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Page title matches
- *Total time: 1:18:072 KB (362 words) - 20:20, 21 March 2020
- ...t missing recordings or subpar quality if you're not contributing--pushing 1's and 0's around on the internet is no comparison for taping. ...Zotope MBIT+ -> FLAC (Trader's Little Helper) -> re-encode with newer FLAC 1.4.2, level 8 compression8 KB (1,160 words) - 14:36, 21 October 2023
- 2 KB (230 words) - 19:00, 26 February 2024
- {{S|1}} is an instrumental song from the 1986 extended play ''[[1 + 2]]'' by [[Recoil]]. [[Category:1 + 2 songs]]310 bytes (38 words) - 09:04, 4 February 2023
- {{BONG|1 (MR edit)}} ...efore had scored both goals in a Depeche v Intercord football match! The 2-1 win was the first ever victory against the German Intercord squad! When And19 KB (3,701 words) - 14:33, 26 July 2020
- {{PrevnextAlbum/Head|colorscheme=1+2}} {{PrevnextAlbum/Top|colorscheme=1+2}}1 KB (184 words) - 09:14, 4 February 2023
- {{Template:Lyrics|Black Box (Pt. 1)|2 KB (267 words) - 15:56, 15 May 2020
- 142 bytes (18 words) - 22:37, 15 August 2019
- #REDIRECT [[Black Box (Pt. 1)]]31 bytes (4 words) - 22:52, 3 November 2019
- '[[Interlude No. 1 - Mission Impossible]]' is the first unlisted instrumental interlude to app <metadesc>'Interlude No. 1 - Mission Impossible' is the first unlisted instrumental interlude to appea670 bytes (96 words) - 12:46, 11 June 2020
- #REDIRECT [[1981-10-23 Something Else, BBC2, London, England, UK/Source 1]]75 bytes (10 words) - 16:45, 10 June 2022
- 521 bytes (65 words) - 00:53, 30 March 2020
- ...you chose those tracks, and what you're bringing to the listeners of Radio 1. Martin: Hello, this is Martin Gore, and you're listening to my mix on Radio 1's Residency.10 KB (1,765 words) - 20:45, 19 March 2019
- ...dy Fletcher and Dave Gahan also did an interview with radio station Europe 1 to talk about the upcoming [[1984-12-17 Bercy, Paris, France|concert at Ber760 bytes (106 words) - 00:41, 30 March 2020
- 4 KB (594 words) - 12:24, 14 April 2024
- #[1:25] <sm2>https://media.dmlive.wiki/stream/dm1982-12-04.aud.unknown.unknown.3 KB (387 words) - 17:42, 11 April 2023
- *Total time: 1:59:583 KB (530 words) - 21:47, 1 October 2019
- <html5media>https://media.dmlive.wiki/stream/dm1987-10-25.WM-D6C.EllyA.1.flac1644/complete.m4a</html5media> #[1:48] <sm2>https://media.dmlive.wiki/stream/dm1987-10-25.WM-D6C.EllyA.1.flac1644/01.m4a</sm2> [[Pimpf]]6 KB (880 words) - 19:38, 7 February 2024
- *Total time: 1:29:323 KB (476 words) - 20:40, 19 March 2019
- 3 KB (471 words) - 17:06, 20 May 2023
- *Total time: 1:44:483 KB (544 words) - 06:48, 25 December 2022
- *Total time: 1:53:163 KB (484 words) - 20:30, 9 November 2019
- #[1:34] <sm2>https://media.dmlive.wiki/stream/dm1993-05-29.aud.CrystalCat.0.fla *Total time: 1:50:303 KB (534 words) - 19:42, 22 October 2023
- <html5media>https://media.dmlive.wiki/stream/dm1990-09-29.aud.MP.1.flac1644/complete.m4a</html5media> #[3:15] <sm2>https://media.dmlive.wiki/stream/dm1990-09-29.aud.MP.1.flac1644/01.m4a</sm2> [[Kaleid]]3 KB (500 words) - 10:06, 16 July 2023
- *Total time: 1:58:023 KB (471 words) - 06:22, 4 June 2023
- *Total time: 1:55:103 KB (454 words) - 19:43, 27 February 2024
- #REDIRECT [[1993-06-11 Frankenhalle, Nuremberg, Germany/Source 1]]66 bytes (7 words) - 06:38, 11 June 2019
- *Total time: 1:51:243 KB (480 words) - 16:25, 9 May 2023
- #[1:20] <sm2>https://media.dmlive.wiki/stream/dm1984-11-20.aud.unknown.unknown. *Total time: 1:31:343 KB (439 words) - 20:40, 19 March 2019
- *Total time: 1:44:29 ...any DC bias removed -> WAV -> FLAC level 8 using foobar2000 v1.3 and FLAC 1.3.0 64-bit, tracked using cuesheet4 KB (607 words) - 11:24, 2 September 2023
- #[1:56] <sm2>https://media.dmlive.wiki/stream/dm1986-04-24.aud.unknown.unknown. *Total time: 1:26:333 KB (496 words) - 20:40, 19 March 2019
- ...iki/stream/dm1993-05-28.ECM-101.Jofa.0.flac1644/16.m4a</sm2> Encore Break #1 *Total time: 1:48:184 KB (571 words) - 13:18, 21 April 2023
