Cover Me: Difference between revisions

From DM Live - the Depeche Mode live encyclopedia for the masses
Jump to navigationJump to search
No edit summary
No edit summary
 
(37 intermediate revisions by 3 users not shown)
Line 1: Line 1:
{{Prevnext|
prev=You Move|
next=Eternal|
colorscheme=CoverMe}}
{{Song infobox
| title = Cover Me
| screenshot = Single-CoverMe.jpg
| artist = [[Depeche Mode]]
| songwriter = [[Dave Gahan]]<br>[[Peter Gordeno]]<br>[[Christian Eigner]]
| producer = [[James Ford]]
| studio = Sound Design (Santa Barbara)<br>Jungle City (New York)
| length = 4:01
| tempo = 98
| timesignature = {{music|time|4|4}}
| key = C Minor
| programmedby = Matrixxman<br>Kurt Uenala
| engineeredby = Jimmy Robertson
| mixingby = [[James Ford]]
| mixingassistance = Brendan Morawski
| masteredby = Brian Lucey
| studioassistance = Connor Long<br>Óscar Muñoz<br>David Schaeman<br>Brendan Morawski
| pedalsteelguitarby = [[James Ford]]
| drumsby = [[James Ford]]
| artdirection = [[Anton Corbijn]]
| designby = SMEL
| recordingdate = April–August 2016
| releasedate = 6 October 2017
| colorscheme = CoverMe
}}
{{S|Cover Me}} is a song from the 2017 album ''[[Spirit]]'' by [[Depeche Mode]]. It was released as a single on 6 October 2017.
== Notes ==
== Notes ==
Dave Gahan wrote the song together with Peter Gordeno and Christian Eigner.
[[Dave Gahan]] wrote 'Cover Me' together with Depeche Mode touring musicians [[Peter Gordeno]] and [[Christian Eigner]].  


Dave Gahan told [http://www.rollingstone.com/music/features/depeche-modes-dave-gahan-on-urgent-new-lp-bowie-influence-w462560 Rolling Stone]:
[[Depeche Mode]] have said in interviews (like during the [[2016-10-11 Press Conference, Teatro dell'Arte, La Triennale di Milano, Milan, Italy|2016-10-11 press conference]]) that producer James Ford taught himself to play {{MLG}}'s pedal steel guitar within one day while in the studio, and thus this guitar was used in some songs, including 'Cover Me'.
 
Gahan talked about this song extensively to [[2017-04-09 Gaydio 88.4FM, Manchester, UK|Phil Marriott]]:
<blockquote>
<blockquote>
"It's about a person who travels to another planet only to find that, much to his dismay, it's exactly the same as earth. It's a different planet but the same. He really can't get away from himself. If he wants things to change, he's going to have to implement it."
"I wanted ['Cover Me'] to be very cinematic, and I had this sort of idea of us finally destroying this beautiful planet that we live on. Hence the northern lights: it's just one in many millions of beautiful things... the oceans, just things that we take for granted. And the "Northern lights" was just a metaphor that I wanted to use, because I did once experience actually being there while that was happening, way up north in Scandinavia. Yeah [it's quite an emotional experience], and it's also out of the world somehow, quite spiritual, and moving, moving to the point of tears, the beauty of something happening in our universe. And so I had this idea at that time, a little lyrical idea, not really a melody. But anyway, I came back to that, and that became that song. And I also saw the song in two halves, where the second half was where we are finally leaving or something. This person or whoever it is, who I live vicariously through, leaves the planet, only to find another planet that is exactly the same as ours, and he has this horrible feeling of like, "Oh wow, it's not the planet, it's me, I am doing this. I'm destroying this beautiful world that I live in. And that can be just an emotional relationship that you have with another person, or trying to be having a relationship with another person that you can't quite get to because you just can't. And that, for me, is quite often where I find myself with music and songs: I am quite often this other person. Of course it's me, but I can live vicariously through this performer, this guy that I've created, which is me, but a character. And throughout songs and films and books and stuff like that, that's where I get lost. [...] With 'Cover Me', the song that was coming to mind a lot, the feeling of the song that I wanted to get on this, and it's a totally different kind of song, but the feeling that I wanted to get was like Bowie's song 'Life On Mars', where the second half of the song seems to go to another place, or 'Space Odyssey', that kind of feeling. It opens up for you, the listener, to just be able to go off in their own dreams and ideas."
</blockquote>
</blockquote>


