowed Oil Cans" as featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised in the third verse section of "Home".
+|snotes2=A manipulated sample of audio derived from "Dark Buzzord", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised in the opening moments of "Home".
-|sexample2=ss-Home-SpectrasonicsDistortedReality-61-Metals-BowedOilCans.mp3
+|sexample2=ss-Home-SpectrasonicsDistortedReality-34-Fuzz-Dark-Buzzord-Electromulch-Ph.mp3
-|ssample3=Synthesizer elements
+|ssample3=Ambient elements
-|ssource3='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SYNTHS > 95. Raveroids - "Zapamento, Tuff Mini, Holloraver - Low & Hi, Over-reso vibrato, Cheep Squares, 2 Ring Modulators, System 100m LFO FX, Wavey Drone"''' - 1995
+|ssource3='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > METALS > 61. "Bowed Oil Cans" (sample one)''' - 1995
 |sstatus3=C
-|snotes3=A manipulated sample of audio derived from "Wavey Drone", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised in the third verse section of "Home".
+|snotes3=A manipulated sample of audio derived from the first of two samples titled "Bowed Oil Cans" as featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised in the third verse section of "Home".
-|sexample3=ss-Home-SpectrasonicsDistortedReality-95-Synths-Raveroids.mp3
+|sexample3=ss-Home-SpectrasonicsDistortedReality-61-Metals-BowedOilCans.mp3
 |ssample4=Synthesizer elements
-|ssource4='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SYNTHS > 95. "Fuzz Rez Zweep - G1, C2, G2, C3, G3, C4, G4, C5, G5, C6"''' - 1995
+|ssource4='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SYNTHS > 95. Raveroids - "Zapamento, Tuff Mini, Holloraver - Low & Hi, Over-reso vibrato, Cheep Squares, 2 Ring Modulators, System 100m LFO FX, Wavey Drone"''' - 1995
 |sstatus4=C
-|snotes4=A manipulated sample of audio derived from the "G2" articulation of "Fuzz Rez Zweep", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised sporadically throughout "Home".
+|snotes4=A manipulated sample of audio derived from "Wavey Drone", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised in the third verse section of "Home".
-|sexample4=ss-Home-SpectrasonicsDistortedReality-94-Synths-Fuzz-Rez-Zweep.mp3
+|sexample4=ss-Home-SpectrasonicsDistortedReality-95-Synths-Raveroids.mp3
-|ssample5=Ambient elements
+|ssample5=Synthesizer elements
-|ssource5='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SYNTH BASS > 90. "Ravin' Basses: Sweep Steak, Razzy, Mega-Core, Beef Stew, Tuff Guy, Ring-Mod Bass - Lo & Hi"''' - 1995
+|ssource5='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SYNTHS > 95. "Fuzz Rez Zweep - G1, C2, G2, C3, G3, C4, G4, C5, G5, C6"''' - 1995
 |sstatus5=C
-|snotes5=A sample of audio derived from the "Mega-Core" articulation of "Ravin' Basses" as featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised during the chorus and outro sections of "Home".
+|snotes5=A manipulated sample of audio derived from the "G2" articulation of "Fuzz Rez Zweep", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised sporadically throughout "Home".
+|sexample5=ss-Home-SpectrasonicsDistortedReality-94-Synths-Fuzz-Rez-Zweep.mp3
-|ssample6=Synthesizer elements
+|ssample6=Ambient elements
-|ssource6='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SWEEPERS > 84. "Bottomless, Pete's Piccolo Sweep, Sea Whistle, Swan Dive, Hard Ringz"''' - 1995
+|ssource6='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SYNTH BASS > 90. "Ravin' Basses: Sweep Steak, Razzy, Mega-Core, Beef Stew, Tuff Guy, Ring-Mod Bass - Lo & Hi"''' - 1995
 |sstatus6=C
-|snotes6=A manipulated sample of audio derived from "Hard Ringz", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised sporadically throughout "Home".