- ...illiant recording is available: [[1982-03-06 Rockola, Madrid, Spain/Source 1]]3 KB (546 words) - 17:36, 11 April 2023
- *Total time: 1:54:043 KB (456 words) - 20:04, 21 January 2021
- 4 KB (542 words) - 21:47, 1 October 2019
- <html5media>https://media.dmlive.wiki/stream/dm1987-10-26.WM-D6C.EllyA.1.flac1644/complete.m4a</html5media> #[3:47] <sm2>https://media.dmlive.wiki/stream/dm1987-10-26.WM-D6C.EllyA.1.flac1644/01.m4a</sm2> [[Pimpf]]5 KB (737 words) - 19:38, 7 February 2024
- *Total time: 1:49:583 KB (473 words) - 03:09, 17 April 2023
- *Total time: 1:32:14 ...ing Audacity 2.0.6 -> WAV (24/48) tracks -> FLAC 16-bit 44.1khz using FLAC 1.3.0 64-bit (level 8 compression) and foobar2000 v1.3.5 with its Resampler (3 KB (521 words) - 15:32, 14 April 2023
- *Total time: 1:29:303 KB (489 words) - 06:08, 24 August 2023
- #[1:15] <sm2>https://media.dmlive.wiki/stream/dm2024-02-06.DPA4061.stl.0.flac24 ....4.0.1926 -> Wavelab Pro v11.2 Build 13 -> Adobe Audition CC 2018 Build 11.1.0.184 -> FLAC level 85 KB (856 words) - 08:18, 20 April 2024
- 3 KB (503 words) - 17:10, 20 May 2023
- #[1:13] <sm2>https://media.dmlive.wiki/stream/dm2010-01-29.AT-853h.Ballerusk.0. *Total time: 1:53:383 KB (504 words) - 20:21, 21 January 2021
- #[1:27] <sm2>https://media.dmlive.wiki/stream/dm1988-03-09.aud.unknown.unknown. *Total time: 1:28:353 KB (513 words) - 23:16, 21 November 2019
- *Total time: 1:28:463 KB (437 words) - 09:32, 30 March 2020
- *Total time: 1:55:053 KB (499 words) - 16:48, 6 May 2023
- *Total time: 1:58:173 KB (459 words) - 06:23, 4 June 2023
- 3 KB (516 words) - 20:41, 19 March 2019
- *Total time: 1:44:073 KB (464 words) - 20:41, 19 March 2019
- 3 KB (473 words) - 21:08, 21 January 2021
- #[1:51] <sm2>https://media.dmlive.wiki/stream/dm2006-01-31.aud.unknown.unknown.3 KB (516 words) - 13:35, 1 October 2019
- *Total time: 1:54:283 KB (455 words) - 20:03, 21 January 2021
- #[1:19] <sm2>https://media.dmlive.wiki/stream/dm2018-07-23.CA-14.Ronny.0.flac24 ...g at the end of the lineage: downsampled to FLAC 16-bit 44.1khz using FLAC 1.3.2 64-bit (level 8 compression) and foobar2000 v1.5.2 with its Resampler (4 KB (550 words) - 19:43, 27 February 2024
- *Total time: 1:51:233 KB (480 words) - 16:29, 9 May 2023
- *Total time: 1:41:233 KB (458 words) - 19:38, 7 February 2024
- *Total time: 1:30:513 KB (466 words) - 20:40, 19 March 2019
- *Total time: 1:43:093 KB (503 words) - 04:34, 15 April 2023
- #[1:46] <sm2>https://media.dmlive.wiki/stream/dm1993-05-31.WM-D3.unknown.low-ge *Total time: 1:46:333 KB (511 words) - 13:20, 21 April 2023
- <html5media>https://media.dmlive.wiki/stream/dm1987-10-29.WM-D6C.EllyA.1.flac1644/complete.m4a</html5media> #[3:53] <sm2>https://media.dmlive.wiki/stream/dm1987-10-29.WM-D6C.EllyA.1.flac1644/01.m4a</sm2> [[Pimpf]]5 KB (751 words) - 19:38, 7 February 2024
- *Total time: 1:11:083 KB (407 words) - 20:40, 19 March 2019
- *Total time: 1:52:453 KB (458 words) - 20:59, 21 January 2021
- *Total time: 1:33:423 KB (463 words) - 19:38, 7 February 2024
- *Total time: 1:15:153 KB (501 words) - 16:41, 24 April 2024
- 3 KB (517 words) - 10:01, 9 June 2023
- *Total time: 1:45:073 KB (475 words) - 20:24, 10 May 2023
- *Total time: 1:28:273 KB (493 words) - 09:37, 14 April 2023
- *Total time: 1:54:103 KB (522 words) - 13:35, 1 October 2019
- 4 KB (576 words) - 16:26, 31 August 2023
- 2 KB (249 words) - 06:19, 26 March 2023
- *Total time: 1:20:453 KB (414 words) - 15:27, 17 January 2024
- A very good audience recording. Tracks 1 through 13 are from the silver CD bootleg "Sweetest Violation" ([http://www *Total time: 1:43:494 KB (675 words) - 15:56, 5 July 2023
- *Total time: 1:54:293 KB (460 words) - 06:25, 4 June 2023
- *Total time: 1:30:483 KB (449 words) - 20:41, 19 March 2019
- *Total time: 1:13:443 KB (413 words) - 20:40, 19 March 2019
- *Total time: 1:52:153 KB (481 words) - 16:30, 9 May 2023
- 14 KB (2,454 words) - 12:58, 4 March 2023
