List of Recoil sample sources by album/Liquid

Glossary Terms used in this article

In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of sampling technology within a traditional pop music format. Following his departure from Depeche Mode in 1995, Wilder would continue to employ sampling as a means to enhance the atmosphere of his music through the Recoil project, including passages of contemporary music, film soundtracks, sample library audio, and samples from his past work with Depeche Mode. The analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of both groups.

Key
Official	The sample is confirmed to have been used in the specified song by a past/present member of Depeche Mode, an individual involved in its production, or band archivist Daniel "BRAT" Barassi.
Confirmed	The sample is independently confirmed to have been used in the specified song.
Likely	The sample is likely to have been used in the specified song but has not yet been confirmed.
Unconfirmed	The sample is not yet confirmed to have been used in the specified song.
Disproven	The sample is confirmed to not have been used in the specified song.
Unknown	It is unclear if the sample was used in the specified song.

Information

This page aims to document all verifiable sound sources utilised by Alan Wilder in the production of the 2000 Recoil album Liquid.

Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans across the world. This article serves to provide an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in the production of the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.

This article differentiates samples by their origin: Self-made samples, which describes any material originally recorded by Depeche Mode or Alan Wilder for the Recoil music project, and Sourced samples, which describe samples which were not originally recorded by either group. In addition to confirmed samples, this article also covers samples that are commonly misreported as having been used but have been directly refuted by a member or associate of Depeche Mode or Recoil.

As ever, if you notice an error, wish to contribute or request the removal of information contained within this article, please feel free to contact us.

Liquid (2000)

"Black Box (Pt. 1)"

"Black Box (Pt. 1)" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Choral elements	Terry Edwards, London Sinfonietta Voices - "Magány" - 11 December, 1996	Confirmed	A sample of audio featuring dissonant choir elements derived from the final moments of Terry Edwards's "Magány" as performed by the London Sinfonietta Voices is utilised throughout "Black Box (Pt. 1)".	✖
	Orchestral elements	Krzysztof Penderecki, Polish Radio National Symphony Orchestra - Threnody to the Victims of Hiroshima - 1959-1961	Confirmed	A reversed, manipulated section of audio derived from a performance of Krzysztof Penderecki's Threnody to the Victims of Hiroshima is utilised in the intro of "Black Box (Pt. 1)".	✖
	Saxophone	Joe Maneri - "Gardenias For Gardenis" - 25 May 1998	Confirmed	A manipulated section of audio derived from "Gardenias For Gardenis" by Joe Maneri is utilised in the outro of "Black Box (Pt. 1)".	✖
	Orchestral strings	Symphony No. 3 (Górecki) - 1992	Unconfirmed		✖
	N/A	Plastikman - "Consumed" - 1998	Unknown		✖

"Want"

"Want" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Orchestral elements	Ella Fitzgerald, Richard Rodgers, Lorenz Hart, Buddy Gregman and His Orchestra - Ella Fitzgerald Sings The Rodgers And Hart Song Book - "Blue Moon" - October 1956	Confirmed	A sample of audio featuring orchestral elements derived from the opening moments of Ella Fitzgerald's 1956 cover of the 1934 Richard Rodgers and Lorenz Hart ballad "Blue Moon" is utilised during the chorus sections of "Want".	Click to display/hide audio example
	Orchestral elements	Gustav Holst, CSR Symphony Orchestra, Bratislava, Viktor Simcisko, Adrian Leaper - Holst: The Planets & Suite de Ballet, Op. 10 - I. Mars, the Bringer of War - 15 December 1989 (recorded 26-30 November 1988)	Confirmed	A dramatic orchestral brass stab audible in the final moments of "Want" is derived from a 1988 performance of the first movement of Gustav Holst's seven-movement orchestral suite The Planets, Op. 32 by the CSR Symphony Orchestra with Viktor Simcisko.	✖
	Drum, bass guitar, guitar elements	Kevin Ayers - Whatevershebringswesing - "There is Loving/Among Us/There is Loving" - 1972	Confirmed	A reversed sample featuring guitar, bass, and drum elements utilised throughout "Want" is derived from "There is Loving/Among Us/There is Loving", the opening song on Kevin Ayers's 1972 solo album Whatevershebringswesing.	✖
	Guitar elements	Alice In Chains - Facelift - "Sea of Sorrow" - 1990 (recorded December 1989 – April 1990)	Confirmed	A reversed sample featuring guitar, bass, and drum elements derived from the opening moments of Alice In Chain's 1990 single "Sea of Sorrow" is utilised mid-way through "Want".	✖
	Vocal element	Polestar Magnetics - X-Static Goldmine - Track 60 "Star-Trekking" > "7. To Shape D Future" - 1992	Confirmed	A manipulated vocal derived from "To Shape D Future", a sample featured on track 60 of the 1992 Polestar Magnetics sample CD X-Static Goldmine is utilised in the intro of the live arrangement of "Want" as it was performed on Recoil's 2010-2011 Selected Events tour.	✖
	Drum loop	PJ Harvey - "Is This Desire?" - 1998	Likely		✖