+|snotes6=A sample of audio derived from the "Mega-Core" articulation of "Ravin' Basses" as featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised during the chorus and outro sections of "Home".
-|ssample7=Ambient elements
+|ssample7=Synthesizer elements
-|ssource7='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SWEEPERS > 85. "Light Shafts, Vanish, Glass Bender, Angel Dust, Astrap Zip, Coasters, Cyclodrone"''' - 1995
+|ssource7='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SWEEPERS > 84. "Bottomless, Pete's Piccolo Sweep, Sea Whistle, Swan Dive, Hard Ringz"''' - 1995
 |sstatus7=C
-|snotes7=A manipulated sample of audio derived from "Vanish", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised mid-way through "Home".
+|snotes7=A manipulated sample of audio derived from "Hard Ringz", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised sporadically throughout "Home".
+|ssample8=Ambient elements
+|ssource8='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > SWEEPERS > 85. "Light Shafts, Vanish, Glass Bender, Angel Dust, Astrap Zip, Coasters, Cyclodrone"''' - 1995
+|sstatus8=C
+|snotes8=A manipulated sample of audio derived from "Vanish", an ambient sound effect featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised mid-way through "Home".
-|snumberofrows=7
+|snumberofrows=8
 |sround=1
 |colorscheme=Ultra
@@ Line 163: / Line 175: @@
 |releaseyear=1997
-|ssample1=Choir elements
+|ssample1=Synthesizer elements
-|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Mellotron Choir > "TRON Males"''' - 1994
+|ssource1='''{{EL|https://en.wikipedia.org/wiki/New_Order_(band) New Order}} - <i>{{EL|https://en.wikipedia.org/wiki/Technique_(album) Technique}}</i> - "Love Less"''' - 30 January 1989
 |sstatus1=C
-|snotes1=A brief, sweeping choir audible during the intro section of "It's No Good" is performed using "TRON Males", a patch featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics''.
+|snotes1=A looped, processed section of audio derived from "Love Less" by {{EL|https://en.wikipedia.org/wiki/New_Order_(band) New Order}} is utilised in combination with other elements to form a series of riffs performed sporadically throughout "It's No Good".
+|sexample1=ss-ItsNoGood-NewOrder-LoveLess.mp3
-|ssample2=Ambient elements
+|ssample2=Choir elements
-|ssource2='''Sony Media Software - <i>Methods Of Mayhem: Industrial Toolkit</i> (CD/AKAI) - Loops > FX > "Ancient Noise FX 01 78-01"''' - 1995
+|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Mellotron Choir > "TRON Males"''' - 1994
 |sstatus2=C
-|snotes2=An ambient sound effect derived from the "Ancient Noise FX 01 78-01" sample present in Sony Media Software's 1995 ''Methods Of Mayhem: Industrial Toolkit'' is utilised during the middle eight section of {{S|It's No Good}} in the moments prior to the third verse.
+|snotes2=A brief, sweeping choir audible during the intro section of "It's No Good" is performed using "TRON Males", a patch featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics''.
-|sexample2=ss-ItsNoGood-MethodsOfMayhem-Ancient_Noise_FX_01_78_01.mp3
-|sexamplenotes2=In this example, the ''Methods Of Mayhem: Industrial Toolkit'' sample is compared to the relevant section of music as heard in the 2006 5.1 version of "It's No Good" as well as the stereo album version.
+|ssample3=Ambient elements
-|snumberofrows=2
+|ssource3='''Sony Media Software - <i>Methods Of Mayhem: Industrial Toolkit</i> (CD/AKAI) - Loops > FX > "Ancient Noise FX 01 78-01"''' - 1995
+|sstatus3=C
+|snotes3=An ambient sound effect derived from the "Ancient Noise FX 01 78-01" sample present in Sony Media Software's 1995 ''Methods Of Mayhem: Industrial Toolkit'' is utilised during the middle eight section of {{S|It's No Good}} in the moments prior to the third verse.
