List of Depeche Mode sample sources by album/Ultra: Difference between revisions
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|ssample4=Harp elements | |ssample4=Harp elements | ||
|ssource4='''{{EL|https://www.vintagesynth.com/korg/01w.php Korg 01/W}} XSC-2S Orchestral Card Set - XSC-802 PCM: Multi-Sounds - C-19 "Harp Up"''' - 1991 | |ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/01w.php Korg 01/W}} XSC-2S Orchestral Card Set - XSC-802 PCM: Multi-Sounds - C-19 "Harp Up"''' - 1991 | ||
|sstatus4=C | |sstatus4=C | ||
|snotes4=An upward harp glissando sound derived from the {{EL|https://www.vintagesynth.com/korg/01w.php Korg 01/W}} XSC-802 Orchestral expansion card is briefly utilised in the intro of "Barrel Of A Gun".<ref group="footnotes">This upwards harp glissando sample would feature across several Korg products throughout the nineties, including on at least one Korg Trinity factory preset (A-051 Harp Heaven) and the Korg Triton (Factory Bank A-116: Orchestra&Ethnic).</ref> | |snotes4=An upward harp glissando sound derived from the {{EL|https://www.vintagesynth.com/korg/01w.php Korg 01/W}} XSC-802 Orchestral expansion card is briefly utilised in the intro of "Barrel Of A Gun".<ref group="footnotes">This upwards harp glissando sample would feature across several Korg products throughout the nineties, including on at least one Korg Trinity factory preset (A-051 Harp Heaven) and the Korg Triton (Factory Bank A-116: Orchestra&Ethnic).</ref> | ||
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|ssample5=Synthesizer elements | |ssample5=Synthesizer elements | ||
|ssource5='''{{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} > Programs > Bank A > A000 "Tsunami Warning"''' - 1995 | |ssource5='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity Plus}} > Programs > Bank A > A000 "Tsunami Warning"''' - 1995 | ||
|sstatus5=C | |sstatus5=C | ||
|snotes5=An edit of a synthesized pad derived from "Tsunami Warning", a {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} factory voice, is layered with the 1995 {{EL|https://www.spectrasonics.net/company/ Spectrasonics}} ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' "Ravin' Basses" articulation "Mega-Core" playing an octave to form the bass synth pad that follows the first verse section of "Barrel Of A Gun". | |snotes5=An edit of a synthesized pad derived from "Tsunami Warning", a {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} factory voice, is layered with the 1995 {{EL|https://www.spectrasonics.net/company/ Spectrasonics}} ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' "Ravin' Basses" articulation "Mega-Core" playing an octave to form the bass synth pad that follows the first verse section of "Barrel Of A Gun". | ||
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|releaseyear=1997 | |releaseyear=1997 | ||
|ssample1= | |ssample1=Percussion elements | ||
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > " | |ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > "Ethnic Texture" > "Japanese Perc"''' - 1994 | ||
|sstatus1=C | |sstatus1=C | ||
|snotes1=A manipulated | |snotes1=A manipulated percussive element derived from "Japanese Perc", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".<ref group="footnotes">The Japanese percussion samples audible in the sample as featured in ''EIIIX Sound Library Vol. 7 – E-mu Classics'' are originally derived from Northstar Productions's 1995 sample CD ''Phase Four''.</ref> | ||
|sexample1=ss-TheLoveThieves-EIII-Vol7-EarthTones-JapanesePerc.mp3 | |||
|ssample2= | |ssample2=Shakuhachi elements | ||
|ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > " | |ssource2='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > "Ethnic Texture" > "Romis' Improvs"''' - 1994 | ||
|sstatus2=C | |sstatus2=C | ||
|snotes2=A manipulated | |snotes2=A manipulated shakuhachi phrase derived from "Romis' Improvs", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".<ref group="footnotes">The shakuhachi samples audible in the sample as featured in ''EIIIX Sound Library Vol. 7 – E-mu Classics'' are originally derived from Northstar Productions's 1995 sample CD ''Phase Four''.</ref> | ||
|sexample2=ss-TheLoveThieves-EIII-Vol7-EarthTones-RomisImprov.mp3 | |||
|ssample3= | |ssample3=Shakuhachi elements | ||
|ssource3='''{{EL|https:// | |ssource3='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > "Ethnic Texture" > "Romis' Breath"''' - 1994 | ||
|sstatus3=C | |sstatus3=C | ||
|snotes3= | |snotes3=A manipulated shakuhachi phrase derived from "Romis' Breath", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the intro of "The Love Thieves".<ref group="footnotes">The shakuhachi element audible in the sample as featured in ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is itself a sample originally derived from Northstar Productions's 1995 sample CD ''Phase Four''.</ref> | ||
|snumberofrows= | |ssample4=Ambient elements, wind chimes | ||
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Earth Tones > "Ethnic Texture" > "Chime Hit C"''' - 1994 | |||
|sstatus4=C | |||
|snotes4=A manipulated section of ambient audio derived from "Chime Hit C", a sample featured within the "Ethnic Texture" preset of the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised in the third verse of "The Love Thieves". The sample can be heard following the lyric "Sure as Adam is Eve". | |||
|sexample4=ss-TheLoveThieves-EIII-Vol7-EarthTones-ChimeHitC.mp3 | |||
|ssample5=Drum, tambourine elements | |||
|ssource5='''{{EL|https://amguk.co.uk/index.html AMG}} - <i>HITCD08 - Pascal Gabriel's Dance Samples</i> - Track 8 (0:40) - "Thick Tambourine Loop - 92 BPM"''' - 1991 | |||
|sstatus5=C | |||
|snotes5=An edited tambourine loop derived from AMG's 1991 sample CD ''HITCD08 - Pascal Gabriel's Dance Samples'' is utilised sporadically throughout "The Love Thieves".<ref group="footnotes">Notably, this tambourine loop saw previous use throughout Depeche Mode's "Walking In My Shoes".</ref> | |||
|sexample5=ss-TheLoveThieves-ThickTambourineLoop.mp3 | |||
|snumberofrows=5 | |||
|sround=1 | |sround=1 | ||
|colorscheme=Ultra | |colorscheme=Ultra | ||
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|artist=[[Depeche Mode]] | |artist=[[Depeche Mode]] | ||
|releaseyear=1997 | |releaseyear=1997 | ||
|ssample1= | |||
|ssource1=''' | |ssample1=Choir elements | ||
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Mellotron Choir > "TRON Males"''' - 1994 | |||
|sstatus1=C | |sstatus1=C | ||
|snotes1=An ambient sound effect derived from the "Ancient Noise FX 01 78-01" sample present in Sony Media Software's 1995 ''Methods Of Mayhem: Industrial Toolkit'' is utilised during the middle eight section of {{S|It's No Good}} in the moments prior to the third verse. | |snotes1=A brief, sweeping choir audible during the intro section of "It's No Good" is performed using "TRON Males", a patch featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics''. | ||
| | |||
| | |ssample2=Ambient elements | ||
|snumberofrows= | |ssource2='''Sony Media Software - <i>Methods Of Mayhem: Industrial Toolkit</i> (CD/AKAI) - Loops > FX > "Ancient Noise FX 01 78-01"''' - 1995 | ||
|sstatus2=C | |||
|snotes2=An ambient sound effect derived from the "Ancient Noise FX 01 78-01" sample present in Sony Media Software's 1995 ''Methods Of Mayhem: Industrial Toolkit'' is utilised during the middle eight section of {{S|It's No Good}} in the moments prior to the third verse. | |||
|sexample2=ss-ItsNoGood-MethodsOfMayhem-Ancient_Noise_FX_01_78_01.mp3 | |||
|sexamplenotes2=In this example, the ''Methods Of Mayhem: Industrial Toolkit'' sample is compared to the relevant section of music as heard in the 2006 5.1 version of "It's No Good" as well as the stereo album version. | |||
|snumberofrows=2 | |||
|sround=1 | |sround=1 | ||
|colorscheme=Ultra | |colorscheme=Ultra | ||
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== 6. {{S|Useless}} == | == 6. {{S|Useless}} == | ||
"Useless" is | {{Sample source with audio | ||