- #[1:52] <sm2>https://media.dmlive.wiki/stream/dm2006-02-26.aud.unknown.unknown.4 KB (584 words) - 13:41, 1 October 2019
- *Total time: 1:35:223 KB (472 words) - 23:02, 21 November 2019
- *Total time: 1:15:23 ...l only) to remove the majority of clicks -> WAV -> tracked in Audacity 2.1.1 -> FLAC level 8 tracks5 KB (727 words) - 20:40, 19 March 2019
- #[1:52] <sm2>https://media.dmlive.wiki/stream/dm1984-12-11.aud.unknown.low-gen. *Total time: 1:24:384 KB (714 words) - 04:21, 13 April 2023
- *Total time: 1:23:273 KB (433 words) - 10:48, 30 March 2020
- *Total time: 1:58:213 KB (479 words) - 17:11, 20 May 2023
- *Total time: 1:33:113 KB (477 words) - 19:13, 2 September 2021
- *Total time: 1:42:333 KB (500 words) - 11:16, 2 September 2023
- *Total time: 1:38:523 KB (487 words) - 14:42, 10 May 2023
- ...day. Audio originally hosted on the [http://radio1.cz/rozhovory_dnl/ Radio 1] website.578 bytes (79 words) - 15:41, 30 March 2020
- 3 KB (451 words) - 21:11, 22 January 2021
- ...urs. We start recording about 12 or 1 in the afternoon, we work till about 1 or 2 in the morning, and it's nice to be able to go for after- because imag4 KB (622 words) - 00:28, 11 January 2020
- *Total time (including bonus tracks): 1:54:044 KB (587 words) - 17:57, 1 September 2023
- *Total time: 1:58:433 KB (471 words) - 06:26, 4 June 2023
- ...Audacity 2.1.0 -> WAV (32/96) tracks -> FLAC 16-bit 44.1khz using FLAC 1.3.1 64-bit (level 8 compression) and foobar2000 v1.3.8 with its Resampler (SoX)6 KB (955 words) - 18:40, 30 September 2023
- ...15 seconds from the beginning of the song, and [[And Then...]] is missing 1 minute and 30 seconds from the beginning of the song due to tape flip. Othe *Total time: 1:14:393 KB (539 words) - 16:12, 12 April 2023
- *Total time: 1:51:543 KB (480 words) - 16:36, 9 May 2023
- 13 KB (2,511 words) - 16:15, 10 January 2020
- ...dia>https://media.dmlive.wiki/stream/dm1986-04-28.aud.bootleglp.Crepuscule.1.flac1644/complete.m4a</html5media> ...sm2>https://media.dmlive.wiki/stream/dm1986-04-28.aud.bootleglp.Crepuscule.1.flac1644/01.m4a</sm2> [[Christmas Island]]4 KB (631 words) - 03:54, 11 June 2023
- *Total time: 1:47:163 KB (495 words) - 14:40, 10 May 2023
- #[1:59] <sm2>https://media.dmlive.wiki/stream/dm2006-01-18.aud.unknown.unknown. *Total time: 1:55:543 KB (525 words) - 13:35, 1 October 2019
- #[1:51] <sm2>https://media.dmlive.wiki/stream/dm2006-02-28.aud.unknown.unknown.4 KB (584 words) - 13:41, 1 October 2019
- *Total time: 1:47:073 KB (495 words) - 16:45, 9 May 2023
- ...tps://media.dmlive.wiki/stream/dm2010-02-06.aud.unknown.unknown.mp3192/CD1/1.01.mp3</sm2> [[In Chains]] ...tps://media.dmlive.wiki/stream/dm2010-02-06.aud.unknown.unknown.mp3192/CD1/1.02.mp3</sm2> [[Wrong]]3 KB (487 words) - 21:02, 21 January 2021
- *Total time: 1:31:523 KB (450 words) - 10:51, 30 March 2020
Page text matches
- ...981-06-11 Richard Skinner Session, BBC Radio 1, London, England, UK/Source 1]]91 bytes (12 words) - 05:54, 22 October 2022
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent, slightly boomy audience recording, unfortunately with destru ...ame recording as [[1983-12-23 Musikhalle, Hamburg, Germany/Source 1|Source 1]], but without the destructive noise reduction applied. Unfortunately, it's518 bytes (66 words) - 19:01, 4 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.169 bytes (20 words) - 22:14, 1 January 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay audience recording.180 bytes (21 words) - 09:37, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.172 bytes (20 words) - 21:58, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording.177 bytes (21 words) - 21:58, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.179 bytes (21 words) - 09:36, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording.184 bytes (21 words) - 09:15, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording.184 bytes (22 words) - 09:37, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording.181 bytes (21 words) - 21:55, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording.191 bytes (21 words) - 08:33, 2 January 2017
