2017-06-25 Stadio Olimpico, Rome, Italy/Source 1: Difference between revisions

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(Created page with "== Notes == A very good sounding in-ear monitor / audience recording matrix, created by Alessio and Gagliem, entitled "The Italian Job". Very clear and direct, though in my o...")
 
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[[Category:Audience recordings]]
[[Category:Audience recordings]]
[[Category:In-ear monitor recordings]]
[[Category:In-ear monitor recordings]]
[[Category:Matrix recordings]]
[[Category:Source]]
[[Category:Source]]
[[Category:Streamable]]
[[Category:Streamable]]

Revision as of 10:40, 1 April 2023

Notes

A very good sounding in-ear monitor / audience recording matrix, created by Alessio and Gagliem, entitled "The Italian Job". Very clear and direct, though in my opinion the treble can be somewhat shrill from time to time. auCDtectTaskManager's test of losslessness is inconclusive, though it seems that the 19khz pilot tone and noise reduction confused it; the recording does appear to be lossless.

Listen

You can listen to this entire recording below.

Track list

  1. [0:08] Play Countdown
  2. [1:12] Play Preshow
  3. [2:24] Play Intro
  4. [6:18] Play Going Backwards
  5. [4:40] Play So Much Love
  6. [5:53] Play Barrel Of A Gun
  7. [4:33] Play A Pain That I'm Used To
  8. [5:05] Play Corrupt
  9. [6:46] Play In Your Room
  10. [5:35] Play World In My Eyes
  11. [5:39] Play Cover Me
  12. [4:26] Play A Question Of Lust (*)
  13. [7:52] Play Home (*)
  14. [3:38] Play Poison Heart
  15. [5:11] Play Where's The Revolution
  16. [4:11] Play Wrong
  17. [7:14] Play Everything Counts
  18. [5:08] Play Stripped
  19. [7:42] Play Enjoy The Silence
  20. [6:26] Play Never Let Me Down Again
  21. [2:52] Play Encore Break
  22. [5:29] Play Somebody (*)
  23. [7:09] Play Walking In My Shoes
  24. [6:53] Play Heroes
  25. [6:31] Play I Feel You
  26. [5:46] Play Personal Jesus
  27. [1:26] Play Outro
  • Total time: 2:16:07

Lineage

  • 2 sources, detailed below -> Audacity 2.0.5 (noise reduction, volume adjustments, equalization, track splitting) -> WAV -> FLAC level 8 -> additional editing by Gagliem (audience recording - close voices / clapping attenuation, repair of matrix glitches) -> FLAC level 8
    • Source 1: in-ear monitor recording received in trade; IEM receiver -> Edirol R-09 @ 16/44
    • Source 2: Alberto's audience recording; AT-943(H) microphones -> CA-9100 preamplifier -> Marantz PMD620 (24/48)
  • Artwork PDF, original info file, and inconclusive auCDtectTaskManager log included.

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