Do you have audio cassette or reel tapes, MiniDisc, DAT, 8mm/Hi8 video tapes, or VHS tapes
containing live recordings, interviews, or demos? Please see Contributing, or e-mail us.

To discuss Depeche Mode with other fans, please consider joining the official Depeche Mode Discord server or independent fan server Discord for the Masses.
To coordinate site work, we recommend the Depeche Mode Live Editor Discord group.

Live sound banks: Difference between revisions

From DM Live - the Depeche Mode live encyclopedia for the masses
Jump to navigationJump to search
No edit summary
 
(70 intermediate revisions by 3 users not shown)
Line 1: Line 1:
[[File:AlanWilderAuctionEmax.jpg|300px|thumb|right|[http://auction.recoil.co.uk/emu-emax-ii-sampler/ The Alan Wilder / Depeche Mode Collection: Emax Turbo II – 16 bit sampler keyboard – Model 2205]]]
{{Featured|August 8, 2019}}


In 2011, former Depeche Mode member Alan Wilder announced the [http://auction.recoil.co.uk/ Alan Wilder / Depeche Mode Collection], an historic equipment, vinyl, and memorabilia auction organized in partnership with [https://www.omegaauctions.co.uk/ Omega Auctions]. Held at the Manchester Zion Arts Centre, the auction put hundreds of Depeche Mode and Recoil memorabilia under the hammer, serving bidders both in-person and online. Among the hundreds of items sold were several pieces of equipment pre-loaded with sound banks or accompanied by physical media containing sound banks, as well as twenty signed and numbered zip discs each containing dozens of banks programmed by Wilder for use with the [http://www.vintagesynth.com/emu/emax.php EMU Emax] and [http://www.vintagesynth.com/emu/emax.php Emax II] sampler keyboards during the [[:Category:1987-1988 Music For The Masses Tour|1987-1988 Music For The Masses Tour]], [[:Category:1990 World Violation Tour|1990 World Violation Tour]], [[:Category:1993 Devotional Tour|1993 Devotional Tour]], and [[:Category:1994 Exotic Tour|1994 Exotic Tour]].<ref name="zip disc">[https://obsoletemedia.org/iomega-zip/ Zip discs] are a high-capacity floppy disk data storage format introduced in 1995.</ref><ref name="auction">[http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs]</ref>.
[[File:AlanWilderAuctionEmax.jpg|250px|thumb|right|An Emax II Turbo 16 bit sampler keyboard, one of the pieces of equipment sold at the [http://auction.recoil.co.uk/emu-emax-ii-sampler/ 2011 Alan Wilder / Depeche Mode Collection]]]


== Zip discs ==
Among the hundreds of items sold at the 2011 {{EL|http://auction.recoil.co.uk/ Alan Wilder / Depeche Mode Collection}} were a variety of musical equipment and zip discs pre-loaded with [[Live sound banks|live sound banks]] originally programmed by former [[Depeche Mode]] member and [[Recoil]] founder [[Alan Wilder]] for use with the {{EL|http://www.vintagesynth.com/emu/emax.php E-MU Emax}} and {{EL|http://www.vintagesynth.com/emu/emax.php Emax II}} sampler keyboards during the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses]], [[:Category:1990 World Violation Tour|World Violation]] and [[:Category:1993 Devotional Tour|Devotional]]/[[:Category:1994 Exotic Tour|Exotic]] tours.<ref name="zip disc">{{EL|https://obsoletemedia.org/iomega-zip/ Zip discs}} are a high-capacity floppy disk data storage format introduced in 1995.</ref><ref name="auction">[http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs]</ref>


=== General information ===
== 20x "AW/DM sound sample" ZIP discs ==


[[File:Zip_big.jpg|252px|thumb|right|[http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs]]]
[[File:Zip_big.jpg|252px|thumb|right|[http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs]]]


The sound banks stored within the twenty zip discs sold at the auction contain an array of audio samples allocated across the keyboard for live performances. In nearly all cases, the samples were sourced from the original multitrack recordings.<ref name="auction"></ref> Among these sound banks are sounds for song renditions that were only ever performed live, as well as songs which never made the final tour set list.
The programs stored within the twenty ZIP discs sold at auction include an array (or "sound bank") of audio samples per song sourced from their respective multitrack recordings, as well as the necessary programming which dictates how and from which physical keys each sample can be played back once loaded from the appropriate Emax I or II sampler keyboards.<ref name="auction"></ref> Included on the discs are sound banks for songs versions that were only ever performed live (such as the Exotic Tour version of '[[I Want You Now]]') as well as songs which never made the final tour set list.


<b>Copied from the original auction listing:</b>
The sound banks included on the ZIP discs were not the only banks made available at the time of the auction. Certain pieces of equipment, such as Alan Wilder's [[E-mu Emulator range|Emulator II]] were listed as including several Depeche Mode and Recoil sound banks as well as an additional collection of various sample library-sourced sounds. <b>If you possess these unlisted Depeche Mode or Recoil sound banks, please reach out to [mailto:[email protected] [email protected].]</b>
 
=== Alan Wilder's comments ===


<blockquote>
<blockquote>
The Zip discs will work in any suitable Zip drive and connect to the Emax via a scuzi<ref>Pronunciation of SCSI, [https://en.wikipedia.org/wiki/SCSI "Small Computer System Interface" (Wikipedia)]</ref> cable. Despite our best efforts, we were unable to transfer everything absolutely perfectly from the original floppies. The vast majority of sounds are fully in tact[<i>sic</i>] but one or two have small corruptions at the end of notes. The good news is that, with a bit of careful editing, these glitches can be removed. (Thanks goes to Tom & Simon for their help).<ref name="Tom Carpenter">Tom Carpenter, founder of [https://www.analoguesolutions.com/ Analogue Solutions]</ref><ref name="Alan on the process of creating the live sound banks">[http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs]</ref>
I spent many hours (days!) programming each member’s keyboards for the tours, painstakingly trying to recreate as accurately as possible the sounds we formulated and used on the records. The [[E-mu Emax range|Emax]] was a perfect tool for the live re-creations. This collection covers most of my own sounds for the two tours, although I did play live drums on some songs. I tried all these out recently and discovered how much fun it is to work out the various parts we all used to play. I even found some guide sounds which weren’t actually performed live but were used to demonstrate parts to others. For example, I discovered some guide vocals for '[[Condemnation]]' which were sampled to help routine our girl backing vocalists during the rehearsals.<ref name="AW"></ref><ref name="Devotional backing vocalists">The two gospel backing vocalists employed for the [[:Category:1993 Devotional Tour|1993 Devotional Tour]] and [[:Category:1994 Exotic Tour|1994 Exotic Tour]] were [http://www.recoil.co.uk/hildia-campbell/ Hildia Campbell] and Samantha Smith</ref>
</blockquote>
</blockquote>
The sound banks included on the zip discs were not the only banks made available at the time of the auction. Certain pieces of equipment, such as Alan Wilder's [http://www.vintagesynth.com/emu/emulator2.php EMU Emulator II,] were listed as including several Depeche Mode and Recoil sound banks, plus a large collection of various Emulator II sample library banks. <b>If you possess these unlisted Depeche Mode or Recoil sound banks, please reach out to [mailto:[email protected] [email protected].]</b>
=== Alan's comments ===


<blockquote>
<blockquote>
I spent many hours (days!) programming each member’s keyboards for the tours, painstakingly trying to recreate as accurately as possible the sounds we formulated and used on the records. The Emax was a perfect tool for the live re-creations. This collection covers most of my own sounds for the two tours, although I did play live drums on some songs. I tried all these out recently and discovered how much fun it is to work out the various parts we all used to play. I even found some guide sounds which weren’t actually performed live but were used to demonstrate parts to others. For example, I discovered some guide vocals for [[Condemnation]] which were sampled to help routine our girl backing vocalists during the rehearsals.<ref name="Alan on the process of creating the live sound banks">[http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs]</ref><ref name="Devotional backing vocalists">The two gospel backing vocalists employed for the [[:Category:1993 Devotional Tour|1993 Devotional Tour]] and [[:Category:1994 Exotic Tour|1994 Exotic Tour]] were [http://www.recoil.co.uk/hildia-campbell/ Hildia Campbell] and Samantha Smith</ref>
The Zip discs will work in any suitable Zip drive and connect to the Emax via a scuzi cable.<ref>Pronunciation of SCSI, [[wikipedia:SCSI|"Small Computer System Interface" (Wikipedia)]]</ref> Despite our best efforts, we were unable to transfer everything absolutely perfectly from the original floppies. The vast majority of sounds are fully [intact] but one or two have small corruptions at the end of notes. The good news is that, with a bit of careful editing, these glitches can be removed. (Thanks goes to Tom & Simon for their help).<ref>Tom Carpenter, founder of [https://www.analoguesolutions.com/ Analogue Solutions]</ref><ref name="AW">Source: [http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs]</ref>
</blockquote>
</blockquote>


== Sound banks overview==
== Overview ==


Due to the unlisted nature of some sound banks that were sold separately from the documented zip discs, these tables list them as described on the [http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ auction page,] with additional information on several sound banks that are not documented there. Several banks include duplicate presets for an unknown reason. This may be a translation error during the process of creating first generation copies from Alan's original zip discs and writing them to the twenty numbered zip drives prior to the auction, a translation error during the process of translating the banks from their original formats, or simple human error on Alan Wilder's part when originally building the sound banks.
Please note that due to the unlisted nature of some sound banks which were sold separately from the documented zip discs, these tables list them as described on their respective auction pages, with additional information on several sound banks which are not documented there.


[[File:Emulator.jpg|252px|thumb|right|[http://auction.recoil.co.uk/emu-emulator-ii/ The Alan Wilder / Depeche Mode Collection: Emulator II]]]
[[File:Emulator.jpg|252px|thumb|right|[http://auction.recoil.co.uk/emu-emulator-ii/ The Alan Wilder / Depeche Mode Collection: Emulator II]]]
=== Sound banks derived from EMU Emulator II 5.25” floppies ===


{| class="wikitable sortable"
{| class="wikitable sortable"
|+EMU Emulator II Sound Banks
|+EMU Emulator II
! style="text-align: center; font-weight:bold; style="width:1em" | Bank #
! style="text-align: center; font-weight:bold; style="width:1em" | Bank #
! style="text-align: center; font-weight:bold; style="width:13em" | Song
! style="text-align: center; font-weight:bold; style="width:13em" | Song
Line 40: Line 40:
! style="text-align: center; font-weight:bold; style="width:1em" | Glitched?
! style="text-align: center; font-weight:bold; style="width:1em" | Glitched?
! style="text-align: center; font-weight:bold;" | Notes
! style="text-align: center; font-weight:bold;" | Notes
|-
|| 1-10
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| EMU factory samples, including Grand Piano, Marcato Strings, Acoustic Guitar, Choir etc.
|-
|-
|| 11
|| 11
|| [[Christmas Island]] (safety copy)
|| '[[Christmas Island]]' (safety copy)
|| NULL PRESET
|| NULL PRESET
|| 9
|| 9
|| 1
|| 1
|| &#10006;
|| &#10006;
|| This bank includes a [https://media.dmlive.wiki/stream/demos/emax/ci.m4a sequence] provided by an anonymous source. Part of this sequence can be heard in Alan's [https://youtu.be/WfyCcbmK8Vk Emulator II demonstration video].
|| This bank includes a {{EL|https://media.dmlive.wiki/stream/demos/emax/ci.m4a sequence}} provided by an anonymous source. Part of this sequence can be heard in Alan Wilder's [https://youtu.be/WfyCcbmK8Vk Emulator II demonstration video].
|-
|-
|| 12
|| 12
Line 55: Line 63:
|| N/A
|| N/A
|| N/A
|| N/A
|| This sound bank apparently includes loops from unspecified early Recoil recordings. <b>If you possess this Emulator II bank, please reach out to [mailto:[email protected] [email protected].]</b>
|| N/A
|-
|-
|| 13
|| 13
|| [[Shake The Disease]] (safety copy)
|| '[[Shake The Disease]]' (safety copy)
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|-
|| 14
|| 14
|| [[Black Celebration]] (re-sampled from Emax zip set)
|| '[[Black Celebration]]' (re-sampled from Emax zip set)
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|-
|| 15
|| 15
|| [[Master And Servant]] (re-sampled from Emax zip set & SGR album)
|| '[[Master And Servant]]' (re-sampled from Emax zip set & SGR album)
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|-
|| 16
|| 16
|| [[A Question Of Time]] (re-sampled from Emax zip set)
|| '[[A Question Of Time]]' (re-sampled from Emax zip set)
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|-
|| 17
|| 17
|| [[Blasphemous Rumours]] (re-sampled from Emax zip set)
|| '[[Blasphemous Rumours]]' (re-sampled from Emax zip set)
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|-
|| 18
|| 18
|| [[Stripped]] (re-sampled from Emax zip set)
|| '[[Stripped]]' (re-sampled from Emax zip set)
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|-
|| 19
|| 19
|| [[Pipeline]] (re-sampled from Emax zip set)
|| '[[Pipeline]]' (re-sampled from Emax zip set)
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|-
|| 20
|| 20
|| [[Behind The Wheel]] (re-sampled from Emax zip set)
|| '[[Behind The Wheel]]' (re-sampled from Emax zip set)
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| N/A
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess this Emulator II bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|| N/A
|| N/A
|| BRIGHT BASS
|| 12
|| 1
|| &#10006;
|| Includes loops, rhythm, and percussion elements from '[[The Sermon]]' as well as various percussion, bass and melodic parts notably used in '[[I Want You Now]]', and '[[Behind The Wheel]]'.
|-
|-
|}
|}


[[File:Al_emax_02.jpg|252px|thumb|right|[https://www.youtube.com/watch?v=z8TXjhWCQPE Alan demonstrating how samples are allocated across the EMU EMAX keyboard.]]]
=== Sound banks derived from "AW/DM sound sample" ZIP discs ===
 
[[File:Al_emax_02.jpg|252px|thumb|right|Wilder [https://www.youtube.com/watch?v=z8TXjhWCQPE demonstrates] how samples are allocated across the EMU Emax keyboard]]