+|sexample3=ss-ItsNoGood-MethodsOfMayhem-Ancient_Noise_FX_01_78_01.mp3
+|sexamplenotes3=In this example, the ''Methods Of Mayhem: Industrial Toolkit'' sample is compared to the relevant section of music as heard in the 2006 5.1 version of "It's No Good" as well as the stereo album version.
+|snumberofrows=3
 |sround=1
 |colorscheme=Ultra
@@ Line 189: / Line 207: @@
 |ssample1=Drum elements
-|ssource1='''{{EL|https://www.discogs.com/artist/197661-The-New-Apocalypse The New Apocalypse}} - <i>Stainless Soul</i> - "{{EL|https://en.wikipedia.org/wiki/Get_Out_of_My_Life,_Woman Get Outta' My Life Woman}}"''' - 1970
+|ssource1='''{{EL|https://en.wikipedia.org/wiki/Peanut_Butter_Wolf Peanut Butter Wolf}} - <i>{{EL|https://www.discogs.com/release/119091-Peanut-Butter-Wolf-Peanut-Butter-Breaks Peanut Butter Breaks}}</i> - "Gold Diggin"''' - 1994
 |sstatus1=C
-|snotes1=A manipulated drum break derived from the 1970 cover of "{{EL|https://en.wikipedia.org/wiki/Get_Out_of_My_Life,_Woman Get Out of My Life, Woman}}" by {{EL|https://www.discogs.com/artist/197661-The-New-Apocalypse The New Apocalypse}} is audible throughout the third verse section of "Useless".
+|snotes1=A manipulated, edited section of audio derived from {{EL|https://en.wikipedia.org/wiki/Peanut_Butter_Wolf Peanut Butter Wolf's}} 1994 instrumental "Gold Diggin" is audible throughout the third verse section of "Useless". The drum break element audible in the sample is itself a second-hand sample taken from an as-yet unidentified recording.
+|ssample2=Drum elements
+|ssource2='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume One</i> - 14. "92 BPM"''' - 1995
+|sstatus2=C
+|snotes2=A manipulated section of audio derived from "92 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume One'', is audible throughout the third verse section of "Useless". The drum break element is itself a second-hand sample derived from "{{EL|https://en.wikipedia.org/wiki/Get_Out_of_My_Life,_Woman Get Outta' My Life Woman}}" by {{EL|https://www.discogs.com/artist/197661-The-New-Apocalypse The New Apocalypse}}.
-|snumberofrows=1
+|snumberofrows=2
 |sround=1
 |colorscheme=Ultra
@@ Line 204: / Line 227: @@
 |releaseyear=1997
-|ssample1=Choir elements
+|ssample1=Ambient elements
-|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Mellotron Choir > "TRON Males"''' - 1994
+|ssource1='''Sony Media Software - <i>Methods Of Mayhem: Industrial Toolkit</i> (CD/AKAI) - Loops > Nasty > "Ugly 16 22-09"''' - 1995
 |sstatus1=C
-|snotes1=A choir melody audible during the fourth verse section of "Sister Of Night" is performed using "TRON Males", a patch featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics''.
+|snotes1=A manipulated guitar-like sound effect audible during the chorus sections of "Sister Of Night" is derived from "Ugly 16 22-09", a sound effect featured on Sony Media Software's 1995 ''Methods Of Mayhem: Industrial Toolkit''<ref group="footnotes">Special thanks to {{EL|https://x.com/SpeedFreak_MD Martin Damm}}.</ref>
-|sexample1=ss-SisterOfNight-EIII-Vol7-EmuClassics-TRONMales.mp3
+|sexample1=ss-SisterOfNight-Ugly1622-09.mp3
-|ssample2=Ambient elements
+|ssample2=Choir elements
-|ssource2='''Sony Media Software - <i>Methods Of Mayhem: Industrial Toolkit</i> (CD/AKAI) - Loops > Nasty > "Ugly 16 22-09"''' - 1995
+|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Mellotron Choir > "TRON Males"''' - 1994
 |sstatus2=C
-|snotes2=A manipulated guitar-like sound effect audible during the chorus sections of "Sister Of Night" is derived from "Ugly 16 22-09", a sound effect featured on Sony Media Software's 1995 ''Methods Of Mayhem: Industrial Toolkit''<ref group="footnotes">Special thanks to {{EL|https://x.com/SpeedFreak_MD Martin Damm}}.</ref>