"Jezebel"

"Jezebel" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Vocals	Golden Gate Quartet - "Jezebel" - 1941	Official	The lead vocal audible throughout Recoil's "Jezebel" is officially confirmed by Alan Wilder as a manipulated long-form sample of a 1941 recording of "Jezebel" by the Golden Gate Quartet.	✖
	Scratch effect	Arrested Development - 3 Years, 5 Months and 2 Days in the Life Of... - "Man's Final Frontier" - 24 March 1992	Confirmed	A percussive scratch effect derived from the intro of "Man's Final Frontier" by Arrested Development is utilised sporadically throughout "Jezebel". The sampled scratch as heard on "Man's Final Frontier" is partly comprised of a brass element, itself a sample taken from the intro of Enoch Light's 1959 "Perhaps, Perhaps, Perhaps".	Click to display/hide audio example
	Guitar elements	Ry Cooder - Music by Ry Cooder - "Feelin' Bad Blues" - 1995	Confirmed	A sample of audio featuring guitar elements derived from "Feelin' Bad Blues" as featured on the 1995 film soundtrack compilation album Music by Ry Cooder is utilised throughout "Jezebel". Notably, a separate sound derived from "Feelin' Bad Blues" saw use on "Last Breath" as featured on the 1997 Recoil album Unsound Methods.	Click to display/hide audio example
	Choral elements	Terry Edwards, London Sinfonietta Voices - "Magány" - 11 December 1996	Confirmed	A sample of audio featuring dissonant choir elements derived from the final moments of Terry Edwards's "Magány" as performed by the London Sinfonietta Voices is utilised throughout "Jezebel".	Click to display/hide audio example
	Dialogue, vocal elements	William M. Branham - "Jezebel Religion" sermon - Middletown, OH 19 March 1961	Confirmed	A series of edited excerpts from American Christian minister William M. Branham's "Jezebel Religion" sermon delivered in Middletown, Ohio on 19 March 1961 are utilised in the intro of the 2010-2011 Selected Events tour live medley of Recoil's "Jezebel" and Depeche Mode's "Walking In My Shoes". The sampled phrases are as follows: [...] Jezebel, she calls herself a "prophetess," [...] and she says that she is "the only voice of God on the earth." [...] Jezebel took everything! [She] took everything! She wiped it all up, and she'll do it again!	Click to display/hide audio example

"Breath Control"

"Breath Control" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Ambient pads	Peter Gabriel - Passion - "Sandstorm" - 1989	Confirmed	A reversed, manipulated section of audio featuring ambient pads derived from "Sandstorm" by Peter Gabriel is utilised throughout and features prominently in the outro of "Breath Control".	✖
	Ambient pad	Massive Attack - Mezzanine - "Group Four (Mad Professor Remix)" - 20 April 1998	Confirmed	A section of audio derived from "Group Four (Mad Professor Remix)" by Massive Attack is utilised throughout "Breath Control".	✖

"Last Call for Liquid Courage"