{| class="wikitable sortable"
{| class="wikitable sortable"
|+[[:Category:1987-1988 Music For The Masses Tour|1987-1988 Music For The Masses Tour]] EMU Emax Sound Banks (Alan)<ref name="auction"></ref>
|+[[:Category:1987-1988 Music For The Masses Tour|Music For The Masses tour]] EMU Emax sound banks
! style="text-align: center; font-weight:bold; style="width:1em" | Bank #
! style="text-align: center; font-weight:bold; style="width:1em" | Bank #
! style="text-align: center; font-weight:bold; style="width:13em" | Song
! style="text-align: center; font-weight:bold; style="width:13em" | Song
Line 136: Line 154:
|-
|-
|| 0
|| 0
|| [[People Are People]]
|| [[People Are People]]'
|| PEOPLE
|| PEOPLE
|| 8
|| 8
Line 144: Line 162:
|-
|-
|| 1
|| 1
|| [[A Question Of Time]]
|| '[[A Question Of Time]]'
|| QUEST O TIME
|| QUEST O TIME
|| 4
|| 4
Line 152: Line 170:
|-
|-
|| 2
|| 2
|| [[A Question Of Lust]]
|| '[[A Question Of Lust]]'
|| QUEST O LUST, QUEST O LUST
|| QUEST O LUST, QUEST O LUST
|| 7
|| 7
Line 160: Line 178:
|-
|-
|| 3
|| 3
|| [[Pleasure, Little Treasure]]
|| '[[Pleasure, Little Treasure]]'
|| PLEASURE
|| PLEASURE
|| 4
|| 4
Line 168: Line 186:
|-
|-
|| 4
|| 4
|| [[Sacred]]
|| '[[Sacred]]'
|| SACRED
|| SACRED
|| 7
|| 7
Line 176: Line 194:
|-
|-
|| 5
|| 5
|| [[Blasphemous Rumours]]
|| '[[Blasphemous Rumours]]'
|| BLASPHEMOUS
|| BLASPHEMOUS
|| 7
|| 7
Line 184: Line 202:
|-
|-
|| 6
|| 6
|| [[It Doesn't Matter]]
|| '[[It Doesn't Matter]]'
|| IT DOESNT
|| IT DOESNT
|| 4
|| 4
Line 192: Line 210:
|-
|-
|| 7
|| 7
|| [[Things You Said]]
|| '[[Things You Said]]'
|| THE THINGS
|| THE THINGS
|| 7
|| 7
Line 200: Line 218:
|-
|-
|| 8
|| 8
|| [[Strangelove]]<ref>[[Strangelove]] was also rehearsed for the [[:Category:1993 Devotional Tour|1993 Devotional Tour]], but ultimately was never performed.</ref>
|| '[[Strangelove]]'<ref>'Strangelove' was also rehearsed for the [[:Category:1993 Devotional Tour|1993 Devotional Tour]], but ultimately was never performed.</ref>
|| STRANGELOVE
|| STRANGELOVE
|| 12
|| 12
Line 208: Line 226:
|-
|-
|| 9
|| 9
|| [[Shake The Disease]]
|| '[[Shake The Disease]]'
|| SHAKE, SHAKE
|| SHAKE, SHAKE
|| 8
|| 8
Line 216: Line 234:
|-
|-
|| 10
|| 10
|| [[Never Let Me Down Again]]
|| '[[Never Let Me Down Again]]'
|| NEVER LET ME
|| NEVER LET ME
|| 12
|| 12
Line 224: Line 242:
|-
|-
|| 11
|| 11
|| [[Just Can't Get Enough]]
|| '[[Just Can't Get Enough]]'
|| JUST CANT
|| JUST CANT
|| 3
|| 3
Line 232: Line 250:
|-
|-
|| 12
|| 12
|| [[Stripped]]
|| '[[Stripped]]'
|| STRIPPED
|| STRIPPED
|| 8
|| 8
Line 240: Line 258:
|-
|-
|| 13
|| 13
|| [[Pipeline]]
|| '[[Pipeline]]'
|| PIPELINE
|| PIPELINE
|| 8
|| 8
Line 248: Line 266:
|-
|-
|| 14
|| 14
|| [[Nothing]]
|| '[[Nothing]]'
|| NOTHING
|| NOTHING
|| 8
|| 8
Line 256: Line 274:
|-
|-
|| 15
|| 15
|| [[Behind The Wheel]]
|| '[[Behind The Wheel]]'
|| BEHIND THE
|| BEHIND THE
|| 7
|| 7
Line 264: Line 282:
|-
|-
|| 16
|| 16
|| [[Something To Do]]
|| '[[Something To Do]]'
|| SOMETHING TO
|| SOMETHING TO
|| 5
|| 5
Line 272: Line 290:
|-
|-
|| 17
|| 17
|| [[Everything Counts]]
|| '[[Everything Counts]]'
|| EVERYTHING
|| EVERYTHING
|| 6
|| 6
Line 280: Line 298:
|-
|-
|| 18
|| 18
|| [[Somebody]]
|| '[[Somebody]]'
|| SOMEBODY
|| SOMEBODY
|| 8
|| 8
Line 288: Line 306:
|-
|-
|| ??
|| ??
|| [[Black Celebration]]<ref>Strangely, [[Black Celebration]]'s sound bank is not listed on [http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ the auction page], despite a sound bank existing for the song on the zip drives sold at auction.</ref>
|| '[[Black Celebration]]'<ref>Strangely, 'Black Celebration's sound bank is not listed on [http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ the auction page], despite a sound bank existing for the song on the zip drives sold at auction.</ref>
|| BLACK CELEB
|| BLACK CELEB
|| 6
|| 6
Line 296: Line 314:
|-
|-
|| ??
|| ??
|| [[Master And Servant]]<ref>Strangely, [[Master And Servant]]'s sound bank is not listed on [http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ the auction page], despite a sound bank existing for the song on the zip drives sold at auction.</ref>
|| '[[Master And Servant]]'<ref>Strangely, 'Master And Servant's sound bank is not listed on [http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ the auction page], despite a sound bank existing for the song on the zip drives sold at auction.</ref>
|| MASTER AND
|| MASTER AND
|| 7
|| 7
Line 312: Line 330:
|-
|-
|| ??
|| ??
|| [[It Doesn't Matter]] (SEQ)
|| '[[It Doesn't Matter]]' (SEQ)
|| IT DOESNTSEQ
|| IT DOESNTSEQ
|| 6
|| 6
|| 1
|| 1
|| &#10006;
|| &#10006;
|| <b>If you possess the EMU Emax sequence that accompanied this sound bank, please reach out to [mailto:admin@depechemode-live.com admin@depechemode-live.com.]</b>
|| <b>If you possess the EMU Emax sequence that accompanied this sound bank, please reach out to [mailto:admin@dmlive.wiki admin@dmlive.wiki.]</b>
|-
|-
|| ??
|| ??
|| [[Never Turn Your Back On Mother Earth]] (SEQ)
|| '[[Never Turn Your Back On Mother Earth]]' (SEQ)
|| MOTHER SEQ A
|| MOTHER SEQ A
|| 8
|| 8
|| 1
|| 1
|| &#10004;
|| &#10004;
|| Incorrect loop point on MOTHER SEQ A_005 produces click artifact. An anonymous source provided this [https://media.dmlive.wiki/stream/demos/emax/ntybome-sequence.m4a sequence], which was included on the zip disc containing this sound bank. The guitar, choir "ahh", and choral pad voices are automated in this sequence, leaving the synth bass and pad voices for Wilder to improvise live (which matches the live recordings from the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses Tour]], as these parts differ slightly from recording to recording).
|| Incorrect loop point on MOTHER SEQ A_005 produces click artifact. An anonymous source provided this [https://media.dmlive.wiki/stream/demos/emax/ntybome-sequence.m4a sequence], which was included on the zip disc containing this sound bank. The guitar, choir "ahh", and choral pad voices are automated in this sequence, leaving the synth bass and pad voices for Wilder to improvise live (which matches the live recordings from the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses Tour]], as these performed parts differ slightly from recording to recording).
|-
|-
|| ??
|| ??
Line 333: Line 351:
|| 3
|| 3
|| &#10006;
|| &#10006;
|| This sound bank contains no identifiable Depeche Mode material and was not used during the [[:Category:1987-1988 Music For The Masses Tour|1987-1988 Music For The Masses Tour]].
|| This sound bank contains no identifiable [[Depeche Mode]] material and seemingly went unused during the [[:Category:1987-1988 Music For The Masses Tour|1987-1988 Music For The Masses Tour]].
|}
|}


Line 339: Line 357:


{| class="wikitable sortable"
{| class="wikitable sortable"
|+[[:Category:1993 Devotional Tour|1993 Devotional Tour]] and [[:Category:1994 Exotic Tour|1994 Exotic Tour]]<ref>Though not explicitly mentioned on [http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ the auction page], some tracks were also played during the [[:Category:1994 Exotic Tour|1994 Exotic Tour]], with live renditions of [[Waiting For The Night]] and [[I Want You Now]] played exclusively during that tour.</ref> EMU Emax II Sound Banks (Alan)
|+[[:Category:1993 Devotional Tour|Devotional]] and [[:Category:1994 Exotic Tour|Exotic]] tour EMU Emax II sound banks<ref>Though not explicitly mentioned on [http://auction.recoil.co.uk/20-x-aw-dm-sound-sample-zip-discs/ the auction page], some tracks were also played during the Exotic tour, with live renditions of '[[Waiting For The Night]]' and '[[I Want You Now]]' played exclusively during that tour.</ref>
! style="text-align: center; font-weight:bold; style="width:1em" | Bank #
! style="text-align: center; font-weight:bold; style="width:1em" | Bank #
! style="text-align: center; font-weight:bold; style="width:13em" | Song
! style="text-align: center; font-weight:bold; style="width:13em" | Song
Line 349: Line 367:
|-
|-
|| 34
|| 34
|| [[Mercy In You]] (Alan 93)
|| '[[Mercy In You]]' (Alan 93)
|| MERCY ALAN, END PIANO, MERCY ALAN, MERCY ALAN, END PIANO, MERCY ALAN
|| MERCY ALAN, END PIANO, MERCY ALAN, MERCY ALAN, END PIANO, MERCY ALAN
|| 42
|| 42
Line 357: Line 375:
|-
|-
|| 35
|| 35
|| [[Fly On The Windscreen]]<ref name="[[Fly On The Windscreen]]">This sound bank includes a second preset labeled 'WALK PIANO'. It is unclear why this preset for [[Walking In My Shoes]] was saved to Alan Wilder's primary bank for [[Fly On The Windscreen]]. This bank was played by Wilder in addition to his primary Walking In My Shoes bank and was switched using [https://en.wikipedia.org/wiki/MIDI MIDI] triggered via footswitch. Wilder's primary Walking In My Shoes bank was never included in the auction due to Alan having lost track of the first of two discs containing his [[:Category:1993 Devotional Tour|1993 Devotional Tour]] sound banks.</ref>
|| '[[Fly On The Windscreen]]'<ref name="'Fly On The Windscreen'">This sound bank includes a second preset labeled 'WALK PIANO'. It is unclear why this preset for [[Walking In My Shoes]] was saved to Alan Wilder's primary bank for 'Fly On The Windscreen'. This bank was played by Wilder in addition to his primary 'Walking In My Shoes' sound bank and was switched using [[wikipedia:MIDI|MIDI]] triggered via footswitch. Wilder's primary 'Walking In My Shoes' bank was never included in the auction due to Wilder having been unable to locate the first of two discs containing his [[:Category:1993 Devotional Tour|1993 Devotional Tour]] sound banks.</ref>
|| Untitled, FLYS ALAN, WALK PIANO
|| Untitled, FLYS ALAN, WALK PIANO
|| 31
|| 31
Line 365: Line 383:
|-
|-
|| 36
|| 36
|| [[Nothing]] (A 93)<ref>[[Nothing]] was rehearsed, but was never performed during the [[:Category:1993 Devotional Tour|1993 Devotional Tour]] or [[:Category:1994 Exotic Tour|1994 Exotic Tour]].</ref>
|| '[[Nothing]]' (A 93)<ref>'Nothing' was rehearsed, but was never performed during the [[:Category:1993 Devotional Tour|1993 Devotional Tour]] or [[:Category:1994 Exotic Tour|1994 Exotic Tour]].</ref>
|| NOTHING A 93
|| NOTHING A 93
|| 8
|| 8
Line 373: Line 391:
|-
|-
|| 37
|| 37
|| [[Something To Do]]<ref>[[Something To Do]] was only performed once during the [[:Category:1993 Devotional Tour|1993 Devotional Tour]], on [[1993-05-25 Forest National Stadium, Brussels, Belgium]]; it replaced [[Fly On The Windscreen]] in the typical concert set list.</ref>
|| '[[Something To Do]]'<ref>'Something To Do' was performed only once during the [[:Category:1993 Devotional Tour|1993 Devotional Tour]], on [[1993-05-25 Forest National Stadium, Brussels, Belgium]]; it replaced 'Fly On The Windscreen' in the typical concert set list.</ref>
|| SOMETHINGA93, SOMETHINGA93
|| SOMETHINGA93, SOMETHINGA93
|| 6
|| 6
Line 381: Line 399:
|-
|-
|| 38
|| 38
|| [[Leave In Silence]] (Alan 93)<ref>[[Leave In Silence]] was rehearsed, but was never performed during the [[:Category:1993 Devotional Tour|1993 Devotional Tour]] or [[:Category:1994 Exotic Tour|1994 Exotic Tour]].</ref>
|| '[[Leave In Silence]]' (Alan 93)<ref>[[Leave In Silence]] was rehearsed, but was never performed during the [[:Category:1993 Devotional Tour|1993 Devotional Tour]] or [[:Category:1994 Exotic Tour|1994 Exotic Tour]].</ref>
|| LEAVE ALAN93
|| LEAVE ALAN93
|| 5
|| 5
Line 389: Line 407:
|-
|-
|| 39
|| 39
|| [[A Question Of Lust]]
|| '[[A Question Of Lust]]'
|| LUST ALAN 93, LUST ALAN 93
|| LUST ALAN 93, LUST ALAN 93
|| 17
|| 17
Line 397: Line 415:
|-
|-
|| 40
|| 40
|| [[Clean]] (percussion trigger sounds)
|| '[[Clean]]' (percussion trigger sounds)
|| CLEAN  D, CLEANALAN 93
|| CLEAN  D, CLEANALAN 93
|| 2
|| 2
Line 405: Line 423:
|-
|-
|| 41
|| 41
|| [[Condemnation]] (Guide)
|| '[[Condemnation]]' (Guide)
|| CONDEM GUIDE
|| CONDEM GUIDE
|| 10
|| 10
Line 413: Line 431:
|-
|-
|| 42
|| 42
|| [[Everything Counts]] (94 version)
|| '[[Everything Counts]]' (94 version)
|| EVERY A 93
|| EVERY A 93
|| 13
|| 13
Line 421: Line 439:
|-
|-
|| 43
|| 43
|| [[Waiting For The Night]]<ref>[[Waiting For The Night]] was played [[Waiting For The Night#1994 Exotic Tour|at several concerts]] at the start of the [[:Category:1994 Exotic Tour|1994 Exotic Tour]].</ref>
|| '[[Waiting For The Night]]'<ref>'Waiting For The Night' was played [[Waiting For The Night#1994 Exotic Tour|at several concerts]] at the start of the [[:Category:1994 Exotic Tour|1994 Exotic Tour]].</ref>
|| WAITING ALAN, WAITING ALAN
|| WAITING ALAN, WAITING ALAN
|| 11
|| 11
Line 429: Line 447:
|-
|-
|| 44
|| 44
|| [[I Want You Now]] (94 version)
|| '[[I Want You Now]]' ('94 version)
|| I WANT A 94
|| I WANT A 94
|| 20
|| 20
Line 438: Line 456:
|}
|}


== Analysis ==
== Technical information ==


[[File:EMXP.png|250px|thumb|right|EMXP - A software package for viewing, editing, and converting disks and files for EMU sampler products.]]
[[File:EMXP.png|250px|thumb|right|[http://www.emxp.net/ EMXP] - A software package for viewing, editing, and converting disks and files for EMU sampler products.]]


