Difference between revisions of "1997-05-16 Shrine Exposition Hall, Los Angeles, CA, USA/Source 3"

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(change torrent downloads to direct downloads)
 
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== Notes ==
== Notes ==


This ''would'' sound good, if it wasn't toyed with excessively. Treble is harsh and will give you a headache after a few minutes of listening. Bass is a little overwhelming. The added reverb is unnecessary. There's distortion no doubt due to the crazy EQ applied. If you look at the spectrogram, the midrange was ignored. Great job, REmode101!
Matrix audio of raw soundboard audio + an audience recording. This is also available as the second audio track on the pro-shot video found at [[1997-05-16 Shrine Exposition Hall, Los Angeles, CA, USA/Source 2|Source 2]].


Grab this if you're a collector, otherwise get the best sounding and most complete version of this soundboard recording [[1997-05-16 Shrine Exposition Hall, Los Angeles, CA, USA/Source 1|at source 1 instead]].
The pro-shot video this audio is sourced from can be found at [[1997-05-16 Shrine Exposition Hall, Los Angeles, CA, USA/Source 2|Source 2]].


[http://vimeo.com/album/2278330 You may also view 90 second video snippets of this concert on Vimeo.]
And the video's raw soundboard audio can be found at [[1997-05-16 Shrine Exposition Hall, Los Angeles, CA, USA/Source 1|Source 1]].
[[1997-05-16 Shrine Exposition Hall, Los Angeles, CA, USA/Source 2|A complete DVD of the concert is also available here.]]
 
The audience recording that is used for this matrix recording can be found at [[1997-05-16 Shrine Exposition Hall, Los Angeles, CA, USA/Source 4|Source 4]].


== Listen ==
== Listen ==
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You can listen to this entire recording below.
You can listen to this entire recording below.


<html5media>https://media.dmlive.wiki/stream/dm1997-05-16.sbd.E!.3.flac1644/complete.m4a</html5media>
<html5media>https://media.dmlive.wiki/stream/dm1997-05-16.sbd-aud-mtx.bias.flac1648/complete.m4a</html5media>


== Track list ==
== Track list ==


#[1:17] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd.E!.3.flac1644/01.m4a</sm2> [[Uselink]]
#[0:32] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd-aud-mtx.bias.flac1648/01.m4a</sm2> Preshow
#[5:56] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd.E!.3.flac1644/02.m4a</sm2> [[Barrel Of A Gun]]
#[1:17] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd-aud-mtx.bias.flac1648/02.m4a</sm2> [[Uselink]]
#[5:29] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd.E!.3.flac1644/03.m4a</sm2> [[Useless]]
#[5:55] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd-aud-mtx.bias.flac1648/03.m4a</sm2> [[Barrel Of A Gun]]
#[4:17] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd.E!.3.flac1644/04.m4a</sm2> [[It's No Good]]
#[5:24] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd-aud-mtx.bias.flac1648/04.m4a</sm2> [[Useless]]
#[5:13] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd.E!.3.flac1644/05.m4a</sm2> [[Home]] (*)
#[4:14] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd-aud-mtx.bias.flac1648/05.m4a</sm2> [[It's No Good]]
#[6:26] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd.E!.3.flac1644/06.m4a</sm2> [[Never Let Me Down Again]]
#[5:58] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd-aud-mtx.bias.flac1648/06.m4a</sm2> [[Home]] (*)
*Total time: 28:38
#[6:01] <sm2>https://media.dmlive.wiki/stream/dm1997-05-16.sbd-aud-mtx.bias.flac1648/07.m4a</sm2> [[Never Let Me Down Again]]
*Total time: 29:21


== Lineage ==
== Lineage ==


*2nd or 3rd generation pre-broadcast (?) E! VHS -> unknown transfer -> fucked up by REmode101 (dropouts boosted, bass adjusted "slightly" [too much], treble probably boosted too much, reverb added) -> FLAC 16-bit 44.1khz
*NTSC 3/4" beta tape (unconfirmed; inference from snippets from https://vimeo.com/album/2278330) -> MiniDV tape -> Sony HVR-M15AU deck -> FireWire -> Adobe Premiere Pro -> RAW MOV file -> demuxed WAV (16/48) -> matrix with audience recording by bias -> FLAC level 8
*Original info file included
*Taper: MTV (SBD) / unknown (audience)
*Transfer (MiniDV tape): RyanJ (ninlive.com)
*Matrix and mastering: bias
*Audio specifications: FLAC 16-bit 48khz
*auCDTectTaskManager log included


== Download ==
== Download ==


*[https://media.dmlive.wiki/downloads/dm1997-05-16.sbd.E!.3.flac1644.zip Download ZIP] - FLAC 16-bit 44.1khz - 207MB
*[https://media.dmlive.wiki/downloads/dm1997-05-16.sbd-aud-mtx.bias.flac1648.zip Download ZIP] - FLAC 16-bit 48KHz - 144.65MB


[[Category:Soundboard recordings]]
[[Category:Matrix recordings]]
[[Category:Source]]
[[Category:Source]]
[[Category:Streamable]]
[[Category:Streamable]]

Latest revision as of 14:44, 31 January 2021

Notes

Matrix audio of raw soundboard audio + an audience recording. This is also available as the second audio track on the pro-shot video found at Source 2.

The pro-shot video this audio is sourced from can be found at Source 2.

And the video's raw soundboard audio can be found at Source 1.

The audience recording that is used for this matrix recording can be found at Source 4.

Listen

You can listen to this entire recording below.

Track list

  1. [0:32] Play Preshow
  2. [1:17] Play Uselink
  3. [5:55] Play Barrel Of A Gun
  4. [5:24] Play Useless
  5. [4:14] Play It's No Good
  6. [5:58] Play Home (*)
  7. [6:01] Play Never Let Me Down Again
  • Total time: 29:21

Lineage

  • NTSC 3/4" beta tape (unconfirmed; inference from snippets from https://vimeo.com/album/2278330) -> MiniDV tape -> Sony HVR-M15AU deck -> FireWire -> Adobe Premiere Pro -> RAW MOV file -> demuxed WAV (16/48) -> matrix with audience recording by bias -> FLAC level 8
  • Taper: MTV (SBD) / unknown (audience)
  • Transfer (MiniDV tape): RyanJ (ninlive.com)
  • Matrix and mastering: bias
  • Audio specifications: FLAC 16-bit 48khz
  • auCDTectTaskManager log included

Download