|song={{S|Useless}} | |||
|artist=[[Depeche Mode]] | |||
|releaseyear=1997 | |||
|ssample1=Drum elements | |||
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Peanut_Butter_Wolf Peanut Butter Wolf}} - <i>{{EL|https://www.discogs.com/release/119091-Peanut-Butter-Wolf-Peanut-Butter-Breaks Peanut Butter Breaks}}</i> - "Gold Diggin"''' - 1994 | |||
|sstatus1=C | |||
|snotes1=A manipulated, edited section of audio derived from {{EL|https://en.wikipedia.org/wiki/Peanut_Butter_Wolf Peanut Butter Wolf's}} 1994 instrumental "Gold Diggin" is audible throughout the third verse section of "Useless". The drum break element audible in the sample is itself a second-hand sample taken from an as-yet unidentified recording. | |||
|ssample2=Drum elements | |||
|ssource2='''{{EL|https://www.discogs.com/artist/197661-The-New-Apocalypse The New Apocalypse}} - <i>Stainless Soul</i> - "{{EL|https://en.wikipedia.org/wiki/Get_Out_of_My_Life,_Woman Get Outta' My Life Woman}}"''' - 1970 | |||
|sstatus2=C | |||
|snotes2=A manipulated, edited drum break derived from the 1970 cover of "{{EL|https://en.wikipedia.org/wiki/Get_Out_of_My_Life,_Woman Get Outta' My Life Woman}}" by {{EL|https://www.discogs.com/artist/197661-The-New-Apocalypse The New Apocalypse}} is audible throughout the third verse section of "Useless". | |||
|snumberofrows=2 | |||
|sround=1 | |||
|colorscheme=Ultra | |||
}} | |||
== 7. {{S|Sister Of Night}} == | == 7. {{S|Sister Of Night}} == | ||
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|artist=[[Depeche Mode]] | |artist=[[Depeche Mode]] | ||
|releaseyear=1997 | |releaseyear=1997 | ||
|ssample1= | |||
|ssource1=''' | |ssample1=Choir elements | ||
|ssource1='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Mellotron Choir > "TRON Males"''' - 1994 | |||
|sstatus1=C | |sstatus1=C | ||
|snotes1=A manipulated guitar-like sound effect audible during the chorus sections of "Sister Of Night" is derived from "Ugly 16 22-09", a sound effect featured on Sony Media Software's 1995 ''Methods Of Mayhem: Industrial Toolkit''<ref group="footnotes">Special thanks to {{EL|https://x.com/SpeedFreak_MD Martin Damm}}.</ref> | |snotes1=A choir melody audible during the fourth verse section of "Sister Of Night" is performed using "TRON Males", a patch featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics''. | ||
|snumberofrows= | |sexample1=ss-SisterOfNight-EIII-Vol7-EmuClassics-TRONMales.mp3 | ||
|ssample2=Ambient elements | |||
|ssource2='''Sony Media Software - <i>Methods Of Mayhem: Industrial Toolkit</i> (CD/AKAI) - Loops > Nasty > "Ugly 16 22-09"''' - 1995 | |||
|sstatus2=C | |||
|snotes2=A manipulated guitar-like sound effect audible during the chorus sections of "Sister Of Night" is derived from "Ugly 16 22-09", a sound effect featured on Sony Media Software's 1995 ''Methods Of Mayhem: Industrial Toolkit''<ref group="footnotes">Special thanks to {{EL|https://x.com/SpeedFreak_MD Martin Damm}}.</ref> | |||
|sexample2=ss-SisterOfNight-Ugly1622-09.mp3 | |||
|snumberofrows=2 | |||
|sround=1 | |sround=1 | ||
|colorscheme=Ultra | |colorscheme=Ultra | ||
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|ssource2='''{{EL|https://en.wikipedia.org/wiki/Pink_Floyd Pink Floyd}} - <i>{{EL|https://en.wikipedia.org/wiki/A_Saucerful_of_Secrets A Saucerful of Secrets}}</i> - "{{EL|https://en.wikipedia.org/wiki/A_Saucerful_of_Secrets_(instrumental) A Saucerful of Secrets}}"''' - 28 June 1968 | |ssource2='''{{EL|https://en.wikipedia.org/wiki/Pink_Floyd Pink Floyd}} - <i>{{EL|https://en.wikipedia.org/wiki/A_Saucerful_of_Secrets A Saucerful of Secrets}}</i> - "{{EL|https://en.wikipedia.org/wiki/A_Saucerful_of_Secrets_(instrumental) A Saucerful of Secrets}}"''' - 28 June 1968 | ||
|sstatus2=C | |sstatus2=C | ||
|snotes2=A | |snotes2=A manipulated section of audio derived from the 1968 instrumental "{{EL|https://en.wikipedia.org/wiki/A_Saucerful_of_Secrets_(instrumental) A Saucerful of Secrets}}" by {{EL|https://en.wikipedia.org/wiki/Pink_Floyd Pink Floyd}} is audible playing forwards and in reverse throughout "Jazz Thieves". | ||
|snumberofrows=2 | |snumberofrows=2 | ||
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|releaseyear=1997 | |releaseyear=1997 | ||
|ssample1= | |ssample1=Ambient elements | ||
|ssource1='''{{EL|https:// | |ssource1='''{{EL|https://en.wikipedia.org/wiki/The_Future_Sound_of_London The Future Sound of London}} - <i>{{EL|https://en.wikipedia.org/wiki/Cascade_(song) Cascade}}</i> - "Cascade: Part 3"''' - 25 October 1993 | ||
|sstatus1=C | |sstatus1=C | ||
|snotes1= | |snotes1=A manipulated section of audio derived from "Cascade: Part 3" by {{EL|https://en.wikipedia.org/wiki/The_Future_Sound_of_London The Future Sound of London}} is utilised in the intro section and sporadically throughout "The Bottom Line". | ||
|ssample2= | |ssample2=Bass guitar elements | ||
|ssource2='''{{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} > Programs > Bank | |ssource2='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity Plus}} > Programs > Bank A > A038 "Acoustic Bass"''' - 1995 | ||
|sstatus2=C | |sstatus2=C | ||
|snotes2=The | |snotes2=The acoustic bass guitar audible throughout "The Bottom Line" is derived from {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} factory voice A038 "Acoustic Bass". | ||
|ssample3= | |ssample3=Marimba elements | ||
|ssource3='''{{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} > Programs > Bank | |ssource3='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity Plus}} > Programs > Bank B > B029 "Marimba"''' - 1995 | ||
|sstatus3=C | |sstatus3=C | ||
|snotes3=An edit of a synthesized pad derived from "Tsunami Warning", a {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} factory voice, is utilised during the choruses and outro sections of "The Bottom Line". | |snotes3=The reverberated marimba rhythm audible in the intro section of "The Bottom Line" is derived from {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} factory voice B029 "Marimba". | ||
| | |||
|ssample4=Synthesizer elements | |||
|ssource4='''{{EL|https://en.wikipedia.org/wiki/Korg Korg Inc.}} - {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity Plus}} > Programs > Bank A > A000 "Tsunami Warning"''' - 1995 | |||
|sstatus4=C | |||
|snotes4=An edit of a synthesized pad derived from "Tsunami Warning", a {{EL|https://www.vintagesynth.com/korg/trinity.php Korg Trinity}} factory voice, is utilised during the choruses and outro sections of "The Bottom Line". | |||
|sexample4=ss-TheBottomLine-KorgTrinity-A000-TsunamiWarning.mp3 | |||
|snumberofrows= | |snumberofrows=4 | ||
|sround=1 | |sround=1 | ||
|colorscheme=Ultra | |colorscheme=Ultra | ||
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|releaseyear=1997 | |releaseyear=1997 | ||
| | |smsample1=Orchestral elements | ||
| | |smsnotes1=The orchestral strings audible throughout "Junior Painkiller", notable for the ascending pitch bending effect heard at the end of each keypress, are performed using a custom patch designed on the {{EL|https://en.wikipedia.org/wiki/Korg_M1 Korg M1R}} workstation synthesizer. | ||
|ssample1=Orchestral elements | |||
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Elliot_Goldenthal Elliot Goldenthal}} - <i>{{EL|https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(soundtrack) Interview with the Vampire (Original Motion Picture Soundtrack)}}</i> - "Théâtre Des Vampires"''' - 1994 | |||
|sstatus1=C | |sstatus1=C | ||
|snotes1=A section of audio derived from " | |snotes1=A manipulated section of audio derived from "Théâtre Des Vampires" by {{EL|https://en.wikipedia.org/wiki/Elliot_Goldenthal Elliot Goldenthal}} as featured on the soundtrack to the 1994 film ''{{EL|https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film) Interview with the Vampire}}'' is utilised throughout {{S|Junior Painkiller}}. | ||
| | |ssample2=Guitar elements | ||