He also told [[2017-04-09 Gaydio 88.4FM, Manchester, UK|Phil Marriott]]:
Gahan told {{EL|https://www.newstatesman.com/culture/music-theatre/2017/06/depeche-mode-s-dave-gahan-why-i-don-t-understand-my-own-band New Statesman}} that Martin Gore did not understand this metaphor:
<blockquote>
<blockquote>
"I wanted ['Cover Me'] to be very cinematic with this idea of us finally destroying this beautiful planet that we live on. There are so many things that we take for granted."
"I'm like, 'What the fuck do you know? I never question your songs, Martin, I just sing them!'"
</blockquote>
</blockquote>


He elaborated on the song [[2017-04-10 FUV Live, WFUV 90.7 FM, New York City, NY, USA|on WFUV Radio]]:
Gore and Gahan told [[2017-04-28 Backstage Mit Depeche Mode, Amazon Music Unlimited, Germany|Amazon]]:
<blockquote>
<blockquote>'''Gahan''': "I thought that a big surprise for me was how 'Cover Me' ended up being. I heard that song when that song was written by myself, Pete and Christian, who have been performing live with us next to twenty years. So they had some ideas that they wanted me to write to, and it ended up being 'Cover Me'. And I always heard this idea of the song being in two halves: one half is this sort of lyrical idea, and the other song being something kind of another world. For me, it sounds really well on the album. The song is here and you kind of go in a spaceship and go somewhere else. And that was kind of the idea behind the song. It came out really well, I was really pleased — I think everybody was in the end. I was surprised how well that came out. Sometimes you are just dreading the demos. If you are in a band, and you bring in the demos, and you try to get them [into it, you say] "Look, this is a demo. I want us all to collectively work on this, and let's see where it goes." It's sometimes really difficult to have another person to hear what you hear and you can't really explain it. But that one definitely got everyone involved, and it went off. And Martin got very involved, we sat down at the piano, we worked on some of the lyrical ideas as well as well as the melody... maybe not so much the melody but some of the chords. And Martin is great with that, he would sit at the piano and get into the song as well, and he'd really kind of give his best. And he did, I think, on that song."
"The song is kind of inspired by this guy that finds another world to live [in], but finds out it's exactly the same as this one. And he is just chasing his own tail. The song is in two halves, and the second half is supposed to take you out of this world, and the first half is this sort of confessional. I would say it's got a lyrical content which is the beautiful side of the things that are in our world today. So it's a moment on the album which isn't so pointing-the-finger-and-blaming. And the blame also falls on ourselves. Martin is not just saying "Hey, whatchagonnadoaboutit", he's taking responsibility, and I hear that in those songs. And 'Cover Me' really does take responsibility, and it's asking also for help."
 
'''Gore''': "The demo was quite good, but I think that in the studio we really took it on and made it into something that was even better. And the bit at the end, that really long instrumental piece, did not exist before. So I think that that has made that song into something that was much better than the demo, even though the demo was quite good."
</blockquote>
</blockquote>