The parameters and values entered by Alan Wilder during the creation of the sound banks for live use are documented in detail here. The values below are specific to the [http://www.vintagesynth.com/emu/emax.php EMU Emax] and [http://www.vintagesynth.com/emu/emax.php EMU Emax II] sampler settings as assigned by Wilder, and may differ from equivalent settings in modern samplers.
The parameters and values entered by Alan Wilder during the creation of the sound banks for live use are documented in detail here. The values below are specific to the [[E-mu Emax range|EMU Emax]] and [[E-mu Emax range|EMU Emax II]], and may differ from equivalent settings in modern samplers.


=== Sample Overview ===
=== Sample Overview ===


This section displays settings for each sample, including sample rates, file length, file size, and loop settings. Due to the size of this table, it is collapsed by default for readability.
This section displays values for each sample, including '''sample rate''', '''file length''', '''file size''', and '''loop points'''. This table is collapsed by default due to its size.


====[[:Category:1993 Devotional Tour|Devotional Tour]]/[[:Category:1994 Exotic Tour|Exotic Tour]] EMAX II Sound Banks ====
====[[:Category:1993 Devotional Tour|Devotional Tour]]/[[:Category:1994 Exotic Tour|Exotic Tour]] EMAX II Sound Banks ====
Line 461: Line 479:
! style="text-align: center; font-weight:bold;" | Loop
! style="text-align: center; font-weight:bold;" | Loop
|-
|-
| rowspan="42" style="text-align: center;" | [[Mercy In You]]
| rowspan="42" style="text-align: center;" | '[[Mercy In You]]'
| rowspan="42" style="text-align: center;" | MERCY ALAN
| rowspan="42" style="text-align: center;" | MERCY ALAN
| 1
| 1
Line 757: Line 775:
| OFF
| OFF
|-
|-
| rowspan="31" style="text-align: center;" | [[Fly On The Windscreen]]
| rowspan="31" style="text-align: center;" | '[[Fly On The Windscreen]]'
| rowspan="31" style="text-align: center;" | FLYS ALAN
| rowspan="31" style="text-align: center;" | FLYS ALAN
| 1
| 1
Line 976: Line 994:
| OFF
| OFF
|-
|-
| rowspan="8" style="text-align: center;" | [[Nothing]]
| rowspan="8" style="text-align: center;" | '[[Nothing]]'
| rowspan="8" style="text-align: center;" | NOTHING A 93
| rowspan="8" style="text-align: center;" | NOTHING A 93
| 1
| 1
Line 1,034: Line 1,052:
| OFF
| OFF
|-
|-
| rowspan="6" style="text-align: center;" | [[Something To Do]]
| rowspan="6" style="text-align: center;" | '[[Something To Do]]'
| rowspan="6" style="text-align: center;" | SOMETHING A 93
| rowspan="6" style="text-align: center;" | SOMETHING A 93
| 1
| 1
Line 1,078: Line 1,096:
| OFF
| OFF
|-
|-
| rowspan="5" style="text-align: center;" | [[Leave In Silence]]
| rowspan="5" style="text-align: center;" | '[[Leave In Silence]]'
| rowspan="5" style="text-align: center;" | LEAVE ALAN93
| rowspan="5" style="text-align: center;" | LEAVE ALAN93
| 1
| 1
Line 1,115: Line 1,133:
| ON
| ON
|-
|-
| rowspan="17" style="text-align: center;" | [[A Question Of Lust]]
| rowspan="17" style="text-align: center;" | '[[A Question Of Lust]]'
| rowspan="17" style="text-align: center;" | LUST ALAN 93
| rowspan="17" style="text-align: center;" | LUST ALAN 93
| 1
| 1
Line 1,236: Line 1,254:
| OFF
| OFF
|-
|-
| rowspan="2" style="text-align: center;" | [[Clean]]
| rowspan="2" style="text-align: center;" | '[[Clean]]'
| rowspan="2" style="text-align: center;" | CLEAN D
| rowspan="2" style="text-align: center;" | CLEAN D
| 1
| 1
Line 1,252: Line 1,270:
| OFF
| OFF
|-
|-
| rowspan="10" style="text-align: center;" | [[Condemnation]]
| rowspan="10" style="text-align: center;" | '[[Condemnation]]'
| rowspan="10" style="text-align: center;" | CONDEM GUIDE
| rowspan="10" style="text-align: center;" | CONDEM GUIDE
| 1
| 1
Line 1,324: Line 1,342:
| OFF
| OFF
|-
|-
| rowspan="13" style="text-align: center;" | [[Everything Counts]]
| rowspan="13" style="text-align: center;" | '[[Everything Counts]]'
| rowspan="13" style="text-align: center;" | EVERY A 93
| rowspan="13" style="text-align: center;" | EVERY A 93
| 1
| 1
Line 1,417: Line 1,435:
| OFF
| OFF
|-
|-
| rowspan="11" style="text-align: center;" | [[Waiting For The Night]]
| rowspan="11" style="text-align: center;" | '[[Waiting For The Night]]'
| rowspan="11" style="text-align: center;" | WAITING ALAN
| rowspan="11" style="text-align: center;" | WAITING ALAN
| 1
| 1
Line 1,496: Line 1,514:
| OFF
| OFF
|-
|-
| rowspan="20" style="text-align: center;" | [[I Want You Now]]
| rowspan="20" style="text-align: center;" | '[[I Want You Now]]'
| rowspan="20" style="text-align: center;" | I WANT A 94
| rowspan="20" style="text-align: center;" | I WANT A 94
| 1
| 1
Line 1,641: Line 1,659:
=== Voice Overview ===
=== Voice Overview ===


This section displays settings for each patch, or "Voice" in Emax terms, including chorus values, filter and resonance settings, and the root key of each sample per bank. Due to the size of this table, it is collapsed by default for readability.
This section displays settings for each patch, or "Voice", including '''chorus''', '''filter''', '''resonance''', and the '''root key''' of each sample. This table is collapsed by default due to its size.


====[[:Category:1993 Devotional Tour|Devotional Tour]]/[[:Category:1994 Exotic Tour|Exotic Tour]] EMAX II Sound Banks ====
====[[:Category:1993 Devotional Tour|Devotional Tour]]/[[:Category:1994 Exotic Tour|Exotic Tour]] EMAX II Sound Banks ====
Line 1,656: Line 1,674:
! style="text-align: center; font-weight:bold;" | Orig (Root Key)
! style="text-align: center; font-weight:bold;" | Orig (Root Key)
|-
|-
| rowspan="238" style="text-align: center;" | [[Mercy In You]]
| rowspan="238" style="text-align: center;" | '[[Mercy In You]]'
| rowspan="54" style="text-align: center;" | MERCY ALAN
| rowspan="54" style="text-align: center;" | MERCY ALAN
| 000-MERCY ALAN
| 000-MERCY ALAN
Line 3,329: Line 3,347:
| B5
| B5
|-
|-
| rowspan="50" style="text-align: center;" | [[Fly On The Windscreen]]
| rowspan="50" style="text-align: center;" | '[[Fly On The Windscreen]]'
| style="text-align: center;" | Untitled
| style="text-align: center;" | Untitled
| None
| None
Line 3,683: Line 3,701:
| G4
| G4
|-
|-
| rowspan="9" style="text-align: center;" | [[Nothing]]
| rowspan="9" style="text-align: center;" | '[[Nothing]]'
| rowspan="9" style="text-align: center;" | NOTHING A 93
| rowspan="9" style="text-align: center;" | NOTHING A 93
| 000-NOTHING A 93
| 000-NOTHING A 93
Line 3,748: Line 3,766:
| E1
| E1
|-
|-
| rowspan="18" style="text-align: center;" | [[Something To Do]]
| rowspan="18" style="text-align: center;" | '[[Something To Do]]'
| rowspan="9" style="text-align: center;" | SOMETHINGA93
| rowspan="9" style="text-align: center;" | SOMETHINGA93
| 000-SOMETHINGA93
| 000-SOMETHINGA93
Line 3,877: Line 3,895:
| C6
| C6
|-
|-
| rowspan="7" style="text-align: center;" | [[Leave In Silence]]
| rowspan="7" style="text-align: center;" | '[[Leave In Silence]]'
| style="text-align: center;" | Untitled
| style="text-align: center;" | Untitled
| None
| None
Line 3,929: Line 3,947:
| F#2
| F#2
|-
|-
| rowspan="48" style="text-align: center;" | [[A Question Of Lust]]
| rowspan="48" style="text-align: center;" | '[[A Question Of Lust]]'
| rowspan="24" style="text-align: center;" | LUST ALAN 93
| rowspan="24" style="text-align: center;" | LUST ALAN 93
| 000-LUST ALAN 93
| 000-LUST ALAN 93
Line 4,268: Line 4,286:
| F#2
| F#2
|-
|-
| rowspan="4" style="text-align: center;" | [[Clean]]
| rowspan="4" style="text-align: center;" | '[[Clean]]'
| rowspan="2" style="text-align: center;" | Clean  D
| rowspan="2" style="text-align: center;" | Clean  D
| 000-Clean  D
| 000-Clean  D
Line 4,299: Line 4,317:
| C4
| C4
|-
|-
| rowspan="11" style="text-align: center;" | [[Condemnation]]
| rowspan="11" style="text-align: center;" | '[[Condemnation]]'
| style="text-align: center;" | Untitled
| style="text-align: center;" | Untitled
| None
| None
Line 4,379: Line 4,397:
| F4
| F4
|-
|-
| rowspan="20" style="text-align: center;" | [[Everything Counts]]
| rowspan="20" style="text-align: center;" | '[[Everything Counts]]'
| rowspan="20" style="text-align: center;" | EVERY A 93
| rowspan="20" style="text-align: center;" | EVERY A 93
| 000-EVERY A 93
| 000-EVERY A 93
Line 4,521: Line 4,539:
| G6
| G6
|-
|-
| rowspan="26" style="text-align: center;" | [[Waiting For The Night]]
| rowspan="26" style="text-align: center;" | '[[Waiting For The Night]]'
| rowspan="13" style="text-align: center;" | WAITING ALAN
| rowspan="13" style="text-align: center;" | WAITING ALAN
| 000-WAITING ALAN
| 000-WAITING ALAN
Line 4,706: Line 4,724:
| F#5
| F#5
|-
|-
| rowspan="34" style="text-align: center;" | [[I Want You Now]]
| rowspan="34" style="text-align: center;" | '[[I Want You Now]]'
| rowspan="34" style="text-align: center;" | I WANT A 94
| rowspan="34" style="text-align: center;" | I WANT A 94
| 000-I WANT A 94
| 000-I WANT A 94
Line 4,946: Line 4,964:
| G6
| G6
|}
|}
= Equipment presets/patches =
Several pieces of equipment sold at the [http://auction.recoil.co.uk/ Alan Wilder / Depeche Mode Collection] came pre-loaded with original presets or patches that were employed by Wilder during recording sessions for various Depeche Mode and Recoil releases.
== Zoom 9010 FX Processor ==
[[File:Zoom.jpg|252px|thumb|right|[http://auction.recoil.co.uk/zoom-9010-fx-processor/ Zoom 9010 FX processor]]]
Separate from the sampler keyboards and zip discs sold at the [http://auction.recoil.co.uk/ Alan Wilder / Depeche Mode Collection] was the Zoom 9010 multi-effect processor. This rack-mount unit was used during the recording of Songs Of Faith And Devotion, as well as several Recoil albums. This unit was sold with several patches stored on memory card, including presets and settings for the guitar effects of [[I Feel You]] and drum loops on [[Mercy In You]], among others.
<b>If you possess the Zoom 9010 unit from Alan's auction, please reach out to [mailto:[email protected] [email protected]].</b>
=== Alan's Comments ===
<blockquote>
This superb little unit has a unique sound of it’s[sic] own and has been a ‘go-to’ effect for many years, both with Depeche Mode and Recoil. This particular box still has stored many of the guitar effects used on ‘SOFAD’ including the [[I Feel You]] guitar settings amongst many others. It is also very versatile and adaptable – often we would use it on a voice for example to create a dirty, radio-frequency effect, or perhaps on drum loops like on [[Mercy In You]].<ref name="Zoom 9010">Alan on the preset settings contained on the [http://auction.recoil.co.uk/zoom-9010-fx-processor/ Zoom 9010 FX processor].</ref>
</blockquote>


= Other posters and advertisements =
= Other posters and advertisements =
Line 4,977: Line 4,977:
= Trivia =
= Trivia =


[[File:Al_emax.jpg|252px|thumb|right|[http://auction.recoil.co.uk/emu-emax-ii-sampler/ The Alan Wilder / Depeche Mode Collection: Emax Turbo II – 16 bit sampler keyboard – Model 2205]]]
[[File:Al_emax.jpg|252px|thumb|right|Alan Wilder performing with the [http://auction.recoil.co.uk/emu-emax-ii-sampler/ Emax II Turbo]]]


[[File:Al_pads.jpg|252px|thumb|right|[http://auction.recoil.co.uk/pearl-drum-trigger-pads/ The Alan Wilder / Depeche Mode Collection: Pearl – drum trigger pads]]]
[[File:Al_pads.jpg|252px|thumb|right|[http://auction.recoil.co.uk/pearl-drum-trigger-pads/ The Alan Wilder / Depeche Mode Collection: Pearl – drum trigger pads]]]