+|snotes2=A choir melody audible during the fourth verse section of "Sister Of Night" is performed using "TRON Males", a patch featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics''.
-|sexample2=ss-SisterOfNight-Ugly1622-09.mp3
+|sexample2=ss-SisterOfNight-EIII-Vol7-EmuClassics-TRONMales.mp3
-|snumberofrows=2
+|ssample3=Synthesizer elements
+|ssource3='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 10 – Elements Of Sound 1MB</i> > Das Synth > Metal Marge 1 > "DAS SYNTH   _005"''' - 1994
+|sstatus3=C
+|snotes3=A manipulated sample derived from "Metal Marge 1", a voice featured on {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 10 – Elements Of Sound 1MB'', is audible throughout the chorus sections of "Sister Of Night".
+|ssample4=Drum elements, ride cymbal
+|ssource4='''{{EL|https://en.wikipedia.org/wiki/Akai Akai}} - {{EL|https://www.vintagesynth.com/akai/s900 S900 MIDI Stereo Digital Sampler}} - SL503 Drum Kit #1 - RIDE CYM''' - 1986
+|sstatus4=C
+|snotes4=A ride cymbal drum sound derived from {{EL|https://en.wikipedia.org/wiki/Akai Akai}} {{EL|https://www.vintagesynth.com/akai/s900 S900}} diskette SL503 "Drum Kit #1" is audible exclusively throughout the instrumental interlude section of "Sister Of Night" as it appears on the 2007 DTS 5.1 ''[[Ultra]]'' remaster.<ref group="footnotes">It is Depeche Mode Live Wiki's opinion that the track featuring this ride cymbal was excluded at the mixing stage during the recording of the original 1997 release of ''[[Ultra]]'' but erroneously included during the production of the 2007 5.1 remaster.</ref>
+|snumberofrows=4
 |sround=1
 |colorscheme=Ultra
@@ Line 366: / Line 400: @@
 |ssource3='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Proteus 2/Orch+X > "Timpani" > "Timpani A1"''' - 1994
 |sstatus3=C
-|snotes3=A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised throughout "Junior Painkiller".
+|snotes3=A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'', is utilised throughout "Junior Painkiller".
 |snumberofrows=3
@@ Line 386: / Line 420: @@
 |ssample2=Drum elements
-|ssource2='''{{EL|https://en.wikipedia.org/wiki/Barry_De_Vorzon Barry De Vorzon}}, {{EL|https://en.wikipedia.org/wiki/Perry_Botkin,_Jr. Perry Botkin, Jr.}}, - <i>{{EL|https://en.wikipedia.org/wiki/R._P._M. R.P.M.}}</i> - "The Riot (Instrumental)"''' - 1970
+|ssource2='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume Five</i> - 1. "117 BPM"''' - 1995
 |sstatus2=C
-|snotes2=A manipulated drum break derived from "The Riot (Instrumental)" by {{EL|https://en.wikipedia.org/wiki/Barry_De_Vorzon Barry De Vorzon}} and {{EL|https://en.wikipedia.org/wiki/Perry_Botkin,_Jr. Perry Botkin, Jr.}} is utilised throughout all versions of {{S|Slowblow}}.
+|snotes2=A manipulated section of audio derived from "117 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume Five'', is utilised throughout all versions of {{S|Slowblow}}. The drum break element is itself a second-hand sample derived from "The Riot (Instrumental)" by {{EL|https://en.wikipedia.org/wiki/Barry_De_Vorzon Barry De Vorzon}} and {{EL|https://en.wikipedia.org/wiki/Perry_Botkin,_Jr. Perry Botkin, Jr.}}.
+|ssample3=Drum elements
+|ssource3='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume Four</i> - 1. "105 BPM"''' - 1995
+|sstatus3=C
+|snotes3=A manipulated section of audio derived from "105 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume Four'', is utilised throughout all versions of {{S|Slowblow}}. The drum break element is itself a second-hand sample derived from "Na Na Hey Hey Kiss Him Goodbye" by {{EL|https://en.wikipedia.org/wiki/Wayne_McGhie_and_the_Sounds_of_Joy Wayne McGhie and the Sounds of Joy}}.<ref group="footnotes">Fan credit: garx.</ref>
