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{{Song
{{Prevnext|
|title=Little 15
prev=Sacred|
|screen=hd
next=Behind The Wheel|
|screenshot=Single-Little15.jpg
colorscheme=Little15}}
|artist=[[Depeche Mode]]
 
|album=[[Music For The Masses]]
{{Song infobox
|songwriter=[[Martin L. Gore]]
| title = Little 15
|producer=[[Depeche Mode]]<br>[[David Bascombe]]<br>[[Daniel Miller]]
| screenshot = Single-Little15.jpg
|studio=Guillaume Tell (Paris)<br>Konk (London)<br>Puk Studios, Denmark
| artist = [[Depeche Mode]]
|label=[[Mute Records]]
| songwriter = [[Martin L. Gore]]
|length=4:15
| producer = [[Depeche Mode]]<br>[[Dave Bascombe]]<br>[[Daniel Miller]]
|tempo=108
| studio = Guillaume Tell (Paris),<br>Konk (London),<br>Puk (Denmark)
|timesignature=4/4
| length = 4:15
|key=D♭ Minor
| tempo = 108
|recordingdate=February - July, 1987
| timesignature = {{music|time|4|4}}
|releasedate=May 16, 1988
| key = D♭ Minor
|colorscheme=Little15
| recordingdate = February–July 1987
| releasedate = 16 May 1988
| colorscheme = Little15
}}
}}
{{S|Little 15}} is a song from the 1987 album ''[[Music For The Masses]]'' by [[Depeche Mode]]. It was released as a single on 16 May 1988.


== Notes ==
== Notes ==
Dave Gahan told [[1987-12-03 KROQ, Los Angeles, CA, USA|KROQ radio in 1987]]:
 
{{MLG}} told Swedish magazine "Slitz" in 1987 (translated from Swedish):
<blockquote>
<blockquote>
"'Little 15' is actually about a guy. It's about a boy. See, a lot of people have taken that song already in the wrong way, they think it's about a small girl, but it's not. It's actually about a boy, and his mother is talking to him. She's saying, "Look, you're gonna grow up and everything, and this is what it's gonna be like. It's not a bed of roses, and you're gonna be going out into the big, bad world soon". It's about a boy and his mother, his older mother. To be honest, when Martin wrote the song and he brought it to us and I read the lyrics and stuff - it's actually one of my favourite songs on the album - but when he brought it to me I thought immediately it was about a little girl, one of his, you know, ''things''... But we won't talk about those!"
"To me, it’s about a bored, middle-aged house wife trying to find a new lease on life through a young boy. It doesn’t have to be sexual. Although this particular song is about one of our classmates who DID have an affair with a middle-aged woman when he was 15."
</blockquote>
 
[[Dave Gahan]] told [[1987-12-03 KROQ, Los Angeles, CA, USA|KROQ radio in 1987]]:
<blockquote>
'Little 15' is actually about a guy. It's about a boy. See, a lot of people have taken that song already in the wrong way, they think it's about a small girl, but it's not. It's actually about a boy, and his mother is talking to him. She's saying, "Look, you're gonna grow up and everything, and this is what it's gonna be like. It's not a bed of roses, and you're gonna be going out into the big, bad world soon." It's about a boy and his mother, his older mother. To be honest, when Martin wrote the song and he brought it to us and I read the lyrics and stuff - it's actually one of my favourite songs on the album - but when he brought it to me I thought immediately it was about a little girl, one of his, you know, "things"... But we won't talk about those!
</blockquote>
</blockquote>


Q & A from [http://oldsite.recoil.co.uk/forum/qa/gother6.htm Alan Wilder's Shunt archive]:
Q & A from [http://oldsite.recoil.co.uk/forum/qa/gother6.htm Alan Wilder's Shunt archive]:
<blockquote>Steph: You're smart to expose Paris [Alan's daughter -ed] to [Michael] Nyman - what is your favourite of his work? I am partial to 'The Piano' soundtrack. I can't listen to him without being transported somewhere else in the universe. Has he influenced you in any way? Do you see any similarities in your respective styles?
<blockquote>'''Steph''': You're smart to expose Paris [Wilder's daughter] to {{EL|https://en.wikipedia.org/wiki/Michael_Nyman Nyman}} - what is your favourite of his work? I am partial to ''{{EL|https://en.wikipedia.org/wiki/The_Piano The Piano}}'' soundtrack. I can't listen to him without being transported somewhere else in the universe. Has he influenced you in any way? Do you see any similarities in your respective styles?