* Many sound banks built by Alan Wilder for use on the [[:Category:1993 Devotional Tour|1993 Devotional Tour]] and [[:Category:1994 Exotic Tour|1994 Exotic Tours]], though since converted to modern sampler formats, remain in use by Depeche Mode today, with few apparent changes.
* The live renditions of '[[Never Turn Your Back On Mother Earth]]' and '[[It Doesn't Matter]]' as played on the [[:Category:1987-1988 Music For The Masses Tour|Music For The Masses Tour]] are the only known [[Depeche Mode]] songs to have used sequences played back live directly from the EMU Emax sampler keyboard.
* Wilder's sound banks for the 1993 Devotional Tour and 1994 Exotic Tours spanned two discs labeled 'Alan Disc 1 Emax II 93' and 'Alan Disc 2 Emax II 93'. The [http://www.vintagesynth.com/emu/emax.php EMU Emax] and [http://www.vintagesynth.com/emu/emax.php EMU Emax II] sound banks that were stored on the twenty zip discs which commonly circulate online are from the second of the two discs. According to an anonymous source, the contents of the first disc were never included in the auction, as Wilder could not recall what happened to it at the time during the preparation stage of the auction. This missing disc presumably includes Wilder's sound banks for [[Higher Love]], [[Policy Of Truth]], [[World In My Eyes]], [[Walking In My Shoes]], [[Behind The Wheel]], [[Halo]], [[Judas]], [[Stripped]], [[Enjoy The Silence]], [[Get Right With Me]], [[One Caress]], [[Strangelove]], and the percussion samples for [[Personal Jesus]], which were triggered via Pearl drum-pads using Akai ME35T audio/MIDI units on these tours.<ref name="Drum-pads">The rhythm samples for [[Personal Jesus]] were triggered using [http://auction.recoil.co.uk/pearl-drum-trigger-pads/ Pearl drum pads] using Akai ME35T audio/MIDI units</ref>
* Second generation copies of the sound bank containing Wilder's musical parts for '[[Fly On The Windscreen]]' and a secondary bank for '[[Walking In My Shoes]]' were initially incapable of conversion to other sampler formats using [http://www.emxp.net/ EMXP], a popular software tool for converting disks and files for EMU sampler products. This was due to a software bug which produced a "corrupt voice error 24" message when encountering negative settings for the "Velocity-to-Resonance" parameter within the sound bank's 'WALK PIANO' preset. Notably, "Velocity" is the only Emax sampler parameter that can have a negative value. This bug was fixed as of EMXP v3.00.3.<ref>Source: [http://eiiiforum.com/index.php?topic=2644.0 eiiiforum] post by EMXP author esynthesist.</ref>
* The live renditions of [[Never Turn Your Back On Mother Earth]] and [[It Doesn't Matter]] as played on the [[:Category:1987-1988 Music For The Masses Tour|1987-1988 Music For The Masses Tour]] are the only known Depeche Mode songs to have verifiably used sequences played back live directly from the EMU Emax sampler.
* Wilder's [[:Category:1993 Devotional Tour|Devotional]] and [[:Category:1994 Exotic Tour|Exotic]] tour sound banks have an average Emax filter value of 117, an average resonance value of 22, and an average chorus value of 13 across two hundred and forty-four samples. Of these samples, 77 are looped samples and 87 are one shots (the difference in totals between these two figures is a result of some samples being used multiple times in the same preset).
* Wilder's [[Fly On The Windscreen]] sound bank as played on the 1993 Devotional Tour and 1994 Exotic Tour initially failed to convert to other sampler formats using E-Synthesist's [http://www.emxp.net/ EMXP], a software package for converting disks and files for EMU sampler products. This was due to a software bug which produced a "corrupt voice error 24" message when encountering negative settings for the Velocity-to-Resonance parameter within the sound bank's 'WALK PIANO' preset. Notably, Velocity is the only Emax sampler parameter that can have a negative value. This bug was fixed as of EMXP v3.00.3.<ref name="EMXP">An [http://eiiiforum.com/index.php?topic=2644.0 EMXP software bug] preventing the sound bank for [[Fly On The Windscreen]] from converting to other sampler formats was fixed as of v3.00.3.</ref>
** Wilder played live keyboard and live drums on approximately 64% and 17% respectively of the songs played on the Devotional tour. On the Exotic tour, he played live keyboard and live drums approximately 53% and 35% respectively.
* Wilder's Devotional Tour and Exotic Tour sound banks have an average Emax filter value of 117, an average resonance value of 22, and an average chorus value of 13 across two hundred and forty-four samples. Of these samples, 77 are looped samples and 87 are one shots (the difference in totals between these two figures is a result of some samples being used multiple times in the same preset).
** [[Martin L. Gore|Martin Gore]] played live keyboard, live guitar, and sang lead vocals on approximately 42%, 28%, and 28% respectively of all songs played on the Devotional and Exotic tours.
** Wilder played live keyboard and live drums on approximately 64% and 17% respectively of the songs played on the 1993 Devotional Tour. On the 1994 Exotic Tour, he played live keyboard and live drums approximately 53% and 35% respectively.
** [[Andrew Fletcher]] (and later [[Daryl Bamonte]] starting from the April 4th, 1994 [[1994-04-04_Olympia,_São_Paulo,_Brazil|São Paulo]] show onwards) played live keyboard on approximately 60% of the songs played on the Devotional and Exotic tours.
** Martin Gore played live keyboard, live guitar, and sang lead vocals on approximately 42%, 28%, and 28% respectively of all songs played on the 1993 Devotional Tour and 1994 Exotic Tours.
 
** Andrew Fletcher (and later Daryl Bamonte) played live keyboard on approximately 60% of the songs played on the 1993 Devotional Tour and 1994 Exotic Tours.
[[Category:Tour production material]]
[[Category:Depeche Mode live/studio equipment]]
[[Category:Lots sold at the 2011 Alan Wilder / Depeche Mode Collection]]


= References =
= References =

Latest revision as of 23:15, 29 May 2024

Live sound banks is a featured article
Featured-Icon-30x30.png
 This is a featured article. This means that it has been identified as one of the best articles on DM Live.
An Emax II Turbo 16 bit sampler keyboard, one of the pieces of equipment sold at the 2011 Alan Wilder / Depeche Mode Collection

Among the hundreds of items sold at the 2011 Alan Wilder / Depeche Mode Collection were a variety of musical equipment and zip discs pre-loaded with live sound banks originally programmed by former Depeche Mode member and Recoil founder Alan Wilder for use with the E-MU Emax and Emax II sampler keyboards during the Music For The Masses, World Violation and Devotional/Exotic tours.[1][2]

20x "AW/DM sound sample" ZIP discs

The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs

The programs stored within the twenty ZIP discs sold at auction include an array (or "sound bank") of audio samples per song sourced from their respective multitrack recordings, as well as the necessary programming which dictates how and from which physical keys each sample can be played back once loaded from the appropriate Emax I or II sampler keyboards.[2] Included on the discs are sound banks for songs versions that were only ever performed live (such as the Exotic Tour version of 'I Want You Now') as well as songs which never made the final tour set list.

The sound banks included on the ZIP discs were not the only banks made available at the time of the auction. Certain pieces of equipment, such as Alan Wilder's Emulator II were listed as including several Depeche Mode and Recoil sound banks as well as an additional collection of various sample library-sourced sounds. If you possess these unlisted Depeche Mode or Recoil sound banks, please reach out to [email protected].

Alan Wilder's comments

I spent many hours (days!) programming each member’s keyboards for the tours, painstakingly trying to recreate as accurately as possible the sounds we formulated and used on the records. The Emax was a perfect tool for the live re-creations. This collection covers most of my own sounds for the two tours, although I did play live drums on some songs. I tried all these out recently and discovered how much fun it is to work out the various parts we all used to play. I even found some guide sounds which weren’t actually performed live but were used to demonstrate parts to others. For example, I discovered some guide vocals for 'Condemnation' which were sampled to help routine our girl backing vocalists during the rehearsals.[3][4]

The Zip discs will work in any suitable Zip drive and connect to the Emax via a scuzi cable.[5] Despite our best efforts, we were unable to transfer everything absolutely perfectly from the original floppies. The vast majority of sounds are fully [intact] but one or two have small corruptions at the end of notes. The good news is that, with a bit of careful editing, these glitches can be removed. (Thanks goes to Tom & Simon for their help).[6][3]

Overview

Please note that due to the unlisted nature of some sound banks which were sold separately from the documented zip discs, these tables list them as described on their respective auction pages, with additional information on several sound banks which are not documented there.

The Alan Wilder / Depeche Mode Collection: Emulator II

Sound banks derived from EMU Emulator II 5.25” floppies

EMU Emulator II
Bank # Song Presets # of Samples # of Presets Glitched? Notes
1-10 N/A N/A N/A N/A N/A EMU factory samples, including Grand Piano, Marcato Strings, Acoustic Guitar, Choir etc.
11 'Christmas Island' (safety copy) NULL PRESET 9 1 ✖ This bank includes a sequence provided by an anonymous source. Part of this sequence can be heard in Alan Wilder's Emulator II demonstration video.
12 Recoil 4 (safety copy) N/A N/A N/A N/A N/A
13 'Shake The Disease' (safety copy) N/A N/A N/A N/A If you possess this Emulator II bank, please reach out to [email protected].
14 'Black Celebration' (re-sampled from Emax zip set) N/A N/A N/A N/A If you possess this Emulator II bank, please reach out to [email protected].
15 'Master And Servant' (re-sampled from Emax zip set & SGR album) N/A N/A N/A N/A If you possess this Emulator II bank, please reach out to [email protected].
16 'A Question Of Time' (re-sampled from Emax zip set) N/A N/A N/A N/A If you possess this Emulator II bank, please reach out to [email protected].
17 'Blasphemous Rumours' (re-sampled from Emax zip set) N/A N/A N/A N/A If you possess this Emulator II bank, please reach out to [email protected].
18 'Stripped' (re-sampled from Emax zip set) N/A N/A N/A N/A If you possess this Emulator II bank, please reach out to [email protected].
19 'Pipeline' (re-sampled from Emax zip set) N/A N/A N/A N/A If you possess this Emulator II bank, please reach out to [email protected].
20 'Behind The Wheel' (re-sampled from Emax zip set) N/A N/A N/A N/A If you possess this Emulator II bank, please reach out to [email protected].
N/A N/A BRIGHT BASS 12 1 ✖ Includes loops, rhythm, and percussion elements from 'The Sermon' as well as various percussion, bass and melodic parts notably used in 'I Want You Now', and 'Behind The Wheel'.

Sound banks derived from "AW/DM sound sample" ZIP discs

Wilder demonstrates how samples are allocated across the EMU Emax keyboard
Music For The Masses tour EMU Emax sound banks
Bank # Song Presets # of Samples # of Presets Glitched? Notes
0 People Are People' PEOPLE 8 1 ✖
1 'A Question Of Time' QUEST O TIME 4 1 ✖
2 'A Question Of Lust' QUEST O LUST, QUEST O LUST 7 2 ✖
3 'Pleasure, Little Treasure' PLEASURE 4 1 ✖
4 'Sacred' SACRED 7 1 ✖
5 'Blasphemous Rumours' BLASPHEMOUS 7 1 ✖
6 'It Doesn't Matter' IT DOESNT 4 1 ✖
7 'Things You Said' THE THINGS 7 1 ✖
8 'Strangelove'[7] STRANGELOVE 12 1 ✖
9 'Shake The Disease' SHAKE, SHAKE 8 2 ✖
10 'Never Let Me Down Again' NEVER LET ME 12 1 ✖
11 'Just Can't Get Enough' JUST CANT 3 1 ✖
12 'Stripped' STRIPPED 8 1 ✖
13 'Pipeline' PIPELINE 8 1 ✖
14 'Nothing' NOTHING 8 1 ✖
15 'Behind The Wheel' BEHIND THE 7 1 ✔ Audio glitch present in BEHIND THE_000, BEHIND THE_005, and BEHIND THE_006
16 'Something To Do' SOMETHING TO 5 1 ✖
17 'Everything Counts' EVERYTHING 6 1 ✔ Audio glitch present in EVERYTHING_004 and EVERYTHING_005
18 'Somebody' SOMEBODY 8 1 ✖
?? 'Black Celebration'[8] BLACK CELEB 6 1 ✖
?? 'Master And Servant'[9] MASTER AND 7 1 ✖
?? Perc 1[10] PERC 1 7 1 ✖
?? 'It Doesn't Matter' (SEQ) IT DOESNTSEQ 6 1 ✖ If you possess the EMU Emax sequence that accompanied this sound bank, please reach out to [email protected].
?? 'Never Turn Your Back On Mother Earth' (SEQ) MOTHER SEQ A 8 1 ✔ Incorrect loop point on MOTHER SEQ A_005 produces click artifact. An anonymous source provided this sequence, which was included on the zip disc containing this sound bank. The guitar, choir "ahh", and choral pad voices are automated in this sequence, leaving the synth bass and pad voices for Wilder to improvise live (which matches the live recordings from the Music For The Masses Tour, as these performed parts differ slightly from recording to recording).
?? Trancer Trancer\, Okinawa, Trance\ 10 3 ✖ This sound bank contains no identifiable Depeche Mode material and seemingly went unused during the 1987-1988 Music For The Masses Tour.
The Alan Wilder / Depeche Mode Collection: Emax Turbo II – 16 bit sampler keyboard – Model 2205
Devotional and Exotic tour EMU Emax II sound banks[11]
Bank # Song Presets # of Samples # of Presets Glitched? Notes
34 'Mercy In You' (Alan 93) MERCY ALAN, END PIANO, MERCY ALAN, MERCY ALAN, END PIANO, MERCY ALAN 42 6 ✖
35 'Fly On The Windscreen'[12] Untitled, FLYS ALAN, WALK PIANO 31 3 ✖
36 'Nothing' (A 93)[13] NOTHING A 93 8 1 ✖
37 'Something To Do'[14] SOMETHINGA93, SOMETHINGA93 6 2 ✖
38 'Leave In Silence' (Alan 93)[15] LEAVE ALAN93 5 1 ✖
39 'A Question Of Lust' LUST ALAN 93, LUST ALAN 93 17 2 ✖
40 'Clean' (percussion trigger sounds) CLEAN D, CLEANALAN 93 2 2 ✔ Audio glitch present in CLEAN D_001
41 'Condemnation' (Guide) CONDEM GUIDE 10 1 ✖
42 'Everything Counts' (94 version) EVERY A 93 13 1 ✖
43 'Waiting For The Night'[16] WAITING ALAN, WAITING ALAN 11 2 ✖
44 'I Want You Now' ('94 version) I WANT A 94 20 1 ✖

Technical information

EMXP - A software package for viewing, editing, and converting disks and files for EMU sampler products.

The parameters and values entered by Alan Wilder during the creation of the sound banks for live use are documented in detail here. The values below are specific to the EMU Emax and EMU Emax II, and may differ from equivalent settings in modern samplers.