| | |ssource2='''{{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}}, {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} - <i>{{EL|https://en.wikipedia.org/wiki/Judgment_Night_(soundtrack) Judgment Night}}</i> - "I Love You Mary Jane"''' - 14 September 1993 | ||
|sstatus2=C | |||
|snotes2=A section of audio derived from "I Love You Mary Jane" by {{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}} and {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} is utilised throughout all versions of {{S|Painkiller}}. | |||
|sexample2=ss-JuniorPainkiller-CypressHill-ILoveYouMaryJane.mp3 | |||
|ssample3=Timpani elements | |||
|ssource3='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Proteus 2/Orch+X > "Timpani" > "Timpani A1"''' - 1994 | |||
|sstatus3=C | |||
|snotes3=A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised throughout "Junior Painkiller". | |||
|snumberofrows=3 | |||
|colorscheme=Ultra | |colorscheme=Ultra | ||
}} | }} | ||
Line 353: | Line 416: | ||
|snotes2=A manipulated drum break derived from "The Riot (Instrumental)" by {{EL|https://en.wikipedia.org/wiki/Barry_De_Vorzon Barry De Vorzon}} and {{EL|https://en.wikipedia.org/wiki/Perry_Botkin,_Jr. Perry Botkin, Jr.}} is utilised throughout all versions of {{S|Slowblow}}. | |snotes2=A manipulated drum break derived from "The Riot (Instrumental)" by {{EL|https://en.wikipedia.org/wiki/Barry_De_Vorzon Barry De Vorzon}} and {{EL|https://en.wikipedia.org/wiki/Perry_Botkin,_Jr. Perry Botkin, Jr.}} is utilised throughout all versions of {{S|Slowblow}}. | ||
|snumberofrows= | |ssample3=Vocal, synthesizer elements | ||
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Zero-G_Ltd Zero-G}} - <i>Jungle Warfare</i> - 45. Sampled Pads > "Morph"''' - 1995 | |||
|sstatus3=C | |||
|snotes3=A manipulated section of audio derived from "Morph", a sound featured on the 1995 Zero-G sample library ''Jungle Warfare'', is utilised prominently in the outro of "Slowblow (Darren Price Mix)". The sound as featured in the Zero-G sample library is itself a sample originally derived from {{EL|https://en.wikipedia.org/wiki/Pete_Namlook Pete Namlook}} & {{EL|https://nl.wikipedia.org/wiki/Dr._Atmo Dr. Atmo's}} 1993 "Garden of Dreams". | |||
|snumberofrows=3 | |||
|sround=1 | |sround=1 | ||
|colorscheme=Ultra | |colorscheme=Ultra | ||
Line 364: | Line 432: | ||
|releaseyear=1997 | |releaseyear=1997 | ||
|ssample1=Guitar elements | |smsample1=Orchestral elements | ||
| | |smsnotes1=The orchestral strings audible throughout all versions of "Painkiller", notable for the ascending pitch bending effect heard at the end of each keypress, are performed using a custom patch designed on the {{EL|https://en.wikipedia.org/wiki/Korg_M1 Korg M1R}} workstation synthesizer. | ||
|ssample1=Orchestral elements | |||
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Elliot_Goldenthal Elliot Goldenthal}} - <i>{{EL|https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(soundtrack) Interview with the Vampire (Original Motion Picture Soundtrack)}}</i> - "Théâtre Des Vampires"''' - 1994 | |||
|sstatus1=C | |||
|snotes1=A manipulated section of audio derived from "Théâtre Des Vampires" by {{EL|https://en.wikipedia.org/wiki/Elliot_Goldenthal Elliot Goldenthal}} as featured on the soundtrack to the 1994 film ''{{EL|https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film) Interview with the Vampire}}'' is utilised throughout {{S|Painkiller}}. | |||
|ssample2=Guitar elements | |||
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}}, {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} - <i>{{EL|https://en.wikipedia.org/wiki/Judgment_Night_(soundtrack) Judgment Night}}</i> - "I Love You Mary Jane"''' - 14 September 1993 | |||
|sstatus2=C | |||
|snotes2=A section of audio derived from "I Love You Mary Jane" by {{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}} and {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} is utilised throughout all versions of {{S|Painkiller}}. | |||
|sexample2=ss-Painkiller-CypressHill-ILoveYouMaryJane.mp3 | |||
|ssample3=Drum elements | |||
|ssource3='''{{EL|https://en.wikipedia.org/wiki/Zero-G_Ltd Zero-G}} - <i>Cuckooland Vol. 1 - Unhinged</i> - LOOPS > 15. "Casual"''' - 1996 | |||
|sstatus3=C | |||
|snotes3=A manipulated drum loop utilised throughout "Painkiller" is derived from "Casual", a sample featured on the 1996 {{EL|https://en.wikipedia.org/wiki/Zero-G_Ltd Zero-G}} sample library ''Cuckooland Vol. 1 - Unhinged''. | |||
|ssample4=Timpani elements | |||
|ssource4='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Proteus 2/Orch+X > "Timpani" > "Timpani A1"''' - 1994 | |||
|sstatus4=C | |||
|snotes4=A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised throughout "Painkiller". | |||
|snumberofrows=4 | |||
|colorscheme=Ultra | |||
}} | |||
==== "Painkiller (Plastikman Mix)" ==== | |||
{{Sample source with audio | |||
|song={{S|Painkiller}} | |||
|artist=[[Depeche Mode]] | |||
|releaseyear=1997 | |||
|ssample1=Orchestral elements | |||
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Elliot_Goldenthal Elliot Goldenthal}} - <i>{{EL|https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(soundtrack) Interview with the Vampire (Original Motion Picture Soundtrack)}}</i> - "Théâtre Des Vampires"''' - 1994 | |||
|sstatus1=C | |sstatus1=C | ||
|snotes1=A section of audio derived from " | |snotes1=A manipulated section of audio derived from "Théâtre Des Vampires" by {{EL|https://en.wikipedia.org/wiki/Elliot_Goldenthal Elliot Goldenthal}} as featured on the soundtrack to the 1994 film ''{{EL|https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film) Interview with the Vampire}}'' is utilised throughout {{S|Painkiller}}. | ||
|ssample2= | |ssample2=Guitar elements | ||
|ssource2='''{{EL|https://en.wikipedia.org/wiki/ | |ssource2='''{{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}}, {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} - <i>{{EL|https://en.wikipedia.org/wiki/Judgment_Night_(soundtrack) Judgment Night}}</i> - "I Love You Mary Jane"''' - 14 September 1993 | ||
|sstatus2=C | |sstatus2=C | ||
|snotes2=A | |snotes2=A section of audio derived from "I Love You Mary Jane" by {{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}} and {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} is utilised throughout all versions of {{S|Painkiller}}. | ||
|sexample2=ss-Painkiller-CypressHill-ILoveYouMaryJane.mp3 | |||
|snumberofrows=2 | |snumberofrows=2 | ||
|colorscheme=Ultra | |colorscheme=Ultra | ||
}} | }} | ||
==== "Painkiller | ==== "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)" ==== | ||
{{Sample source with audio | {{Sample source with audio | ||
|song="Painkiller | |song="Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)" | ||
|artist=[[Depeche Mode]] | |artist=[[Depeche Mode]] | ||
|releaseyear=1997 | |releaseyear=1997 | ||
|ssample1= | |||
|ssource1=''' | |smsample1=Orchestral elements | ||
|smsnotes1=The orchestral strings audible throughout all versions of "Painkiller", notable for the ascending pitch bending effect heard at the end of each keypress, are performed using a custom patch designed on the {{EL|https://en.wikipedia.org/wiki/Korg_M1 Korg M1R}} workstation synthesizer. | |||
|ssample1=Orchestral elements | |||
|ssource1='''{{EL|https://en.wikipedia.org/wiki/Elliot_Goldenthal Elliot Goldenthal}} - <i>{{EL|https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(soundtrack) Interview with the Vampire (Original Motion Picture Soundtrack)}}</i> - "Théâtre Des Vampires"''' - 1994 | |||
|sstatus1=C | |sstatus1=C | ||
|snotes1=A | |snotes1=A manipulated section of audio derived from "Théâtre Des Vampires" by {{EL|https://en.wikipedia.org/wiki/Elliot_Goldenthal Elliot Goldenthal}} as featured on the soundtrack to the 1994 film ''{{EL|https://en.wikipedia.org/wiki/Interview_with_the_Vampire_(film) Interview with the Vampire}}'' is utilised throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
|ssample2= | |ssample2=Guitar elements | ||