Alan: I didn't think 'The Piano' was very good. I hated the film too. I prefer 'A Zed And Two Noughts'. I suppose there is some influence - listen to 'Little 15'.
'''Alan Wilder''': I didn't think 'The Piano' was very good. I hated the film too. I prefer ''{{EL|https://en.wikipedia.org/wiki/A_Zed_%26_Two_Noughts A Zed And Two Noughts}}''. I suppose there is some influence - listen to 'Little 15'.
</blockquote>
</blockquote>


Alan Wilder (and Dave Gahan) elaborated on this in the 2006 Music For The Masses Remaster DVD documentary:
Wilder and Gahan elaborate on this influence in the 2006 ''[[Music For The Masses]]'' remaster DVD documentary:
<blockquote>
<blockquote>
Alan Wilder: "I remember [that] 'Little 15' was being quite a difficult track. We had left it to the last [day] because we really didn't know how to go about it. We had this song, it seemed... it was just difficult to know what to do with it. And I can remember I had just been to see "A Zed & Two Noughts" by Peter Greenway, and all his music, that is [from] Michael Nyman. And so, somewhere amongst our discussions, we said: "Why don't we try and do it in this sort of Nyman and "A Zed & Two Noughts" kind of way?". But from there, it was just easy, it just flowed. It all started with this funny, little, hypnotic cycle sequence, and then - bang, bang, bang - all the parts came together."
'''Alan Wilder''': I remember [that] 'Little 15' was being quite a difficult track. We had left it to the last [day] because we really didn't know how to go about it. We had this song, it seemed... it was just difficult to know what to do with it. And I can remember I had just been to see ''A Zed & Two Noughts'' by {{EL|https://en.wikipedia.org/wiki/Peter_Greenaway Peter Greenaway}}, and all his music, that is [from] Michael Nyman. And so, somewhere amongst our discussions, we said: "Why don't we try and do it in this sort of Nyman and ''A Zed & Two Noughts'' kind of way?". But from there, it was just easy, it just flowed. It all started with this funny, little, hypnotic cycle sequence, and then - bang, bang, bang - all the parts came together.


Dave Gahan: "That was Alan's, like, schooling, his musicianship. He's a fantastic piano player. And I don't think we appreciated that at the time."
'''Dave Gahan''': That was Alan's, like, schooling, his musicianship. He's a fantastic piano player. And I don't think we appreciated that at the time.
</blockquote>
</blockquote>


Dave Bascombe told [http://www.superdeluxeedition.com/interview/producer-dave-bascombe-on-depeche-modes-music-for-the-masses Super Deluxe Edition] in July 2019:
Album producer Dave Bascombe describes the impact of Wilder's influence on the production of 'Little 15'<ref name="DB">Source: {{EL|http://www.superdeluxeedition.com/interview/producer-dave-bascombe-on-depeche-modes-music-for-the-masses Producer Dave Bascombe on Depeche Mode’s ‘Music For The Masses’}} - ''Super Deluxe Edition'' - July 2019</ref>:
<blockquote>"... There’s a lot of reverb on that album which is ‘of the time’, but I suppose the cinematic thing was Alan. And the orchestral stuff, like in ‘Little 15’, there’s a lot of orchestral samples in there that we spent ages working on and that was definitely Alan, [he’s] definitely the reason for that."</blockquote>
 