Sample Overview

This section displays values for each sample, including sample rate, file length, file size, and loop points. This table is collapsed by default due to its size.

Devotional Tour/Exotic Tour EMAX II Sound Banks

Click to view
Song Bank Name # Sample Name Sample Rate Length Size Loop
'Mercy In You' MERCY ALAN 1 SAMPLE 001-MERCY ALAN 39063 Hz 2477 ms 189 Kb OFF
2 SAMPLE 002-MERCY ALAN 39063 Hz 2135 ms 162 Kb OFF
3 SAMPLE 003-MERCY ALAN 39063 Hz 2480 ms 189 Kb OFF
4 SAMPLE 004-MERCY ALAN 39063 Hz 1273 ms 97 Kb OFF
5 SAMPLE 005-MERCY ALAN 39063 Hz 1233 ms 94 Kb OFF
6 SAMPLE 006-MERCY ALAN 39063 Hz 2213 ms 168 Kb OFF
7 SAMPLE 007-MERCY ALAN 39063 Hz 2526 ms 192 Kb OFF
8 SAMPLE 008-MERCY ALAN 39063 Hz 2506 ms 191 Kb OFF
9 SAMPLE 009-MERCY ALAN 39063 Hz 1258 ms 96 Kb OFF
10 SAMPLE 010-MERCY ALAN 39063 Hz 1257 ms 95 Kb OFF
11 SAMPLE 011-MERCY ALAN 39063 Hz 2128 ms 162 Kb ON
12 SAMPLE 012-MERCY ALAN 39063 Hz 2178 ms 166 Kb ON
13 SAMPLE 013-MERCY ALAN 39063 Hz 2505 ms 191 Kb ON
14 SAMPLE 014-MERCY ALAN 39063 Hz 4982 ms 380 Kb OFF
15 SAMPLE 015-MERCY ALAN 39063 Hz 5182 ms 395 Kb OFF
16 SAMPLE 016-MERCY ALAN 39063 Hz 2118 ms 161 Kb ON
17 SAMPLE 017-MERCY ALAN 39063 Hz 1703 ms 129 Kb ON
18 SAMPLE 018-MERCY ALAN 39063 Hz 1823 ms 139 Kb ON
19 SAMPLE 019-MERCY ALAN 39063 Hz 7248 ms 553 Kb ON
20 SAMPLE 020-MERCY ALAN 39063 Hz 1697 ms 129 Kb ON
21 SAMPLE 021-MERCY ALAN 39063 Hz 9836 ms 750 Kb OFF
22 SAMPLE 022-MERCY ALAN 39063 Hz 2844 ms 217 Kb ON
23 SAMPLE 023-MERCY ALAN 39063 Hz 2687 ms 205 Kb ON
24 SAMPLE 024-MERCY ALAN 39063 Hz 7045 ms 537 Kb OFF
25 SAMPLE 025-MERCY ALAN 39063 Hz 3868 ms 295 Kb OFF
26 SAMPLE 026-MERCY ALAN 39063 Hz 589 ms 44 Kb ON
27 SAMPLE 027-MERCY ALAN 39063 Hz 573 ms 43 Kb ON
28 SAMPLE 028-MERCY ALAN 39063 Hz 388 ms 29 Kb ON
29 SAMPLE 029-MERCY ALAN 39063 Hz 590 ms 45 Kb ON
30 SAMPLE 030-MERCY ALAN 39063 Hz 492 ms 37 Kb ON
31 SAMPLE 031-MERCY ALAN 39063 Hz 2431 ms 185 Kb ON
32 SAMPLE 032-MERCY ALAN 39063 Hz 2051 ms 156 Kb ON
33 SAMPLE 033-MERCY ALAN 39063 Hz 2445 ms 186 Kb OFF
34 SAMPLE 034-MERCY ALAN 39063 Hz 2522 ms 192 Kb OFF
35 SAMPLE 035-MERCY ALAN 39063 Hz 2178 ms 166 Kb ON
36 SAMPLE 036-MERCY ALAN 39063 Hz 2479 ms 189 Kb OFF
37 SAMPLE 037-MERCY ALAN 39063 Hz 2405 ms 183 Kb OFF
38 SAMPLE 038-MERCY ALAN 39063 Hz 1926 ms 146 Kb ON
39 SAMPLE 039-MERCY ALAN 39063 Hz 1563 ms 119 Kb ON
40 SAMPLE 040-MERCY ALAN 39063 Hz 1923 ms 146 Kb ON
41 SAMPLE 041-MERCY ALAN 39063 Hz 2212 ms 168 Kb ON
42 SAMPLE 042-MERCY ALAN 39063 Hz 2694 ms 205 Kb OFF
'Fly On The Windscreen' FLYS ALAN 1 SAMPLE 001-FLYS ALAN 39063 Hz 1725 ms 131 Kb ON
2 SAMPLE 002-FLYS ALAN 39063 Hz 290 ms 22 Kb ON
3 SAMPLE 003-FLYS ALAN 39063 Hz 315 ms 24 Kb ON
4 SAMPLE 004-FLYS ALAN 39063 Hz 314 ms 24 Kb OFF
5 SAMPLE 005-FLYS ALAN 39063 Hz 1537 ms 117 Kb ON
6 SAMPLE 006-FLYS ALAN 39063 Hz 2118 ms 161 Kb ON
7 SAMPLE 007-FLYS ALAN 39063 Hz 1703 ms 129 Kb ON
8 SAMPLE 008-FLYS ALAN 39063 Hz 1823 ms 139 Kb ON
9 SAMPLE 009-FLYS ALAN 39063 Hz 7248 ms 553 Kb OFF
10 SAMPLE 010-FLYS ALAN 39063 Hz 1697 ms 129 Kb ON
11 SAMPLE 011-FLYS ALAN 39063 Hz 1587 ms 121 Kb ON
12 SAMPLE 012-FLYS ALAN 39063 Hz 1620 ms 123 Kb ON
13 SAMPLE 013-FLYS ALAN 39063 Hz 1475 ms 112 Kb OFF
14 SAMPLE 014-FLYS ALAN 39063 Hz 1421 ms 108 Kb ON
15 SAMPLE 015-FLYS ALAN 39063 Hz 1716 ms 130 Kb ON
16 SAMPLE 016-FLYS ALAN 39063 Hz 1547 ms 118 Kb ON
17 SAMPLE 017-FLYS ALAN 39063 Hz 1962 ms 149 Kb ON
18 SAMPLE 018-FLYS ALAN 39063 Hz 1704 ms 130 Kb OFF
19 SAMPLE 019-FLYS ALAN 39063 Hz 4892 ms 373 Kb OFF
20 SAMPLE 020-FLYS ALAN 39063 Hz 4794 ms 365 Kb OFF
21 SAMPLE 021-FLYS ALAN 39063 Hz 5508 ms 420 Kb OFF
22 SAMPLE 022-FLYS ALAN 39063 Hz 305 ms 23 Kb ON
23 SAMPLE 023-FLYS ALAN 39063 Hz 321 ms 24 Kb ON
24 SAMPLE 024-FLYS ALAN 39063 Hz 311 ms 23 Kb ON
25 SAMPLE 025-FLYS ALAN 39063 Hz 1626 ms 124 Kb ON
26 SAMPLE 026-FLYS ALAN 39063 Hz 290 ms 22 Kb ON
27 SAMPLE 027-FLYS ALAN 39063 Hz 2600 ms 198 Kb OFF
28 SAMPLE 028-FLYS ALAN 39063 Hz 5967 ms 455 Kb OFF
29 SAMPLE 029-FLYS ALAN 39063 Hz 5419 ms 413 Kb OFF
30 SAMPLE 030-FLYS ALAN 39063 Hz 3603 ms 274 Kb OFF
31 SAMPLE 031-FLYS ALAN 39063 Hz 3237 ms 246 Kb OFF
'Nothing' NOTHING A 93 1 SAMPLE 001-NOTHING A 93 41667 Hz 414 ms 33 Kb OFF
2 SAMPLE 002-NOTHING A 93 31250 Hz 467 ms 28 Kb ON
3 SAMPLE 003-NOTHING A 93 31250 Hz 730 ms 44 Kb ON
4 SAMPLE 004-NOTHING A 93 31250 Hz 565 ms 34 Kb ON
5 SAMPLE 005-NOTHING A 93 20000 Hz 275 ms 10 Kb OFF
6 SAMPLE 006-NOTHING A 93 20000 Hz 280 ms 10 Kb ON
7 SAMPLE 007-NOTHING A 93 41667 Hz 546 ms 44 Kb OFF
8 SAMPLE 008-NOTHING A 93 41667 Hz 553 ms 45 Kb OFF
'Something To Do' SOMETHING A 93 1 SAMPLE 001-SOMETHINGA93 39063 Hz 5779 ms 440 Kb OFF
2 SAMPLE 002-SOMETHINGA93 39063 Hz 4768 ms 363 Kb OFF
3 SAMPLE 003-SOMETHINGA93 39063 Hz 4312 ms 329 Kb OFF
4 SAMPLE 004-SOMETHINGA93 39063 Hz 1415 ms 108 Kb OFF
5 SAMPLE 005-SOMETHINGA93 39063 Hz 192 ms 14 Kb ON
6 SAMPLE 006-SOMETHINGA93 39063 Hz 190 ms 14 Kb OFF
'Leave In Silence' LEAVE ALAN93 1 SAMPLE 001-LEAVE ALAN93 39063 Hz 2029 ms 154 Kb ON
2 SAMPLE 002-LEAVE ALAN93 39063 Hz 2850 ms 217 Kb OFF
3 SAMPLE 003-LEAVE ALAN93 39063 Hz 4153 ms 316 Kb OFF
4 SAMPLE 004-LEAVE ALAN93 39063 Hz 9280 ms 708 Kb OFF
5 SAMPLE 005-LEAVE ALAN93 39063 Hz 2168 ms 165 Kb ON
'A Question Of Lust' LUST ALAN 93 1 SAMPLE 001-LUST ALAN 93 39063 Hz 2552 ms 194 Kb OFF
2 SAMPLE 002-LUST ALAN 93 39063 Hz 2552 ms 194 Kb OFF
3 SAMPLE 003-LUST ALAN 93 39063 Hz 2341 ms 178 Kb ON
4 SAMPLE 004-LUST ALAN 93 39063 Hz 3132 ms 238 Kb OFF
5 SAMPLE 005-LUST ALAN 93 39063 Hz 5263 ms 401 Kb OFF
6 SAMPLE 006-LUST ALAN 93 39063 Hz 4481 ms 341 Kb OFF
7 SAMPLE 007-LUST ALAN 93 39063 Hz 7739 ms 590 Kb OFF
8 SAMPLE 008-LUST ALAN 93 39063 Hz 5156 ms 393 Kb OFF
9 SAMPLE 009-LUST ALAN 93 39063 Hz 7063 ms 538 Kb OFF
10 SAMPLE 010-LUST ALAN 93 39063 Hz 6918 ms 527 Kb OFF
11 SAMPLE 011-LUST ALAN 93 39063 Hz 6942 ms 529 Kb OFF
12 SAMPLE 012-LUST ALAN 93 39063 Hz 6639 ms 506 Kb OFF
13 SAMPLE 013-LUST ALAN 93 39063 Hz 7767 ms 592 Kb OFF
14 SAMPLE 014-LUST ALAN 93 39063 Hz 6803 ms 519 Kb OFF
15 SAMPLE 015-LUST ALAN 93 39063 Hz 251 ms 19 Kb ON
16 SAMPLE 016-LUST ALAN 93 39063 Hz 3910 ms 298 Kb OFF
17 SAMPLE 017-LUST ALAN 93 39063 Hz 2568 ms 195 Kb OFF
'Clean' CLEAN D 1 SAMPLE 001-CLEAN D 39063 Hz 9600 ms 732 Kb OFF
2 SAMPLE 002-CLEAN D 39063 Hz 1775 ms 135 Kb OFF
'Condemnation' CONDEM GUIDE 1 SAMPLE 001-CONDEM GUIDE 39063 Hz 16133 ms 1230 Kb OFF
2 SAMPLE 002-CONDEM GUIDE 39063 Hz 8065 ms 615 Kb OFF
3 SAMPLE 003-CONDEM GUIDE 39063 Hz 16276 ms 1241 Kb OFF
4 SAMPLE 004-CONDEM GUIDE 39063 Hz 8151 ms 621 Kb OFF
5 SAMPLE 005-CONDEM GUIDE 39063 Hz 5388 ms 411 Kb OFF
6 SAMPLE 006-CONDEM GUIDE 39063 Hz 5892 ms 449 Kb OFF
7 SAMPLE 007-CONDEM GUIDE 39063 Hz 6630 ms 505 Kb OFF
8 SAMPLE 008-CONDEM GUIDE 39063 Hz 4059 ms 309 Kb OFF
9 SAMPLE 009-CONDEM GUIDE 39063 Hz 21193 ms 1616 Kb OFF
10 SAMPLE 010-CONDEM GUIDE 39063 Hz 3999 ms 305 Kb OFF
'Everything Counts' EVERY A 93 1 SAMPLE 001-EVERY A 93 39063 Hz 6575 ms 501 Kb OFF
2 SAMPLE 002-EVERY A 93 39063 Hz 6007 ms 458 Kb OFF
3 SAMPLE 003-EVERY A 93 39063 Hz 3467 ms 264 Kb ON
4 SAMPLE 004-EVERY A 93 41667 Hz 3106 ms 252 Kb OFF
5 SAMPLE 005-EVERY A 93 39063 Hz 2859 ms 218 Kb ON
6 SAMPLE 006-EVERY A 93 39063 Hz 2576 ms 196 Kb ON
7 SAMPLE 007-EVERY A 93 39063 Hz 2399 ms 183 Kb ON
8 SAMPLE 008-EVERY A 93 39063 Hz 2377 ms 181 Kb ON
9 SAMPLE 009-EVERY A 93 39063 Hz 2367 ms 180 Kb ON
10 SAMPLE 010-EVERY A 93 41667 Hz 2200 ms 179 Kb ON
11 SAMPLE 011-EVERY A 93 39063 Hz 1899 ms 144 Kb ON
12 SAMPLE 012-EVERY A 93 31250 Hz 1127 ms 68 Kb ON
13 SAMPLE 013-EVERY A 93 20000 Hz 1508 ms 58 Kb OFF
'Waiting For The Night' WAITING ALAN 1 SAMPLE 001-WAITING ALAN 39063 Hz 1966 ms 150 Kb ON
2 SAMPLE 002-WAITING ALAN 39063 Hz 2196 ms 167 Kb OFF
3 SAMPLE 003-WAITING ALAN 39063 Hz 2086 ms 159 Kb OFF
4 SAMPLE 004-WAITING ALAN 39063 Hz 8365 ms 638 Kb OFF
5 SAMPLE 005-WAITING ALAN 39063 Hz 2607 ms 192 Kb OFF
6 SAMPLE 006-WAITING ALAN 39063 Hz 3101 ms 236 Kb OFF
7 SAMPLE 007-WAITING ALAN 39063 Hz 3771 ms 287 Kb ON
8 SAMPLE 008-WAITING ALAN 39063 Hz 4173 ms 318 Kb OFF
9 SAMPLE 009-WAITING ALAN 39063 Hz 4612 ms 315 Kb OFF
10 SAMPLE 010-WAITING ALAN 39063 Hz 4810 ms 366 Kb OFF
11 SAMPLE 011-WAITING ALAN 39063 Hz 2998 ms 228 Kb OFF
'I Want You Now' I WANT A 94 1 SAMPLE 001-I WANT A 94 39063 Hz 11126 ms 848 Kb ON
2 SAMPLE 002-I WANT A 94 39063 Hz 7584 ms 578 Kb OFF
3 SAMPLE 003-I WANT A 94 39063 Hz 7418 ms 565 Kb ON
4 SAMPLE 004-I WANT A 94 39063 Hz 3241 ms 247 Kb ON
5 SAMPLE 005-I WANT A 94 39063 Hz 3026 ms 230 Kb ON
6 SAMPLE 006-I WANT A 94 39063 Hz 2790 ms 212 Kb ON
7 SAMPLE 007-I WANT A 94 39063 Hz 2748 ms 209 Kb ON
8 SAMPLE 008-I WANT A 94 39063 Hz 2678 ms 204 Kb ON
9 SAMPLE 009-I WANT A 94 39063 Hz 2592 ms 197 Kb ON
10 SAMPLE 010-I WANT A 94 39063 Hz 2538 ms 193 Kb OFF
11 SAMPLE 011-I WANT A 94 39063 Hz 2471 ms 188 Kb ON
12 SAMPLE 012-I WANT A 94 39063 Hz 2421 ms 184 Kb ON
13 SAMPLE 013-I WANT A 94 39063 Hz 2403 ms 183 Kb OFF
14 SAMPLE 014-I WANT A 94 39063 Hz 2059 ms 157 Kb ON
15 SAMPLE 015-I WANT A 94 39063 Hz 1973 ms 150 Kb ON
16 SAMPLE 016-I WANT A 94 39063 Hz 1957 ms 149 Kb ON
17 SAMPLE 017-I WANT A 94 39063 Hz 1743 ms 133 Kb ON
18 SAMPLE 018-I WANT A 94 39063 Hz 1262 ms 96 Kb OFF
19 SAMPLE 019-I WANT A 94 39063 Hz 1015 ms 77 Kb ON
20 SAMPLE 020-I WANT A 94 39063 Hz 858 ms 65 Kb ON

