|
|
| (48 intermediate revisions by the same user not shown) |
| Line 1: |
Line 1: |
| __NOTOC__ | | __NOTOC__ |
| {| style="width:100%;"| | | {| style="width:100%;"| |
| ! style="text-align:left; vertical-align:bottom; font-size: 150%; font-weight: 200;"| Last updated February 10, 2024 | | ! style="text-align:left; vertical-align:bottom; font-size: 150%; font-weight: 200;"| Last updated November 29, 2024 |
| |- | | |- |
| | colspan="2" | | | | colspan="2" | |
| ----
| |
|
| |
|
| '''10 years of Depeche Mode Live Wiki - site was launched January 27, 2014!''' 🎂
| | *[[2007-10-2x Interface, Spinner.com, AOL Studios, New York, NY, USA/Source 2]]: lossless audio upgrade for Dave's performance of 7 songs from "Hourglass" |
| | | **The videos at [[2007-10-2x Interface, Spinner.com, AOL Studios, New York, NY, USA/Source 1|Source 1]] were also upgraded to utilize this improved audio and are now streamable |
| '''Bolded''' items are the new additions as of the three most recent edits.
| |
| | |
| ----
| |
| | |
| === Recently added recordings from the [[:Category:2023-2024 Memento Mori Tour|2023-2024 Memento Mori Tour]] ===
| |
| | |
| ==== Fourth leg recordings ====
| |
| | |
| *[[2024-01-24 Utilita Arena, Birmingham, England, UK/Source 1]]: [https://twitter.com/Polewka123 Polewka123's] excellent audience recording | |
| *[[2024-01-27 O2 Arena, London, England, UK/Source 1]]: starship33's good audience recording
| |
| *[[2024-01-27 O2 Arena, London, England, UK/Source 2]]: [https://twitter.com/Polewka123 Polewka123's] excellent audience recording
| |
| *[[2024-01-29 AO Arena, Manchester, England, UK/Source 1]]: [https://twitter.com/Polewka123 Polewka123's] excellent audience recording
| |
| *'''[[2024-02-06 Sportpaleis, Antwerp, Belgium/Source 1]]: stl's good master audience recording''' | |
| *'''[[2024-02-08 Ziggo Dome, Amsterdam, The Netherlands/Source 1]]: stl's excellent master audience recording''' | |
| *'''[[2024-02-08 Ziggo Dome, Amsterdam, The Netherlands/Source 2]]: x4bath's good master audience recording'''
| |
| | |
| === Third leg recordings ===
| |
| | |
| *[[2023-12-12 Kia Forum, Los Angeles, CA, USA/Source 1]]: [https://www.youtube.com/@faninor4010 faninor's] very good audience recording
| |
| | |
| ==== Second leg recordings ====
| |
| | |
| *[[2023-06-29 Deutsche Bank Park, Frankfurt, Germany/Source 1]]: 101united's excellent audience recording
| |
| *[[2023-06-29 Deutsche Bank Park, Frankfurt, Germany/Source 2]]: x4bath's good audience recording
| |
| | |
| | |
| ----
| |
| | |
| === Recently added content ===
| |
| | |
| ==== Live recordings: ====
| |
| | |
| *[[1981-04-06 Bridge House, London, England, UK/Source 1]]: very good sounding previously uncirculated audience recording including a rare performance of [[Mamma Mia]], an instrumental cover of the ABBA song
| |
| *'''[[1988-05-04 P.N.E. Coliseum, Vancouver, BC, Canada/Source 1]]: good audience recording sourced from an LP-mode DAT dub of the master cassettes - upgrade to previous source'''
| |
| *[[1994-03-26 Blaisdell Arena, Honolulu, HI, USA/Source 2]]: 1st gen DAT clone with added crowd noise and missing [[Halo]] but otherwise does not have the harsh EQ, dynamic range problems, and lossiness of all other available versions
| |
| *'''[[2003-06-10 Columbiahalle, Berlin, Germany/Source 1]]: soundboard-quality recording of Dave's fourth solo concert; edited to remove CD split and now available to stream and download once again'''
| |
| | |
| ==== Interviews and other content: ====
| |
| | |
| *[[Enjoy The Silence#B-roll footage]]: 48 minutes of B-roll footage from the video shoot for [[Enjoy The Silence]] sourced from an unknown generation VHS tape
| |
|
| |
|
| <p style="text-align:right; font-size:85%;"> [[News archive|Browse previous messages]]</p> | | <p style="text-align:right; font-size:85%;"> [[News archive|Browse previous messages]]</p> |
| <!--Please do not sign the MftE, as it is supposed to be a decision representative of the consensus of the entire staff and not just an individual editor. | | <!--Please do not sign the MftE, as it is supposed to be a decision representative of the consensus of the entire staff and not just an individual editor. |
| |} | | |} |