"Last Call for Liquid Courage" Recoil 2000	Self-made samples
	Sample	Notes			Audio
	Tambourine loop	A tambourine loop is utilised throughout "Last Call for Liquid Courage". Notably, this tambourine loop is also used starting from the middle eight section of the Exotic tour version of "I Want You Now".			✖
	Sample sources
	Sample	Source	Status	Notes	Audio
	Brass, orchestral strings	Eartha Kitt - "Lovin' Spree" - 1957	Confirmed	A section of audio derived from "Lovin' Spree" by Eartha Kitt is utilised throughout "Last Call for Liquid Courage".	✖
	Orchestral strings	Eartha Kitt - "Oh, John!" - 1955	Confirmed	A section of audio derived from "Oh, John!" by Eartha Kitt is utilised throughout "Last Call for Liquid Courage".	✖

"Strange Hours"

"Strange Hours" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Orchestral strings	Bessie Smith - "Them's Graveyard Words" - 3 March, 1927	Confirmed	A manipulated sample of orchestral strings derived from the opening moments of "Them's Graveyard Words" by Bessie Smith is utilised throughout "Strange Hours".	✖
	Bass and guitar elements	Tortoise - Millions Now Living Will Never Die - "Goriri" - 30 January 1996 (recorded June–September 1995)	Confirmed	A manipulated section of audio featuring bass and guitar elements derived from the outro of "Goriri" by Tortoise is utilised throughout "Strange Hours".	✖
	Electronic drums, ambience	Cabaret Voltaire - "Taxi Music" - 1980	Confirmed	A section of audio derived from "Taxi Music" by Cabaret Voltaire is utilised throughout "Strange Hours".	✖
	Guitar, drums, multiple elements	Earl King - "Darling Honey Angel Child" - 1960	Confirmed	A section of audio derived from "Darling Honey Angel Child" by Earl King is utilised in the intro of "Strange Hours".	✖
	Guitar elements	Earl Hooker - The Genius Of Earl Hooker - "End Of The Blues" - 1967	Confirmed	A sample of audio derived from "End Of The Blues" by Earl Hooker is utilised throughout "Strange Hours". Notably, a separate sample derived from "End Of The Blues" would see later use throughout Recoil's "The Killing Ground".	✖
	Choir elements	Korg 01/W Bank B, Voice #37: "Choir"	Confirmed	A synthesized choir part audible throughout "Strange Hours" utilises samples derived from the Korg 01/W Bank B Voice #37 "Choir".	✖
	Synthesizer elements	Korg 01/W Bank A, Voice #27: "AnalogPad"	Confirmed	Synthesized strings audible throughout "Strange Hours" utilise samples derived from the Korg 01/W Bank A Voice #27 "AnalogPad".	✖

"Vertigen"

"Vertigen" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Arabic singing with orchestral instrumentation	Eric Martinez, Pascal Morel - Earth: Travels & Documentaries - "Mirage" - 1995	Likely	A section of audio featuring Arabic vocal stylings and orchestral instrumentation derived from "Mirage", a piece of production music featured on the 1995 Universal Production Music CD Earth: Travels & Documentaries, is likely utilised throughout "Vertigen".	✖
	Dissonant choir	György Ligeti – Lux Aeterna	Likely	A series of dissonant, sustained choir chants derived from György Ligeti's Lux Aeterna is likely utilised throughout "Vertigen".	✖
	Throat singing	Dmitry Damba-Darzhaa - "Край Артыы сайыр / Artyy Sayir Area" - 1969 or earlier	Likely	A sampled Tuvan throat singing recording derived from a 1969 or earlier performance of "Край Артыы сайыр" ("Artyy Sayir Area") by Dmitry Damba-Darzhaa is likely utilised throughout "Vertigen". Notably, this throat singing performance was previously utilised by Depeche Mode during Wilder's tenure in the group for "Waiting For The Night" on 1990's Violator.	✖
	Synthesizer arpeggio	Tangerine Dream - "Rubycon, Part One" - 1975	Likely	"Vertigen" likely employs a manipulated sample of a synth arpeggio derived from Tangerine Dream's "Rubycon, Part One". This sample would later see use on Recoil's "Allelujah".	✖