Voice Overview

This section displays settings for each patch, or "Voice", including chorus, filter, resonance, and the root key of each sample. This table is collapsed by default due to its size.

Devotional Tour/Exotic Tour EMAX II Sound Banks

Click to view
Song Preset Voice Chorus F (Filter) Q (Resonance) Sample Orig (Root Key)
'Mercy In You' MERCY ALAN 000-MERCY ALAN 19 095 09 SAMPLE 1 A1
001-MERCY ALAN 19 095 09 SAMPLE 2 B1
002-MERCY ALAN 19 095 09 SAMPLE 3 C2
003-MERCY ALAN 19 095 09 SAMPLE 4 E2
004-MERCY ALAN 19 095 09 SAMPLE 5 D2
005-MERCY ALAN 19 095 09 SAMPLE 6 D#2
006-MERCY ALAN 19 120 09 SAMPLE 7 G#1
007-MERCY ALAN No chorus 120 00 SAMPLE 8 B0
008-MERCY ALAN No chorus 120 00 SAMPLE 9 E1
009-MERCY ALAN No chorus 120 00 SAMPLE 10 D1
010-MERCY ALAN No chorus 120 00 SAMPLE 11 D#1
011-MERCY ALAN No chorus 120 00 SAMPLE 12 G#0
012-MERCY ALAN No chorus 120 00 SAMPLE 13 A0
013-MERCY ALAN No chorus 120 00 SAMPLE 14 C1
014-MERCY ALAN 6 107 00 SAMPLE 15 C2
015-MERCY ALAN No chorus 120 00 SAMPLE 19 G2
016-MERCY ALAN No chorus 120 00 SAMPLE 12 G#0
017-MERCY ALAN No chorus 120 00 SAMPLE 13 A0
018-MERCY ALAN No chorus 120 00 SAMPLE 15 C2
019-MERCY ALAN No chorus 120 00 SAMPLE 8 B0
020-MERCY ALAN No chorus 120 00 SAMPLE 14 C1
021-MERCY ALAN No chorus 120 00 SAMPLE 10 D1
022-MERCY ALAN No chorus 120 00 SAMPLE 11 D#1
023-MERCY ALAN No chorus 120 00 SAMPLE 9 E1
024-MERCY ALAN 6 120 00 SAMPLE 19 G2
025-MERCY ALAN No chorus 107 00 SAMPLE 25 E0
026-MERCY ALAN No chorus 089 00 SAMPLE 32 F6
027-MERCY ALAN No chorus 120 00 SAMPLE 33 G6
028-MERCY ALAN No chorus 120 00 SAMPLE 34 E6
029-MERCY ALAN No chorus 120 00 SAMPLE 35 F6
030-MERCY ALAN No chorus 120 00 SAMPLE 36 E6
031-MERCY ALAN No chorus 120 00 SAMPLE 37 G6
032-MERCY ALAN No chorus 120 00 SAMPLE 28 C5
033-MERCY ALAN No chorus 120 00 SAMPLE 27 D#5
034-MERCY ALAN No chorus 120 00 SAMPLE 30 F5
035-MERCY ALAN No chorus 120 00 SAMPLE 26 A#5
036-MERCY ALAN No chorus 120 00 SAMPLE 29 G5
037-MERCY ALAN No chorus 120 00 SAMPLE 26 A#5
038-MERCY ALAN No chorus 120 00 SAMPLE 38 F4
039-MERCY ALAN No chorus 120 00 SAMPLE 38 F4
040-MERCY ALAN No chorus 120 00 SAMPLE 39 G4
041-MERCY ALAN No chorus 120 00 SAMPLE 39 G4
042-MERCY ALAN No chorus 120 00 SAMPLE 40 A4
043-MERCY ALAN No chorus 120 00 SAMPLE 40 A4
044-MERCY ALAN No chorus 120 00 SAMPLE 41 B4
045-MERCY ALAN No chorus 120 00 SAMPLE 41 B4
046-MERCY ALAN No chorus 120 00 SAMPLE 21 F#4
047-MERCY ALAN No chorus 120 00 SAMPLE 23 F#4
048-MERCY ALAN No chorus 120 00 SAMPLE 22 A#4
049-MERCY ALAN No chorus 120 00 SAMPLE 24 A#4
050-MERCY ALAN No chorus 120 00 SAMPLE 31 E2
051-MERCY ALAN No chorus 120 00 SAMPLE 31 F2
052-MERCY ALAN No chorus 120 00 SAMPLE 42 B5
053-MERCY ALAN No chorus 120 00 SAMPLE 42 B5
END PIANO 000-END PIANO 6 120 00 SAMPLE 16 C2
001-END PIANO 6 120 00 SAMPLE 17 G2
002-END PIANO 6 120 00 SAMPLE 18 C3
003-END PIANO 6 120 00 SAMPLE 19 G3
004-END PIANO 6 120 00 SAMPLE 20 C5
005-END PIANO No chorus 120 00 SAMPLE 16 C2
006-END PIANO No chorus 120 00 SAMPLE 17 G2
007-END PIANO No chorus 120 00 SAMPLE 18 C3
008-END PIANO No chorus 120 00 SAMPLE 19 G3
009-END PIANO No chorus 120 00 SAMPLE 20 C5
010-END PIANO No chorus 089 00 SAMPLE 25 C2
MERCY ALAN 000-MERCY ALAN 19 095 09 SAMPLE 1 A1
001-MERCY ALAN 19 095 09 SAMPLE 2 B1
002-MERCY ALAN 19 095 09 SAMPLE 3 C2
003-MERCY ALAN 19 095 09 SAMPLE 4 E2
004-MERCY ALAN 19 095 09 SAMPLE 5 D2
005-MERCY ALAN 19 095 09 SAMPLE 6 D#2
006-MERCY ALAN 19 120 09 SAMPLE 7 G#1
007-MERCY ALAN No chorus 120 00 SAMPLE 8 B0
008-MERCY ALAN No chorus 120 00 SAMPLE 9 E1
009-MERCY ALAN No chorus 120 00 SAMPLE 10 D1
010-MERCY ALAN No chorus 120 00 SAMPLE 11 D#1
011-MERCY ALAN No chorus 120 00 SAMPLE 12 G#0
012-MERCY ALAN No chorus 120 00 SAMPLE 13 A0
013-MERCY ALAN No chorus 120 00 SAMPLE 14 C1
014-MERCY ALAN 6 107 00 SAMPLE 15 C2
015-MERCY ALAN No chorus 120 00 SAMPLE 19 G2
016-MERCY ALAN No chorus 120 00 SAMPLE 12 G#0
017-MERCY ALAN No chorus 120 00 SAMPLE 13 A0
018-MERCY ALAN No chorus 120 00 SAMPLE 15 C2
019-MERCY ALAN No chorus 120 00 SAMPLE 8 B0
020-MERCY ALAN No chorus 120 00 SAMPLE 14 C1
021-MERCY ALAN No chorus 120 00 SAMPLE 10 D1
022-MERCY ALAN No chorus 120 00 SAMPLE 11 D#1
023-MERCY ALAN No chorus 120 00 SAMPLE 9 E1
024-MERCY ALAN 6 120 00 SAMPLE 19 G2
025-MERCY ALAN No chorus 107 00 SAMPLE 25 E0
026-MERCY ALAN No chorus 089 00 SAMPLE 32 F6
027-MERCY ALAN No chorus 120 00 SAMPLE 33 G6
028-MERCY ALAN No chorus 120 00 SAMPLE 34 E6
029-MERCY ALAN No chorus 120 00 SAMPLE 35 F6
030-MERCY ALAN No chorus 120 00 SAMPLE 36 E6
031-MERCY ALAN No chorus 120 00 SAMPLE 37 G6
032-MERCY ALAN No chorus 120 00 SAMPLE 28 C5
033-MERCY ALAN No chorus 120 00 SAMPLE 27 D#5
034-MERCY ALAN No chorus 120 00 SAMPLE 30 F5
035-MERCY ALAN No chorus 120 00 SAMPLE 26 A#5
036-MERCY ALAN No chorus 120 00 SAMPLE 29 G5
037-MERCY ALAN No chorus 120 00 SAMPLE 26 A#5
038-MERCY ALAN No chorus 120 00 SAMPLE 38 F4
039-MERCY ALAN No chorus 120 00 SAMPLE 38 F4
040-MERCY ALAN No chorus 120 00 SAMPLE 39 G4
041-MERCY ALAN No chorus 120 00 SAMPLE 39 G4
042-MERCY ALAN No chorus 120 00 SAMPLE 40 A4
043-MERCY ALAN No chorus 120 00 SAMPLE 40 A4
044-MERCY ALAN No chorus 120 00 SAMPLE 41 B4
045-MERCY ALAN No chorus 120 00 SAMPLE 41 B4
046-MERCY ALAN No chorus 120 00 SAMPLE 21 F#4
047-MERCY ALAN No chorus 120 00 SAMPLE 23 F#4
048-MERCY ALAN No chorus 120 00 SAMPLE 22 A#4
049-MERCY ALAN No chorus 120 00 SAMPLE 24 A#4
050-MERCY ALAN No chorus 120 00 SAMPLE 31 E2
051-MERCY ALAN No chorus 120 00 SAMPLE 31 F2
052-MERCY ALAN No chorus 120 00 SAMPLE 42 B5
053-MERCY ALAN No chorus 120 00 SAMPLE 42 B5
MERCY ALAN 000-MERCY ALAN 19 095 09 SAMPLE 1 A1
001-MERCY ALAN 19 095 09 SAMPLE 2 B1
002-MERCY ALAN 19 095 09 SAMPLE 3 C2
003-MERCY ALAN 19 095 09 SAMPLE 4 E2
004-MERCY ALAN 19 095 09 SAMPLE 5 D2
005-MERCY ALAN 19 095 09 SAMPLE 6 D#2
006-MERCY ALAN 19 120 09 SAMPLE 7 G#1
007-MERCY ALAN No chorus 120 00 SAMPLE 8 B0
008-MERCY ALAN No chorus 120 00 SAMPLE 9 E1
009-MERCY ALAN No chorus 120 00 SAMPLE 10 D1
010-MERCY ALAN No chorus 120 00 SAMPLE 11 D#1
011-MERCY ALAN No chorus 120 00 SAMPLE 12 G#0
012-MERCY ALAN No chorus 120 00 SAMPLE 13 A0
013-MERCY ALAN No chorus 120 00 SAMPLE 14 C1
014-MERCY ALAN 6 107 00 SAMPLE 15 C2
015-MERCY ALAN No chorus 120 00 SAMPLE 19 G2
016-MERCY ALAN No chorus 120 00 SAMPLE 12 G#0
017-MERCY ALAN No chorus 120 00 SAMPLE 13 A0
018-MERCY ALAN No chorus 120 00 SAMPLE 15 C2
019-MERCY ALAN No chorus 120 00 SAMPLE 8 B0
020-MERCY ALAN No chorus 120 00 SAMPLE 14 C1
021-MERCY ALAN No chorus 120 00 SAMPLE 10 D1
022-MERCY ALAN No chorus 120 00 SAMPLE 11 D#1
023-MERCY ALAN No chorus 120 00 SAMPLE 9 E1
024-MERCY ALAN 6 120 00 SAMPLE 19 G2
025-MERCY ALAN No chorus 107 00 SAMPLE 25 E0
026-MERCY ALAN No chorus 089 00 SAMPLE 32 F6
027-MERCY ALAN No chorus 120 00 SAMPLE 33 G6
028-MERCY ALAN No chorus 120 00 SAMPLE 34 E6
029-MERCY ALAN No chorus 120 00 SAMPLE 35 F6
030-MERCY ALAN No chorus 120 00 SAMPLE 36 E6
031-MERCY ALAN No chorus 120 00 SAMPLE 37 G6
032-MERCY ALAN No chorus 120 00 SAMPLE 28 C5
033-MERCY ALAN No chorus 120 00 SAMPLE 27 D#5
034-MERCY ALAN No chorus 120 00 SAMPLE 30 F5
035-MERCY ALAN No chorus 120 00 SAMPLE 26 A#5
036-MERCY ALAN No chorus 120 00 SAMPLE 29 G5
037-MERCY ALAN No chorus 120 00 SAMPLE 26 A#5
038-MERCY ALAN No chorus 120 00 SAMPLE 38 F4
039-MERCY ALAN No chorus 120 00 SAMPLE 38 F4
040-MERCY ALAN No chorus 120 00 SAMPLE 39 G4
041-MERCY ALAN No chorus 120 00 SAMPLE 39 G4
042-MERCY ALAN No chorus 120 00 SAMPLE 40 A4
043-MERCY ALAN No chorus 120 00 SAMPLE 40 A4
044-MERCY ALAN No chorus 120 00 SAMPLE 41 B4
045-MERCY ALAN No chorus 120 00 SAMPLE 41 B4
046-MERCY ALAN No chorus 120 00 SAMPLE 21 F#4
047-MERCY ALAN No chorus 120 00 SAMPLE 23 F#4
048-MERCY ALAN No chorus 120 00 SAMPLE 22 A#4
049-MERCY ALAN No chorus 120 00 SAMPLE 24 A#4
050-MERCY ALAN No chorus 120 00 SAMPLE 31 E2
051-MERCY ALAN No chorus 120 00 SAMPLE 31 F2
052-MERCY ALAN No chorus 120 00 SAMPLE 42 B5
053-MERCY ALAN No chorus 120 00 SAMPLE 42 B5
END PIANO 000-END PIANO 6 120 00 SAMPLE 16 C2
001-END PIANO 6 120 00 SAMPLE 17 G2
002-END PIANO 6 120 00 SAMPLE 18 C3
003-END PIANO 6 120 00 SAMPLE 19 G3
004-END PIANO 6 120 00 SAMPLE 20 C5
005-END PIANO No chorus 120 00 SAMPLE 16 C2
006-END PIANO No chorus 120 00 SAMPLE 17 G2
007-END PIANO No chorus 120 00 SAMPLE 18 C3
008-END PIANO No chorus 120 00 SAMPLE 19 G3
009-END PIANO No chorus 120 00 SAMPLE 20 C5
010-END PIANO No chorus 089 00 SAMPLE 25 C2
MERCY ALAN 000-MERCY ALAN 19 095 09 SAMPLE 1 A1
001-MERCY ALAN 19 095 09 SAMPLE 2 B1
002-MERCY ALAN 19 095 09 SAMPLE 3 C2
003-MERCY ALAN 19 095 09 SAMPLE 4 E2
004-MERCY ALAN 19 095 09 SAMPLE 5 D2
005-MERCY ALAN 19 095 09 SAMPLE 6 D#2
006-MERCY ALAN 19 120 09 SAMPLE 7 G#1
007-MERCY ALAN No chorus 120 00 SAMPLE 8 B0
008-MERCY ALAN No chorus 120 00 SAMPLE 9 E1
009-MERCY ALAN No chorus 120 00 SAMPLE 10 D1
010-MERCY ALAN No chorus 120 00 SAMPLE 11 D#1
011-MERCY ALAN No chorus 120 00 SAMPLE 12 G#0
012-MERCY ALAN No chorus 120 00 SAMPLE 13 A0
013-MERCY ALAN No chorus 120 00 SAMPLE 14 C1
014-MERCY ALAN 6 107 00 SAMPLE 15 C2
015-MERCY ALAN No chorus 120 00 SAMPLE 19 G2
016-MERCY ALAN No chorus 120 00 SAMPLE 12 G#0
017-MERCY ALAN No chorus 120 00 SAMPLE 13 A0
018-MERCY ALAN No chorus 120 00 SAMPLE 15 C2
019-MERCY ALAN No chorus 120 00 SAMPLE 8 B0
020-MERCY ALAN No chorus 120 00 SAMPLE 14 C1
021-MERCY ALAN No chorus 120 00 SAMPLE 10 D1
022-MERCY ALAN No chorus 120 00 SAMPLE 11 D#1
023-MERCY ALAN No chorus 120 00 SAMPLE 9 E1
024-MERCY ALAN 6 120 00 SAMPLE 19 G2
025-MERCY ALAN No chorus 107 00 SAMPLE 25 E0
026-MERCY ALAN No chorus 089 00 SAMPLE 32 F6
027-MERCY ALAN No chorus 120 00 SAMPLE 33 G6
028-MERCY ALAN No chorus 120 00 SAMPLE 34 E6
029-MERCY ALAN No chorus 120 00 SAMPLE 35 F6
030-MERCY ALAN No chorus 120 00 SAMPLE 36 E6
031-MERCY ALAN No chorus 120 00 SAMPLE 37 G6
032-MERCY ALAN No chorus 120 00 SAMPLE 28 C5
033-MERCY ALAN No chorus 120 00 SAMPLE 27 D#5
034-MERCY ALAN No chorus 120 00 SAMPLE 30 F5
035-MERCY ALAN No chorus 120 00 SAMPLE 26 A#5
036-MERCY ALAN No chorus 120 00 SAMPLE 29 G5
037-MERCY ALAN No chorus 120 00 SAMPLE 26 A#5
038-MERCY ALAN No chorus 120 00 SAMPLE 38 F4
039-MERCY ALAN No chorus 120 00 SAMPLE 38 F4
040-MERCY ALAN No chorus 120 00 SAMPLE 39 G4
041-MERCY ALAN No chorus 120 00 SAMPLE 39 G4
042-MERCY ALAN No chorus 120 00 SAMPLE 40 A4
043-MERCY ALAN No chorus 120 00 SAMPLE 40 A4
044-MERCY ALAN No chorus 120 00 SAMPLE 41 B4
045-MERCY ALAN No chorus 120 00 SAMPLE 41 B4
046-MERCY ALAN No chorus 120 00 SAMPLE 21 F#4
047-MERCY ALAN No chorus 120 00 SAMPLE 23 F#4
048-MERCY ALAN No chorus 120 00 SAMPLE 22 A#4
049-MERCY ALAN No chorus 120 00 SAMPLE 24 A#4
050-MERCY ALAN No chorus 120 00 SAMPLE 31 E2
051-MERCY ALAN No chorus 120 00 SAMPLE 31 F2