Keyboard programmer Matrixxman said in an interview with [http://mode2joy.pl/2017/03/17/interview-with-charles-duff-matrixxman-keyboard-programmer-for-depeche-modes-new-album-spirit/ Mode2joy.pl]:
Keyboard programmer Matrixxman said in an interview with {{EL|http://mode2joy.pl/2017/03/17/interview-with-charles-duff-matrixxman-keyboard-programmer-for-depeche-modes-new-album-spirit/ MODE2Joy}}:
<blockquote>
<blockquote>
"Cover Me required some quality time. Maybe there were some other [songs off 'Spirit' too that were difficult to make] but this one stands out in my mind. This particular track Dave wrote initially. He was adamant that we should all try to get busy and „fuck it up” as the kids would say. At first I had a tough time coming up with compelling things for this tune but Dave did a great job of urging us to get weird and creative. James did some really cool tweaking of the voicing of the chords which helped push it in a darker direction. I came up with a sort of Pink Floyd-ish arpeggiated synth pattern that I hummed to Martin and we set about making that. Kurt worked his synth magic as well. Next thing you know, all of the contributions really brought the track to life. It took on this eerie, cinematic quality that wasn’t previously present.
"'Cover Me' required some quality time. Maybe there were some other [songs off ''Spirit'' too that were difficult to make] but this one stands out in my mind. This particular track Dave wrote initially. He was adamant that we should all try to get busy and "fuck it up" as the kids would say. At first I had a tough time coming up with compelling things for this tune but Dave did a great job of urging us to get weird and creative. James did some really cool tweaking of the voicing of the chords which helped push it in a darker direction. I came up with a sort of Pink Floyd-ish arpeggiated synth pattern that I hummed to Martin and we set about making that. Kurt worked his synth magic as well. Next thing you know, all of the contributions really brought the track to life. It took on this eerie, cinematic quality that wasn't previously present.


The coda [in the track] was either James [Ford's idea] or Dave’s doing, but creatively speaking, it was an amalgamation of everyone’s talent then and there. I’m happy that the arpeggio thing I contributed helped tie it together. Kurt [Uenala] came up some epic synth stuff as well."
The coda [in the track] was either James [Ford's idea] or Dave's doing, but creatively speaking, it was an amalgamation of everyone's talent then and there. I'm happy that the arpeggio thing I contributed helped tie it together. Kurt [Uenala] came up some epic synth stuff as well."
</blockquote>
</blockquote>


{{Template:Song17|Cover Me}}
{{Template:Lyrics|Cover Me|
I've felt better
 
I've been up all night
 
I can feel it coming
 
The morning light
 
The air is so cold here
 
It's so hard to breathe
 
We better take cover
 
Will you cover me
 
 
Way up here with the Northern lights
 
Beyond you and me
 
I dreamt of us in another life
 
One we've never reached
 
You know we're sinking
 
We could fade away
 
I'm not going down with you
 
Not today
 
 
The air is so cold here
 
Too cold to see
 
We have to take cover
 
Cover me
 
 
Way up here with the Northern lights
 
Beyond these broken bars
 
I pictured us in another life
 
Where we're all super stars
|Dave Gahan, Peter Gordeno and Christian Eigner|©2015 Sony ATV Music Corp., JJSR Productions Inc. and Reservoir/Reverb Music Ltd. All rights on behalf of itself and JJSR Productions Inc. admin. by Sony ATV Music Corp. (BMI). (USA)
Published by Sony ATV Music Publishing Ltd, Licensed by JJSR Productions Inc., and Reservoir/Reverb Music Ltd. (Rest Of The World)}}
 
== Music video ==
 
{{#widget:YouTube| id=H8t5M9_Tvzk}}
 
== Live performances ==
{{Live section}}
 
{{Singles}}
 
[[Category:Singles]]
[[Category:Depeche Mode songs]]
[[Category:Depeche Mode singles]]
[[Category:Spirit songs]]
[[Category:Spirit singles]]
[[Category:Songs in C Minor]]
[[Category:Songs between 95-99 BPM]]
[[Category:Songs written by Dave Gahan]]
[[Category:Songs with official music videos]]
 
<metadesc>"Cover Me" is a song from the 2017 album Spirit by Depeche Mode. It was released as a single on 6 October 2017.</metadesc><nowiki/>