- *[[{{PAGENAME}}/Source 1|Source 1]] is an average audience recording.183 bytes (21 words) - 21:53, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.179 bytes (21 words) - 09:39, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording with rather loud hiss.193 bytes (24 words) - 20:50, 12 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.177 bytes (22 words) - 20:55, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.180 bytes (22 words) - 21:06, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent, somewhat muffled audience recording.199 bytes (23 words) - 21:54, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a bad, incomplete audience recording.190 bytes (22 words) - 21:54, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording, with some distortion present.209 bytes (25 words) - 11:49, 14 May 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording, albeit with overpowering bass.212 bytes (25 words) - 09:36, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a great sounding, complete audience recording.197 bytes (24 words) - 14:42, 10 May 2023
- *[[{{PAGENAME}}/Source 1|Source 1]] is a mediocre audience recording; very distorted and loud.208 bytes (26 words) - 10:31, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay audience recording, unfortunately only available in a very los244 bytes (31 words) - 21:54, 14 February 2016
- *[[1982-02-16 University, Exeter, England, UK/Source 1|Source 1]] is a good audience recording.208 bytes (25 words) - 09:56, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is DB's very good master audience recording.190 bytes (22 words) - 16:44, 30 June 2017
- *[[{{PAGENAME}}/Source 1|Source 1]] is a poor audience recording, made even worse due to being encoded in 256225 bytes (30 words) - 15:30, 17 January 2024
- *[[{{PAGENAME}}/Source 1|Source 1]] is a poor audience recording, very muffled.231 bytes (28 words) - 12:18, 6 September 2022
- *[[1982-10-15 Colston Hall, Bristol, England, UK/Source 1|Source 1]] is a decent audience recording.216 bytes (27 words) - 22:05, 14 February 2016
- *[[1982-10-22 Empire Theatre, Liverpool, England, UK/Source 1|Source 1]] is a good audience recording.218 bytes (27 words) - 22:05, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording, but bass is somewhat distorted through220 bytes (27 words) - 21:58, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording with very little audience noise through225 bytes (29 words) - 20:55, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good to very good audience recording, unfortunately missing several230 bytes (28 words) - 21:52, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording sourced from a master tape.211 bytes (27 words) - 21:53, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording sourced from a master tape.211 bytes (27 words) - 21:54, 14 February 2016
- [[File:1988-02-21 Forest National, Brussels, Belgium - Ticket Stub 1.jpg|252px|right|thumb]] [[1988-02-21 Radio 1, Brussels, Belgium|Listen here]] to an interview with Andy Fletcher recorde438 bytes (60 words) - 19:40, 6 June 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good sounding, almost complete audience recording.236 bytes (30 words) - 14:57, 1 March 2023
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording. Unfortunately, it has very loud hiss and222 bytes (29 words) - 10:41, 23 April 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording, unfortunately marred by lots of wow & flu245 bytes (32 words) - 21:06, 14 February 2016
- *[[2001-07-27 Rose Garden Arena, Portland, OR, USA/Source 1|Source 1]] is a very good audience recording.231 bytes (31 words) - 21:11, 27 July 2023
