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{{Song infobox | |||
|title=The Dead Of Night | |||
|screen=hd | |||
|screenshot=Album-Exciter.jpg | |||
|artist=[[Depeche Mode]] | |||
|album=[[Exciter]] | |||
|songwriter=[[Martin L. Gore]] | |||
|producer=[[Depeche Mode]]<br>[[Mark Bell]] | |||
|studio=RAK and Sarm West (London)<br>Sound Design (Santa Barbara)<br>Electric Lady<br>Sony (New York City) | |||
|label=[[Mute Records]] | |||
|length=4:50 | |||
|tempo=144 | |||
|timesignature={{music|time|3|4}} | |||
|key=F Minor | |||
|mixingby=Steve Fitzmaurice | |||
|engineeredby=[[Gareth Jones]] | |||
|engineeringassistance=Boris Aldridge<br>Andrew Davies<br>Andrew Griffiths<br>Nick Sevilla<br>Lisa Butterworth<br>Jonathan Adler<br>Alissa Myhowich<br>James Chang | |||
|masteredby=Mike Marsh | |||
|photographyby=[[Anton Corbijn]] | |||
|artdirection=[[Anton Corbijn]] | |||
|sleevedesign=Form | |||
|preproduction=[[Gareth Jones]] | |||
|additionalproduction=[[Gareth Jones]] | |||
|recordingdate=June 2000 - February 2001 | |||
|releasedate=14 May 2001 | |||
|colorscheme=Exciter | |||
}} | |||
{{S|The Dead Of Night}} is a song from the 2001 album <i>[[Exciter]]</i> by [[Depeche Mode]]. | |||
== Notes == | |||
Martin Gore told the May 2001 issue of Flaunt magazine that the song was inspired by a club in London called '[http://browns-shoreditch.co.uk Brown's]': | |||
<blockquote> | |||
"[I]t was a really sad scene. You had three levels - the regular bit downstairs, the slightly VIP but on the second floor, then upstairs the total VIP-VIP bit, which at Brown's was called the Red Room. And you got there, and everyone was taking so many drugs because it was commonly known that it was perfectly cool to take drugs there. So the Red Room for me was the 'Zombie Room', because everyone in there was always talking way too fast, saying nothing and just staring. And while you're there, all these people in the room are your best mates in the world. But the next day, if you bump into one of them on the street, you won't even know their name." | |||
</blockquote> | |||
Author Jonathan Miller [http://web.archive.org/web/20020213195539/http://www.eqmag.com/0701/feature_depeche_108.html interviewed producer Mark Bell] in 2001, who said: | |||
<blockquote> | |||
"We were working on a song called 'The Dead Of Night,' and we were having trouble with the bridge. Martin suggested using a kind of jazz/waltz sample he had, but it sounded like complete sh*t. We were just about to take it off when in walks Airto Moreira! It was really embarrassing, as the song was at its worst, but we still ended up playing him the other songs [Freelove and I Feel Loved]. He came back a week later with his toys and played some brilliant stuff that sat well with the tracks, whereas if it had been someone trying to sell themselves they might have gone completely over the top. [...] We used loads of different synths on 'The Dead Of Night,' messing about with the envelopes and pitch controls. We just went completely silly and it became a jam session. Then, once we found something that worked, we made it into a sort of performance that really suited the song." | |||
</blockquote> | |||
Andy Fletcher and Martin Gore said in the [[2001-03-13 Electronic Press Kit, Mute Records|Electronic Press Kit]]: | |||
<blockquote> | |||
Andy: "[...] I played a track to a friend of mine who's not really a Depeche Mode fan. I played him a song called 'Dead of Night' and at the end he was going, "That's the darkest song I've ever heard in my whole life!" And I'm sort of thinking, "This is really uplifting!" [laughs] [...]" | |||
Martin: "I think we've always made weird pop and I think this is another great example of that. I think it won't fit in anywhere, but we never have, so that's not particularly a worry. [...]" | |||
</blockquote> | |||
Martin Gore said in the May 2001 issue of Keyboard Magazine: | |||
<blockquote>"A lot of the stuff that we used was contemporary, but of course we used a lot of old stuff as well. 'Dead of Night', for instance: A lot of the sounds for that were created with the [EMS] Synthi AKS - even that heavy sound at the beginning, which sounds like a guitar, was actually a synth. A lot of people don't realise that you can get those sorts of sounds out of those keyboards." | |||
</blockquote> | |||
{{Template:Lyrics|The Dead Of Night| | |||
We're the horniest boys | |||
With the corniest ploys | |||
Who take the easiest girls | |||
To our sleaziest worlds | |||
With our lecherous plans | |||
In our treacherous hands | |||
You'd be wasting your time | |||
Saying no, it's a crime | |||
All that we live for you'll regret | |||
All you remember we'll forget | |||
We are the dead of night | |||
We're in the zombie room | |||
We're twilight's parasites | |||
With self-inflicted wounds | |||
We are the dead of night | |||
We're in the zombie room | |||
Heavenly oversights | |||
Eating from silver spoons | |||
With our decadent minds | |||
And our innocent lines | |||
You'll be playing our games | |||
With your bodies in flames | |||
When delirious fun | |||
Has seriously begun | |||
You'll be down on your knees | |||
You'll be begging us please | |||
All we're demanding you'll supply | |||
All we're accused of we'll deny | |||
We are the dead of night | |||
We're in the zombie room | |||
We're twilight's parasites | |||
With self-inflicted wounds | |||
We are the dead of night | |||
We're in the zombie room | |||
Heavenly oversights | |||
Eating from silver spoons | |||