Latest revision as of 12:23, 4 August 2023

5. You Move
6. Cover Me
List of Spirit songs
7. Eternal
Cover Me
Single-CoverMe.jpg
Song Cover Me
By Depeche Mode
Songwriter Dave Gahan
Peter Gordeno
Christian Eigner
Produced by James Ford
Recorded at Sound Design (Santa Barbara)
Jungle City (New York)
Length (mm:ss) 4:01
Tempo 98 BPM
Time signature 4
4
Key C Minor
Programmed by Matrixxman
Kurt Uenala
Engineered by Jimmy Robertson
Mixed by James Ford
Mixing assistance Brendan Morawski
Mastered by Brian Lucey
Studio assistance Connor Long
Óscar Muñoz
David Schaeman
Brendan Morawski
Pedal steel guitar James Ford
Drums James Ford
Art direction Anton Corbijn
Design SMEL
Recorded April–August 2016
Originally released 6 October 2017
Live performances as Depeche Mode 139 times *
Total live performances 139 times *

"Cover Me" is a song from the 2017 album Spirit by Depeche Mode. It was released as a single on 6 October 2017.

Notes

Dave Gahan wrote 'Cover Me' together with Depeche Mode touring musicians Peter Gordeno and Christian Eigner.

Depeche Mode have said in interviews (like during the 2016-10-11 press conference) that producer James Ford taught himself to play Martin Gore's pedal steel guitar within one day while in the studio, and thus this guitar was used in some songs, including 'Cover Me'.

Gahan talked about this song extensively to Phil Marriott:

"I wanted ['Cover Me'] to be very cinematic, and I had this sort of idea of us finally destroying this beautiful planet that we live on. Hence the northern lights: it's just one in many millions of beautiful things... the oceans, just things that we take for granted. And the "Northern lights" was just a metaphor that I wanted to use, because I did once experience actually being there while that was happening, way up north in Scandinavia. Yeah [it's quite an emotional experience], and it's also out of the world somehow, quite spiritual, and moving, moving to the point of tears, the beauty of something happening in our universe. And so I had this idea at that time, a little lyrical idea, not really a melody. But anyway, I came back to that, and that became that song. And I also saw the song in two halves, where the second half was where we are finally leaving or something. This person or whoever it is, who I live vicariously through, leaves the planet, only to find another planet that is exactly the same as ours, and he has this horrible feeling of like, "Oh wow, it's not the planet, it's me, I am doing this. I'm destroying this beautiful world that I live in. And that can be just an emotional relationship that you have with another person, or trying to be having a relationship with another person that you can't quite get to because you just can't. And that, for me, is quite often where I find myself with music and songs: I am quite often this other person. Of course it's me, but I can live vicariously through this performer, this guy that I've created, which is me, but a character. And throughout songs and films and books and stuff like that, that's where I get lost. [...] With 'Cover Me', the song that was coming to mind a lot, the feeling of the song that I wanted to get on this, and it's a totally different kind of song, but the feeling that I wanted to get was like Bowie's song 'Life On Mars', where the second half of the song seems to go to another place, or 'Space Odyssey', that kind of feeling. It opens up for you, the listener, to just be able to go off in their own dreams and ideas."

Gahan told New Statesman that Martin Gore did not understand this metaphor:

"I'm like, 'What the fuck do you know? I never question your songs, Martin, I just sing them!'"

Gore and Gahan told Amazon:

Gahan: "I thought that a big surprise for me was how 'Cover Me' ended up being. I heard that song when that song was written by myself, Pete and Christian, who have been performing live with us next to twenty years. So they had some ideas that they wanted me to write to, and it ended up being 'Cover Me'. And I always heard this idea of the song being in two halves: one half is this sort of lyrical idea, and the other song being something kind of another world. For me, it sounds really well on the album. The song is here and you kind of go in a spaceship and go somewhere else. And that was kind of the idea behind the song. It came out really well, I was really pleased — I think everybody was in the end. I was surprised how well that came out. Sometimes you are just dreading the demos. If you are in a band, and you bring in the demos, and you try to get them [into it, you say] "Look, this is a demo. I want us all to collectively work on this, and let's see where it goes." It's sometimes really difficult to have another person to hear what you hear and you can't really explain it. But that one definitely got everyone involved, and it went off. And Martin got very involved, we sat down at the piano, we worked on some of the lyrical ideas as well as well as the melody... maybe not so much the melody but some of the chords. And Martin is great with that, he would sit at the piano and get into the song as well, and he'd really kind of give his best. And he did, I think, on that song."

