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- 11:46, 19 March 2024 List of Recoil sample sources by album/A Strange Hour In Budapest (hist | edit) [2,943 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 10:46, 18 March 2024 List of Recoil sample sources by album/Remixes by Alan Wilder (hist | edit) [11,586 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 10:04, 18 March 2024 List of Recoil sample sources by album/Spirit of Talk Talk (hist | edit) [11,181 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 20:46, 13 March 2024 2024-03-05 Accor Arena, Paris, France/Source 1 (hist | edit) [4,830 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Some extraneous track splits were merged, but otherwise the fileset is unmodified. The taper's original comments which accompanied the original file set are as follows: <blockquote> Easily the best of the five shows I attended so far in 2024. Recorded from up front at the runway on Marts side. Some singalongs here and there, but nothing annoying, at least as good as the Amsterdam recording from Feb 8, 2024 I did. </blockquot...")
- 20:26, 12 March 2024 List of Recoil sample sources by album/1 + 2 (hist | edit) [10,029 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 20:06, 12 March 2024 List of Recoil sample sources by album/Hydrology (hist | edit) [10,661 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. During Alan Wilder's tenure with the group, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} technology within a traditional {{EL|https://en.wikipedia.org/wiki/Pop_music pop music}}...")
- 18:40, 12 March 2024 List of Depeche Mode sample sources by album/The Singles 86-98 (hist | edit) [11,190 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 22:38, 11 March 2024 List of Depeche Mode sample sources by album/The Singles 81→85 (hist | edit) [38,345 bytes] Majora101 (talk | contribs) (Created page with "{{GlossaryLink| link=Terms used in this article }} In audio production, '''sampling''' refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the {{EL|https://en.wikipedia.org/wiki/Electronic_music electronic music}} {{EL|https://en.wikipedia.org/wiki/Music_genre genre}}, Depeche Mode were among the most prolific acts to make use of {{EL|https://en.wikipedia.org/wiki/Sampling_(music) sampling}} te...")
- 08:51, 2 March 2024 2024-02-22 O2 Arena, Prague, Czech Republic/Source 1 (hist | edit) [3,616 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. The concert introduction is missing and My Cosmos Is Mine is missing the first half. There are some chatters to the left of the taper. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-22.TascamDR-22WL.MS.0.flac1644/complete.m4a</html5media> == Track list == #[2:48] <sm2>https://media.dmlive.wiki/stream/dm2024-02-22.TascamDR-22WL.MS.0.flac1644/01.m4a</sm2> ...")
- 19:39, 27 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 3 (hist | edit) [3,927 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:38] <sm2>https://media.dmlive.wiki/stream/dm2024-02-20.CA-14.Ronny.0.flac2496/01.m4a</sm2> Intro (Speak To Me) #[5:11]...")
- 19:38, 27 February 2024 2024-02-24 O2 Arena, Prague, Czech Republic/Source 1 (hist | edit) [3,967 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording, with a slightly reverberated sound. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-24.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:47] <sm2>https://media.dmlive.wiki/stream/dm2024-02-24.CA-14.Ronny.0.flac2496/01.m4a...")
- 11:57, 24 February 2024 2024-02-13 Mercedes-Benz Arena, Berlin, Germany/Source 1 (hist | edit) [3,950 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. This is the original 24-bit, 96khz fileset. A 16-bit, 44.1khz downsample is also available to download on the wiki. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-13.CA-14.Ronny.0.flac2496/complete.m4a</html5media> == Track list == #[2:43] <sm2>https://media.dmlive.wiki/stream/dm2024-02-13.CA-14.Ronny.0.flac2496/01.m4a</sm2> Intro (Speak To Me) #[5:12] <...")
- 11:37, 24 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 2 (hist | edit) [3,997 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. The original file set includes the DJ Set, but it has been excluded to prevent potential copyright issues. Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.ECM-717.CPR.0.flac2496/complete.m4a</html5media> == Track list ==...")