"Supreme"

"Supreme" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Orchestral strings	Henryk Górecki, London Sinfonietta - Górecki – Kleines Requiem Für Eine Polka / Harpsichord Concerto / Good Night: III Lento - Largo: Dolcissimo - Cantabillissimo - 13 June, 1995 (recorded 1990)	Likely	An orchestral strings sample derived from the opening moments of "Good Night: III. Lento - largo: dolcissimo - cantabilissimo" by Henryk Górecki is likely utilised throughout "Supreme".	✖

"Chrome"

"Chrome" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Breathing, ambience	John Cage, Theatre Of Voices, Paul Hillier, Terry Riley - Litany For The Whale - Song Books, Volumes I: Solo for Voice 22 (Two Voices and Electronics) - 1998	Confirmed	A section of audio derived from "Song Books, Volumes I: Solo for Voice 22 (Two Voices and Electronics)" by John Cage with Paul Hillier, Terry Riley and the Theatre Of Voices is utilised throughout "Chrome".	✖
	Drum elements	Zero-G, Time + Space - Planet Of The Breaks - Track 21 "Dope Dancer" - April 1998	Confirmed	A manipulated drum loop derived from "Dope Dancer" as featured on the 1998 Zero-G sample library Planet Of The Breaks is utilised throughout the chorus and outro sections of "Chrome".	✖

"Black Box (Pt. 2)"

"Black Box (Pt. 2)" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Ambient elements, supermarket ambience	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 1) - "93. Police radio in operation" - 1995	Confirmed	A manipulated sample derived from "Police radio in operation", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 1) is utilised in the outro of "Black Box (Pt. 2)" The sample features police radio chatter spoken by a female officer, who states: "[unintelligible] Eighty-three, sixty-two, twenty-eight to a vehicle. Nine zero zero, North Miami Beach Boulevard, parking lot of KMart. [unintelligible] '86 white Hyundai."	✖

B-sides, bonus tracks and remixes

"Black Box (Complete)"

"Black Box (Complete)" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Orchestral elements	Krzysztof Penderecki, Polish Radio National Symphony Orchestra - Threnody to the Victims of Hiroshima - 1959-1961	Confirmed	A reversed, manipulated section of audio derived from a performance of Krzysztof Penderecki's Threnody to the Victims of Hiroshima is utilised in the intro of "Black Box (Pt. 1)".	✖
	Synthesizer, percussion elements	Plastikman - Consumed - "Consumed" - 18 May 1998	Confirmed	A sample of audio derived from "Consumed" by Canadian electronic music producer Plastikman are utilised mid-way through "Black Box (Complete)".	✖
	Ambient elements, supermarket ambience	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 1) - "93. Police radio in operation" - 1995	Confirmed	A manipulated sample derived from "Police radio in operation", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 1) is utilised in the opening minutes of "Black Box (Complete)" The sample features police radio chatter spoken by a female officer, who states: "[unintelligible] Eighty-three, sixty-two, twenty-eight to a vehicle. Nine zero zero, North Miami Beach Boulevard, parking lot of KMart. [unintelligible] '86 white Hyundai."	✖

"Don't Look Back"

"Don't Look Back" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Vocal, piano, orchestral elements	Alban Berg, Antal Doráti, Helga Pilarczyk, London Symphony Orchestra - Five Pieces For Orchestra, Lulu Suite - Lulu Suite - 5. Adagio - 1990	Confirmed	A manipulated sample of audio derived from a 1962 recording of the fifth movement of Alban Berg's posthumously-titled Lulu Suite conducted by Antal Doráti with Helga Pilarczyk and the London Symphony Orchestra is utilised in the intro of "Don't Look Back".	✖
	Vocal, drum elements	A Tribe Called Quest - The Love Movement - "Rock Rock Y'all" - 1998	Confirmed	A manipulated section of audio derived from "Rock Rock Y'all" by A Tribe Called Quest featuring Punchline, Wordsworth, Jane Doe, and Mos Def is utilised mid-way through "Don't Look Back".	Click to display/hide audio example
	Woodwind, piano elements	The Out-Islanders - Ultra-Lounge/Mondo Exotica: Volume One - "Moon Mist" - 1996 (originally released 1961)	Confirmed	A manipulated section of audio derived from "Moon Mist" by The Out-Islanders is utilised mid-way through "Don't Look Back".	Click to display/hide audio example
	Drums, bass guitar elements	Les Baxter - Ultra-Lounge/Mondo Exotica: Volume One - "Simba" - 1996 (originally released 1961)	Confirmed	A manipulated section of audio derived from "Simba" by Les Baxter is utilised sporadically throughout "Don't Look Back".	✖
	Vocal elements	Shirley Caesar with The Caravans - "Choose Ye This Day" - 1966	Confirmed	A manipulated section of audio derived from "Choose Ye This Day" by Shirley Caesar with The Caravans is utilised throughout "Don't Look Back".	✖