Wilder writes on the official [[Recoil]] website in 1998:
<blockquote>
<blockquote>
"[T]he orchestral stuff, like in 'Little 15', there's a lot of orchestral samples in there that we spent ages working on and that was definitely Alan, [he's] definitely the reason for that."
"'Little 15' was never intended as a single - in fact from the outset, it was touch and go as to whether the track would even be recorded at all. However, encouraged by Dan Miller, an experimental approach in the studio gave rise to a simple ballad based around a Nymanesque opening string arrangement. It was the French record company who later insisted the song was perfect for their market resulting in a release geared towards this territory only. There is some confusion over which other European countries eventually released the single. Certainly, it was never officially released in England and yet, remarkably still managed to chart on Import only - a perfect demonstration of the die hard following that DM now enjoyed."<ref>Source: {{EL|http://oldsite.recoil.co.uk/report/edit/dm8698/mftm5.htm recoil.co.uk}}</ref>
</blockquote>
</blockquote>


Alan Wilder also wrote in [http://oldsite.recoil.co.uk/report/edit/dm8698/mftm5.htm his 86-98 editorial] in 1998:
Martin describes an unnamed ballad in Bravo Magazine issue #44 in 1987. Given the fact that the recording of this song is said to have been postponed until the end, and Alan's quotes of 'Little 15' being postponed until the end of the recording session, it can be guessed that this quote is about 'Little 15':
<blockquote>
<blockquote>"There's a ballad on the new album that Andy has rejected from the start. He refused to play the thing. He thought it was too sad, and it really seemed to affect him. We nevertheless started to work on it. And almost until the end he kept saying that he didn't want to play the thing. Funnily enough, the song is now his favorite on the record."</blockquote>
"'Little 15' was never intended as a single - in fact from the outset, it was touch and go as to whether the track would even be recorded at all. However, encouraged by Dan Miller, an experimental approach in the studio gave rise to a simple ballad based around a Nymanesque opening string arrangement. It was the French record company who later insisted the song was perfect for their market resulting in a release geared towards this territory only. There is some confusion over which other European countries eventually released the single. Certainly, it was never officially released in England and yet, remarkably still managed to chart on Import only - a perfect demonstration of the die hard following that DM now enjoyed. "
</blockquote>


Martin Gore in Bong issue no. 37, 1998:  
Gore in Bong issue no. 37, 1998:  
<blockquote>
<blockquote>
"This was the only ever single in France. We were convinced by our French record company that it was a great single for France and that it had all the right ingredients to be a massive hit in France. We just looked at them and said "You're mad, Little 15 is not a single", but as it was Mute France at that time and we knew the people very well, we basically gave in to them and let them have their way. And was it a massive hit? No! Was it a hit? No!"
"This was the only ever single in France. We were convinced by our French record company that it was a great single for France and that it had all the right ingredients to be a massive hit in France. We just looked at them and said "You're mad, Little 15 is not a single", but as it was Mute France at that time and we knew the people very well, we basically gave in to them and let them have their way. And was it a massive hit? No! Was it a hit? No!"
Line 60: Line 71:


You're not part of it yet
You're not part of it yet


And if you could drive
And if you could drive
Line 68: Line 80:


To a happier day
To a happier day


That exists in your mind
That exists in your mind
Line 88: Line 101:


It's already more than enough
It's already more than enough


She knows your mind
She knows your mind
Line 96: Line 110:


And its little intrigues
And its little intrigues


Do you understand
Do you understand
Line 117: Line 132:


Why pretend
Why pretend


She's not had a life
She's not had a life
Line 125: Line 141:


Is 3 little wishes
Is 3 little wishes


She wants to see with your eyes
She wants to see with your eyes
Line 141: Line 158:
{{#widget:YouTube| id=OTUlg__sVYo}}
{{#widget:YouTube| id=OTUlg__sVYo}}


{{Template:Song87|Little 15}}
== Live performances ==
{{Live section}}


== References ==
<references />
{{Singles}}
[[Category:Singles]]
[[Category:Depeche Mode songs]]
[[Category:Depeche Mode songs]]
[[Category:Depeche Mode singles]]
[[Category:Music for the Masses songs]]
[[Category:Music for the Masses songs]]
[[Category:Music for the Masses singles]]
[[Category:Music for the Masses singles]]
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[[Category:Songs between 105-109 BPM]]
[[Category:Songs between 105-109 BPM]]
[[Category:Songs written by Martin L. Gore]]
[[Category:Songs written by Martin L. Gore]]
[[Category:Songs with official music videos]]