052-MERCY ALAN No chorus 120 00 SAMPLE 42 B5
053-MERCY ALAN No chorus 120 00 SAMPLE 42 B5
'Fly On The Windscreen' Untitled None N/A N/A N/A None N/A
FLYS ALAN 000-FLYS ALAN No chorus 120 00 SAMPLE 1 E2
001-FLYS ALAN No chorus 120 00 SAMPLE 2 G2
002-FLYS ALAN No chorus 120 00 SAMPLE 3 B2
003-FLYS ALAN No chorus 120 00 SAMPLE 4 C#3
004-FLYS ALAN No chorus 120 00 SAMPLE 5 F#2
005-FLYS ALAN 16 120 00 SAMPLE 8 C2
006-FLYS ALAN 16 120 00 SAMPLE 9 G2
007-FLYS ALAN No chorus 110 00 SAMPLE 18 F#4
008-FLYS ALAN 16 120 00 SAMPLE 6 C1
009-FLYS ALAN 16 120 00 SAMPLE 7 G1
010-FLYS ALAN No chorus 120 00 SAMPLE 19 F#4
011-FLYS ALAN No chorus 120 00 SAMPLE 20 E3
012-FLYS ALAN No chorus 120 00 SAMPLE 21 B3
013-FLYS ALAN No chorus 120 00 SAMPLE 22 G5
014-FLYS ALAN No chorus 120 00 SAMPLE 23 F#5
015-FLYS ALAN No chorus 120 00 SAMPLE 24 D5
016-FLYS ALAN No chorus 120 00 SAMPLE 25 C#5
017-FLYS ALAN No chorus 120 00 SAMPLE 26 A4
018-FLYS ALAN No chorus 120 00 SAMPLE 27 B4
019-FLYS ALAN No chorus 120 00 SAMPLE 28 E1
020-FLYS ALAN No chorus 120 00 SAMPLE 26 A4
021-FLYS ALAN No chorus 120 00 SAMPLE 27 B4
022-FLYS ALAN No chorus 120 00 SAMPLE 25 C#5
023-FLYS ALAN No chorus 120 00 SAMPLE 24 D5
024-FLYS ALAN No chorus 120 00 SAMPLE 23 F#5
025-FLYS ALAN No chorus 120 00 SAMPLE 22 G5
026-FLYS ALAN No chorus 120 00 SAMPLE 25 C#5
027-FLYS ALAN No chorus 120 00 SAMPLE 25 C#5
028-FLYS ALAN No chorus 120 00 SAMPLE 26 A4
029-FLYS ALAN No chorus 120 00 SAMPLE 26 A4
030-FLYS ALAN No chorus 098 00 SAMPLE 29 C6
031-FLYS ALAN No chorus 120 07 SAMPLE 30 D#6
032-FLYS ALAN No chorus 120 07 SAMPLE 31 F6
033-FLYS ALAN No chorus 098 00 SAMPLE 29 C6
034-FLYS ALAN No chorus 120 07 SAMPLE 30 D#6
035-FLYS ALAN No chorus 120 07 SAMPLE 31 F6
WALK PIANO 000-WALK PIANO 16 120 00 SAMPLE 6 C1
001-WALK PIANO 16 120 00 SAMPLE 7 G1
002-WALK PIANO 16 120 00 SAMPLE 8 C2
003-WALK PIANO 16 120 00 SAMPLE 9 G2
004-WALK PIANO 04 120 00 SAMPLE 10 C4
005-WALK PIANO 04 120 00 SAMPLE 11 G4
006-WALK PIANO 04 120 00 SAMPLE 12 C5
007-WALK PIANO No chorus 120 00 SAMPLE 13 D5
008-WALK PIANO No chorus 120 00 SAMPLE 13 G3
009-WALK PIANO No chorus 120 00 SAMPLE 14 C3
010-WALK PIANO 02 120 00 SAMPLE 15 G1
011-WALK PIANO 02 085 30 SAMPLE 16 D4
012-WALK PIANO 02 085 30 SAMPLE 17 G4
'Nothing' NOTHING A 93 000-NOTHING A 93 No chorus 120 00 SAMPLE 1 E1
000-NOTHING A 93 No chorus 120 00 SAMPLE 2 G#4
000-NOTHING A 93 No chorus 120 00 SAMPLE 3 G#4
000-NOTHING A 93 No chorus 120 00 SAMPLE 4 G#5
000-NOTHING A 93 No chorus 120 00 SAMPLE 5 E2
000-NOTHING A 93 No chorus 120 00 SAMPLE 6 E2
000-NOTHING A 93 No chorus 087 00 SAMPLE 7 C#2
000-NOTHING A 93 No chorus 084 00 SAMPLE 8 C#2
000-NOTHING A 93 No chorus 120 00 SAMPLE 1 E1
'Something To Do' SOMETHINGA93 000-SOMETHINGA93 No chorus 116 00 SAMPLE 6 C1
000-SOMETHINGA93 No chorus 104 00 SAMPLE 4 C#2
000-SOMETHINGA93 No chorus 116 00 SAMPLE 5 C4
000-SOMETHINGA93 No chorus 116 00 SAMPLE 5 C4
000-SOMETHINGA93 No chorus 116 00 SAMPLE 5 C6
000-SOMETHINGA93 No chorus 037 00 SAMPLE 3 A#1
000-SOMETHINGA93 No chorus 116 00 SAMPLE 1 F2
000-SOMETHINGA93 No chorus 116 00 SAMPLE 2 C4
000-SOMETHINGA93 No chorus 116 00 SAMPLE 5 C6
SOMETHINGA93 000-SOMETHINGA93 No chorus 116 00 SAMPLE 6 C1
000-SOMETHINGA93 No chorus 104 00 SAMPLE 4 C#2
000-SOMETHINGA93 No chorus 116 00 SAMPLE 5 C4
000-SOMETHINGA93 No chorus 116 00 SAMPLE 5 C4
000-SOMETHINGA93 No chorus 116 00 SAMPLE 5 C6
000-SOMETHINGA93 No chorus 037 00 SAMPLE 3 A#1
000-SOMETHINGA93 No chorus 116 00 SAMPLE 1 F2
000-SOMETHINGA93 No chorus 116 00 SAMPLE 2 C4
000-SOMETHINGA93 No chorus 116 00 SAMPLE 5 C6
'Leave In Silence' Untitled None N/A N/A N/A None N/A
LEAVE ALAN93 000-LEAVE ALAN93 No chorus 120 00 SAMPLE 1 E6
001-LEAVE ALAN93 No chorus 102 11 SAMPLE 1 E6
002-LEAVE ALAN93 No chorus 120 00 SAMPLE 2 E4
003-LEAVE ALAN93 No chorus 120 00 SAMPLE 3 E5
004-LEAVE ALAN93 No chorus 101 17 SAMPLE 4 F#2
005-LEAVE ALAN93 No chorus 120 00 SAMPLE 5 F#2
'A Question Of Lust' LUST ALAN 93 000-LUST ALAN 93 No chorus 120 00 SAMPLE 1 C3
001-LUST ALAN 93 No chorus 120 00 SAMPLE 2 C3
002-LUST ALAN 93 07 120 00 SAMPLE 6 E4
003-LUST ALAN 93 No chorus 120 00 SAMPLE 6 E4
004-LUST ALAN 93 No chorus 120 00 SAMPLE 13 B4
005-LUST ALAN 93 No chorus 120 00 SAMPLE 14 B4
006-LUST ALAN 93 No chorus 120 00 SAMPLE 7 E6
007-LUST ALAN 93 No chorus 120 00 SAMPLE 8 E6
008-LUST ALAN 93 No chorus 120 00 SAMPLE 1 D5
009-LUST ALAN 93 No chorus 120 00 SAMPLE 2 D5
010-LUST ALAN 93 No chorus 120 00 SAMPLE 5 G0
011-LUST ALAN 93 No chorus 120 23 SAMPLE 9 E1
012-LUST ALAN 93 No chorus 120 23 SAMPLE 10 B1
013-LUST ALAN 93 No chorus 120 23 SAMPLE 11 F#2
014-LUST ALAN 93 No chorus 120 23 SAMPLE 12 B2
015-LUST ALAN 93 07 120 00 SAMPLE 15 B2
016-LUST ALAN 93 No chorus 120 00 SAMPLE 3 G#1
017-LUST ALAN 93 No chorus 120 16 SAMPLE 16 G#1
018-LUST ALAN 93 07 120 00 SAMPLE 15 B2
019-LUST ALAN 93 No chorus 120 23 SAMPLE 10 B1
020-LUST ALAN 93 No chorus 120 00 SAMPLE 4 G#2
021-LUST ALAN 93 No chorus 120 00 SAMPLE 17 G#2
022-LUST ALAN 93 07 120 00 SAMPLE 15 B2
023-LUST ALAN 93 No chorus 120 23 SAMPLE 11 F#2
LUST ALAN 93 000-LUST ALAN 93 No chorus 120 00 SAMPLE 1 C3
001-LUST ALAN 93 No chorus 120 00 SAMPLE 2 C3
002-LUST ALAN 93 07 120 00 SAMPLE 6 E4
003-LUST ALAN 93 No chorus 120 00 SAMPLE 6 E4
004-LUST ALAN 93 No chorus 120 00 SAMPLE 13 B4
005-LUST ALAN 93 No chorus 120 00 SAMPLE 14 B4
006-LUST ALAN 93 No chorus 120 00 SAMPLE 7 E6
007-LUST ALAN 93 No chorus 120 00 SAMPLE 8 E6
008-LUST ALAN 93 No chorus 120 00 SAMPLE 1 D5
009-LUST ALAN 93 No chorus 120 00 SAMPLE 2 D5
010-LUST ALAN 93 No chorus 120 00 SAMPLE 5 G0
011-LUST ALAN 93 No chorus 120 23 SAMPLE 9 E1
012-LUST ALAN 93 No chorus 120 23 SAMPLE 10 B1
013-LUST ALAN 93 No chorus 120 23 SAMPLE 11 F#2
014-LUST ALAN 93 No chorus 120 23 SAMPLE 12 B2
015-LUST ALAN 93 07 120 00 SAMPLE 15 B2
016-LUST ALAN 93 No chorus 120 00 SAMPLE 3 G#1
017-LUST ALAN 93 No chorus 120 16 SAMPLE 16 G#1
018-LUST ALAN 93 07 120 00 SAMPLE 15 B2
019-LUST ALAN 93 No chorus 120 23 SAMPLE 10 B1
020-LUST ALAN 93 No chorus 120 00 SAMPLE 4 G#2
021-LUST ALAN 93 No chorus 120 00 SAMPLE 17 G#2
022-LUST ALAN 93 07 120 00 SAMPLE 15 B2
023-LUST ALAN 93 No chorus 120 23 SAMPLE 11 F#2
'Clean' Clean D 000-Clean D No chorus 116 00 SAMPLE 1 C3
001-Clean D No chorus 116 00 SAMPLE 2 C4
CLEANALAN 93 000-CLEANALAN 93 No chorus 116 00 SAMPLE 1 C3
001-CLEANALAN 93 No chorus 116 00 SAMPLE 2 C4
'Condemnation' Untitled None N/A N/A N/A None N/A
CONDEM GUIDE 000-CONDEM GUIDE No chorus 120 00 SAMPLE 1 C#3
001-CONDEM GUIDE No chorus 120 00 SAMPLE 2 D#3
002-CONDEM GUIDE No chorus 120 00 SAMPLE 3 F3
003-CONDEM GUIDE No chorus 120 00 SAMPLE 4 F#3
004-CONDEM GUIDE No chorus 120 00 SAMPLE 5 G#3
005-CONDEM GUIDE No chorus 120 00 SAMPLE 6 A#3
006-CONDEM GUIDE No chorus 120 00 SAMPLE 7 C4
007-CONDEM GUIDE No chorus 120 00 SAMPLE 8 C#4
008-CONDEM GUIDE No chorus 120 00 SAMPLE 9 D#4
009-CONDEM GUIDE No chorus 120 00 SAMPLE 10 F4
'Everything Counts' EVERY A 93 000-EVERY A 93 No chorus 003 38 SAMPLE 10 C1
001-EVERY A 93 No chorus 087 00 SAMPLE 4 E1
002-EVERY A 93 No chorus 104 00 SAMPLE 11 A1
003-EVERY A 93 No chorus 104 00 SAMPLE 9 E2
004-EVERY A 93 No chorus 104 00 SAMPLE 3 A2
005-EVERY A 93 No chorus 104 00 SAMPLE 7 A#2
006-EVERY A 93 No chorus 104 00 SAMPLE 6 F3
007-EVERY A 93 No chorus 104 00 SAMPLE 5 C4
008-EVERY A 93 No chorus 104 00 SAMPLE 8 A4
009-EVERY A 93 No chorus 081 00 SAMPLE 13 B5
010-EVERY A 93 No chorus 116 00 SAMPLE 1 C1
011-EVERY A 93 No chorus 101 00 SAMPLE 12 C1
012-EVERY A 93 No chorus 104 00 SAMPLE 11 A1
013-EVERY A 93 No chorus 104 00 SAMPLE 9 E2
014-EVERY A 93 No chorus 104 00 SAMPLE 3 A2
015-EVERY A 93 No chorus 104 00 SAMPLE 7 A#2
016-EVERY A 93 No chorus 104 00 SAMPLE 6 F3
017-EVERY A 93 No chorus 104 00 SAMPLE 5 C4
018-EVERY A 93 No chorus 104 00 SAMPLE 8 A4
019-EVERY A 93 No chorus 116 00 SAMPLE 2 G6
'Waiting For The Night' WAITING ALAN 000-WAITING ALAN No chorus 099 00 SAMPLE 1 A#2
001-WAITING ALAN No chorus 120 00 SAMPLE 2 C1
002-WAITING ALAN No chorus 120 00 SAMPLE 3 C#1
003-WAITING ALAN No chorus 120 00 SAMPLE 4 D1
004-WAITING ALAN No chorus 120 15 SAMPLE 5 D#2
005-WAITING ALAN No chorus 120 15 SAMPLE 6 G2
006-WAITING ALAN No chorus 120 00 SAMPLE 7 A#0
007-WAITING ALAN No chorus 120 00 SAMPLE 8 D#1
008-WAITING ALAN No chorus 120 00 SAMPLE 9 E1
009-WAITING ALAN No chorus 120 00 SAMPLE 10 F#5
010-WAITING ALAN No chorus 120 00 SAMPLE 11 F#5
011-WAITING ALAN No chorus 120 00 SAMPLE 11 F#5
012-WAITING ALAN No chorus 120 21 SAMPLE 10 F#5
WAITING ALAN 000-WAITING ALAN No chorus 084 00 SAMPLE 1 A#2
001-WAITING ALAN No chorus 120 00 SAMPLE 2 C1
002-WAITING ALAN No chorus 120 00 SAMPLE 3 C#1
003-WAITING ALAN No chorus 120 00 SAMPLE 4 D1
004-WAITING ALAN 19 120 31 SAMPLE 5 D#2
005-WAITING ALAN 19 120 31 SAMPLE 6 G2
006-WAITING ALAN No chorus 120 00 SAMPLE 7 A#0
007-WAITING ALAN No chorus 120 00 SAMPLE 8 D#1
008-WAITING ALAN No chorus 120 00 SAMPLE 9 E1
009-WAITING ALAN No chorus 120 00 SAMPLE 10 F#5
010-WAITING ALAN No chorus 120 00 SAMPLE 11 F#5
011-WAITING ALAN No chorus 120 00 SAMPLE 11 F#5
012-WAITING ALAN No chorus 120 21 SAMPLE 10 F#5
'I Want You Now' I WANT A 94 000-I WANT A 94 No chorus 116 00 SAMPLE 8 A0
001-I WANT A 95 No chorus 116 00 SAMPLE 12 E1
002-I WANT A 96 No chorus 116 00 SAMPLE 8 A1
003-I WANT A 97 No chorus 116 00 SAMPLE 11 A2
004-I WANT A 98 No chorus 116 00 SAMPLE 17 F3
005-I WANT A 99 No chorus 116 00 SAMPLE 9 D4
006-I WANT A 100 No chorus 116 00 SAMPLE 7 B4
007-I WANT A 101 No chorus 116 00 SAMPLE 15 E5
008-I WANT A 102 No chorus 116 00 SAMPLE 20 G5
009-I WANT A 103 No chorus 116 00 SAMPLE 14 A5
010-I WANT A 104 No chorus 116 00 SAMPLE 19 A#5
011-I WANT A 105 No chorus 116 00 SAMPLE 1 C6
012-I WANT A 106 No chorus 116 00 SAMPLE 5 C#6
013-I WANT A 107 No chorus 116 00 SAMPLE 3 D6
014-I WANT A 108 No chorus 116 00 SAMPLE 2 E6
015-I WANT A 109 No chorus 116 00 SAMPLE 16 F6
016-I WANT A 110 No chorus 116 00 SAMPLE 6 G6
017-I WANT A 111 No chorus 116 00 SAMPLE 8 A0
018-I WANT A 112 No chorus 116 00 SAMPLE 12 E1
019-I WANT A 113 No chorus 116 00 SAMPLE 8 A1
020-I WANT A 114 No chorus 116 00 SAMPLE 11 A2
021-I WANT A 115 No chorus 116 00 SAMPLE 17 F3
022-I WANT A 116 No chorus 116 00 SAMPLE 9 D4
023-I WANT A 117 No chorus 116 00 SAMPLE 7 B4
024-I WANT A 118 No chorus 116 00 SAMPLE 10 E5
025-I WANT A 119 No chorus 116 00 SAMPLE 10 G5
026-I WANT A 120 No chorus 116 00 SAMPLE 13 A5
027-I WANT A 121 No chorus 116 00 SAMPLE 18 A#5
028-I WANT A 122 No chorus 116 00 SAMPLE 1 C6
029-I WANT A 123 No chorus 116 00 SAMPLE 4 C#6
030-I WANT A 124 No chorus 116 00 SAMPLE 3 D6
031-I WANT A 125 No chorus 116 00 SAMPLE 2 E6
032-I WANT A 126 No chorus 116 00 SAMPLE 16 F6
033-I WANT A 127 No chorus 116 00 SAMPLE 6 G6

