List of Depeche Mode sample sources by album/Playing The Angel
| Glossary Terms used in this article |
In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. As pioneers of the electronic music genre, Depeche Mode were among the most prolific acts to make use of sampling technology within a traditional pop music format. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group.
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The sample is confirmed to have been used in the specified song by a past/present member of Depeche Mode, an individual involved in its production, or band archivist Daniel "BRAT" Barassi. | |||
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The sample is independently confirmed to have been used in the specified song. | |||
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The sample is likely to have been used in the specified song but has not yet been confirmed. | |||
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The sample is not yet confirmed to have been used in the specified song. | |||
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The sample is confirmed to not have been used in the specified song. | |||
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It is unclear if the sample was used in the specified song. | |||
Information
This page aims to document all verifiable sound sources for many of the musical parts used by Depeche Mode in the production of their 2005 album Playing The Angel.
Due to the manipulated nature of the samples described in this article, there is unavoidable potential for error or sample misattribution. To ensure accuracy, this article strives to use verified quotes from band members and recording personnel with citations wherever possible, audio examples, and independent research voluntarily contributed by Depeche Mode and Recoil fans worldwide. This article provides an interesting document on this topic in a tabular format that is organized, well-researched, and reasonably accurate. Please bear in mind that due to the limited number of relevant quotes for each sample from band members or associates involved in producing the music described on this page, audio samples that lack official confirmation are not guaranteed to be accurate.
This article differentiates samples by origin: Self-made samples, which describe any material initially recorded by Depeche Mode or Recoil, and Sourced samples, which describe samples not initially recorded by either group. In addition to confirmed samples, this article also covers samples commonly misreported as having been used but directly refuted by a member or associate of Depeche Mode or Recoil.
If you notice an error or wish to contribute or request the removal of information contained within this article, please feel free to contact us.
Playing The Angel (2005)
1. "A Pain That I'm Used To"
"A Pain That I'm Used To" is not yet known to contain samples from any identifiable sources.
2. "John The Revelator"
"John The Revelator" is not yet known to contain samples from any identifiable sources.
3. "Suffer Well"
| "Suffer Well" Depeche Mode 2005
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| Sample | Source | Status | Notes | Audio | |
| Synthesizer elements | Native Instruments Reaktor > Kaleidon > "Lagerhallenromanti" - 2003 (?) |
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A sweep synthesizer pad derived from "Lagerhallenromanti", a preset featured in the Native Instruments Reaktor ensemble Kaleidon, is utilised throughout "Suffer Well". |
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4. "The Sinner In Me"
"The Sinner In Me" is not yet known to contain samples from any identifiable sources.
5. "Precious"
| "Precious" Depeche Mode 2005
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| Drum elements | Sonic Charge Microtonic > Microtonic Drum Patches > By Category > Percussion Patches > "SC Tamb Etnoch" - 2003 |
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A synthesized drum element derived from an edit of "SC Tamb Etnoch", a preset drum patch featured in the 2003 VST plug-in Microtonic by Sonic Charge, is utilised throughout "Precious". |
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6. "Macro"
| "Macro" Depeche Mode 2005
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| Sample | Source | Status | Notes | Audio | |
| Piano elements | Maureen McGovern - Baby I'm Yours - "Anyone Who Had A Heart" - 1992 |
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A reversed, manipulated section of audio featuring piano elements derived from the intro of Maureen McGovern's 1992 cover of Burt Bacharach and Hal David's 1963 song Anyone Who Had A Heart" is utilised throughout "Macro". | Click to display/hide audio example
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7. "I Want It All"
"I Want It All" is not yet known to contain samples from any identifiable sources.
8. "Nothing's Impossible"
"Nothing's Impossible" is not yet known to contain samples from any identifiable sources.
9. "Introspectre"
"Introspectre" is not yet known to contain samples from any identifiable sources.
10. "Damaged People"
"Damaged People" is not yet known to contain samples from any identifiable sources.
11. "Lilian"
"Lilian" is not yet known to contain samples from any identifiable sources.
12. "The Darkest Star"
| "The Darkest Star" Depeche Mode 2005
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| Sample | Source | Status | Notes | Audio | |
| Ambient elements | Anita Lane - Dirty Pearl - "Picture Of Mary" - 1993 |
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A manipulated section of audio derived from "Picture Of Mary" by the late Anita Lane is utilised sporadically throughout "The Darkest Star". |
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References
Notes