{{Prevnext|
<metadesc>"Little 15" is a song from the 1987 album Music For The Masses by Depeche Mode. It was released as a single on 16 May 1988.</metadesc><nowiki/>
prev=Sacred|
nextlink=Behind The Wheel|
next=Behind The Wheel|
colorscheme=Little15}}
 
{{Template:Singles}}

Latest revision as of 00:23, 22 December 2024

4. Sacred
5. Little 15
List of Music for the Masses songs
6. Behind The Wheel
Little 15
Single-Little15.jpg
Song Little 15
By Depeche Mode
Songwriter Martin L. Gore
Produced by Depeche Mode
Dave Bascombe
Daniel Miller
Recorded at Guillaume Tell (Paris),
Konk (London),
Puk (Denmark)
Length (mm:ss) 4:15
Tempo 108 BPM
Time signature 4
4
Key D♭ Minor
Recorded February–July 1987
Originally released 16 May 1988
Live performances as Depeche Mode 3 times *
Total live performances 3 times *

"Little 15" is a song from the 1987 album Music For The Masses by Depeche Mode. It was released as a single on 16 May 1988.

Notes

Martin Gore told Swedish magazine "Slitz" in 1987 (translated from Swedish):

"To me, it’s about a bored, middle-aged house wife trying to find a new lease on life through a young boy. It doesn’t have to be sexual. Although this particular song is about one of our classmates who DID have an affair with a middle-aged woman when he was 15."

Dave Gahan told KROQ radio in 1987:

'Little 15' is actually about a guy. It's about a boy. See, a lot of people have taken that song already in the wrong way, they think it's about a small girl, but it's not. It's actually about a boy, and his mother is talking to him. She's saying, "Look, you're gonna grow up and everything, and this is what it's gonna be like. It's not a bed of roses, and you're gonna be going out into the big, bad world soon." It's about a boy and his mother, his older mother. To be honest, when Martin wrote the song and he brought it to us and I read the lyrics and stuff - it's actually one of my favourite songs on the album - but when he brought it to me I thought immediately it was about a little girl, one of his, you know, "things"... But we won't talk about those!

Q & A from Alan Wilder's Shunt archive:

Steph: You're smart to expose Paris [Wilder's daughter] to Nyman - what is your favourite of his work? I am partial to The Piano soundtrack. I can't listen to him without being transported somewhere else in the universe. Has he influenced you in any way? Do you see any similarities in your respective styles?

Alan Wilder: I didn't think 'The Piano' was very good. I hated the film too. I prefer A Zed And Two Noughts. I suppose there is some influence - listen to 'Little 15'.

Wilder and Gahan elaborate on this influence in the 2006 Music For The Masses remaster DVD documentary:

Alan Wilder: I remember [that] 'Little 15' was being quite a difficult track. We had left it to the last [day] because we really didn't know how to go about it. We had this song, it seemed... it was just difficult to know what to do with it. And I can remember I had just been to see A Zed & Two Noughts by Peter Greenaway, and all his music, that is [from] Michael Nyman. And so, somewhere amongst our discussions, we said: "Why don't we try and do it in this sort of Nyman and A Zed & Two Noughts kind of way?". But from there, it was just easy, it just flowed. It all started with this funny, little, hypnotic cycle sequence, and then - bang, bang, bang - all the parts came together.

Dave Gahan: That was Alan's, like, schooling, his musicianship. He's a fantastic piano player. And I don't think we appreciated that at the time.

Album producer Dave Bascombe describes the impact of Wilder's influence on the production of 'Little 15'[1]:

"... There’s a lot of reverb on that album which is ‘of the time’, but I suppose the cinematic thing was Alan. And the orchestral stuff, like in ‘Little 15’, there’s a lot of orchestral samples in there that we spent ages working on and that was definitely Alan, [he’s] definitely the reason for that."