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.198 bytes (23 words) - 13:41, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.198 bytes (23 words) - 13:43, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.198 bytes (23 words) - 13:26, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.198 bytes (23 words) - 13:23, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.198 bytes (23 words) - 13:28, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording.202 bytes (23 words) - 13:14, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.198 bytes (23 words) - 13:41, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.198 bytes (23 words) - 13:41, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording.202 bytes (23 words) - 13:14, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording.199 bytes (22 words) - 13:11, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording.228 bytes (28 words) - 11:43, 14 May 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good sounding, complete audience recording sourced from a maste228 bytes (30 words) - 20:59, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is Elly Apfel's very good audience recording sourced from a first generat236 bytes (29 words) - 10:59, 16 April 2016
- *[[1982-10-12 The Dome, Brighton, England, UK/Source 1|Source 1]] is a decent audience recording.213 bytes (27 words) - 22:04, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.220 bytes (26 words) - 18:40, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good, complete audience recording.223 bytes (27 words) - 14:04, 1 October 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording.224 bytes (27 words) - 20:55, 12 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay audience recording with boomy bass.215 bytes (26 words) - 13:24, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay sounding incomplete audience recording.219 bytes (25 words) - 13:24, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very average and very incomplete recording.240 bytes (30 words) - 21:53, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording.226 bytes (28 words) - 18:43, 1 July 2021
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording unfortunately encoded as MP3 128kbps.258 bytes (32 words) - 09:29, 2 May 2022
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent and complete audience recording, unfortunately suffering from274 bytes (34 words) - 13:14, 15 February 2024
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording; bass is a bit overpowering.217 bytes (26 words) - 08:35, 2 January 2017
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay audience recording; very muffled with boomy bass.249 bytes (33 words) - 20:55, 14 February 2016
- *[[1987-10-27 Paleur, Rome, Italy/Source 1|Source 1]] is a very good audience recording.219 bytes (27 words) - 10:18, 9 July 2022
- *[[{{PAGENAME}}/Source 1|Source 1]] is a mediocre audience recording.362 bytes (49 words) - 11:28, 14 October 2016
- {{S|1}} is an instrumental song from the 1986 extended play ''[[1 + 2]]'' by [[Recoil]]. [[Category:1 + 2 songs]]310 bytes (38 words) - 09:04, 4 February 2023
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording.282 bytes (35 words) - 19:01, 29 October 2019
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording; the crowd is very loud and overpowering at252 bytes (34 words) - 20:58, 14 February 2016
- *[[1988-02-15 Drammenshallen, Drammen, Norway/Source 1|Source 1]] is a very good sounding, but unfortunately incomplete audience recording.272 bytes (32 words) - 13:44, 24 April 2024
- *[[{{PAGENAME}}/Source 1|Source 1]] is a great audience recording sourced from a master tape.252 bytes (32 words) - 09:16, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a listenable audience recording, unfortunately encoded to a horrible M252 bytes (30 words) - 13:25, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording, sourced from the 2xLP bootleg [http://320 bytes (40 words) - 20:51, 12 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay audience recording. Very hissy and noisy, and bass is distorte233 bytes (30 words) - 11:14, 5 October 2016