-|snumberofrows=2
+|snumberofrows=3
 |sround=1
 |colorscheme=Ultra
@@ Line 407: / Line 446: @@
 |ssample2=Drum elements
-|ssource2='''{{EL|https://en.wikipedia.org/wiki/Barry_De_Vorzon Barry De Vorzon}}, {{EL|https://en.wikipedia.org/wiki/Perry_Botkin,_Jr. Perry Botkin, Jr.}}, - <i>{{EL|https://en.wikipedia.org/wiki/R._P._M. R.P.M.}}</i> - "The Riot (Instrumental)"''' - 1970
+|ssource2='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume Five</i> - 1. "117 BPM"''' - 1995
 |sstatus2=C
-|snotes2=A manipulated drum break derived from "The Riot (Instrumental)" by {{EL|https://en.wikipedia.org/wiki/Barry_De_Vorzon Barry De Vorzon}} and {{EL|https://en.wikipedia.org/wiki/Perry_Botkin,_Jr. Perry Botkin, Jr.}} is utilised throughout all versions of {{S|Slowblow}}.
+|snotes2=A manipulated section of audio derived from "117 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume Five'', is utilised throughout all versions of {{S|Slowblow}}. The drum break element is itself a second-hand sample derived from "The Riot (Instrumental)" by {{EL|https://en.wikipedia.org/wiki/Barry_De_Vorzon Barry De Vorzon}} and {{EL|https://en.wikipedia.org/wiki/Perry_Botkin,_Jr. Perry Botkin, Jr.}}.
+|ssample3=Drum elements
+|ssource3='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume Four</i> - 1. "105 BPM"''' - 1995
+|sstatus3=C
+|snotes3=A manipulated section of audio derived from "105 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume Four'', is utilised throughout all versions of {{S|Slowblow}}. The drum break element is itself a second-hand sample derived from "Na Na Hey Hey Kiss Him Goodbye" by {{EL|https://en.wikipedia.org/wiki/Wayne_McGhie_and_the_Sounds_of_Joy Wayne McGhie and the Sounds of Joy}}.<ref group="footnotes">Fan credit: garx.</ref>
+|ssample4=Vocal, synthesizer elements
+|ssource4='''{{EL|https://en.wikipedia.org/wiki/Zero-G_Ltd Zero-G}} - <i>Jungle Warfare</i> - 45. Sampled Pads > "Morph"''' - 1995
+|sstatus4=C
+|snotes4=A manipulated section of audio derived from "Morph", a sound featured on the 1995 Zero-G sample library ''Jungle Warfare'', is utilised prominently in the outro of "Slowblow (Darren Price Mix)". The sound as featured in the Zero-G sample library is itself a sample originally derived from {{EL|https://en.wikipedia.org/wiki/Pete_Namlook Pete Namlook}} & {{EL|https://nl.wikipedia.org/wiki/Dr._Atmo Dr. Atmo's}} 1993 "Garden of Dreams".
-|snumberofrows=2
+|snumberofrows=4
 |sround=1
 |colorscheme=Ultra
@@ Line 436: / Line 485: @@
 |sexample2=ss-Painkiller-CypressHill-ILoveYouMaryJane.mp3
-|ssample3=Drum elements
+|ssample3=Guitar elements
-|ssource3='''{{EL|https://en.wikipedia.org/wiki/Zero-G_Ltd Zero-G}} - <i>Cuckooland Vol. 1 - Unhinged</i> - LOOPS > 15. "Casual"''' - 1996
+|ssource3='''{{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}}, {{EL|https://en.wikipedia.org/wiki/Pearl_Jam Pearl Jam}} - <i>{{EL|https://en.wikipedia.org/wiki/Judgment_Night_(soundtrack) Judgment Night}}</i> - "Real Thing"''' - 14 September 1993
 |sstatus3=C
-|snotes3=A manipulated drum loop utilised throughout "Painkiller" is derived from "Casual", a sample featured on the 1996 {{EL|https://en.wikipedia.org/wiki/Zero-G_Ltd Zero-G}} sample library ''Cuckooland Vol. 1 - Unhinged''.
+|snotes3=A manipulated section of audio derived from "Real Thing" by {{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}} and {{EL|https://en.wikipedia.org/wiki/Pearl_Jam Pearl Jam}} is utilised sporadically throughout "Painkiller".
-|ssample4=Timpani elements
+|ssample4=Drum elements