- 13:35, 23 February 2024 1988-02-13 Scandinavium, Gothenburg, Sweden/Source 2 (hist | edit) [3,624 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. Slightly distorted bass depending on the song and there are some occasional volume fluctuations. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm1988-02-13.AST-20.Barrhult.0.flac1644/complete.m4a</html5media> == Track list == #[3:17] <sm2>https://media.dmlive.wiki/stream/dm1988-02-13.AST-20.Barrhult.0.flac1644/01.m4a</sm2> Pimpf #[5:41] <sm2>https://media.dmli...")
- 19:58, 21 February 2024 2024-02-20 Mercedes-Benz Arena, Berlin, Germany/Source 1 (hist | edit) [4,023 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A very good audience recording. It sounds somewhat distant, but this is not unexpected for the taping location being this far away from the stage. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-20.MM-MCSM-4.Nanka.0.flac1644/complete.m4a</html5media> == Track list == #[2:09] <sm2>https://media.dmlive.wiki/stream/dm2024-02-20.MM-MCSM-4.Nanka.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5...")
- 22:11, 16 February 2024 2023-06-06 Merkur Spiel-Arena, Dusseldorf, Germany/Source 1 (hist | edit) [5,252 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. The taper's notes from the original info file are below: <blockquote> An extraordinary, fabulous show. Much improved sound compared to the shows in Amsterdam. After the first few songs there was hardly any screaming or chattering, so the recording fits the band and especially the excellent fan chants very well. During the first few songs, there was a Mexican woman standing nearby who at times screamed her lungs out, managin...")
- 10:06, 10 February 2024 2024-02-08 Ziggo Dome, Amsterdam, The Netherlands/Source 1 (hist | edit) [4,611 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. Both the original high-resolution 24-bit, 96KHz fileset and a downsampled version in 16-bit, 44.1KHz are available for download below. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-08.DPA4061.stl.0.flac2496/complete.m4a</html5media> == Track list == #[0:53] <sm2>https://media.dmlive.wiki/stream/dm2024-02-08.DPA4061.stl.0.flac2496/01.m4a</sm2> Preshow #...")
- 10:06, 10 February 2024 2024-02-08 Ziggo Dome, Amsterdam, The Netherlands/Source 2 (hist | edit) [3,778 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. Bass is distorted and somewhat overpowers the treble. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-02-08.OKMIIPop.x4bath.0.flac1644/complete.m4a</html5media> == Track list == #[2:23] <sm2>https://media.dmlive.wiki/stream/dm2024-02-08.OKMIIPop.x4bath.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5:13] <sm2>https://media.dmlive.wiki/stream/dm2024-02-08.OKMIIPop.x...")
- 08:34, 10 February 2024 2024-02-06 Sportpaleis, Antwerp, Belgium/Source 1 (hist | edit) [5,519 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == A good audience recording. It is rather reverberated sounding. The taper's comments are as follows: <blockquote> Thanks to early entry tickets and an early queue, I was right at the front of the stage for the first time. Dave and Martin are even more inspiring as artists and performers when you can feel their sweat and smiles from a metre away. An outstanding show with a fantastic audience. The sound at the front was fine, not outstanding, but not as ove...")
- 21:50, 8 February 2024 2024-01-29 AO Arena, Manchester, England, UK/Source 1 (hist | edit) [4,332 bytes] DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent audience recording. == Listen == You can listen to this entire recording below. <html5media>https://media.dmlive.wiki/stream/dm2024-01-29.AT943.Polewka123.0.flac1644/complete.m4a</html5media> == Track list == #[2:43] <sm2>https://media.dmlive.wiki/stream/dm2024-01-29.AT943.Polewka123.0.flac1644/01.m4a</sm2> Intro (Speak To Me) #[5:09] <sm2>https://media.dmlive.wiki/stream/dm2024-01-29.AT943.Polewka123.0.flac1644/02.m4a</sm2> My Cosmos Is...")