|ssource2=''' | |ssource2='''{{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}}, {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} - <i>{{EL|https://en.wikipedia.org/wiki/Judgment_Night_(soundtrack) Judgment Night}}</i> - "I Love You Mary Jane"''' - 14 September 1993 | ||
|sstatus2=C | |sstatus2=C | ||
|snotes2=A | |snotes2=A section of audio derived from "I Love You Mary Jane" by {{EL|https://en.wikipedia.org/wiki/Cypress_Hill Cypress Hill}} and {{EL|https://en.wikipedia.org/wiki/Sonic_Youth Sonic Youth}} is utilised sporadically throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
|ssample3= | |ssample3=Drum elements | ||
|ssource3=''' | |ssource3='''Vanessa Paradis - "The Future Song"''' - 1992 | ||
|sstatus3=C | |sstatus3=C | ||
|snotes3=A sample of audio derived from " | |snotes3=A sample of audio derived from "The Future Song" by Vanessa Paradis is utilised mid-way through "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
|ssample4= | |ssample4=Vocal elements | ||
|ssource4=''' | |ssource4='''Junior & the Classics - <i>Kill the Pain / Please Make Love to Me</i> - "Kill the Pain"''' - 1967 | ||
|sstatus4=C | |sstatus4=C | ||
|snotes4=A sample of audio derived from " | |snotes4=A sample of audio derived from "Kill the Pain" by Junior & the Classics is utilised sporadically throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
|ssample5=Vocal elements | |||
|ssource5='''The Groupies - <i>The Groupies</i> - "Part 2"''' - 1969 | |||
|sstatus5=C | |||
|snotes5=A sample of audio derived from "Part 2" by The Groupies is utilised mid-way through "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | |||
| | |ssample6=Drum elements | ||
| | |ssource6='''Just-Ice - <i>Back to the Old School</i> - "Turbo Charged"''' - 1986 | ||
|sstatus6=C | |||
|snotes6=A sample of audio derived from "Turbo Charged" by Just-Ice is utilised throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | |||
|ssample7=Timpani elements | |||
|ssource7='''{{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} - <i>EIIIX Sound Library Vol. 7 – E-mu Classics</i> > Proteus 2/Orch+X > "Timpani" > "Timpani A1"''' - 1994 | |||
|sstatus7=C | |||
|snotes7=A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 {{EL|https://en.wikipedia.org/wiki/E-mu_Systems E-mu Systems}} sample CD ''EIIIX Sound Library Vol. 7 – E-mu Classics'' is utilised throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | |||
|snumberofrows=7 | |||
|colorscheme=Ultra | |colorscheme=Ultra | ||
}} | }} | ||
Line 426: | Line 545: | ||
}} | }} | ||
==== "Useless | ==== "Useless (The Kruder & Dorfmeister Session)" ==== | ||
{{Sample source with audio | {{Sample source with audio | ||
|song= | |song="Useless (The Kruder & Dorfmeister Session)" | ||
|artist=[[Depeche Mode]] | |artist=[[Depeche Mode]] | ||
|releaseyear=1997 | |releaseyear=1997 | ||
Line 445: | Line 564: | ||
|ssample3=Bass guitar, drum elements | |ssample3=Bass guitar, drum elements | ||
|ssource3='''Can - <i>Radio Waves</i> - "Shikaku Maru Ten"''' - 1993 | |ssource3='''{{EL|https://en.wikipedia.org/wiki/Can_(band) Can}} - <i>Radio Waves</i> - "Shikaku Maru Ten"''' - 1993 | ||
|sstatus3=C | |sstatus3=C | ||
|snotes3=A sample of audio derived from "Shikaku Maru Ten" by Can is utilised in the outro of the Kruder & Dorfmeister Session remix of "Useless". | |snotes3=A sample of audio derived from "Shikaku Maru Ten" by {{EL|https://en.wikipedia.org/wiki/Can_(band) Can}} is utilised in the outro of the Kruder & Dorfmeister Session remix of "Useless". | ||
|snumberofrows=3 | |snumberofrows=3 | ||
Line 453: | Line 572: | ||
}} | }} | ||
==== "Useless | ==== "Useless (Cosmic Blues Mix)" ==== | ||
{{Sample source with audio | {{Sample source with audio | ||
|song= | |song="Useless (Cosmic Blues Mix)" | ||
|artist=[[Depeche Mode]] | |artist=[[Depeche Mode]] | ||
|releaseyear=1997 | |releaseyear=1997 | ||
Line 466: | Line 585: | ||
}} | }} | ||
==== "Barrel Of A Gun | ==== "Barrel Of A Gun (United Mix)" ==== | ||
{{Sample source with audio | {{Sample source with audio | ||
|song= | |song="Barrel Of A Gun (United Mix)" | ||
|artist=[[Depeche Mode]] | |artist=[[Depeche Mode]] | ||
|releaseyear=1997 | |releaseyear=1997 | ||
Line 475: | Line 594: | ||
|sstatus1=C | |sstatus1=C | ||
|snotes1=A treated sample of a vocal harmony originally derived from the opening moments of a 1972 cover of {{EL|https://en.wikipedia.org/wiki/Joni_Mitchell Joni Mitchell's}} "Both Sides, Now" by {{EL|https://en.wikipedia.org/wiki/Vocal_jazz jazz vocal group}} {{EL|https://en.wikipedia.org/wiki/The_Singers_Unlimited The Singers Unlimited}} featured in the 1995 sample CD <i>X-Static Goldmine</i> by e-LAB is utilised in the intro of the 1997 "United Mix" of "Barrel Of A Gun".<ref group="footnotes">e-LAB - <i>X-Static Goldmine 4</i> contains a variety of stereo tracks which feature unique samples panned hard left and right. The sample utilised for "Barrel Of A Gun (United Mix)" and "Control Freak (Barry Adamson Mix)" as listed within the <i>X-Static Goldmine 4</i> booklet is "CHOIR LP", which is derived from the right stereo channel of Track 23 "75 or 150 BPM" > DUBBY JUNGLE - SUB BASS + CHOIR.</ref> Coincidentally, the sample also features in the intro of the {{EL|https://en.wikipedia.org/wiki/Barry_Adamson Barry Adamson}} remix of [[Recoil|Recoil's]] "Control Freak", which would also see release in 1997. [[Alan Wilder]] comments on this shared sound in an undated Q&A on {{Shunt}}: "I had no idea about the use of this sample (which comes from some other source apparently) when Barry Adamson submitted his remix. If I'd known that it had been used on a Mode remix, I'd have edited it out."<ref>{{EL|http://www.recoil.co.uk/evidence/qa-vault/qa-recoil/qa-recoil-additional-tracks-remixes-b-sides-demos/ "Q+A / Recoil / ADDITIONAL TRACKS | SHUNT"}} - Alan Wilder: I’ve talked about this before. I had no idea about the use of this sample (which comes from some other source apparently) when Barry Adamson submitted his remix. If I’d known that it had been used on a Mode remix, I’d have edited it out.</ref> | |snotes1=A treated sample of a vocal harmony originally derived from the opening moments of a 1972 cover of {{EL|https://en.wikipedia.org/wiki/Joni_Mitchell Joni Mitchell's}} "Both Sides, Now" by {{EL|https://en.wikipedia.org/wiki/Vocal_jazz jazz vocal group}} {{EL|https://en.wikipedia.org/wiki/The_Singers_Unlimited The Singers Unlimited}} featured in the 1995 sample CD <i>X-Static Goldmine</i> by e-LAB is utilised in the intro of the 1997 "United Mix" of "Barrel Of A Gun".<ref group="footnotes">e-LAB - <i>X-Static Goldmine 4</i> contains a variety of stereo tracks which feature unique samples panned hard left and right. The sample utilised for "Barrel Of A Gun (United Mix)" and "Control Freak (Barry Adamson Mix)" as listed within the <i>X-Static Goldmine 4</i> booklet is "CHOIR LP", which is derived from the right stereo channel of Track 23 "75 or 150 BPM" > DUBBY JUNGLE - SUB BASS + CHOIR.</ref> Coincidentally, the sample also features in the intro of the {{EL|https://en.wikipedia.org/wiki/Barry_Adamson Barry Adamson}} remix of [[Recoil|Recoil's]] "Control Freak", which would also see release in 1997. [[Alan Wilder]] comments on this shared sound in an undated Q&A on {{Shunt}}: "I had no idea about the use of this sample (which comes from some other source apparently) when Barry Adamson submitted his remix. If I'd known that it had been used on a Mode remix, I'd have edited it out."<ref>{{EL|http://www.recoil.co.uk/evidence/qa-vault/qa-recoil/qa-recoil-additional-tracks-remixes-b-sides-demos/ "Q+A / Recoil / ADDITIONAL TRACKS | SHUNT"}} - Alan Wilder: I’ve talked about this before. I had no idea about the use of this sample (which comes from some other source apparently) when Barry Adamson submitted his remix. If I’d known that it had been used on a Mode remix, I’d have edited it out.</ref> | ||
|snumberofrows= | |||
|ssample2=Ambient elements | |||
|ssource2='''{{EL|https://en.wikipedia.org/wiki/Jerry_Goldsmith Jerry Goldsmith}} - <i>Planet Of The Apes (Original Motion Picture Soundtrack)</i> - "A New Mate"''' - 1968 | |||
