All That's Mine
All That's Mine
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Song | All That's Mine |
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By | Depeche Mode |
Songwriter | Dave Gahan Kurt Uenala |
Working title | "Lot" |
Produced by | Ben Hillier |
Recorded at | Sound Design (Santa Barbara) Jungle City (New York) |
Length (mm:ss) | 3:23 |
Tempo | 120 BPM |
Time signature | 4 4 |
Key | G Major |
Programmed by | Christoffer Berg |
Engineered by | Ferg Peterkin |
Engineering assistance | Tomas del Toro-Diaz Will Loomis Dan Tobiason |
Mixed by | Flood |
Mix engineering | Rob Kirwan |
Mixing assistance | Drew Smith |
Vocal recording | Kurt Uenala |
Mastered by | Bunt Stafford-Clark |
Design | Anton Corbijn |
Photography | Anton Corbijn |
Recorded | March–October 2012 |
Originally released | 31 January 2013 |
Live performances as Depeche Mode | 0 times * |
Total live performances | 0 times * |
"All That's Mine" is a song recorded during the production of the 2013 album Delta Machine by Depeche Mode. It was released as a B-side on the "Heaven" single on 31 January 2013.
Lyrics
All That's Mine
I know it's hard to reach you
I know it's hard to breathe
I know it's hard to be you sometimes
I can't imagine what that means
This must be someone else's story
I can't follow what you've planned
How can this be about me
Am I supposed to understand
Like a ship on the ocean
Heading out to sea
You can hardly see it now
It's a lot like you
Lost like me
You're still looking for redemption
Still can't find a trace
If there is nothing after
There'll be no saving grace
I'm giving you control now
I need some kind of sign
Come take away this sorrow now
I gave you all that's mine
Like a ship on the ocean
Heading out to sea
You can hardly see it now
It's a lot like you
Like a ship on the ocean
Heading out to sea
You can hardly see it now
It's a lot like you
Lost like me
Songwriter: Dave Gahan / Kurt Uenala
Publishing Information: ©2013 EMI Blackwood Music Inc. o/b/o / JJSR Productions Inc. (BMI) / Chocolate Robot (ASCAP). All rights reserved.
Dates where All That's Mine was played
All That's Mine has never been played live.
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