- *[[2001-07-15 South Texas Amphitheatre, San Antonio, TX, USA/Source 1|Source 1]] is DR's good audience recording, unfortunately encoded to MP3 V0.266 bytes (34 words) - 17:17, 30 June 2017
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording.240 bytes (30 words) - 13:27, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay audience recording, marred by a lot of wow & flutter, hiss, an257 bytes (35 words) - 09:37, 15 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is Elly Apfel's very good audience recording sourced from a first-generat259 bytes (30 words) - 16:44, 30 October 2022
- *[[{{PAGENAME}}/Source 1|Source 1]] is Elly Apfel's very good audience recording sourced from a first-generat259 bytes (30 words) - 17:04, 13 February 2022
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay audience recording; distorted bass and muffled sound overall.300 bytes (41 words) - 16:23, 28 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording affected by digital glitches causing skips256 bytes (32 words) - 13:25, 1 April 2020
- *[[{{PAGENAME}}/Source 1|Source 1]] is Elly Apfel's very good complete audience recording sourced from a firs268 bytes (31 words) - 12:15, 10 July 2021
- *[[{{PAGENAME}}/Source 1|Source 1]] is Elly Apfel's very good complete audience recording sourced from a firs268 bytes (31 words) - 12:14, 10 July 2021
- *[[2001-08-03 Chronicle Pavilion, Concord, CA, USA/Source 1|Source 1]] is Slickmode's decent audience recording. Treble is extremely shrill.266 bytes (33 words) - 16:51, 30 June 2017
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good audience recording.268 bytes (35 words) - 11:43, 14 May 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very muffled audience recording.306 bytes (41 words) - 16:43, 15 May 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is JLW's very good master audience recording.278 bytes (34 words) - 19:20, 26 June 2018
- *[[1984-12-14 Alsterdorf Sporthalle, Hamburg, Germany/Source 1|Source 1]] is a very good audience recording.256 bytes (33 words) - 11:35, 21 December 2021
- *[[{{PAGENAME}}/Source 1|Source 1]] is a decent audience recording. Shrill treble and some distortion overall242 bytes (30 words) - 15:59, 26 April 2017
- *[[{{PAGENAME}}/Source 1|Source 1]] is an okay audience recording, pretty muffled and has a ringing noise thr249 bytes (32 words) - 15:59, 26 April 2017
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good, complete audience recording.214 bytes (26 words) - 13:03, 27 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording. [[Rush]] is missing most of the concert int273 bytes (34 words) - 00:38, 1 April 2020
- *[[1982-03-26 Metropol, Berlin, Germany/Source 1|Source 1]] is a good audience recording.286 bytes (39 words) - 14:55, 28 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is Elly Apfel's very good sounding audience recording sourced from a seco301 bytes (38 words) - 20:57, 14 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is a bad audience recording only available as MP3 128kbps.307 bytes (42 words) - 16:10, 9 January 2023
- ...-08-01 Sacramento Valley Amphitheatre, Sacramento, CA, USA/Source 1|Source 1]] is Jason R's very good audience recording.294 bytes (39 words) - 16:51, 30 June 2017
- *[[{{PAGENAME}}/Source 1|Source 1]] is a good audience recording sourced from a first generation tape. ...urce 2]] is a good audience recording; it's a different source than Source 1. Quiet crowd around the taper and a little reverberated; [[A Question Of Lu447 bytes (65 words) - 15:44, 4 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is Elly A's very good audience recording sourced from a first-generation297 bytes (41 words) - 12:48, 27 February 2016
- *[[{{PAGENAME}}/Source 1|Source 1]] is Elly Apfel's very good, but incomplete audience recording sourced from300 bytes (37 words) - 14:04, 19 November 2022
- *[[{{PAGENAME}}/Source 1|Source 1]] is a very good complete audience recording.309 bytes (40 words) - 12:23, 30 June 2021