|sstatus2=C | |||
|snotes2=A manipulated section of audio derived from the intro of "A New Mate" by {{EL|https://en.wikipedia.org/wiki/Jerry_Goldsmith Jerry Goldsmith}} as featured on the soundtrack to the 1968 film ''{{EL|https://en.wikipedia.org/wiki/Planet_of_the_Apes_(1968_film) Planet of the Apes}}'' is utilised in the intro of "Barrel Of A Gun (United Mix)". | |||
|snumberofrows=2 | |||
|sround=1 | |sround=1 | ||
|colorscheme=Ultra | |colorscheme=Ultra | ||
}} | }} | ||
==== "Barrel Of A Gun | ==== "Barrel Of A Gun (Underworld Hard Mix)" ==== | ||
{{Sample source with audio | {{Sample source with audio | ||
|song="Barrel Of A Gun | |song="Barrel Of A Gun (Underworld Hard Mix)" | ||
|artist=[[Depeche Mode]] | |artist=[[Depeche Mode]] | ||
|releaseyear=1997 | |releaseyear=1997 | ||
Line 494: | Line 619: | ||
}} | }} | ||
==== "It's No Good" (Hardfloor Mix) ==== | ==== "It's No Good (Dom T's Bass Bounce Mix)" ==== | ||
{{Sample source with audio | |||
|song="It's No Good (Dom T's Bass Bounce Mix)" | |||
|artist=[[Depeche Mode]] | |||
|releaseyear=1997 | |||
|ssample1=Ambient elements | |||
|ssource1='''{{EL|https://www.spectrasonics.net/company/ Spectrasonics}} - <i>{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}</i> > METALS > 61. "Bowed Oil Cans"''' - 1995 | |||
|sstatus1=C | |||
|snotes1=A sample of audio derived from the first of two samples titled "Bowed Oil Cans" as featured on {{EL|https://www.spectrasonics.net/company/ Spectrasonics's}} 1995 sample library ''{{EL|https://www.spectrasonics.net/products/legacy/distortedreality1.php Distorted Reality 1}}'' is utilised mid-way through "It's No Good (Dom T's Bass Bounce Mix)". | |||
|snumberofrows=1 | |||
|sround=1 | |||
|colorscheme=Ultra | |||
}} | |||
==== "It's No Good (Hardfloor Mix)" ==== | |||
{{Sample source with audio | {{Sample source with audio | ||
|song={{S|It's No Good}} (Hardfloor Mix) | |song={{S|It's No Good}} (Hardfloor Mix) |
Latest revision as of 17:46, 15 July 2024
Glossary Terms used in this article |
In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the electronic music genre, Depeche Mode were among the most prolific acts to make use of sampling technology within a traditional pop music format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
Key | ||||
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|
The sample is confirmed to have been used in the specified song by a past/present member of Depeche Mode, an individual involved in its production, or band archivist Daniel "BRAT" Barassi. | |||
|
The sample is independently confirmed to have been used in the specified song. | |||
|
The sample is likely to have been used in the specified song but has not yet been confirmed. | |||
|
The sample is not yet confirmed to have been used in the specified song. | |||
|
The sample is confirmed to not have been used in the specified song. | |||
|
It is unclear if the sample was used in the specified song. |
Information
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 1997 album Ultra.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
Ultra (1997)
1. "Barrel Of A Gun"
"Barrel Of A Gun" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Guitar elements | Mickey & the Soul Generation - Iron Leg - "Iron Leg" - 1969 |
|
A sample of audio derived from the intro of "Iron Leg" by Mickey & the Soul Generation is utilised during the bridge sections of "Barrel Of A Gun". | Click to display/hide audio example | |
Drum elements | Harry Nilsson - Harry - "Rainmaker" - August 1969 |
|
A sample of audio indirectly derived from the intro of "Rainmaker" by Harry Nilsson is utilised in the instrumental break following the second verse section of "Barrel Of A Gun".[footnotes 1][footnotes 2] | ||
Drum elements | Paul Kantner, Grace Slick, David Freiberg - Baron von Tollbooth & the Chrome Nun - "Flowers of the Night" - May 1973 |
|
A sample of audio indirectly derived from the intro of "Flowers of the Night" by Jefferson Airplane members Paul Kantner, Grace Slick and David Freiberg is utilised in the instrumental break following the second verse section of "Barrel Of A Gun".[footnotes 3][footnotes 4] | ||
Harp elements | Korg Inc. - Korg 01/W XSC-2S Orchestral Card Set - XSC-802 PCM: Multi-Sounds - C-19 "Harp Up" - 1991 |
|
An upward harp glissando sound derived from the Korg 01/W XSC-802 Orchestral expansion card is briefly utilised in the intro of "Barrel Of A Gun".[footnotes 5] | Click to display/hide audio example | |
Synthesizer elements | Korg Inc. - Korg Trinity Plus > Programs > Bank A > A000 "Tsunami Warning" - 1995 |
|
An edit of a synthesized pad derived from "Tsunami Warning", a Korg Trinity factory voice, is layered with the 1995 Spectrasonics Distorted Reality 1 "Ravin' Basses" articulation "Mega-Core" playing an octave to form the bass synth pad that follows the first verse section of "Barrel Of A Gun". | Click to display/hide audio example | |
Synthesizer elements | Spectrasonics - Distorted Reality 1 > SYNTH BASS > 90. "Ravin' Basses: Sweep Steak, Razzy, Mega-Core, Beef Stew, Tuff Guy, Ring-Mod Bass - Lo & Hi" - 1995 |
|
A sample of audio derived from the 1995 Spectrasonics Distorted Reality 1 "Ravin' Basses" articulation "Mega-Core" is layered with an edit of the Korg Trinity program "Tsunami Warning" to form the octave bass synth pad that follows the first verse section of "Barrel Of A Gun". | Click to display/hide audio example | |
Drum elements | Emerson, Lake & Palmer - Love Beach - "Memoirs of an Officer and a Gentleman" - November 1978 |
|
A sample of audio derived from mid-way through "Memoirs of an Officer and a Gentleman" by Emerson, Lake & Palmer is audible throughout the instrumental interlude present on an early work-in-progress recording of "Barrel Of A Gun". |
|
2. "The Love Thieves"
"The Love Thieves" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Percussion elements | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Earth Tones > "Ethnic Texture" > "Japanese Perc" - 1994 |
|
A manipulated percussive element derived from "Japanese Perc", a sample featured within the "Ethnic Texture" preset of the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics is utilised in the intro of "The Love Thieves".[footnotes 6] | Click to display/hide audio example | |
Shakuhachi elements | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Earth Tones > "Ethnic Texture" > "Romis' Improvs" - 1994 |
|
A manipulated shakuhachi phrase derived from "Romis' Improvs", a sample featured within the "Ethnic Texture" preset of the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics is utilised in the intro of "The Love Thieves".[footnotes 7] | Click to display/hide audio example | |
Shakuhachi elements | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Earth Tones > "Ethnic Texture" > "Romis' Breath" - 1994 |
|
A manipulated shakuhachi phrase derived from "Romis' Breath", a sample featured within the "Ethnic Texture" preset of the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics is utilised in the intro of "The Love Thieves".[footnotes 8] | ||
Ambient elements, wind chimes | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Earth Tones > "Ethnic Texture" > "Chime Hit C" - 1994 |
|
A manipulated section of ambient audio derived from "Chime Hit C", a sample featured within the "Ethnic Texture" preset of the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics is utilised in the third verse of "The Love Thieves". The sample can be heard following the lyric "Sure as Adam is Eve". | Click to display/hide audio example | |
Drum, tambourine elements | AMG - HITCD08 - Pascal Gabriel's Dance Samples - Track 8 (0:40) - "Thick Tambourine Loop - 92 BPM" - 1991 |
|
An edited tambourine loop derived from AMG's 1991 sample CD HITCD08 - Pascal Gabriel's Dance Samples is utilised sporadically throughout "The Love Thieves".[footnotes 9] | Click to display/hide audio example
|
3. "Home"