Other posters and advertisements

  • alt language

    Alan Wilder Collected Poster

  • alt language

    Alan Wilder Omega Auction Poster

  • alt language

    Omega Auction Collected Poster with dates

  • alt language

    Alan Wilder Collected+ Poster

  • alt language

    Alan Wilder Collected auction booklet

Trivia

Alan Wilder performing with the Emax II Turbo
The Alan Wilder / Depeche Mode Collection: Pearl – drum trigger pads
  • The live renditions of 'Never Turn Your Back On Mother Earth' and 'It Doesn't Matter' as played on the Music For The Masses Tour are the only known Depeche Mode songs to have used sequences played back live directly from the EMU Emax sampler keyboard.
  • Second generation copies of the sound bank containing Wilder's musical parts for 'Fly On The Windscreen' and a secondary bank for 'Walking In My Shoes' were initially incapable of conversion to other sampler formats using EMXP, a popular software tool for converting disks and files for EMU sampler products. This was due to a software bug which produced a "corrupt voice error 24" message when encountering negative settings for the "Velocity-to-Resonance" parameter within the sound bank's 'WALK PIANO' preset. Notably, "Velocity" is the only Emax sampler parameter that can have a negative value. This bug was fixed as of EMXP v3.00.3.[17]
  • Wilder's Devotional and Exotic tour sound banks have an average Emax filter value of 117, an average resonance value of 22, and an average chorus value of 13 across two hundred and forty-four samples. Of these samples, 77 are looped samples and 87 are one shots (the difference in totals between these two figures is a result of some samples being used multiple times in the same preset).
    • Wilder played live keyboard and live drums on approximately 64% and 17% respectively of the songs played on the Devotional tour. On the Exotic tour, he played live keyboard and live drums approximately 53% and 35% respectively.
    • Martin Gore played live keyboard, live guitar, and sang lead vocals on approximately 42%, 28%, and 28% respectively of all songs played on the Devotional and Exotic tours.
    • Andrew Fletcher (and later Daryl Bamonte starting from the April 4th, 1994 São Paulo show onwards) played live keyboard on approximately 60% of the songs played on the Devotional and Exotic tours.

References

  1. ↑ Zip discs are a high-capacity floppy disk data storage format introduced in 1995.
  2. ↑ 2.0 2.1 The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs
  3. ↑ 3.0 3.1 Source: The Alan Wilder / Depeche Mode Collection: 20 x AW / DM sound sample ZIP discs
  4. ↑ The two gospel backing vocalists employed for the 1993 Devotional Tour and 1994 Exotic Tour were Hildia Campbell and Samantha Smith
  5. ↑ Pronunciation of SCSI, "Small Computer System Interface" (Wikipedia)
  6. ↑ Tom Carpenter, founder of Analogue Solutions
  7. ↑ 'Strangelove' was also rehearsed for the 1993 Devotional Tour, but ultimately was never performed.
  8. ↑ Strangely, 'Black Celebration's sound bank is not listed on the auction page, despite a sound bank existing for the song on the zip drives sold at auction.
  9. ↑ Strangely, 'Master And Servant's sound bank is not listed on the auction page, despite a sound bank existing for the song on the zip drives sold at auction.
  10. ↑ This sound bank includes one-shot percussion hits for multiple songs, including People Are People, Master And Servant, and Stripped. The sound bank was available to all three keyboardists loaded via Emax samplers and was triggered via onstage drum-pads.
  11. ↑ Though not explicitly mentioned on the auction page, some tracks were also played during the Exotic tour, with live renditions of 'Waiting For The Night' and 'I Want You Now' played exclusively during that tour.
  12. ↑ This sound bank includes a second preset labeled 'WALK PIANO'. It is unclear why this preset for Walking In My Shoes was saved to Alan Wilder's primary bank for 'Fly On The Windscreen'. This bank was played by Wilder in addition to his primary 'Walking In My Shoes' sound bank and was switched using MIDI triggered via footswitch. Wilder's primary 'Walking In My Shoes' bank was never included in the auction due to Wilder having been unable to locate the first of two discs containing his 1993 Devotional Tour sound banks.
  13. ↑ 'Nothing' was rehearsed, but was never performed during the 1993 Devotional Tour or 1994 Exotic Tour.
  14. ↑ 'Something To Do' was performed only once during the 1993 Devotional Tour, on 1993-05-25 Forest National Stadium, Brussels, Belgium; it replaced 'Fly On The Windscreen' in the typical concert set list.
  15. ↑ Leave In Silence was rehearsed, but was never performed during the 1993 Devotional Tour or 1994 Exotic Tour.
  16. ↑ 'Waiting For The Night' was played at several concerts at the start of the 1994 Exotic Tour.
  17. ↑ Source: eiiiforum post by EMXP author esynthesist.
Retrieved from "https://dmlive.wiki/w/index.php?title=Live_sound_banks&oldid=53781"