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| __NOTOC__ | | __NOTOC__ |
| {| style="width:100%;"| | | {| style="width:100%;"| |
| ! style="text-align:left; vertical-align:bottom; font-size: 150%; font-weight: 200;"| Last updated May 7, 2024 | | ! style="text-align:left; vertical-align:bottom; font-size: 150%; font-weight: 200;"| Last updated November 29, 2024 |
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| | colspan="2" | | | | colspan="2" | |
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| '''Bolded''' items are the new additions as of the three most recent edits.
| | *[[2007-10-2x Interface, Spinner.com, AOL Studios, New York, NY, USA/Source 2]]: lossless audio upgrade for Dave's performance of 7 songs from "Hourglass" |
| | | **The videos at [[2007-10-2x Interface, Spinner.com, AOL Studios, New York, NY, USA/Source 1|Source 1]] were also upgraded to utilize this improved audio and are now streamable |
| ----
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| === Recently added recordings from the [[:Category:2023-2024 Memento Mori Tour|2023-2024 Memento Mori Tour]] ===
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| ==== Fourth leg recordings ====
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| *[[2024-03-05 Accor Arena, Paris, France/Source 1]]: stl's very good audience recording
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| *[[2024-03-26 MVM Dome, Budapest, Hungary/Source 1]]: [[:Category:Recordings by motr1912|motr1912]]'s very good audience recording
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| *[[2024-04-03 Lanxess-Arena, Cologne, Germany/Source 1]]: Anonymous's very good audience recording
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| *[[2024-04-03 Lanxess-Arena, Cologne, Germany/Source 2]]: x4bath's good audience recording, with unfortunately distorted bass
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| *[[2024-04-03 Lanxess-Arena, Cologne, Germany/Source 3]]: stl's excellent audience recording
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| *[[2024-04-05 Lanxess-Arena, Cologne, Germany/Source 1]]: Anonymous's very good but unfortunately incomplete audience recording
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| *[[2024-04-05 Lanxess-Arena, Cologne, Germany/Source 2]]: x4bath's very good audience recording; slightly distorted bass depending on the song
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| *[[2024-04-05 Lanxess-Arena, Cologne, Germany/Source 3]]: stl's excellent audience recording
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| *[[2024-04-08 Lanxess-Arena, Cologne, Germany/Source 1]]: Anonymous's very good audience recording
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| *[[2024-04-08 Lanxess-Arena, Cologne, Germany/Source 2]]: x4bath's good audience recording; slightly distorted bass depending on the song
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| *[[2024-04-08 Lanxess-Arena, Cologne, Germany/Source 3]]: Ronny's very good audience recording
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| *[[2024-04-08 Lanxess-Arena, Cologne, Germany/Source 4]]: mirandaaa's very good audience recording
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| *[[2024-04-08 Lanxess-Arena, Cologne, Germany/Source 5]]: stl's excellent audience recording
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| ==== Third leg recordings ====
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| *'''[[2023-10-12 Kaseya Center, Miami, FL, USA/Source 3]]: taperanonymous's very good audience recording''' | |
| *[[2023-12-17 Crypto.com Arena, Los Angeles, CA, USA/Source 4]]: 24/96 version of fried_morals' audience recording has been uploaded
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| ==== Second leg recordings ====
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| *[[2023-06-04 Merkur Spiel-Arena, Dusseldorf, Germany/Source 3]]: stl's excellent audience recording
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| *[[2023-06-24 Stade de France, Paris, France/Source 1]]: CrazyToaster's very good audience recording
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| *[[2023-07-07 Olympiastadion, Berlin, Germany/Source 1]]: Ronny's good audience recording
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| *[[2023-07-09 Olympiastadion, Berlin, Germany/Source 1]]: Ronny's good audience recording
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| | |
| ==== First leg recordings ====
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| *[[2023-04-14 Madison Square Garden, New York, NY, USA/Source 3]]: j.mart's very good audience recording
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| ----
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| === Recently added content ===
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| ==== Articles ====
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| *[[End-of-tour speeches]]
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| ==== Live recordings: ====
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| *'''[[1980-1x-xx / 1981-02-xx Unknown Venue, England, UK]]: a not-so-great sounding audience recording with an unknown date and venue, suspected to be from between November 1980 and February 1981; has unique version of "I Sometimes Wish I Was Dead" with different lyrics!'''
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| *'''[[1981-11-04 Locarno, Birmingham, England, UK/Source 1]]: good sounding audience recording - upgrade to previous sources''' | |
| *'''[[1982-02-10 BBC Paris Studio, London, England, UK/Source 1]]: 2024 rework of the broadcast audio using higher-quality M4A 320kbps audio from a 2024 BBC 6 audio webstream broadcast''' | |
| *[[1986-04-10 N.E.C., Birmingham, England, UK/Source 1]]: 2024 rework of the FM radio broadcast recording, sourced from a 1991 Swiss re-broadcast recorded directly to DAT and completed using freshly remastered audio from the Japanese broadcast and shared for the concert's 38th anniversary
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| *[[1987-12-15 The Forum, Montreal, QC, Canada/Source 1]]: second-generation upgrade of good audience recording
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| *[[1988-02-15 Drammenshallen, Drammen, Norway/Source 1]]: lossless upgrade to prior MP3 source, with improved quality
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| *[[1990-06-29 Pine Knob Music Theatre, Detroit, MI, USA/Source 1]]: decent audience recording - upgrade sourced from a second-generation cassette copy
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| *[[1988-01-11 Wembley Arena, London, England, UK/Source 2]]: good audience recording of the soundcheck before the concert
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| *'''[[1998-11-01 Spectrum, Philadelphia, PA, USA/Source 2]]: ISWIWDead's good master audience recording'''
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| *'''[[2001-06-27 Madison Square Garden, New York City, NY, USA/Source 2]]: ISWIWDead's good master audience recording'''
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| *'''[[2001-06-28 Madison Square Garden, New York City, NY, USA/Source 2]]: ISWIWDead's very good master audience recording'''
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| *'''[[2001-07-03 Jones Beach Amphitheatre, Wantagh, NY, USA/Source 1]]: ISWIWDead's very good master audience recording - this version fixes destructive phase cancellation and the audio is improved as a result'''
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| *'''[[2003-05-06 Mayan Theater, Los Angeles, CA, USA/Source 3]] (Martin Gore solo): ijwthstd's excellent audience recording'''
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| *[[2013-07-07 Rock Werchter Festival, Werchter, Belgium/Source 1]]: webstream audio, completed and remastered by ''bias'', is now available for direct download
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| *'''[[2017-10-18 Hollywood Bowl, Los Angeles, CA, USA/Source 2]]: mixter's very good audience recording'''
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| <p style="text-align:right; font-size:85%;"> [[News archive|Browse previous messages]]</p> | | <p style="text-align:right; font-size:85%;"> [[News archive|Browse previous messages]]</p> |
| <!--Please do not sign the MftE, as it is supposed to be a decision representative of the consensus of the entire staff and not just an individual editor. | | <!--Please do not sign the MftE, as it is supposed to be a decision representative of the consensus of the entire staff and not just an individual editor. |
| |} | | |} |