"New York Nights"

"New York Nights" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Orchestral elements	Irving Berlin, Ethel Merman, Donald O'Connor, Dan Dailey, Johnnie Ray, Mitzi Gaynor, Dolores Gray, Marilyn Monroe with The 20th Century-Fox Symphony Orchestra And Chorus - Irving Berlin's There's No Business Like Show Business - "Heat Wave" - 1954	Confirmed	A manipulated section of audio derived from "Heat Wave" as performed by Marilyn Monroe in the 1954 film There's No Business Like Show Business is utilised in Recoil's "New York Nights".	Click to display/hide audio example
	Woodwind, piano elements	Steve Reich - Proverb I City Life - IV. Heartbeats - boats and buoys - 15 October 1996	Confirmed	A reversed, manipulated series of audio samples derived from "Heartbeats - boats and buoys", the fourth movement of minimalist composition City Life by American composer Steve Reich are utilised throughout "New York Nights".	Click to display/hide audio example
	Drum elements	Zero-G, Time + Space - Planet Of The Breaks - Track 58 "There U R" - April 1998	Confirmed	A manipulated drum loop derived from "There U R" as featured on the 1998 Zero-G sample library Planet Of The Breaks is utilised throughout "New York Nights".	✖
	Ambient elements, supermarket ambience	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 2) - "55. Supermarket check-out area" - 1995	Confirmed	A manipulated sample derived from "Supermarket check-out area", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 2) is utilised in the outro of "New York Nights".	✖
	Ambient elements, car ambience with windshield wipers	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 3) - "35. Domestic car - driving sequence with wipers" - 1995	Confirmed	A manipulated, sporadically looping sample derived from "Domestic car - driving sequence with wipers", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 3) is utilised sporadically throughout "New York Nights".	✖
	Ambient elements, police siren	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 3) - "39. Police car - approach & stop with siren" - 1995	Confirmed	A manipulated sample derived from "Police car - approach & stop with siren", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 3) is utilised mid-way through "New York Nights".	✖
	Ambient elements, car honking	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 3) - "33. Domestic car - horn - several honks" - 1995	Confirmed	A manipulated sample derived from "Domestic car - horn - several honks", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 3) is utilised mid-way through "New York Nights".	✖
	Ambient elements, truck honking	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 4) - "56. Passing truck with horn" - 1995	Confirmed	A manipulated sample derived from "Passing truck with horn", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 4) is utilised in the intro of "New York Nights".	✖
	Ambient elements, car honking	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 4) - "51. Domestic car - 1 honk" - 1995	Confirmed	A manipulated sample derived from "Domestic car - 1 honk", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 4) is utilised mid-way through "New York Nights".	✖
	Ambient elements, car skidding	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 4) - "52. Domestic car skidding - tire squeal" - 1995	Confirmed	A manipulated sample derived from "Domestic car skidding - tire squeal", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 4) is utilised mid-way through "New York Nights".	✖
	Ambient elements, arcade ambience	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 4) - "59. Pin ball machine - general playing atmosphere" - 1995	Confirmed	A manipulated sample derived from "Pin ball machine - general playing atmosphere", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 4) is utilised in the opening verse section of "New York Nights".	✖
	Ambient elements, urban ambience	Madacy Music Group, Inc. - 100 Spectacular Sound-Effects (Disc: 4) - "99. Downtown - high street general atmosphere - slot machine - 1 pull" - 1995	Confirmed	A manipulated sample derived from "Downtown - high street general atmosphere", a sound effect featured on the 1995 Madacy Music Group, Inc. sound effects CD 100 Spectacular Sound-Effects (Disc: 4) is utilised mid-way through "New York Nights".	✖