-|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Proteus 2/Orch+X > "Timpani" > "Timpani A1"''' - 1994
+|ssource4='''{{EL|https://en.wikipedia.org/wiki/Zero-G_Ltd Zero-G}} - <i>Cuckooland Vol. 1 - Unhinged</i> - LOOPS > 15. "Casual"''' - 1996
 |sstatus4=C
-|snotes4=A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised throughout "Painkiller".
+|snotes4=A manipulated drum loop utilised throughout "Painkiller" is derived from "Casual", a sample featured on the 1996 {{EL|https://en.wikipedia.org/wiki/Zero-G_Ltd Zero-G}} sample library ''Cuckooland Vol. 1 - Unhinged''.
+|ssample5=Drum elements
+|ssource5='''Fishguhlish - <i>Drum Crazy - Fat Beats For DJs And Producers - Volume Five</i> - 3. "92 BPM"''' - 1995
+|sstatus5=C
+|snotes5=A manipulated section of audio derived from "92 BPM", a sample featured on Fishguhlish's 1995 drum break sample CD ''Drum Crazy - Fat Beats For DJs And Producers - Volume Five'', is audible throughout "Painkiller". The drum break element is itself a second-hand sample derived from "Star Gazer" by {{EL|https://www.discogs.com/artist/715027-Network-11 Network}}.
+|ssample6=Timpani elements
+|ssource6='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Proteus 2/Orch+X > "Timpani" > "Timpani A1"''' - 1994
+|sstatus6=C
+|snotes6=A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised throughout "Painkiller".
-|snumberofrows=4
+|snumberofrows=6
 |colorscheme=Ultra
 }}
@@ Line 466: / Line 525: @@
 |snotes2=A section of audio derived from "I Love You Mary Jane" by {{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}} and {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} is utilised throughout all versions of {{S|Painkiller}}.
 |sexample2=ss-Painkiller-CypressHill-ILoveYouMaryJane.mp3
+|sround=1
 |snumberofrows=2
 |colorscheme=Ultra
@@ Line 540: / Line 599: @@
 |artist=[[Depeche Mode]]
 |releaseyear=1997
-|smsample1=Slide guitar stab
+|smsample1=Guitar elements
-|smsnotes1=A slide guitar stab originally recorded for use in {{s|Policy Of Truth}} is utilised throughout the "Kruder & Dorfmeister Session" remix of {{S|Useless}}.
+|smsnotes1=A slide guitar stab derived from the outro of {{s|Policy Of Truth}} is utilised throughout the "Kruder & Dorfmeister Session" remix of {{S|Useless}}.
 |ssample1=Synthesizer, ambient, drum elements
 |ssource1='''Duet Emmo - <i>Or So It Seems</i> - "Or So It Seems"''' - August 1983<ref>{{EL|http://editionsmego.com/release/DOME12345 "1-4+5 - DOME - Editions Mego"}}. editionsmego.com.</ref>
 |sstatus1=C
-|snotes1=A sample of audio derived from "Or So It Seems" by Duet Emmo is utilised throughout the Kruder & Dorfmeister Session remix of "Useless".
+|snotes1=A manipulated section of audio derived from "Or So It Seems" by Duet Emmo is utilised throughout the Kruder & Dorfmeister Session remix of "Useless".
 |ssample2=Drum elements
 |ssource2='''Odetta - <i>Odetta Sings</i> - "Hit or Miss"''' - 1970
 |sstatus2=C
-|snotes2=A sample of audio derived from "Hit or Miss" by Odetta  is utilised throughout the Kruder & Dorfmeister Session remix of "Useless".
+|snotes2=A manipulated section of audio derived from "Hit or Miss" by Odetta  is utilised throughout the Kruder & Dorfmeister Session remix of "Useless".
-|ssample3=Bass guitar, drum elements
+|ssample3=Drum elements
-|ssource3='''{{EL|https://en.wikipedia.org/wiki/Can_(band) Can}} - <i>Radio Waves</i> - "Shikaku Maru Ten"''' - 1993
+|ssource3='''{{EL|https://en.wikipedia.org/wiki/Los_%C3%81ngeles_Negros Los Ángeles Negros}} - <i>{{EL|https://en.wikipedia.org/wiki/Y_Volver%C3%A9 Y Volveré}}</i> - "El Rey Y Yo"''' - 1970
 |sstatus3=C
-|snotes3=A sample of audio derived from "Shikaku Maru Ten" by {{EL|https://en.wikipedia.org/wiki/Can_(band) Can}} is utilised in the outro of the Kruder & Dorfmeister Session remix of "Useless".