Wilder writes on the official Recoil website in 1998:

"'Little 15' was never intended as a single - in fact from the outset, it was touch and go as to whether the track would even be recorded at all. However, encouraged by Dan Miller, an experimental approach in the studio gave rise to a simple ballad based around a Nymanesque opening string arrangement. It was the French record company who later insisted the song was perfect for their market resulting in a release geared towards this territory only. There is some confusion over which other European countries eventually released the single. Certainly, it was never officially released in England and yet, remarkably still managed to chart on Import only - a perfect demonstration of the die hard following that DM now enjoyed."[2]

Martin describes an unnamed ballad in Bravo Magazine issue #44 in 1987. Given the fact that the recording of this song is said to have been postponed until the end, and Alan's quotes of 'Little 15' being postponed until the end of the recording session, it can be guessed that this quote is about 'Little 15':

"There's a ballad on the new album that Andy has rejected from the start. He refused to play the thing. He thought it was too sad, and it really seemed to affect him. We nevertheless started to work on it. And almost until the end he kept saying that he didn't want to play the thing. Funnily enough, the song is now his favorite on the record."

Gore in Bong issue no. 37, 1998:

"This was the only ever single in France. We were convinced by our French record company that it was a great single for France and that it had all the right ingredients to be a massive hit in France. We just looked at them and said "You're mad, Little 15 is not a single", but as it was Mute France at that time and we knew the people very well, we basically gave in to them and let them have their way. And was it a massive hit? No! Was it a hit? No!"

Lyrics


Little 15

Little 15

You help her forget

The world outside

You're not part of it yet


And if you could drive

You could drive her away

To a happier place

To a happier day


That exists in your mind

And in your smile

She could escape there

Just for a while

Little 15


Little 15

Why take the smooth with the rough

When things run smooth

It's already more than enough


She knows your mind

Is not yet in league

With the rest of the world

And its little intrigues


Do you understand

Do you know what she means

As time goes by

And when you've seen what she's seen

You will

Little 15


Little 15

Why does she have to defend

Her feelings inside

Why pretend


She's not had a life

A life of near misses

Now all that she wants

Is 3 little wishes


She wants to see with your eyes

She wants to smile with your smile

She wants a nice surprise

Every once in a while

Little 15


Songwriter: Martin L. Gore
Publishing Information: ©1987 Grabbing Hands Music Ltd/EMI Music Publishing Ltd. All rights reserved.

Music video

Live performances

Main article: Available recordings of "Little 15"
Main article: List of dates where "Little 15" was played

References


1981-1985: Dreaming Of MeNew LifeJust Can't Get EnoughSee YouThe Meaning Of Love
Leave In SilenceGet The Balance RightEverything CountsLove In ItselfPeople Are PeopleMaster And ServantBlasphemous Rumours / SomebodyShake The DiseaseIt's Called A Heart
1986-1989: StrippedBut Not TonightA Question Of LustA Question Of TimeStrangelove
Never Let Me Down AgainBehind The WheelLittle 15Personal Jesus
1990-1998: Enjoy The SilencePolicy Of TruthWorld In My EyesI Feel YouWalking In My ShoesCondemnationIn Your RoomBarrel Of A GunIt's No GoodHomeUseless
Only When I Lose Myself
2001-2009: Dream OnI Feel LovedFreeloveGoodnight LoversPreciousA Pain That I'm Used To
Suffer WellJohn The Revelator / LilianMartyrWrongPeaceFragile Tension / Hole To Feed
2013-2017: HeavenSoothe My SoulShould Be HigherWhere's The RevolutionGoing Backwards
Cover Me
2023: Ghosts Again
1992-1998: Faith HealerDriftingStalker / Missing Piece
2000-2008: Strange HoursJezebelPreyAllelujah
2003-2008: Dirty Sticky FloorsI Need YouBottle Living / Hold OnA Little PieceKingdomSaw Something / Deeper And Deeper
2012-2015: Longest DayTake Me Back HomeAll Of This And NothingShine
1989-2003: CompulsionStardustLoverman
2012-2015: SpockSingle BlipAftermathsEuropa Hymn • "Pinking" (Christoffer Berg Remix)
Official releases