"Home" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Ambient elements | Spectrasonics - Distorted Reality 1 > FUZZ > 34. "Dark Buzzord, Electro-Mulch, Phlangia" - 1995 |
|
A manipulated sample of audio derived from "Dark Buzzord", an ambient sound effect featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised in the opening moments of "Home". | Click to display/hide audio example | |
Ambient elements | Spectrasonics - Distorted Reality 1 > METALS > 61. "Bowed Oil Cans" (sample one) - 1995 |
|
A manipulated sample of audio derived from the first of two samples titled "Bowed Oil Cans" as featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised in the third verse section of "Home". | Click to display/hide audio example | |
Synthesizer elements | Spectrasonics - Distorted Reality 1 > SYNTHS > 95. Raveroids - "Zapamento, Tuff Mini, Holloraver - Low & Hi, Over-reso vibrato, Cheep Squares, 2 Ring Modulators, System 100m LFO FX, Wavey Drone" - 1995 |
|
A manipulated sample of audio derived from "Wavey Drone", an ambient sound effect featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised in the third verse section of "Home". | Click to display/hide audio example | |
Synthesizer elements | Spectrasonics - Distorted Reality 1 > SYNTHS > 95. "Fuzz Rez Zweep - G1, C2, G2, C3, G3, C4, G4, C5, G5, C6" - 1995 |
|
A manipulated sample of audio derived from the "G2" articulation of "Fuzz Rez Zweep", an ambient sound effect featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised sporadically throughout "Home". | Click to display/hide audio example | |
Ambient elements | Spectrasonics - Distorted Reality 1 > SYNTH BASS > 90. "Ravin' Basses: Sweep Steak, Razzy, Mega-Core, Beef Stew, Tuff Guy, Ring-Mod Bass - Lo & Hi" - 1995 |
|
A sample of audio derived from the "Mega-Core" articulation of "Ravin' Basses" as featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised during the chorus and outro sections of "Home". | ||
Synthesizer elements | Spectrasonics - Distorted Reality 1 > SWEEPERS > 84. "Bottomless, Pete's Piccolo Sweep, Sea Whistle, Swan Dive, Hard Ringz" - 1995 |
|
A manipulated sample of audio derived from "Hard Ringz", an ambient sound effect featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised sporadically throughout "Home". | ||
Ambient elements | Spectrasonics - Distorted Reality 1 > SWEEPERS > 85. "Light Shafts, Vanish, Glass Bender, Angel Dust, Astrap Zip, Coasters, Cyclodrone" - 1995 |
|
A manipulated sample of audio derived from "Vanish", an ambient sound effect featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised mid-way through "Home". |
|
4. "It's No Good"
"It's No Good" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Choir elements | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Mellotron Choir > "TRON Males" - 1994 |
|
A brief, sweeping choir audible during the intro section of "It's No Good" is performed using "TRON Males", a patch featured on the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics. | ||
Ambient elements | Sony Media Software - Methods Of Mayhem: Industrial Toolkit (CD/AKAI) - Loops > FX > "Ancient Noise FX 01 78-01" - 1995 |
|
An ambient sound effect derived from the "Ancient Noise FX 01 78-01" sample present in Sony Media Software's 1995 Methods Of Mayhem: Industrial Toolkit is utilised during the middle eight section of "It's No Good" in the moments prior to the third verse. | Click to display/hide audio example
|
5. "Uselink"
"Uselink" is not yet known to contain samples from any identifiable sources.
6. "Useless"
"Useless" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Drum elements | Peanut Butter Wolf - Peanut Butter Breaks - "Gold Diggin" - 1994 |
|
A manipulated, edited section of audio derived from Peanut Butter Wolf's 1994 instrumental "Gold Diggin" is audible throughout the third verse section of "Useless". The drum break element audible in the sample is itself a second-hand sample taken from an as-yet unidentified recording. | ||
Drum elements | The New Apocalypse - Stainless Soul - "Get Outta' My Life Woman" - 1970 |
|
A manipulated, edited drum break derived from the 1970 cover of "Get Outta' My Life Woman" by The New Apocalypse is audible throughout the third verse section of "Useless". |
|
7. "Sister Of Night"
"Sister Of Night" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Choir elements | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Mellotron Choir > "TRON Males" - 1994 |
|
A choir melody audible during the fourth verse section of "Sister Of Night" is performed using "TRON Males", a patch featured on the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics. | Click to display/hide audio example | |
Ambient elements | Sony Media Software - Methods Of Mayhem: Industrial Toolkit (CD/AKAI) - Loops > Nasty > "Ugly 16 22-09" - 1995 |
|
A manipulated guitar-like sound effect audible during the chorus sections of "Sister Of Night" is derived from "Ugly 16 22-09", a sound effect featured on Sony Media Software's 1995 Methods Of Mayhem: Industrial Toolkit[footnotes 10] | Click to display/hide audio example
|
8. "Jazz Thieves"
"Jazz Thieves" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Orchestral elements | Dr. John - In a Sentimental Mood - "More Than You Know" - 8 May 1989 |
|
A manipulated section of audio derived from "More Than You Know" by Dr. John is utilised throughout "Jazz Thieves". | Click to display/hide audio example | |
Ambient elements | Pink Floyd - A Saucerful of Secrets - "A Saucerful of Secrets" - 28 June 1968 |
|
A manipulated section of audio derived from the 1968 instrumental "A Saucerful of Secrets" by Pink Floyd is audible playing forwards and in reverse throughout "Jazz Thieves". |
|
9. "Freestate"
"Freestate" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Ambient elements | Zero-G - Cuckooland Vol. 2 - Ghost In The Machine - ARPEGGIOS > 84. "Fog" - 1996 |
|
A manipulated section of audio audible throughout "Freestate" is derived from "Fog", a sample featured on the 1996 Zero-G sample library Cuckooland Vol. 2 - Ghost In The Machine. | ||
Ambient elements | Zero-G - Cuckooland Vol. 2 - Ghost In The Machine - HAUNTING > 5. "Fairground 1" - 1996 |
|
A manipulated section of audio audible throughout "Freestate" is derived from "Fairground 1", a sample featured on the 1996 Zero-G sample library Cuckooland Vol. 2 - Ghost In The Machine. | Click to display/hide audio example
|
10. "The Bottom Line"
"The Bottom Line" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Ambient elements | The Future Sound of London - Cascade - "Cascade: Part 3" - 25 October 1993 |
|
A manipulated section of audio derived from "Cascade: Part 3" by The Future Sound of London is utilised in the intro section and sporadically throughout "The Bottom Line". | ||
Bass guitar elements | Korg Inc. - Korg Trinity Plus > Programs > Bank A > A038 "Acoustic Bass" - 1995 |
|
The acoustic bass guitar audible throughout "The Bottom Line" is derived from Korg Trinity factory voice A038 "Acoustic Bass". | ||
Marimba elements | Korg Inc. - Korg Trinity Plus > Programs > Bank B > B029 "Marimba" - 1995 |
|
The reverberated marimba rhythm audible in the intro section of "The Bottom Line" is derived from Korg Trinity factory voice B029 "Marimba". | ||
Synthesizer elements | Korg Inc. - Korg Trinity Plus > Programs > Bank A > A000 "Tsunami Warning" - 1995 |
|
An edit of a synthesized pad derived from "Tsunami Warning", a Korg Trinity factory voice, is utilised during the choruses and outro sections of "The Bottom Line". | Click to display/hide audio example
|
11. "Insight"
"Insight" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Ambient elements | Spectrasonics - Distorted Reality 1 > DRONES > 25. "India Drones: Ghandi" - 1995 |
|
A sample of audio derived from the "Ghandi" articulation of "India Drones", an ambient sound effect featured on Spectrasonics's 1995 sample library Distorted Reality 1, is utilised sporadically sporadically throughout "Insight". | Click to display/hide audio example | |
