2023-12-17 Crypto.com Arena, Los Angeles, CA, USA/Source 1: Difference between revisions
DMLiveWiki (talk | contribs) (Created page with "== Notes == An excellent matrix recording of an in-ear monitor feed and two audience recordings. Tracks 3, 4, and 5 include partial IEM in the matrix because of issues with the recording. As a result, they sound somewhat inconsistent overall because the audience recording fills in the gaps. Click track has been removed where feasible, but a click here and there is still occasionally heard, and there is a hi-hat guide track during My Cosmos Is Mine and Wagging Ton...") |
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== Notes == | == Notes == | ||
An excellent matrix recording | An excellent matrix recording created from an in-ear monitor feed and two audience recordings. Notably, Tracks 3, 4, and 5 only include partial in-ear monitor (IEM) audio due to recording challenges, resulting in some inconsistency. The audience recording steps in to fill the gaps, creating a good but occasionally uneven listening experience. | ||
Efforts have been made to remove the click track where possible. However, it may still be audible here and there, and a hi-hat guide track accompanies [[My Cosmos Is Mine]] and [[Wagging Tongue]], just before the kick drum begins. Some songs feature subtle cowbell guide sounds in certain sections. | |||
From the latter part of [[It's No Good]] onward, the IEM recording stabilizes, ensuring a consistent sound for the remainder of the concert. | |||
For those seeking a tailored experience, three bonus versions of [[It's No Good]] are provided. These options allow you to exclude audience/partial IEM tracks for your listening copy. | |||
*One with a fade-in at the beginning of the IEM portion, including only the last third of the song from where the consistent IEM begins. | |||
*The IEM portion of the song without the fade-in. | |||
*A pure audience version until the consistent IEM segment begins. | |||
Additionally, if you prefer to eliminate the inconsistency in other partially IEM matrixed tracks while maintaining a complete recording, you can substitute the "audience only" tracks from either [[2023-12-17 Crypto.com Arena, Los Angeles, CA, USA/Source 2|Source 2]] (a matrix of the two audience sources only) or [[2023-12-17 Crypto.com Arena, Los Angeles, CA, USA/Source 3|Source 3]] ('''[[User:DMLiveWiki|DMLiveWiki]]''''s recording). | |||
Immense thanks to '''bias''' for dedicating countless hours to creating this matrix, and heartfelt thanks to '''fried_morals''' and '''Anonymous''' for their contributions in recording [[2023-12-17 Crypto.com Arena, Los Angeles, CA, USA/Source 4|Source 4]] and the IEM portion, respectively. | |||
For those interested, an audience matrix of DMLiveWiki's and fried_morals's audience recordings can be accessed at [[2023-12-17 Crypto.com Arena, Los Angeles, CA, USA/Source 2|Source 2]]. | |||
Both individual audience recordings utilized in this matrix are available separately as [[2023-12-17 Crypto.com Arena, Los Angeles, CA, USA/Source 3|Source 3]] ([[User:DMLiveWiki|DMLiveWiki]]) and [[2023-12-17 Crypto.com Arena, Los Angeles, CA, USA/Source 4|Source 4]] (fried_morals), respectively. | |||
== Listen == | == Listen == |
Revision as of 18:34, 22 January 2024
Notes
An excellent matrix recording created from an in-ear monitor feed and two audience recordings. Notably, Tracks 3, 4, and 5 only include partial in-ear monitor (IEM) audio due to recording challenges, resulting in some inconsistency. The audience recording steps in to fill the gaps, creating a good but occasionally uneven listening experience.
Efforts have been made to remove the click track where possible. However, it may still be audible here and there, and a hi-hat guide track accompanies My Cosmos Is Mine and Wagging Tongue, just before the kick drum begins. Some songs feature subtle cowbell guide sounds in certain sections.
From the latter part of It's No Good onward, the IEM recording stabilizes, ensuring a consistent sound for the remainder of the concert.
For those seeking a tailored experience, three bonus versions of It's No Good are provided. These options allow you to exclude audience/partial IEM tracks for your listening copy.
- One with a fade-in at the beginning of the IEM portion, including only the last third of the song from where the consistent IEM begins.
- The IEM portion of the song without the fade-in.
- A pure audience version until the consistent IEM segment begins.
Additionally, if you prefer to eliminate the inconsistency in other partially IEM matrixed tracks while maintaining a complete recording, you can substitute the "audience only" tracks from either Source 2 (a matrix of the two audience sources only) or Source 3 (DMLiveWiki's recording).
Immense thanks to bias for dedicating countless hours to creating this matrix, and heartfelt thanks to fried_morals and Anonymous for their contributions in recording Source 4 and the IEM portion, respectively.
For those interested, an audience matrix of DMLiveWiki's and fried_morals's audience recordings can be accessed at Source 2.
Both individual audience recordings utilized in this matrix are available separately as Source 3 (DMLiveWiki) and Source 4 (fried_morals), respectively.
Listen
You can listen to this entire recording below.
Track list
- [2:27] Play Intro (Speak To Me)
- [5:17] Play My Cosmos Is Mine
- [3:43] Play Wagging Tongue
- [6:44] Play Walking In My Shoes
- [5:11] Play It's No Good
- [5:10] Play Policy Of Truth
- [5:08] Play In Your Room
- [7:58] Play Everything Counts
- [5:15] Play Precious
- [4:11] Play My Favourite Stranger
- [7:19] Play Home (*)
- [6:35] Play But Not Tonight (*)
- [4:09] Play Ghosts Again
- [5:23] Play I Feel You
- [4:27] Play A Pain That I'm Used To
- [5:14] Play World In My Eyes
- [5:13] Play Black Celebration
- [5:19] Play Stripped
- [4:19] Play John The Revelator
- [10:53] Play Enjoy The Silence
- [5:41] Play Waiting For The Night
- [6:22] Play Just Can't Get Enough
- [6:36] Play Never Let Me Down Again
- [8:12] Play Personal Jesus
- Total time: 2:16:46
Lineage
- Lineage (matrix): magic work by bias
- Lineage (DMLiveWiki AUD - Source 3): Sound Professionals SP-CMC-2 (Audio Technica AT831) cardioid microphones -> Sound Professionals SP-SPSB-4 battery box (fresh A23 battery) -> Sony PCM-A10 recorder (24/96, "audio in" at level 07) -> WAV 24/96 files -> WAV files merged -> resampled to 16/44 for matrix
- Lineage (fried_morals AUD - Source 4): Sound Professionals SP-CMC-8 cardioid microphones w/ mods -> Sony PCM-A10 recorder (24/96) w/ SanDisk 64GB Class 10 MicroSD card -> WAV 24/96 files -> Adobe Audition 2023 CC (normalize/amplify/track splits) -> FLAC -> resampled to 16/44 for matrix
- IEM taper: Anonymous
- Set list sheet scan (DMLiveWiki) & photo (fried_morals), DMLiveWiki's ticket screenshot and photo of taping location, original info files, and auCDtectTaskManager log included
Download
- Download ZIP - FLAC 16-bit 44.1KHz - 894.37MB