|Martin L. Gore|©2001 EMI Music Publishing Ltd. London WC2H 0EA. Assigned by Grabbing Hands Music Ltd. All rights Reserved.}} | |||
== Live performances == | |||
{{Live section}} | |||
[[Category:Depeche Mode songs]] | |||
[[Category:Exciter songs]] | |||
[[Category:Songs in F Minor]] | |||
[[Category:Songs between 140-144 BPM]] | |||
[[Category:Songs written by Martin L. Gore]] | |||
<metadesc>"The Dead Of Night" is a song from the 2001 album Exciter by Depeche Mode.</metadesc><nowiki/> |
Latest revision as of 22:16, 25 January 2021
|
5. The Dead Of Night List of Exciter songs |
|
The Dead Of Night
| |
Song | The Dead Of Night |
---|---|
By | Depeche Mode |
Songwriter | Martin L. Gore |
Produced by | Depeche Mode Mark Bell |
Recorded at | RAK and Sarm West (London) Sound Design (Santa Barbara) Electric Lady Sony (New York City) |
Length (mm:ss) | 4:50 |
Tempo | 144 BPM |
Time signature | 3 4 |
Key | F Minor |
Engineered by | Gareth Jones |
Engineering assistance | Boris Aldridge Andrew Davies Andrew Griffiths Nick Sevilla Lisa Butterworth Jonathan Adler Alissa Myhowich James Chang |
Pre-production | Gareth Jones |
Additional production | Gareth Jones |
Mixed by | Steve Fitzmaurice |
Mastered by | Mike Marsh |
Art direction | Anton Corbijn |
Photography | Anton Corbijn |
Sleeve design | Form |
Recorded | June 2000 - February 2001 |
Originally released | 14 May 2001 |
Live performances as Depeche Mode | 85 times * |
Total live performances | 85 times * |
"The Dead Of Night" is a song from the 2001 album Exciter by Depeche Mode.
Notes
Martin Gore told the May 2001 issue of Flaunt magazine that the song was inspired by a club in London called 'Brown's':
"[I]t was a really sad scene. You had three levels - the regular bit downstairs, the slightly VIP but on the second floor, then upstairs the total VIP-VIP bit, which at Brown's was called the Red Room. And you got there, and everyone was taking so many drugs because it was commonly known that it was perfectly cool to take drugs there. So the Red Room for me was the 'Zombie Room', because everyone in there was always talking way too fast, saying nothing and just staring. And while you're there, all these people in the room are your best mates in the world. But the next day, if you bump into one of them on the street, you won't even know their name."
Author Jonathan Miller interviewed producer Mark Bell in 2001, who said:
"We were working on a song called 'The Dead Of Night,' and we were having trouble with the bridge. Martin suggested using a kind of jazz/waltz sample he had, but it sounded like complete sh*t. We were just about to take it off when in walks Airto Moreira! It was really embarrassing, as the song was at its worst, but we still ended up playing him the other songs [Freelove and I Feel Loved]. He came back a week later with his toys and played some brilliant stuff that sat well with the tracks, whereas if it had been someone trying to sell themselves they might have gone completely over the top. [...] We used loads of different synths on 'The Dead Of Night,' messing about with the envelopes and pitch controls. We just went completely silly and it became a jam session. Then, once we found something that worked, we made it into a sort of performance that really suited the song."
Andy Fletcher and Martin Gore said in the Electronic Press Kit:
Andy: "[...] I played a track to a friend of mine who's not really a Depeche Mode fan. I played him a song called 'Dead of Night' and at the end he was going, "That's the darkest song I've ever heard in my whole life!" And I'm sort of thinking, "This is really uplifting!" [laughs] [...]"
Martin: "I think we've always made weird pop and I think this is another great example of that. I think it won't fit in anywhere, but we never have, so that's not particularly a worry. [...]"
Martin Gore said in the May 2001 issue of Keyboard Magazine:
"A lot of the stuff that we used was contemporary, but of course we used a lot of old stuff as well. 'Dead of Night', for instance: A lot of the sounds for that were created with the [EMS] Synthi AKS - even that heavy sound at the beginning, which sounds like a guitar, was actually a synth. A lot of people don't realise that you can get those sorts of sounds out of those keyboards."
Lyrics
The Dead Of Night
We're the horniest boys
With the corniest ploys
Who take the easiest girls
To our sleaziest worlds
With our lecherous plans
In our treacherous hands
You'd be wasting your time
Saying no, it's a crime
All that we live for you'll regret
All you remember we'll forget
We are the dead of night
We're in the zombie room
We're twilight's parasites
With self-inflicted wounds
We are the dead of night
We're in the zombie room
Heavenly oversights
Eating from silver spoons
With our decadent minds
And our innocent lines
You'll be playing our games
With your bodies in flames
When delirious fun
Has seriously begun
You'll be down on your knees
You'll be begging us please
All we're demanding you'll supply
All we're accused of we'll deny
We are the dead of night
We're in the zombie room
We're twilight's parasites
With self-inflicted wounds
We are the dead of night
We're in the zombie room
Heavenly oversights
Eating from silver spoons
Songwriter: Martin L. Gore
Publishing Information: ©2001 EMI Music Publishing Ltd. London WC2H 0EA. Assigned by Grabbing Hands Music Ltd. All rights Reserved.
Live performances
- Main article: Available recordings of "The Dead Of Night"
- Main article: List of dates where "The Dead Of Night" was played