Ambient elements | Spectrasonics - Distorted Reality 1 > METALS > 61. "Bowed Oil Cans" - 1995 |
|
A sample of audio derived from the first of two samples titled "Bowed Oil Cans" as featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised mid-way through "Insight". | ||
Ambient elements | Spectrasonics - Distorted Reality 1 > SYNTH BASS > 89. "Morphuzz Bass: C1, G1, C2" - 1995 |
|
A sample of audio derived from the "C1" articulation of "Morphuzz Bass" as featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised during the middle eight section of "Insight". | ||
Ambient elements | Spectrasonics - Distorted Reality 1 > SYNTH BASS > 90. "Ravin' Basses: Sweep Steak, Razzy, Mega-Core, Beef Stew, Tuff Guy, Ring-Mod Bass - Lo & Hi" - 1995 |
|
A sample of audio derived from the "Mega-Core" articulation of "Ravin' Basses" as featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised during the choruses, middle eight, and outro sections of "Insight". | ||
Ambient elements | Spectrasonics - Distorted Reality 1 > SYNTH BASS > 90. "Ravin' Basses: Sweep Steak, Razzy, Mega-Core, Beef Stew, Tuff Guy, Ring-Mod Bass - Lo & Hi" - 1995 |
|
A sample of audio derived from the "Tuff Guy" articulation of "Ravin' Basses" as featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised throughout the chorus and outro sections of "Insight". | ||
Ambient elements | Spectrasonics - Distorted Reality 1 > NOISE > 65. "Mental Rapids, Snake Byte" - 1995 |
|
A sample of audio derived from "Snake Byte", an ambient sound effect featured on Spectrasonics's 1995 sample library Distorted Reality 1, is utilised sporadically throughout "Insight". | ||
Ambient elements | Spectrasonics - Distorted Reality 1 > SCI-FI > 79. "Sci-Fi Chimes: Effervescent, Columns, Transversing - Low & Hi" - 1995 |
|
A sample of audio derived from the "Hi" articulation of "Transversing - Low & Hi", an ambient sound effect featured on Spectrasonics's 1995 sample library Distorted Reality 1, is utilised sporadically sporadically throughout "Insight". |
|
12. "Junior Painkiller"
"Junior Painkiller" Depeche Mode 1997 |
Self-made samples | ||||
---|---|---|---|---|---|
Sample | Notes | Audio | |||
Orchestral elements | The orchestral strings audible throughout "Junior Painkiller", notable for the ascending pitch bending effect heard at the end of each keypress, are performed using a custom patch designed on the Korg M1R workstation synthesizer. |
| |||
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Orchestral elements | Elliot Goldenthal - Interview with the Vampire (Original Motion Picture Soundtrack) - "Théâtre Des Vampires" - 1994 |
|
A manipulated section of audio derived from "Théâtre Des Vampires" by Elliot Goldenthal as featured on the soundtrack to the 1994 film Interview with the Vampire is utilised throughout "Junior Painkiller". | ||
Guitar elements | Cypress Hill, Sonic Youth - Judgment Night - "I Love You Mary Jane" - 14 September 1993 |
|
A section of audio derived from "I Love You Mary Jane" by Cypress Hill and Sonic Youth is utilised throughout all versions of "Painkiller". | Click to display/hide audio example | |
Timpani elements | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Proteus 2/Orch+X > "Timpani" > "Timpani A1" - 1994 |
|
A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics is utilised throughout "Junior Painkiller". |
|
B-sides, bonus tracks and remixes
"Slowblow"
"Slowblow" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Orchestral elements | Eden Ahbez - Eden's Island - "Full Moon" - 1960 |
|
A manipulated section of audio derived from "Full Moon" by Eden Ahbez is utilised sporadically throughout all versions of "Slowblow". | ||
Drum elements | Barry De Vorzon, Perry Botkin, Jr., - R.P.M. - "The Riot (Instrumental)" - 1970 |
|
A manipulated drum break derived from "The Riot (Instrumental)" by Barry De Vorzon and Perry Botkin, Jr. is utilised throughout all versions of "Slowblow". |
|
"Slowblow (Darren Price Mix)"
"Slowblow (Darren Price Mix)" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Orchestral elements | Eden Ahbez - Eden's Island - "Full Moon" - 1960 |
|
A manipulated section of audio derived from "Full Moon" by Eden Ahbez is utilised sporadically throughout all versions of "Slowblow". | ||
Drum elements | Barry De Vorzon, Perry Botkin, Jr., - R.P.M. - "The Riot (Instrumental)" - 1970 |
|
A manipulated drum break derived from "The Riot (Instrumental)" by Barry De Vorzon and Perry Botkin, Jr. is utilised throughout all versions of "Slowblow". | ||
Vocal, synthesizer elements | Zero-G - Jungle Warfare - 45. Sampled Pads > "Morph" - 1995 |
|
A manipulated section of audio derived from "Morph", a sound featured on the 1995 Zero-G sample library Jungle Warfare, is utilised prominently in the outro of "Slowblow (Darren Price Mix)". The sound as featured in the Zero-G sample library is itself a sample originally derived from Pete Namlook & Dr. Atmo's 1993 "Garden of Dreams". |
|
"Painkiller"
"Painkiller" Depeche Mode 1997 |
Self-made samples | ||||
---|---|---|---|---|---|
Sample | Notes | Audio | |||
Orchestral elements | The orchestral strings audible throughout all versions of "Painkiller", notable for the ascending pitch bending effect heard at the end of each keypress, are performed using a custom patch designed on the Korg M1R workstation synthesizer. |
| |||
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Orchestral elements | Elliot Goldenthal - Interview with the Vampire (Original Motion Picture Soundtrack) - "Théâtre Des Vampires" - 1994 |
|
A manipulated section of audio derived from "Théâtre Des Vampires" by Elliot Goldenthal as featured on the soundtrack to the 1994 film Interview with the Vampire is utilised throughout "Painkiller". | ||
Guitar elements | Cypress Hill, Sonic Youth - Judgment Night - "I Love You Mary Jane" - 14 September 1993 |
|
A section of audio derived from "I Love You Mary Jane" by Cypress Hill and Sonic Youth is utilised throughout all versions of "Painkiller". | Click to display/hide audio example | |
Drum elements | Zero-G - Cuckooland Vol. 1 - Unhinged - LOOPS > 15. "Casual" - 1996 |
|
A manipulated drum loop utilised throughout "Painkiller" is derived from "Casual", a sample featured on the 1996 Zero-G sample library Cuckooland Vol. 1 - Unhinged. | ||
Timpani elements | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Proteus 2/Orch+X > "Timpani" > "Timpani A1" - 1994 |
|
A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics is utilised throughout "Painkiller". |
|
"Painkiller (Plastikman Mix)"
"Painkiller" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Orchestral elements | Elliot Goldenthal - Interview with the Vampire (Original Motion Picture Soundtrack) - "Théâtre Des Vampires" - 1994 |
|
A manipulated section of audio derived from "Théâtre Des Vampires" by Elliot Goldenthal as featured on the soundtrack to the 1994 film Interview with the Vampire is utilised throughout "Painkiller". | ||
Guitar elements | Cypress Hill, Sonic Youth - Judgment Night - "I Love You Mary Jane" - 14 September 1993 |
|
A section of audio derived from "I Love You Mary Jane" by Cypress Hill and Sonic Youth is utilised throughout all versions of "Painkiller". | Click to display/hide audio example
|
"Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)"
"Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)" Depeche Mode 1997 |
Self-made samples | ||||
---|---|---|---|---|---|
Sample | Notes | Audio | |||
Orchestral elements | The orchestral strings audible throughout all versions of "Painkiller", notable for the ascending pitch bending effect heard at the end of each keypress, are performed using a custom patch designed on the Korg M1R workstation synthesizer. |
| |||
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Orchestral elements | Elliot Goldenthal - Interview with the Vampire (Original Motion Picture Soundtrack) - "Théâtre Des Vampires" - 1994 |
|