Gore: "The demo was quite good, but I think that in the studio we really took it on and made it into something that was even better. And the bit at the end, that really long instrumental piece, did not exist before. So I think that that has made that song into something that was much better than the demo, even though the demo was quite good."

Keyboard programmer Matrixxman said in an interview with MODE2Joy:

"'Cover Me' required some quality time. Maybe there were some other [songs off Spirit too that were difficult to make] but this one stands out in my mind. This particular track Dave wrote initially. He was adamant that we should all try to get busy and "fuck it up" as the kids would say. At first I had a tough time coming up with compelling things for this tune but Dave did a great job of urging us to get weird and creative. James did some really cool tweaking of the voicing of the chords which helped push it in a darker direction. I came up with a sort of Pink Floyd-ish arpeggiated synth pattern that I hummed to Martin and we set about making that. Kurt worked his synth magic as well. Next thing you know, all of the contributions really brought the track to life. It took on this eerie, cinematic quality that wasn't previously present.

The coda [in the track] was either James [Ford's idea] or Dave's doing, but creatively speaking, it was an amalgamation of everyone's talent then and there. I'm happy that the arpeggio thing I contributed helped tie it together. Kurt [Uenala] came up some epic synth stuff as well."

Lyrics


Cover Me

I've felt better

I've been up all night

I can feel it coming

The morning light

The air is so cold here

It's so hard to breathe

We better take cover

Will you cover me


Way up here with the Northern lights

Beyond you and me

I dreamt of us in another life

One we've never reached

You know we're sinking

We could fade away

I'm not going down with you

Not today


The air is so cold here

Too cold to see

We have to take cover

Cover me


Way up here with the Northern lights

Beyond these broken bars

I pictured us in another life

Where we're all super stars


Songwriter: Dave Gahan, Peter Gordeno and Christian Eigner
Publishing Information: ©2015 Sony ATV Music Corp., JJSR Productions Inc. and Reservoir/Reverb Music Ltd. All rights on behalf of itself and JJSR Productions Inc. admin. by Sony ATV Music Corp. (BMI). (USA) Published by Sony ATV Music Publishing Ltd, Licensed by JJSR Productions Inc., and Reservoir/Reverb Music Ltd. (Rest Of The World)

Music video

Live performances

Main article: Available recordings of "Cover Me"
Main article: List of dates where "Cover Me" was played


1981-1985: Dreaming Of MeNew LifeJust Can't Get EnoughSee YouThe Meaning Of Love
Leave In SilenceGet The Balance RightEverything CountsLove In ItselfPeople Are PeopleMaster And ServantBlasphemous Rumours / SomebodyShake The DiseaseIt's Called A Heart
1986-1989: StrippedBut Not TonightA Question Of LustA Question Of TimeStrangelove
Never Let Me Down AgainBehind The WheelLittle 15Personal Jesus
1990-1998: Enjoy The SilencePolicy Of TruthWorld In My EyesI Feel YouWalking In My ShoesCondemnationIn Your RoomBarrel Of A GunIt's No GoodHomeUseless
Only When I Lose Myself
2001-2009: Dream OnI Feel LovedFreeloveGoodnight LoversPreciousA Pain That I'm Used To
Suffer WellJohn The Revelator / LilianMartyrWrongPeaceFragile Tension / Hole To Feed
2013-2017: HeavenSoothe My SoulShould Be HigherWhere's The RevolutionGoing Backwards
Cover Me
2023: Ghosts Again
1992-1998: Faith HealerDriftingStalker / Missing Piece
2000-2008: Strange HoursJezebelPreyAllelujah
2003-2008: Dirty Sticky FloorsI Need YouBottle Living / Hold OnA Little PieceKingdomSaw Something / Deeper And Deeper
2012-2015: Longest DayTake Me Back HomeAll Of This And NothingShine
1989-2003: CompulsionStardustLoverman
2012-2015: SpockSingle BlipAftermathsEuropa Hymn • "Pinking" (Christoffer Berg Remix)
Official releases