"Electro Blues for Bukka White (2000 Mix)"

"Electro Blues for Bukka White (2000 Mix)" Recoil 2000	Self-made samples
	Sample	Notes			Audio
	Bass sequence	Musician Ehron VonAllen confirmed in a YouTube analysis of his remix collaboration with Alan Wilder that the latter employed a bass sequence originally recorded for use with "Waiting For The Night" in "Electro Blues For Bukka White".			✖
	Sample sources
	Sample	Source	Status	Notes	Audio
	Bukka White vocal performance	Bukka White - The Sonet Blues Story - "Shake 'Em On Down" - 1963	Confirmed	The sung vocals audible throughout "Electro Blues For Bukka White" are derived and manipulated from a 1963 recording of "Shake 'Em On Down" by American delta blues musician Bukka White.	✖
	Bukka White spoken phrases	Bukka White - The Sonet Blues Story - "Remembrance Of Charlie Patton" - 1963	Confirmed	The various vocal phrases present throughout "Electro Blues For Bukka White" are derived and manipulated from a 1963 recording of "Remembrance Of Charlie Patton" by American delta blues musician Bukka White.	✖
	Filtered synth percussion	The Human League - "Being Boiled" - 1980	Confirmed	A sample of filtered percussive noise derived from a synthesizer heard in the intro of The Human League's "Being Boiled" is utilised throughout "Electro Blues For Bukka White" starting from the fourteen second mark.	✖
	Ambient pad	Peter Gabriel - Birdy - "Slow Water" - 18 March 1985	Confirmed	A section of audio derived from "Slow Water" by Peter Gabriel is utilised throughout the "2000 Mix" of "Electro Blues for Bukka White".	✖
	Drums, guitar elements	Ry Cooder - The End Of Violence (Score From The Motion Picture Soundtrack) - "Define Violence" - 1997	Confirmed	A section of audio derived from "Define Violence" by Ry Cooder as featured on the soundtrack of the 1997 Wim Wenders film The End Of Violence is utilised sporadically throughout the "2000 Mix" of "Electro Blues for Bukka White".	✖
	Acoustic guitar, woodwind elements	Ry Cooder - Music by Ry Cooder - "Klan Meeting" - 1995	Confirmed	A series of acoustic guitar phrases derived from "Klan Meeting" as featured on the 1995 film soundtrack compilation album Music by Ry Cooder are utilised throughout the "2000 Mix" of "Electro Blues for Bukka White".	✖

"Jezebel (Filthy Dog Mix)"

"Jezebel (Filthy Dog Mix)" Recoil 2000
	Sample sources
	Sample	Source	Status	Notes	Audio
	Ambient elements	Ry Cooder - Music by Ry Cooder - "Greenhouse" - 1995	Confirmed	A reversed sample of audio derived from "Greenhouse" as featured on the 1995 film soundtrack compilation album Music by Ry Cooder is utilised in the intro and outro of "Jezebel (Filthy Dog Mix)".	✖
	Orchestral elements	Gustav Holst, CSR Symphony Orchestra, Bratislava, Viktor Simcisko, Adrian Leaper - Holst: The Planets & Suite de Ballet, Op. 10 - V. Saturn, the Bringer of Old Age - 15 December 1989 (recorded 26-30 November 1988)	Confirmed	A reversed, manipulated sample of orchestral strings audible throughout the "Filthy Dog Mix" of Recoil's "Jezebel" is derived from a 1988 performance of the fifth movement of Gustav Holst's seven-movement orchestral suite The Planets, Op. 32 by the CSR Symphony Orchestra with Viktor Simcisko.	✖