A manipulated section of audio derived from "Théâtre Des Vampires" by Elliot Goldenthal as featured on the soundtrack to the 1994 film Interview with the Vampire is utilised throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
Guitar elements | Cypress Hill, Sonic Youth - Judgment Night - "I Love You Mary Jane" - 14 September 1993 |
|
A section of audio derived from "I Love You Mary Jane" by Cypress Hill and Sonic Youth is utilised sporadically throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
Drum elements | Vanessa Paradis - "The Future Song" - 1992 |
|
A sample of audio derived from "The Future Song" by Vanessa Paradis is utilised mid-way through "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
Vocal elements | Junior & the Classics - Kill the Pain / Please Make Love to Me - "Kill the Pain" - 1967 |
|
A sample of audio derived from "Kill the Pain" by Junior & the Classics is utilised sporadically throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
Vocal elements | The Groupies - The Groupies - "Part 2" - 1969 |
|
A sample of audio derived from "Part 2" by The Groupies is utilised mid-way through "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
Drum elements | Just-Ice - Back to the Old School - "Turbo Charged" - 1986 |
|
A sample of audio derived from "Turbo Charged" by Just-Ice is utilised throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". | ||
Timpani elements | E-mu Systems - EIIIX Sound Library Vol. 7 – E-mu Classics > Proteus 2/Orch+X > "Timpani" > "Timpani A1" - 1994 |
|
A manipulated section of audio derived from "Timpani A1", a sample featured on the 1994 E-mu Systems sample CD EIIIX Sound Library Vol. 7 – E-mu Classics is utilised throughout "Painkiller (Kill The Pain - DJ Shadow vs Depeche Mode)". |
|
"Useless (Remix)"
"Useless (Remix)" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Drum elements | PJ Harvey - To Bring You My Love - "Working for the Man" - 27 February 1995 |
|
A section of audio derived from "Working for the Man" by PJ Harvey is utilised throughout the Alan Moulder/Daniel Miller remix of "Useless". |
|
"Useless (The Kruder & Dorfmeister Session)"
"Useless (The Kruder & Dorfmeister Session)" Depeche Mode 1997 |
Self-made samples | ||||
---|---|---|---|---|---|
Sample | Notes | Audio | |||
Slide guitar stab | A slide guitar stab originally recorded for use in "Policy Of Truth" is utilised throughout the "Kruder & Dorfmeister Session" remix of "Useless". |
| |||
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Synthesizer, ambient, drum elements | Duet Emmo - Or So It Seems - "Or So It Seems" - August 1983[1] |
|
A sample of audio derived from "Or So It Seems" by Duet Emmo is utilised throughout the Kruder & Dorfmeister Session remix of "Useless". | ||
Drum elements | Odetta - Odetta Sings - "Hit or Miss" - 1970 |
|
A sample of audio derived from "Hit or Miss" by Odetta is utilised throughout the Kruder & Dorfmeister Session remix of "Useless". | ||
Bass guitar, drum elements | Can - Radio Waves - "Shikaku Maru Ten" - 1993 |
|
A sample of audio derived from "Shikaku Maru Ten" by Can is utilised in the outro of the Kruder & Dorfmeister Session remix of "Useless". |
|
"Useless (Cosmic Blues Mix)"
"Useless (Cosmic Blues Mix)" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
"I want to hear you play some bass" vocal sample | National Lampoon's That's Not Funny, That's Sick (Sketch comedy album) - 1977 |
|
|
"Barrel Of A Gun (United Mix)"
"Barrel Of A Gun (United Mix)" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Vocal elements | e-LAB - X-Static Goldmine 4 - Track 23 "75 or 150 BPM" > "DUBBY JUNGLE - SUB BASS + CHOIR" > "CHOIR LP" (right stereo channel) - 1995[footnotes 11] |
|
A treated sample of a vocal harmony originally derived from the opening moments of a 1972 cover of Joni Mitchell's "Both Sides, Now" by jazz vocal group The Singers Unlimited featured in the 1995 sample CD X-Static Goldmine by e-LAB is utilised in the intro of the 1997 "United Mix" of "Barrel Of A Gun".[footnotes 12] Coincidentally, the sample also features in the intro of the Barry Adamson remix of Recoil's "Control Freak", which would also see release in 1997. Alan Wilder comments on this shared sound in an undated Q&A on Shunt: "I had no idea about the use of this sample (which comes from some other source apparently) when Barry Adamson submitted his remix. If I'd known that it had been used on a Mode remix, I'd have edited it out."[2] | ||
Ambient elements | Jerry Goldsmith - Planet Of The Apes (Original Motion Picture Soundtrack) - "A New Mate" - 1968 |
|
A manipulated section of audio derived from the intro of "A New Mate" by Jerry Goldsmith as featured on the soundtrack to the 1968 film Planet of the Apes is utilised in the intro of "Barrel Of A Gun (United Mix)". |
|
"Barrel Of A Gun (Underworld Hard Mix)"
"Barrel Of A Gun (Underworld Hard Mix)" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Guitar elements | Mickey & the Soul Generation - Iron Leg - "Iron Leg" - 1969 |
|
A sample of audio derived from the intro of "Iron Leg" by Mickey & the Soul Generation is utilised in the intro of the "Underworld Hard" remix of "Barrel Of A Gun". |
|
"It's No Good (Dom T's Bass Bounce Mix)"
"It's No Good (Dom T's Bass Bounce Mix)" Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Ambient elements | Spectrasonics - Distorted Reality 1 > METALS > 61. "Bowed Oil Cans" - 1995 |
|
A sample of audio derived from the first of two samples titled "Bowed Oil Cans" as featured on Spectrasonics's 1995 sample library Distorted Reality 1 is utilised mid-way through "It's No Good (Dom T's Bass Bounce Mix)". |
|
"It's No Good (Hardfloor Mix)"
"It's No Good" (Hardfloor Mix) Depeche Mode 1997
| |||||
---|---|---|---|---|---|
Sample sources | |||||
Sample | Source | Status | Notes | Audio | |
Drum elements | Fat Larry's Band - "Down In The Avenue" - 1976 |
|
|
References
- ↑ "1-4+5 - DOME - Editions Mego". editionsmego.com.
- ↑ "Q+A / Recoil / ADDITIONAL TRACKS - Alan Wilder: I’ve talked about this before. I had no idea about the use of this sample (which comes from some other source apparently) when Barry Adamson submitted his remix. If I’d known that it had been used on a Mode remix, I’d have edited it out.
Notes
- ↑ The sample is likely to have been a second generation sample taken from an as-yet unidentified hip hop recording or sample CD available by 1996 or earlier.
- ↑ Credit to Dr. Jackhammer for this discovery.
- ↑ The sample is likely to have been a second generation sample taken from an as-yet unidentified hip hop recording or sample CD available by 1996 or earlier.
- ↑ Credit to Dr. Jackhammer for this discovery.
- ↑ This upwards harp glissando sample would feature across several Korg products throughout the nineties, including on at least one Korg Trinity factory preset (A-051 Harp Heaven) and the Korg Triton (Factory Bank A-116: Orchestra&Ethnic).
- ↑ The Japanese percussion samples audible in the sample as featured in EIIIX Sound Library Vol. 7 – E-mu Classics are originally derived from Northstar Productions's 1995 sample CD Phase Four.
- ↑ The shakuhachi samples audible in the sample as featured in EIIIX Sound Library Vol. 7 – E-mu Classics are originally derived from Northstar Productions's 1995 sample CD Phase Four.
- ↑ The shakuhachi element audible in the sample as featured in EIIIX Sound Library Vol. 7 – E-mu Classics is itself a sample originally derived from Northstar Productions's 1995 sample CD Phase Four.
- ↑ Notably, this tambourine loop saw previous use throughout Depeche Mode's "Walking In My Shoes".
- ↑ Special thanks to Martin Damm.
- ↑ Copyright 1996 e-LAB AB.
- ↑ e-LAB - X-Static Goldmine 4 contains a variety of stereo tracks which feature unique samples panned hard left and right. The sample utilised for "Barrel Of A Gun (United Mix)" and "Control Freak (Barry Adamson Mix)" as listed within the X-Static Goldmine 4 booklet is "CHOIR LP", which is derived from the right stereo channel of Track 23 "75 or 150 BPM" > DUBBY JUNGLE - SUB BASS + CHOIR.