+|snotes3=A manipulated section of audio derived from "El Rey Y Yo" by {{EL|Los Ángeles Negros Los Angeles Negros}} is utilised throughout the Kruder & Dorfmeister Session remix of "Useless".
+|ssample4=Bass guitar, drum elements
+|ssource4='''{{EL|https://en.wikipedia.org/wiki/Can_(band) Can}} - <i>{{EL|https://en.wikipedia.org/wiki/Spoon_(Can_song) Spoon}}</i> - "Shikako Maru Ten"''' - 1971
+|sstatus4=C
+|snotes4=A manipulated section of audio derived from "Shikako Maru Ten" by {{EL|https://en.wikipedia.org/wiki/Can_(band) Can}} is utilised in the outro of the Kruder & Dorfmeister Session remix of "Useless".
-|snumberofrows=3
+|snumberofrows=4
 |colorscheme=Ultra
 }}
@@ Line 625: / Line 689: @@
 ==== "It's No Good (Hardfloor Mix)" ====
 {{Sample source with audio
-|song={{S|It's No Good}} (Hardfloor Mix)
+|song="It's No Good (Hardfloor Mix)"
 |artist=[[Depeche Mode]]
 |releaseyear=1997
-|ssample1=Drum elements
-|ssource1='''Fat Larry's Band - "Down In The Avenue"''' - 1976
+|ssample1=Synthesizer elements
+|ssource1='''{{EL|https://en.wikipedia.org/wiki/New_Order_(band) New Order}} - <i>{{EL|https://en.wikipedia.org/wiki/Technique_(album) Technique}}</i> - "Love Less"''' - 30 January 1989
+|sstatus1=C
+|snotes1=A looped, processed section of audio derived from "Love Less" by {{EL|https://en.wikipedia.org/wiki/New_Order_(band) New Order}} is utilised in combination with other elements to form a series of riffs performed sporadically throughout "It's No Good (Hardfloor Mix)".
+|ssample2=Drum elements
+|ssource2='''Fat Larry's Band - "Down In The Avenue"''' - 1976
+|sstatus2=C
+|snotes2=
+|snumberofrows=2
+|sround=1
+|colorscheme=Ultra
+}}
+==== "It's No Good (Club 69 Future Mix)" ====
+{{Sample source with audio
+|song="It's No Good (Club 69 Future Mix)"
+|artist=[[Depeche Mode]]
+|releaseyear=1997
+|ssample1=Rhythmic elements
+|ssource1='''{{EL|https://en.wikipedia.org/wiki/Yello Yello}} - <i>{{EL|https://en.wikipedia.org/wiki/Stella_(album) Stella}}</i> - "Koladi-ola"''' - 29 January 1985
 |sstatus1=C
-|snotes1=
+|snotes1=A manipulated section of audio derived from "Koladi-ola" by {{EL|https://en.wikipedia.org/wiki/Yello Yello}} is utilised sporadically throughout "It's No Good (Club 69 Future Mix)".<ref group="footnotes">Fan credit: garx.</ref>
-|snumberofrows=1
+|ssample2=Drum elements
+|ssource2='''{{EL|https://www.discogs.com/artist/16598-Lambda λ Lambda}} - <i>Hold On Tight</i> - "Hold On Tight"''' - 1996
+|sstatus2=C
+|snotes2=A manipulated section of audio derived from "Hold On Tight" by {{EL|https://www.discogs.com/artist/16598-Lambda λ Lambda}} is utilised sporadically throughout "It's No Good (Club 69 Future Mix)".
+|snumberofrows=2
 |sround=1
 |colorscheme=Ultra
 }}
 <section end="DM-SS-Ultra" />
 = References =
 <references />

List of Depeche Mode sample sources by album/Ultra: Difference between revisions

Latest revision as of 21:32, 24 May 2025

Information

Ultra (1997)

1. "Barrel Of A Gun"

2. "The Love Thieves"

3. "Home"

4. "It's No Good"

5. "Uselink"

6. "Useless"

7. "Sister Of Night"

8. "Jazz Thieves"

9. "Freestate"

10. "The Bottom Line"

11. "Insight"

12. "Junior Painkiller"

B-sides, bonus tracks and remixes

"Slowblow"

"Slowblow (Darren Price Mix)"

"Painkiller"

"Painkiller (Plastikman Mix)"

"Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)"

"Useless (Remix)"

"Useless (The Kruder & Dorfmeister Session)"

"Useless (Cosmic Blues Mix)"

"Barrel Of A Gun (United Mix)"

"Barrel Of A Gun (Underworld Hard Mix)"

"It's No Good (Dom T's Bass Bounce Mix)"

"It's No Good (Hardfloor Mix)"

"It's No Good (Club 69 Future Mix)"

References

Notes

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